Sasquatch Destroys Wedding Cake in Geico Spot — See the Newest Ads on TV


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time over the weekend. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

Among the new releases, Olympic Gold Medalist Allyson Felix is so fast that she competes with a rocket in a spot for Nike. Geico borrows ZZ Top’s “La Grange” for a motorcycle insurance spot.

And Jack Link brings back its Sasquatch character, this time at a wedding, where a couple pushes him face-first into a wedding cake. Sasquatch doesn’t find the joke very funny and retaliates. When will they learn that you can’t mess with Sasquatch?

Continue reading at AdAge.com

P4 Ogilvy Launches ‘The Tweeting Pothole’ for MEDCOM

P4 Ogilvy & Mather in Panama found a novel solution to the problem of damaged city roads in Panama City: tweeting potholes.

The agency placed devices in potholes that tweeted complaint messages to the Department of Public Works whenever they were run over by a car. Panama TV station MEDCOM requested that the agency tackle the issue and later featured “The Tweeting Pothole” on its program, also interviewing Panama City drivers about the issue. It seems that the effort caught the attention of local government, as, according to the case study above some of the potholes have begun disappearing, and Adweek reports the minister of public works appeared on TV to address the issue, blaming “a mix of poor construction and the failure of talks [to] approve money to fix the roads.”

Credits:

Client: MEDCOM
Agency: P4 Ogilvy & Mather, Panama City, Panama
Chief Creative Officer: Edwin Mon
Associate Creative Director: Alejandro Blanc
Creative Director: Osvaldo Restrepo
Digital Creative Director: Alberto Lam
Copywriter: Edmar Quiros
Head of Art: Roberto Perez
Art Director: Edmar Quiros
Designer: Franklin Lu
General Account Executive: Monica Urrutia
Digital Account Manager: Luis Gonzales
Executive Producer: Benjamin Liao, Belisario Alvarez, Monica Crespo
Production Company: VFX Panama, SAKE Argentina
Music: Salmon Osado
Sound editing: Manuel Trejos
Post Production: Marcos Ruiz
Additional credits: Francisco Hernandez MEDCOM Digital Media Director

A Light That Looks Like a Milk Bottle

Après sa Monster Chair et sa Armstrong Light, le designer russe Constantin Bolimond a conçu une nouvelle lampe appelée « MU – Packing for Light ». Ce projet combine deux thèmes : le packaging et la lumière. Ce luminaire a la forme d’une bouteille de lait qui s’éclaire quand on dévisse le bouchon.

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Vox.com's Latest Editorial Experiment: Making Its Content Embeddable


Nearly 14 months since its launch, the editorial experimentation at Vox Media’s general-interest news site Vox.com continues.

Last week Vox.com rolled out an embeddable version of its card stacks so that other sites can feature these flash-card-like explainers within their own articles, like they might a YouTube video.

“We think of card stacks as very core not just to our editorial mission but to the soul of Vox. They are the clearest manifestation of what we are trying to do differently,” said Vox.com Editor-in-Chief and Co-Founder Ezra Klein.

Continue reading at AdAge.com

Seed Factory Celebrates ‘Kindness’ for Navicent Health

Atlanta agency Seed Factory takes a slightly different approach in a new spot for Navicent Health entitled “Kindness.”

Rather than focusing on doctors and medical technology, the 60-second spot focuses on human kindness and the difference it makes. Filmed in Atlanta by director Daniel Brown, the ad opens on a series of individuals who could use some help: kids disappointed to find no hoops at the basketball court, a girl with nowhere to sit at school lunch, a woman stuck on the side of the road with car trouble. Then scenes unfold showing how the people in each situation benefit from human kindness, delivering the messages “With kindness we all feel better” and “Imagine a place where kindness happens every day” leading into the tagline, “Everything about us is all about you.” The ad ties Navicent’s brand to the feel-good message, relying on emotion for an approach Seed Factory and Navicent hope is different enough for the category to be memorable.

Credits:

AGENCY: Seed Factory, Atlanta

CREATIVE DIRECTOR/ART: Mark Sorensen
CREATIVE DIRECTOR/COPY: Rick Ender
AGENCY PRODUCER: Janet Mason

PRODUCTION COMPANY: Workhouse Creative, Seattle, WA
EXECUTIVE PRODUCER: Keith Rivers
LINE PRODUCER: Matt Ackerman
DIRECTOR: Daniel Brown
DP: Randy Arnold
EDITOR: Sean Kusanagi

LICENSED MUSIC TRACK: “Nothing More” by Alternate Routes

CLIENT: Navicent Health
CEO: Dr. Ninfa Saunders
CMO: Cyndey Costello Busbee

 

Ogilvy Gets Potholes to Tweet, Asking to Be Fixed, Every Time They're Run Over

People aren’t the only ones complaining about potholes in Panama City. The potholes are complaining!

With so many streets in Panama City damaged, local agency P4 Ogilvy & Mather placed special devices in potholes that automatically tweet nasty messages at the Twitter account of the Department of Public Works whenever cars drive over them.

A quick glance at the @Elhuecotwitero Twitter page shows the campaign in action—scores of tweets per day asking @MOPdePanama for answers.

The campaign was done on behalf of a Panama TV station, which said potholes are a major concern of its viewers. And it seems to be working—at least, it got the attention of the minister of public works, who appeared on the TV station Monday to address the issue, which he blamed on a mix of poor construction and the failure of talks at approve money to fix the roads.

See public works minister Ramón Arosemena address the issue here:

CREDITS
Client: MEDCOM
Agency: P4 Ogilvy & Mather, Panama City, Panama
Chief Creative Officer: Edwin Mon
Associate Creative Director: Alejandro Blanc
Creative Director: Osvaldo Restrepo
Digital Creative Director: Alberto Lam
Copywriter: Edmar Quiros
Head of Art: Roberto Perez
Art Director: Edmar Quiros
Designer: Franklin Lu
General Account Executive: Monica Urrutia
Digital Account Manager: Luis Gonzales
Executive Producer: Benjamin Liao, Belisario Alvarez, Monica Crespo
Production Company: VFX Panama, SAKE Argentina
Music: Salmon Osado
Sound editing: Manuel Trejos
Post Production: Marcos Ruiz

CREDITS
Client: MEDCOM
Agency: P4 Ogilvy & Mather, Panama City, Panama
Chief Creative Officer: Edwin Mon
Associate Creative Director: Alejandro Blanc
Creative Director: Osvaldo Restrepo
Digital Creative Director: Alberto Lam
Copywriter: Edmar Quiros
Head of Art: Roberto Perez
Art Director: Edmar Quiros
Designer: Franklin Lu
General Account Executive: Monica Urrutia
Digital Account Manager: Luis Gonzales
Executive Producer: Benjamin Liao, Belisario Alvarez, Monica Crespo
Production Company: VFX Panama, SAKE Argentina
Music: Salmon Osado
Sound editing: Manuel Trejos
Post Production: Marcos Ruiz
Additional credits: Francisco Hernandez MEDCOM Digital Media Director



Champagne Package Concept

La designer suédoise Jessica Sjöstedt a signé un packaging malin et original spécialement conçu pour des bouteilles de champagne. Ornée d’un graphisme polygonal et coloré, la partie supérieure de ce boîtier cylindrique en carton se détache lors de l’utilisation. À découvrir.

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Watch John Oliver Skewer FIFA Sponsors (but Make Them an Offer, Too)


In his latest takedown of FIFA, John Oliver made an offer to the embattled organization’s sponsors, which include Anheuser Busch InBev, McDonald’s and Adidas: If they make newly re-elected FIFA President Sepp Blatter “go away,” he said on his HBO show Sunday night, he will buy their products.

Of course, he then went on to mock said products, comparing Bud Light Lime to a “puddle beneath a Long John Silver’s dumpster.”

“If you get rid of the Swiss demon who has ruined the sport I love, this stuff will taste like fucking champagne,” he said. Here’s the full monologue, from HBO’s “Last Week Tonight With John Oliver.” Sponsors become the focus around the 11:20 mark.

Continue reading at AdAge.com

Forget Kim Kardashian: Vanity Fair's Caitlyn Jenner Cover Is Breaking the Internet


“I’m not doing this to be interesting. I’m doing this to live.” #CallMeCaitlyn http://t.co/Mwfy5PkjTp pic.twitter.com/V2NmSJG2eV

VANITY FAIR (@VanityFair) June 1, 2015

Continue reading at AdAge.com

Golden Years Represent Golden Opportunity for Marketers


One of the many myths embraced and cherished by marketers over the years is the one contending that older people aren’t worth advertising to (except for prescription drugs on the evening news) because their buying habits are too entrenched to change.

But in reality, seniors are actively looking for new experiences at a time when they have more disposable income to pursue new hobbies and interests. As Bloomberg Business reported: “In marketing-speak, they’re winnable!”

Bloomberg quotes Alison Sander, who runs the Boston Consulting Group’s Center for Sensing and Mining the Future, saying that only about 5% of her corporate clients really understand the “nuances” of the senior market. “That helps explain why only about 15% of ad dollars are spent on this demographic, despite accounting for almost half of consumer packaged-goods sales, according to Nielsen data.

Continue reading at AdAge.com

Time Warner Cable C.F.O. Leaves Company

The chief financial officer, Arthur Minson Jr., will become president and chief operating office of the WeWork office space-sharing company.




Disney’s Top Financial Officer to Step Down

James Rasulo, the company’s chief financial officer since 2010, was considered out of the running to succeed Robert Iger as the chief executive.




Jenner Reveals New Name in Vanity Fair Article

Caitlyn Jenner, formerly Bruce Jenner, discussed her transition to a woman in an article in the magazine.




The Community Crafts ‘Dear Summer’ for Corona

With only a couple of months left of spring, Miami-based SapientNitro cross-cultural agency The Community (formerly La Communidad) created a new spot promoting Corona Extra entitled “Dear Summer.”

The 60-second spot is narrated by Winter, whose address to summer celebrates the season via comparison to the less pleasant aspects of winter. While summer has bonfires, winter’s fires are for not freezing; people can swim in the summer’s waters, people slip and fall on winter ice. “You even have your own beer, how can I compete with that?” winter asks. (Actually, there are a lot of great winter seasonal beers, but we won’t go off on that tangent…) It’s a bit of a cheesy approach, but it integrates the product well — presenting Corona as the beer of summer with the tagline “Always Summer” — and fits nicely with the brand’s larger “Find Your Beach” positioning. The spot ends with a reminder of the season’s ephemeral nature with the line “P.S. Fall says ‘hi.”

Credits:

Client: Corona
Agency: The Community
Chief Creative Officer: Jose Mollá & Joaquin Mollá
Creative Director: Rodrigo Butori
Art Director: Aaron Willard
Copywriter: Aaron Zimroth, Matias Blazevic, Ibon Iraola
VP of Integrated Production: Laurie Malaga
Senior Producer: Julio Rangel
Account Director: Maryanne Dammrich
Account Associate: Daniel Gergely
Account Executive(s): Sophia Gonzalez
Account Coordinator: Erika Rivera

Production Company: Partizan
Director: John Dolan
Director of Photography: Alex Lamarque
Executive Producer: Sheila Stepanek
Head of Production: Jennifer Gee
Producer: John Benet
Offline Editing House: Beast Editorial
Online Post House: Vapor Post
Editor: Rob Watzke
Assistant Editor: Evelina Gokinayeva
Producer: Mary Stasilli

Music House: Circle of Sound
Composer: Circle of Sound
Producer: Guillermo De La Barreda
Color Correction/VFX: Vapor Post
Audio Mix: Elastik Music
Producer: Luli De Oto
Mixer: Gustavo Briceno

Twitter Unveils Official Consulting Partners: IBM Is First Up


IBM has worked with Twitter as a strategic partner since October, and the relationship has helped the social-data purveyor recognize something important: Twitter needs more preferred consulting partners.

So, the much younger, smaller Twitter has approved the global tech giant as its first Twitter Official Partner, a new seal-of-approval Twitter is introducing today.

Twitter has partnered with a variety of approved data-tech vendors such as financial data provider Dataminr and social analytics firms like Crimson Hexagon. Until now it’s categorized them as certified marketing-platform partners or product partners. Today, Twitter is rolling those into the Official Partner Program, and plans to accept additional consultancies into the fold.

Continue reading at AdAge.com

The King Returns in Pitch’s Latest for Burger King

The King is back.

Burger King’s plastic-faced creep of a monarch is making his return to broadcast today in a new 15-second spot created by Pitch. The spot, entitled “Smile” is a relatively simple affair, promoting the ten chicken nuggets for $1.49 deal that “will put a smile on anybody’s face.” With the delivery of that line, the camera pans up to show the King smiling while dipping his nuggets.

The ad makes Burger King the latest fast food player to resurrect a nostalgic character, following McDonald’s new Hamburglar and KFC rebooting Colonel Sanders, portrayed by Darrell Hammond in W+K’s first campaign for the brand. The King made a costly appearance last month in the ring with Floyd Mayweather, a questionable decision on the brand’s part (to say the least) given Mayweather’s history of domestic violence, but this is his first appearance on broadcast since the character stopped appearing in ads in February of 2011. Given the trend of fast food brands reviving old characters, we’ll be surprised if the King doesn’t pop up at least a few more times this year.

“The King has been breaking status quo for decades and has earned his space in pop culture,” Burger King chief marketing officer Eric Hirschhorn told AdFreak. “He conveys the confident and bold spirit of the Burger King brand, which you can see comes to life in everything we do.”

No word yet on a Sneak King sequel.

Credits:

Client: Burger King
Agency: Pitch, Inc.
Chief Creative Officer: Xanthe Wells
Exec Design Director/Creative Director: Helena Skonieczny
ACD/Copywriter: Heather Parke
ACD/Art Director:  Kimberly Linn
Account Director: Audrey Jersin
Account Executive: Christina Gocoglu
Director of Broadcast: Julie Salik
Production Coordinator:  Ivana Banh
CFO/COO: Pej Sabat
Chief Strategy Officer: Sara Bamossy
Jr. Strategist: Lexi Whalen
President: Rachel Spiegelman
Editorial Company: Bicep Productions
Editor: Nate Connella
Asst. Editor: Gary Burns
Editorial Producer: Esther Gonzalez
Animation & VFX:  Terry Politis
Color:  Bob Festa, Company 3
Audio Post Company: Bicep Productions
Engineer: Luis Rosario
Production Company: Woodshop
Director: Trevor Shepard
Executive Producer:  Sam Swisher
Producer: Ursula Camack
Director of Photography:  Tom Lazaravich
Music:  Motive Music Sound
Composer:  Jeremy Adelman
Producer:  Samanta Balassa

Nik Studzinski to Join Karmarama as CCO

Karmarama has appointed Nik Studzinski as a chief creative officer and equity partner, beginning in August, AdAge reports.

Studzinski will join Karmarama from Droga5 London, where he served as an executive creative director and was one of the office’s co-founders in 2010. He replaces founder Dave Buonaguidi, who left Karmarama last July. Droga5 said it will appoint a new chief creative officer and CEO for its London office some time this summer.

Prior to joining Droga5, Studzinski was an executive creative director at Mother, a position he also held at Publicis London. Studzinski also served as head of art at Saatchi & Saatchi London, where he became the agency’s youngest-ever board member.

“I’ve enjoyed an incredible journey with Droga5 and it took something exceptional to make me even think about leaving,” Studzinski said.

A Costa Rican Brewer Just Inadvertently Made the Most Obscene Billboard Ever

Costa Rican drivers are getting an eyeful when they pass this billboard for Republica Parrillera Pilsner beer. Looking at the front of the billboard, nothing seems amiss. But when viewed from behind … well, yeah, that does look like a giant penis, doesn’t it?

As always with such placements, there’s debate over whether this was intentional or a mistake. Proponents of the former say it’s brilliant marketing, as drivers who approach the ad from the back are probably fairly likely to check out the front of the ad as they pass—behavior that precious few billboards provoke. Those who think it’s a mistake can’t fathom the kind of balls it would take to put a giant dick on a billboard.

Via AgencySpy.



Protein World, Expert Brand Troll, Brings Fat-Shaming 'Beach Body' Ads to NYC

Protein World continues to kick sand in the face of its critics.

After generating controversy and much attention for its brand in Britain this spring with its “Beach Body” campaign, the nutritional supplements company is exporting the incendiary advertising to New York.

A huge billboard with swimsuit-clad model Renee Somerfield has risen in Times Square, with its tagline, “Are you beach body ready?” casting a shadow across 42nd Street between Seventh and Eighth Avenues. Digital ads are planned for “every New York subway entrance,” boasts marketing chief Richard Staveley, along with placements “on 50 percent of all of the New York subway’s rolling stock. It will be an unmissable blanket coverage of Renee and yellow.”

A few months back, the company reveled in the largely angry response the ads generated in England. Amid accusations of fat-shaming and perpetuating unrealistic body types, some of the street posters were defaced, and a Change.org petition collected 70,000 signatures demanding the company remove the campaign. Parodies popped up in cyberspace and the physical world, with Carlsberg’s “Beer Body” spoof—complete with one of its bottles rocking yellow swim trunks—among the cheeky best.

Ultimately, the Protein World initiative was banned by Britain’s independent Advertising Standards Authority, “due to our concerns about a range of health and weight loss claims.”

Through it all, the client maintained an unrepentant, in-your-face attitude. Its Twitter feed denounced England as “a nation of sympathizers for fatties,” and CEO Arjun Seth compared those who vandalized the bikini-beach posters to “terrorists.”

Of course, stirring up a shitstorm was—and is—the goal. And following its craptastic performance overseas, we should fully expect this calculated exercise in trolling to reek of success stateside.

“It’s a big middle finger to everybody who bothered to sign that stupid petition in the U.K.,” Staveley says of Protein World’s incursion into NYC. “You could say that the London protesters helped pay for the New York campaign.”



The Obliteration Room with Colorful Polka-Dot Stickers

Yayoi Kusama a apporté un peu de couleurs dans la galerie David Zwirner, à New York, avec son exposition « Give Me Love » présentant la Obliteration Room : une pièce blanche entièrement recouverte d’autocollants et pois colorés que les visiteurs peuvent coller librement. Vous pourrez décorer cette pièce jusqu’au 13 juin.

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