Music Supervisor Jonathan Hecht Launches Venn Arts

Multidisciplinary Music Supervisor Jonathan Hecht is pleased to announce the launch of Venn Arts. Brooklyn-based Venn Arts specializes in the creative practice of licensing songs and procuring artists/bands for a broad range of commercial projects. The company has deep expertise in helping content producers and marketers find the right music that adds value to their brand and depth to their creative.

Adland: 

Bohemian 80s Fashion – The South China Morning Post's Budding Romance Story is Vibrantly Printed (GALLERY)

(TrendHunter.com) Alexandra Martynova shows off her 80s fashion closet in ‘Budding Romance’, an editorial exclusive for The South China Morning Post. Gracing the publication’s March 2015 issue, this…

Nationwide Names VCCP Lead UK Agency

Nationwide FlagNationwide announced the naming of VCCP as its lead advertising agency in the UK, following a review, Campaign reports.

VCCP beat fellow finalist Mother in the review, which was handled by ISBA. The account was previously handled by 18 Feet & Rising, who won lead agency duties for Nationwide back in 2011, after beating out Saatchi & Saatchi in a competitive review. Nationwide spends an estimated £30 million annually, according to Campaign. Nationwide launched the review in order to ” reflect a modern, integrated brand and digital communications landscape,” according to a brand spokesman, who added, “The review will look to strengthen perceptions of Nationwide as the true alternative to high-street banks.”

Nationwide also recently reshuffled its agency roster in the US, where Ogilvy’s Super Bowl ad proved controversial.

MetLife Launches Creative Review

metlife-insurance-company-logo

This morning Noreen O’Leary of Adweek and her sources (which are not our sources) report that the MetLife account has gone into creative review…and incumbent CP+B will not participate.

A client spokesperson did not offer details but said:

“MetLife is currently reviewing its roster of marketing partners. We expect to finalize our decision this summer.”

Crispin beat Havas, Y&R, and Venables to win the business back in 2010, and its most recent work for the client celebrated something called National Life Insurance Month by asking customers to discuss the people they “live for”:

According to the RFP, the client seeks an agency “capable of transforming ‘a slow-and-steady, US-focused life insurer to a top-tier global, diversified financial services company.’”

Five years ago, MetLife told agencies competing for its business that it wanted to be known as a “less conservative” company, but an anonymous source tells us that this plan never came to pass.

The new RFP sounds very familiar in pointing to MetLife’s “critically underleveraged” digital presence and website redesign as evidence that, like other insurance companies, it is “stuck in the 1950s” with campaigns that “rarely mention the products being sold.”

The client’s overall spend, however, has decreased since it launched the last review from $63 million to $56 million to “more than $50 million annually,” so it’s unclear how, exactly, MetLife looks to get more hip.

We have no word on how the news may affect CP+B staff. The agency recently hired Creative Director Robert Lund (formerly of Barbarian Group) to run “a small team serving client Met Life in New York City” based in a shared MDC Partners space.

CP+B did not offer comment on the news.

Here's What Happens When Stoners Try Actual Coffee at an Amsterdam Coffee Shop

Amsterdam is known for its famous “coffee shops,” but coffee is not the main attraction. Amsterdam-based coffee brand Moyee hopes to change that—and make the city better known for coffee as well. But it can’t avoid the pervasive influence of that other mind-altering substance entirely.

So, with help from 180 Amsterdam, it orchestrated a special taste test. Cannabis is said to heighten one’s senses of taste and smell, so it had real people (not actors) try its coffee—while under the influence.

Their reactions are colorful indeed. Check out the results below.

CREDITS
Client: Moyee Coffee
Founder: Guido van Staveren van Dijk
Creative Director: John Weich
Agency: 180 Amsterdam
President, Chief Creative Officer: Al Moseley
Creative Director: Martin Beswick
Art Director: Stephane Lecoq
Junior Copywriter: Ben Langeveld
Junior Art Director: Ingmar Larsen
Account Team: Dan Colgan
Producer: Claire Ford
Assistant Producer: Davide Janssen
Strategy Team: Paul Chauvin, Vincent Johnson
Director: Tobias Pekelharing
Executive Producer: Daphne Story
Editor: Fiona Fuchs
Postproduction: MPC Amsterdam
Audio Postproduction: Wave Amsterdam



Ontario Toyota Dealers Association: Toyota Wishmaker

For the holidays, the Ontario Toyota Dealers created the world’s largest Advent calendar in downtown Toronto. It granted 24 very special wishes – one per day in December behind each of its 24 doors. By visiting the website, people could nominate individuals they believed truly deserved a wish come true.

Advertising Agency: Rain 43, Toronto, Canada
Chief Creative Officer: John Farquhar
Creative Director / Art Director: Cher Campbell
Copywriters: John Farquhar, Jeremy Richard
Designer: Cher Campbell
Account Director: Adam Ball
Photographer: Mark Ridout
Production Company: SMAK
Video Director: Eric Yealland
Video Editor: In the Bird Nest Designs
Published: December 2014

Daily Tattoo: No future

Temporary tattoo.

Advertising Agency: J. Walter Thompson, Paris, France
Executive Creative Director: Anne-Cécile Tauleigne
Art Director: Julien Chesné
Art Director: Florian Amoneau
Copywriter: Thomas Blanc
Published: March 2015

Moyee Coffee: Under the influence

Advertising Agency: 180 Amsterdam, Netherlands
President & Chief Creative Officer: Al Moseley
Creative Director: Martin Beswick
Art Director: Stephane Lecoq
Junior copywriter: Ben Langeveld
Junior Art Director: Ingmar Larsen
Account team: Dan Colgan
Producer: Claire Ford
Assistant Producer: Davide Janssen
Strategy team: Paul Chauvin, Vincent Johnson
Director: Tobias Pekelharing
Executive Producer: Daphne Story
Editor: Fiona Fuchs
Post-production company: MPC Amsterdam
Audio post-production company: Wave Amsterdam

ENDWI: Slang

Advertising Agency: RK Venture, USA

Old Navy: Wedding

Advertising Agency: Chandelier Creative, USA
Executive Creative Director: Richard Christiansen
Executive Producer: Sara Fisher
Creative Director: Lena Kuffner
Art Director: Michael Scanlon
Copywriters: Josh Meyers, Laura Krafft, Matt Goldman
Account Director: Eileen Eastburn
Producer: Becky Razzall
Production/Business Coordinator: Camilla Rothenberg
Production Company: Epoch
Directors: Phil Morrison, Joe Ventura
Executive Producer: Youree Henley
Head Of Production: Megan Murphree
Line Producer: Mary Livingston
DP: Corey Walter
Production Designer: Alexis Ross
Edit House: Arcade NY
Editor: Jeff Ferruzzo
Executive Producer: Sila Sawyer
Producer: Lauren Cancelosi
Assistant Editor: Mark Popham
Additional Edit House: Horse Horse Horse LA
Editors: Ben Berman, Micah Gardner
Telecine: Color Collective
Producer: Claudia Guevara
Colorist: Alex Bickel
Assistant: Mike Howell
Audio House: Sonic Union New York
Engineer: Michael Marinelli

OK Go – Red Star Macalline Commercial

Après leur clip de I Won’t Let You Down, OK Go revient avec une video promotionnelle pour les magasins de meubles chinois Red Star Macalline. La publicité est une référence visuelle à leur vidéo The Writing’s on the Wall, mais mis en musique sur un remix de I Will not Let You Down par Dan Konopka.

OK Go - Red Star Macalline Commercial_6
OK Go - Red Star Macalline Commercial_4
OK Go - Red Star Macalline Commercial_2
OK Go - Red Star Macalline Commercial_0

Mobile continua atraindo a publicidade, pode ter o dobro de investimentos do desktop em 2 anos

uso-mobile

Com o tempo gasto em plataformas móveis aumentando cada vez mais, os anunciantes se mostram atentos à essa tendência, e dispostos a apostar nela. Afinal, é preciso chegar onde o consumidor está.

Segundo dados da eMarketer, os investimentos em propaganda para mobile aumentaram 79,5% no último ano, e a expectativa é que as vendas para plataformas móveis totalize 28,7 bilhões de dólares neste ano.

Enquanto o investimento em mobile sobe, a aposta em modelos de propaganda para desktop enfrenta queda, e a projeção dos especialistas é de que até 2017, o total de publicidade em  smartphones e tablets seja equivalente ao dobro do total investido em campanhas para desktop – especula-se que dentro de 2 anos, os investimentos em anúncios desktop fiquem em cerca de 25 bilhões de dólares, contra quase 50 bilhões em plataformas móveis.

eMarketerMobileDesktopSpendingChart

Quem fica com grande parte dessa verba de propaganda móvel são gigantes como Google, Facebook e Twitter, mas aos poucos outros meios chegam ao mercado, como é o caso do Pinterest, Instagram e Snapchat, que recentemente anunciaram seus primeiros investimentos em propaganda nas suas plataformas, que são majoritariamente voltadas ao mobile.

Brainstorm9Post originalmente publicado no Brainstorm #9
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How Online Retailers Are Creating Immersive Brand Experiences in the Real World


If you have some time on your hands and nowhere to be, go to Warby Parker in SoHo. Tall, carefully stacked shelves with hand-picked literature, vintage issues of Paris Review and comfy mid-century chairs invite weary SoHo shoppers to take a load off and sink into a book.

Except, Warby Parker isn’t a library. It’s an eyewear store.

What Warby Parker understands is that the store of the future, in a world where a tap of a smartphone will soon set in motion a near real-time delivery by a drone, must become a marketing channel. This is a reflection of the core of its e-commerce model: A strong customer-centric approach that mines data in order to provide personalized experiences.

Continue reading at AdAge.com

AMV BBDO Dreams of Cocktails for Currys PC World

AMV BBDO launched a new campaign for Currys PC World entitled “Tech for the life you dream of…”

In “Pina Colada” (featured above) a woman fantasizes about using her refrigerator’s ice maker for a variety of exotic cocktails. After a musical fantasy sequence, however, she is interrupted by a very different reality. The spot ends with the line “Tech for the life you dream of*” followed by “*and the one you live.” Other ads in the campaign follow the same humorous fantasy/reality approach, depicting a father who imagines himself as a top chef but whose son requests something a bit simpler than he’d imagined for dinner and a child entertainer who wishes he was in a metal band.

Credits:

Agency: Abbott Mead Vickers BBDO

Client: Currys PC World

Directors: The Bobbsey Twins From Homicide

Executive Creative Director: Alex Grieve

Executive Creative Director: Adrian Rossi

Producer: Andrew Studholme

Production Company: Blink

Executive Producer: James Bland

Agency Producer: Polly Lowles

Creative Director: Clark Edwards

DOP: Christopher Sabogal

Editor: Ed Cheeseman

Post Production: The Mill

Copywriter: Clark Edwards

Agency Planner: David Edwards

Agency Planner: Sarah Sternberg

TV Producer: Polly Lowles

Desperados: Ride the wind

Advertising Agency: Wieden + Kennedy, Amsterdam, Netherlands
Executive Creative Directors: Mark Bernath, Eric Quennoy
Creative Directors: Joseph Burrin, Sean Condon
Art Directors: Ignasi Tudela, Sebastien Partika
Copywriters: Ebba Hult, Edouard Olhagaray
Head of Broadcast Production: Joe Togneri
Broadcast Producer: Javier Perroud
Director of Interactive Production: Kelsie Van Deman
Interactive Producer: Arnaud Ronquillo
Planner: Martin Weigel
Group Account Director: Jordi Pont
Account Director: Courtney Trull
Account Manager: Luke Purdy
Senior Designer: Malia Killings
Typeface: Ignasi Tudela
Designers: Philip Cronerud, Zeynep Orbay
Art Buyer: Maud Klarenbeek
Retoucher: Dario Fusnecher
Project Managers: Emma Williamson, Saskia van Zwieten
Business Affairs: Kacey Kelley
Production company: Division Paris
Director: Helmi
Director of Photography: Nicolas Loir
Executive Producer: Jules De Chateleux
Producer: Christelle Tastet
Editing: Home Digital Pictures
Editor: Adriana Legay
Audio post: Wave Amsterdam
Sound Designer/Mixer: Randall Macdonald, Ed Downham
Music Company: MassiveMusic
Post production: Mathematic
Flame: Fred Brandon, Clément Germain
2D: Ruben Sellem, Fred Venet
Telecine: Fred Brandon
CG Supervisor: Yann Aldabe
Artistic Director: Julien Michel
Producer: Guillaume Marien
Product photography: Qui Yang

Desperados: He did what?

Advertising Agency: Wieden + Kennedy, Amsterdam, Netherlands
Executive Creative Directors: Mark Bernath, Eric Quennoy
Creative Directors: Joseph Burrin, Sean Condon
Art Directors: Ignasi Tudela, Sebastien Partika
Copywriters: Ebba Hult, Edouard Olhagaray
Head of Broadcast Production: Joe Togneri
Broadcast Producer: Javier Perroud
Director of Interactive Production: Kelsie Van Deman
Interactive Producer: Arnaud Ronquillo
Planner: Martin Weigel
Group Account Director: Jordi Pont
Account Director: Courtney Trull
Account Manager: Luke Purdy
Senior Designer: Malia Killings
Typeface: Ignasi Tudela
Designers: Philip Cronerud, Zeynep Orbay
Art Buyer: Maud Klarenbeek
Retoucher: Dario Fusnecher
Project Managers: Emma Williamson, Saskia van Zwieten
Business Affairs: Kacey Kelley
Production company: Division Paris
Director: Helmi
Director of Photography: Nicolas Loir
Executive Producer: Jules De Chateleux
Producer: Christelle Tastet
Editing: Home Digital Pictures
Editor: Adriana Legay
Audio post: Wave Amsterdam
Sound Designer/Mixer: Randall Macdonald, Ed Downham
Music Company: MassiveMusic
Post production: Mathematic
Flame: Fred Brandon, Clément Germain
2D: Ruben Sellem, Fred Venet
Telecine: Fred Brandon
CG Supervisor: Yann Aldabe
Artistic Director: Julien Michel
Producer: Guillaume Marien
Product photography: Qui Yang

Desperados: Turn down the silence

Advertising Agency: Wieden + Kennedy, Amsterdam, Netherlands
Executive Creative Directors: Mark Bernath, Eric Quennoy
Creative Directors: Joseph Burrin, Sean Condon
Art Directors: Ignasi Tudela, Sebastien Partika
Copywriters: Ebba Hult, Edouard Olhagaray
Head of Broadcast Production: Joe Togneri
Broadcast Producer: Javier Perroud
Director of Interactive Production: Kelsie Van Deman
Interactive Producer: Arnaud Ronquillo
Planner: Martin Weigel
Group Account Director: Jordi Pont
Account Director: Courtney Trull
Account Manager: Luke Purdy
Senior Designer: Malia Killings
Typeface: Ignasi Tudela
Designers: Philip Cronerud, Zeynep Orbay
Art Buyer: Maud Klarenbeek
Retoucher: Dario Fusnecher
Project Managers: Emma Williamson, Saskia van Zwieten
Business Affairs: Kacey Kelley
Production company: Division Paris
Director: Helmi
Director of Photography: Nicolas Loir
Executive Producer: Jules De Chateleux
Producer: Christelle Tastet
Editing: Home Digital Pictures
Editor: Adriana Legay
Audio post: Wave Amsterdam
Sound Designer/Mixer: Randall Macdonald, Ed Downham
Music Company: MassiveMusic
Post production: Mathematic
Flame: Fred Brandon, Clément Germain
2D: Ruben Sellem, Fred Venet
Telecine: Fred Brandon
CG Supervisor: Yann Aldabe
Artistic Director: Julien Michel
Producer: Guillaume Marien
Product photography: Qui Yang

Desperados: Way of the Desperados, 1

Advertising Agency: Wieden + Kennedy, Amsterdam, Netherlands
Executive Creative Directors: Mark Bernath, Eric Quennoy
Creative Directors: Joseph Burrin, Sean Condon
Art Directors: Ignasi Tudela, Sebastien Partika
Copywriters: Ebba Hult, Edouard Olhagaray

Desperados: Way of the Desperados, 2

Advertising Agency: Wieden + Kennedy, Amsterdam, Netherlands
Executive Creative Directors: Mark Bernath, Eric Quennoy
Creative Directors: Joseph Burrin, Sean Condon
Art Directors: Ignasi Tudela, Sebastien Partika
Copywriters: Ebba Hult, Edouard Olhagaray

Desperados: Way of the Desperados, 3

Advertising Agency: Wieden + Kennedy, Amsterdam, Netherlands
Executive Creative Directors: Mark Bernath, Eric Quennoy
Creative Directors: Joseph Burrin, Sean Condon
Art Directors: Ignasi Tudela, Sebastien Partika
Copywriters: Ebba Hult, Edouard Olhagaray