BBH London Celebrates Girls’ Night Out for Bailey’s

BBH London targets millenial women with a new spot for Bailey’s entitled “Global Girls Night Out.”

As you may expect from that title, the ad follows several groups of friends from around the world as they celebrate a girls night out. It’s a simple concept, but BBH executes it rather well, with perfect pacing and an inspired soundtrack choice in girl group The Go-Gos hit “We Got The Beat.” The spot begins with each group getting ready and heading out for the night and ends with scenes of them enjoying Bailey’s at their respective bars.

According to The Drum, the 60-second spot “was directed by thirtytwo at Pulse Films with an all-female agency team and predominantly female production team.” In addition to the broadcast spot, the global “Here’s To Us” campaign is supported by a print component shot by fashion photographer Steve Heitt.

“Baileys was due a shake-up, a reintroduction to a new generation of women, a meaningful role in a girls night out – the brand having had been hidden at home for far too long,” Caroline Pay, creative director at BBH London, told The Drum. “We had a lot of fun shooting this, and I really hope that comes across on screen.”

“Here To Us” will debut in the UK, US and Western Europe before expanding globally.

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Gillette Posts Image of Its 1904 Razor Design, and Literally Everyone Thinks It's Better Than Today's

It’s a funny thing, really. A brand celebrates its 110th anniversary by showing how it’s evolved and taking pride in the innovation that’s led to its success in men’s grooming. 

Alas, no such love was reciprocated by Gillette’s Facebook followers when it shared an image of a 1904 razor design this week—its very first patent, it happily told fans!

Practically everyone who replied said how disappointed they are with the way the product has evolved. They think the quality has gone way down while the price has skyrocketed.

Ouch.

 
A simple post on Nov. 17 was met with … quite a bit of disdain. 

 
You have to give the brand manager credit for staying professional and on brand here, despite the comments.

 
Still poised and steady-handed. 



Damage Control: Uber Tap Law Firm to Review Privacy Practices


Uber has hired law firm Hogan Lovells’ data-privacy experts to conduct an internal data-privacy review, moving to tamp down criticism after an executive discussed prying on journalists’ private lives.

Uber said in a blog post today that it hired Harriet Pearson, formerly the chief privacy officer at IBM and now a partner at Hogan Lovells, to work with the San Francisco-based startup. Pearson said in a phone call that she will work for Uber as a legal adviser.

“Our business depends on the trust of the millions of riders and drivers who use Uber,” Uber wrote in the blog. “Hogan Lovell will conduct an in-depth review and assessment of our existing data privacy program.”

Continue reading at AdAge.com

Tiffany & Co. "Winter wonderland" (2014) 1:15 (USA)

This is the first advertising campaign from Ogilvy & Mather for Tiffany & Co. It’s an animated piece of elegance, featuring various couples enjoy their wintertime moments of love and extravagance, all set to a sugary twee soundtrack.

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3D Auto Elasticity by Chris LaBrooy

Voici une série d’illustrations 3D réalisée par l’artiste britannique Chris LaBrooy dont nous vous avions déjà parlé. Intitulé « Tales of auto elasticity » et basé sur le projet d’Aérobic Auto 2013, l’univers s’inspire des routes californiennes et leurs parkings isolés au milieu du désert.

Auto Elasticity by Chris LaBrooy_6
Auto Elasticity by Chris LaBrooy_5
Auto Elasticity by Chris LaBrooy_4
Auto Elasticity by Chris LaBrooy_3
Auto Elasticity by Chris LaBrooy_2
Auto Elasticity by Chris LaBrooy_1
Auto Elasticity by Chris LaBrooy_0

50 Tech Gifts For Parents – From Baby-Analyzing Diapers to Picky Eater Projectors (TOPLIST)

(TrendHunter.com) If you’re looking to buy gifts for parents, especially those with younger children, you might want to consider getting them a gadget or other tech-infused product that will help make their…

Publicis Promises Better Sales Growth After Disappointing Year


Publicis Groupe CEO Maurice Levy said he will improve revenue growth after distractions from a failed merger led the French advertising company to cut its 2014 sales forecast.

“We are not delivering the kind of growth we are used to and not what we should do,” Levy said today at a conference in Barcelona organized by Morgan Stanley. “We are confident the situation will improve remarkably next year.”

The company, which owns ad agencies including Saatchi & Saatchi and Leo Burnett, is revising its 2018 business plan and will present it to investors on Dec. 4, he said.

Continue reading at AdAge.com

Google to Help Publishers Make Money by Blocking Ads


Google, the biggest seller of online ads, has created a way for publishers to make money without ads.

Google on Thursday introduced an invitation-only crowdfunding program called Contributor that lets people pay $1 to $3 each month to visit sites devoid of ads. The Onion, Mashable, WikiHow, Urban Dictionary, ScienceDaily and photo-sharing site Imgur are among the first publishers that have signed on to not serve ads to Contributor subscribers.

Google’s Contributor is effectively an ad blocker, but one that benefits publishers as well as users. Like a traditional ad blocker, albeit one in which publishers give their cosent, Contributor blocks the ads on a participating publisher’s page so that visitors can focus on the content they came for. The space the banners would otherwise occupy will still be there, but the actual ads will be replaced with a “Thank you” message.

Continue reading at AdAge.com

Kartell: 15 years of transparency

Advertising Agency: abstr^ct:groove, Milan, Italy
Creative Director: Luigi Pane
Directors: Claudio Capellini, Fabrizio Fichera, Alice Gatti
Director of photography: Diego Indraccolo
Executive producer: Giada Risso
Production manager: Mauro Mastronicola
Production coordinator: Alessandro Salerno
Art department coordinators: Marcello Michelini, Fabio Vito
Art department assistants: Mario Di Mauro, Marcello Lucarelli
Projection mapping engineering: EOS, Milan
Animation & postproduction team: Valentina Vicini, Claudio Capellini, Alice Gatti
Editing & color grading: Diego La rosa
Music & sound design: Franky B aka Cryptic Monkey

Versace "Bright Crystal" (2014) 1:02 (USA)

This spot for Versace’s new scent “Bright Crystal,” is quite trippy indeed. It features a naked woman, a desert, and some crystal. It was filmed in 65MM Panavision Panaflex, too.

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Land Rover presents: The Vanishing Game

International best selling author William Boyd spins an 8 part tale for Land Rover called The Vanishing Game . More than just an audio book, The Vanishing Game is a multimedia experience that allows interaction on a variety of sensory levels including video, cinemagraphs, photography, animation, voice-over narration and a musical soundtrack

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Ogilvy Rings in the Holidays with Kevin Ross for Glade

Ogilvy & Mather worked with singer Kevin Ross on a holiday spot for Glade entitled “Feel Anticipation.”

For the spot, Ross wrote a song supposedly expressing how holiday scent Sparkling Spruce made him feel. Ross can be seen performing the song in an outdoor stage, surrounded by plenty of Glade candles ending with the “#FeelGlade” hashtag. While the “song inspired by a fragrance” premise can be a bit hard to swallow, it should appeal to fans of the emerging Motown singer, and maybe even net him — and the brand — a few new fans along the way. In addition to the 30-second broadcast spot, Glade also released a full-length music video for the song (featured after the jump), which is also available to download on iTunes.

It’s part of a larger rebranding campaign from Ogilvy for the brand, which is seeking to reposition itself as not just selling scents but the feelings they evoke. In another recent effort, Glade set up a pop-up shop, which they called the Glade Boutique, in New York’s meatpacking district. According to Adweek, the Glade Boutique saw “concierge” guide visitors through a “scent and emotion journey” in the Feelings Lounge, with scents such as Blooming Peony and Red Honeysuckle Nectar. The brand also teamed up with Cirque de Soleil for an October event in Madison Square Park. (more…)

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Medicare Local: The Office of the Fairly Obvious – Immunizing your child

Advertising Agency: Yoke, Australia
Production Company: Tooth and Claw
Creative Director: Richie Meldrum

Medicare Local: The Ministry of Really Useful Advice – After hour GPs

Advertising Agency: Yoke, Australia
Production Company: Tooth and Claw
Creative Director: Richie Meldrum

Medicare Local: The Department of Harsh but Fair – Healthy living

Advertising Agency: Yoke, Australia
Production Company: Tooth and Claw
Creative Director: Richie Meldrum

Medicare Local: The Bureau of Thought-Provoking Statistics – Mental health

Advertising Agency: Yoke, Australia
Production Company: Tooth and Claw
Creative Director: Richie Meldrum

Volkswagen: Ballerina

Yes, does the same thing, but it will never be the same.

Advertising Agency: Publicis, Santiago, Chile
Creative Director: Rodrigo Figueroa
Art Director: Cristo Novoa
Copywriter: Sebastián del Río
Digital Art: By3Studio

Volkswagen: Royal Guard

Yes, does the same thing, but it will never be the same.

Advertising Agency: Publicis, Santiago, Chile
Creative Director: Rodrigo Figueroa
Art Director: Cristo Novoa
Copywriter: Sebastián del Río
Digital Art: By3Studio

Softcard: Tap to Pay – Tappy

Advertising Agency: Camp + King, San Francisco, USA
Chief Creative Officer: Roger Camp
Creative Directors: Rikesh Lal, Paul Sincoff
Art Director: Eric Lowery
Copywriter: Avery Stokes Harrison
Director of Content Production: David Verhoef
Production Company: Green Dot Films
Director: Luc Schurgers
Partners/Executive Producers: Rich Pring, Darren Foldes
Producer: JP Mandarino
Director of Photography: Sean Stiegemeier
Editorial Company: Misfit
Editor: Doug Cox
Assistant Editor: Stu Barnes
Executive Producers: Kelly Koppen, Jim Vaughan
Music Company: JSM
Executive Producer: Joel Simon
Composers/Arrangers: Joel Simon, Koki Saito
Visual Effects: Arsenal FX
Sr. Compositer, Visual Effects: Matt Motal, Jeff Aquino, Sean Starkweather, Mike Johnson, Josh Studebaker, Ed Anderson
Executive Producer: Ashley Hydrick
Producers: Sabrina Elizondo, Jessica Ambrose
Account Director: Audrey Santamarta
Business Affairs: Tricia Krasneski
Planner: Anne Tway
Published: November 2014

Softcard: Tap to Pay – McDonald’s Cie Cie

Advertising Agency: Camp + King, San Francisco, USA
Chief Creative Officer: Roger Camp
Creative Directors: Rikesh Lal, Paul Sincoff
Art Director: Eric Lowery
Copywriter: Avery Stokes Harrison
Director of Content Production: David Verhoef
Production Company: Green Dot Films
Director: Luc Schurgers
Partners/Executive Producers: Rich Pring, Darren Foldes
Producer: JP Mandarino
Director of Photography: Sean Stiegemeier
Editorial Company: Misfit
Editor: Doug Cox
Assistant Editor: Stu Barnes
Executive Producers: Kelly Koppen, Jim Vaughan
Music Company: JSM
Executive Producer: Joel Simon
Composers/Arrangers: Joel Simon, Koki Saito
Visual Effects: Arsenal FX
Sr. Compositer, Visual Effects: Matt Motal, Jeff Aquino, Sean Starkweather, Mike Johnson, Josh Studebaker, Ed Anderson
Executive Producer: Ashley Hydrick
Producers: Sabrina Elizondo, Jessica Ambrose
Account Director: Audrey Santamarta
Business Affairs: Tricia Krasneski
Planner: Anne Tway
Published: November 2014