GoPro Ad With Toddlers Sledding Is the Most Adorable 30 Seconds You'll Watch Today

Being a little kid is the best. Everything is new and different, the world is your oyster, and you don’t even know it. And your first snow day … wow, words can barely express the magical bliss for a toddler.

GoPro does it again, this time with a perfect vignette of a California brother and sister’s first snow day in Vermont. First, we see Quincy rollicking around having an amazing time, and then Stella, who looks to be just old enough to talk, gets on a camera-mounted sled, and we experience her mind being blown on her first ride down a hill. Her reaction is truly priceless.

You’ll want to watch it “again.”



Cable TV's Upfront Haul Declines for First Time in Four Years


Cable TV networks broke a four-year streak of rising ad commitments in this summer’s annual upfront market, with total ad bookings dropping by 6% to $9.6 billion, according to the Cabletelevision Advertising Bureau, a trade group for the cable industry.

Ad buyers’ commitments to cable in last year’s upfront totaled $10.2 billion, according to the group, up 52% from 2009.

It’s harder to gauge broadcast networks’ success in the upfront, where TV networks look to secure a bulk of their ad commitments for the upcoming TV season, because they don’t report their results to an organization to compile the way cable does.

Continue reading at AdAge.com

IBM Cloud: Smart to the Bone

Advertising Agency: Ogilvy NY, New York, USA
Chief Creative Officer: Steve Simpson
Worldwide Executive Creative Director: Susan Westre
Executive Creative Directors: Ryan Blank, Mike Hahn
Creative Director / Copywriter: Sam Mazur
Senior Art Director: Okan Usta
Account Team: Joan Voltz, Emily Mazzaferro, Courtney Kunkel
Animation Studio: Studio Animal
Production Company: Studio@Gawker
Published: October 2014

Jeep Renegade: Do something Renegade

Advertising Agency: Bowling, Brussels, Belgium
Creative Director: Christophe Ghewy
Creative management: Gwenn Nevelsteen, Christophe Ghewy, Dimitri Mundorff
Strategic planning: Gwenn Nevelsteen
Account team: Sophie Van Elslander, Dimitri Mundorff
Designers: Jan Sidgwick, Tessa Persoons, Sebastien Sanfilippo
Published: October 2014

Dodge: The Dodge Brothers – John vs Horace

Advertising Agency: W+K, Portland, USA
Creative Directors: Aaron Allen, Kevin Jones, Michael Tabtabai
Copywriters: Tim Cairns, Smith Henderson
Art Director: James Moslander
Producer: Melanie Fedunok
Account Team: Jourdan Merkow, Cheryl Markley, Lani Reichenbach
Executive Creative Directors: Joe Staples, Susan Hoffman, Mark Fitzloff
Agency Executive Producer: Ben Grylewicz
Art Buying: Amy Berriochoa
Photographer: Christian Weber
Project Manager: Stacy Grogan
Production Company: Biscuit Filmworks
Director: Noam Murro
Executive Producers: Shawn Lacy, Colleen O’Donnell
Line Producer: Youree Henley
Director of Photography: Simon Duggan
Post-Production Company: Rock Paper Scissors
Editor: Angus Wall / BALLROOM
Audio Post- Production Co.: Barking Owl
Editorial Company: Rock Paper Scissors
Editor: Stewart Reeves
Post Producer: Leah Carnahan
Post Executive Producers: Dave Sellers, Angela Dorian 
VFX Company: The Mill
VFX Supervisor: Enca Kaul
Flame Artist: Glyn Tebbutt
VFX Producer: Dan Roberts
Titles/Graphics: James Moslander, Lea Loo
Music+Sound Company: Barking Owl 
Artist: The Original Memphis Five
Song: Fireworks
Sound Designer: Michael Anastasi
Drumming: Barking Owl
Producer: Kelly Bayett
Mix Company: Barking Owl
Mixer: Brock Babcock 
EP: Kelly Bayett
Producer: Whitney Fromholtz

Hoje em Dia Newspaper Travel & Tourism: San

Travel & Tourism. Helps you to choose your next trip.

Advertising Agency: Filadélfia, Belo Horizonte, Brazil
Creative Director: Dan Zecchinelli
Art Directors: Sandro Martini, Paulo Filipe Souza
Copywriter: Saul Gervásio

Hoje em Dia Newspaper Travel & Tourism: New

Travel & Tourism. Helps you to choose your next trip.

Advertising Agency: Filadélfia, Belo Horizonte, Brazil
Creative Director: Dan Zecchinelli
Art Directors: Sandro Martini, Paulo Filipe Souza
Copywriter: Saul Gervásio

Hoje em Dia Newspaper Travel & Tourism: Islands

Travel & Tourism. Helps you to choose your next trip.

Advertising Agency: Filadélfia, Belo Horizonte, Brazil
Creative Director: Dan Zecchinelli
Art Directors: Sandro Martini, Paulo Filipe Souza
Copywriter: Saul Gervásio

13th Street: 2 broke girls

Turning primetime into crimetime.

Advertising School: Miami Ad School Europe, Hamburg, Germany
Tutors: Salvatore Russomanno, Niklas Frings-Rupp
Art Directors: Nico Schwarz, Alexander Aussem
Illustrator: Remar Concepcion

13th Street: Two and a half men

Turning primetime into crimetime.

Advertising School: Miami Ad School Europe, Hamburg, Germany
Tutors: Salvatore Russomanno, Niklas Frings-Rupp
Art Directors: Nico Schwarz, Alexander Aussem
Illustrator: Remar Concepcion

13th Street: How I shred your mother

Turning primetime into crimetime.

Advertising School: Miami Ad School Europe, Hamburg, Germany
Tutors: Salvatore Russomanno, Niklas Frings-Rupp
Art Directors: Nico Schwarz, Alexander Aussem
Illustrator: Remar Concepcion

Hyundai: Child

With rear-view camera for what you can’t see.

Advertising Agency: TBWA, Santo Domingo, Dominican Republic
Creative Director: Katy Capriles
Art Director: Giselle Navarrete
Copywriter: Iván Muñoz
Additional credits: Rodolfo Guzmán, Sachenka Rodriguez
Published: September 2014

ActionAid: BandActionAid

Advertising Agency: 3A Worldwide, Rio de Janeiro, Brazil
Creative Director: Henrique Carvalho
Art Director: Thiago Bach
Copywriter: Pedro Portugal
Copywriter assistant: Amanda Rocha
Published: October 2014

Martini: Streets of Rome

Advertising Agency: RSA, UK

Cidade norueguesa propõe “pedágio inverso” para ciclistas

Enquanto São Paulo lida com a resistência à implantação de ciclovias pela cidade, em Lillestrøm, na Noruega, o pensamento é o inverso: o município chegou a testar uma teoria de um “pedágio inverso” para ciclistas, oferecendo um pagamento de cerca de 35 reais para quem estivesse trafegando de bike.

“Incentivar as pessoas a caminharem ou pedalarem é rentável para a sociedade. É um benefício para a saúde, para o meio ambiente e para o sistema de transporte”, defende o prefeito da cidade, Ole Jacob Flætene.

A campanha utilizava dados de uma pesquisa feita pela agência norueguesa de saúde, que revelou que modelos de transporte mais ativos oferecem uma economia para os cofres do governo – cerca de 8 dólares por quilómetro caminhado e 4 dólares por quilómetro pedalado.

O pedágio reverso que pagava ciclistas, contudo, durou poucas horas, e tinha como principal objetivo incentivar a reflexão. “Torcemos para que essa ação possa colaborar para uma mudança sobre como organizamos o transporte nas nossas cidades”, espera o prefeito.

Quem sabe São Paulo esteja lidando com a famosa resistência a mudanças – já pensou de repente podermos ver bicicletas, pedestres, patins e gente de patinetes urbanos circulando pela cidade?

Brainstorm9Post originalmente publicado no Brainstorm #9
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Zambezi, Hungry Man Release Another Awkward fruitwater Spot

Last month, vitaminwater’s fruitwater  brand got a little weird with Christina Applegate in the first of its new ads in a campaign created by Venice agency Zambezi and production studio Hungryman.

Today the company released its follow-up, another entry in the “painfully awkward” genre. Here’s “Decoy”:

The earlier one after the jump in case you missed it:

(more…)

New Career Opportunities Daily: The best jobs in media.

Cutwater Brings Intel to the Coffee Shop

Agency Cutwater teamed up with production company Cap Gun Collective for a series of comedic shorts promoting Intel’s Chromebook.

Set in a coffee shop, the shorts are based around the premise of computer problems happening in the real world. Unfortunately, the scenarios presented seem a little bit dated. In “Monotaskers,” for example, a woman at a coffee shop won’t let a man do more than one thing at a time, taking his book while he sips his coffee. “Frozen Coffee” presents a glitchy barista, which is funny in a way, but also seems removed from the current technological climate (as is the case with “Monotaskers”). Since, at the end of these spots, Intel’s Chromebook is presented as the solution, it’s as if Intel’s competition is presented as computers from the previous decade, rather than modern competitors. That doesn’t do a whole lot to represent the Chromebook in a good light, and leaves viewers with little reason to pick it up over its real-world competition. (more…)

New Career Opportunities Daily: The best jobs in media.

Are These Feminist Superhero Panties Empowering, or a Tiny Bit Weird?

The underwear brand Dear Kate, a big proponent of using real people instead of models, has a new plan to empower women: It’s putting inspiring female faces right on its panties.

Its League of Ladies Collection features illustrations of four historical women—Marie Curie, Harriet Tubman, Amelia Earhart and Frida Kahlo—reimagined as superheroes.

Additionally, Dear Kate has called on real-life influencers to model the collection, including science communicator Kelly Carnes, actor and playwright Zoe Travis, Golly Magazine editor Roxanne Fequiere, and comedian Jackie Zebrowski.

With names like “Supermarie” and “Superfrida,” the panties feature a cartoon depiction of each woman’s face on the front and a design on the back. Which begs the question, are women even wearing panties with cartoons on them? I asked Twitter, where reactions varied from a resounding no to an open-minded maybe:

I love the idea of celebrating extraordinary women, but I wonder if this is an idea best suited for a (much) younger crowd.

I highly respect and admire Amelia Earhart, but I don’t know if I want to see her face every time I pull off a pair of jeans. I would, however, absolutely buy an 8-year-old girl a cute camisole and panties set featuring Marie Curie with a little hang tag that gives her a short lesson on Curie’s scientific accomplishments. (Business idea, Dear Kate, if you want to come out with a Dear McKenna line.)

We’ve seen how people react to brands that empower women, and I’m reulctant to criticize any effort to promote strong women. So allow me to soften the blow by saying that while I wouldn’t buy superhero panties for myself (and I am the target market), Dear Kate’s Sporty Bralets are off the chain.



Esquire: The Mentor Act

Advertising Agency: Barton F. Graf 9000, USA
Founder/Chief Creative Officer: Gerry Graf
Executive Creative Directors: Scott Vitrone, Ian Reichenthal
Creative Director: Dan Treichel, Dave Canning
Art Director: Rose Sacktor
Copywriter: Chase Kimball
Head of Integrated Production: Josh Morse
Executive Producer: Amanda Revere
Account Director: Jennifer Richardi
Director: Michael Bonfiglio
Executive Producer: Gregg Carlesimo
Producer: Kelsey Field
Story Producer: Taimi Arvidson
Director of Photography: Michael Richard Martin
Sound Recordist: Gregory Linton
Edit: Mackenzie Cutler
Editors: Mike Rizzo, Eric Laroi
Assistant Editor: Jean Taylor
Assistant Editor: Pamela Petruski
Executive Producer: Sasha Hirschfeld
Color: Tim Masick / CO3
Online: Light of Day
Audio: Heard City

Relish: Could you phone home for £50?