JCPenney Set to Launch Media Agency Review


J.C. Penney is planning to review its media agency business, according to executives familiar with the matter.

The company spent $923 million on U.S. advertising in 2013. Unmeasured media spending increased 15% to $492 million, while measured media spending decreased 15% to $431 million, according to the Ad Age DataCenter.

OMD has worked with J.C. Penney for 10 years. The Omnicom media agency giant managed to hold onto the business through the retailer’s tumultuous brand revamp, as well as several CMO and CEO changes.

Continue reading at AdAge.com

After The Flash. Photography from the Atomic Archive

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After The Flash: Photography from the Atomic Archive explores the intertwined histories of photography and nuclear technologies, and the camera’s role in constructing the public image of atomic energy and ‘the bomb’. The exhibition contrasts the ‘technological sublime’ that dominates much nuclear-themed photography-from mushroom clouds to cooling towers-with representations of personal encounters and experiences, tracing the hazy lines between spectacle and humanitarian documentation continue

Underwater Pregnancy Photography – These Aquatic Pregnancy Portraits Offer a Beautiful Perspective (GALLERY)

(TrendHunter.com) Aquatic Pregnancy Portraits is a series that is set to change the way we look at maternity pictures. The series is the brainchild of photographer Adam Opris.

In his latest Aquatic Pregnancy…

W+K New York and Jordan Go West Looking for Sketch Comedy

Here’s some new work from Wieden+Kennedy New York for a client listed as “Jordan” (note the lack of “Air” there).

The story: Blake Griffin and Chris Paul, both of whom happen to play for the LA Clippers and both of whom happen to be launching new shoes around the same time, have scored a couple of sketch comedy shorts on Adult Swim. Developed with the co-creator of the much-missed Chappelle Show, the project “BGCP3TV in HD” is a promotion for Jordans and “a shout out to the city of Los Angeles.”

The first episode aired several hours before our dog rudely woke us up this morning:

So they can’t even operate without their shoes. Since these episodes aren’t technically ads, do we call them “branded content” or “sponsored content?”

Promos and credits below.

(more…)

New Career Opportunities Daily: The best jobs in media.

Beige Concept Store by Nendo

Pour la marque de vêtements BEIGE, le studio japonais Nendo (dont nous avons déjà parlé) a imaginé l’intérieur de leur concept store dans le centre commercial Tamagawa Takashimaya à Tokyo. Le client voulait des espaces multi-fonctionnels ; c’est pourquoi le studio a coupé l’espace en 3 niveaux : « bibliothèque » avec des livres sur des étagères, « magasin » avec des vêtements suspendus par des cintres et « galerie » avec des objets sur des tables basses.

Photos : Takumi Ota.

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Pandora Listener Growth Slows


Pandora Media’s user growth slowed to 5.2% in the third quarter, the company said in its latest earnings report.

Active listeners for the Oakland, California-based company grew to 76.5 million from 72.7 million a year ago, when Pandora reported user growth of 25%. The figure stood at 76.4 million in June, after 7.5% growth in the second quarter.

Listener metrics are a focus because the company is under assault by deep-pocketed rivals from Apple to Google. Pandora is focused on converting usage into revenue, Chief Financial Officer Mike Herring said.

Continue reading at AdAge.com

Watch the Newest Ads on TV From Dos Equis, Target (for Taylor Swift) and More


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

Among the new releases, Papa John’s congratulates Peyton Manning on setting a new touchdowns record (maybe you should celebrate by eating some pizza?), while Target lets Taylor Swift fans know that the Target-only version of her new album, “1989,” that goes on sale Oct. 27 comes with three bonus songs. And Dos Equis’ Most Interesting Man in the World endorses the idea of masquerade parties just in time for Halloween.

As always, you can find out more about the making of the best commercials on TV at Ad Age’s Creativity.

Continue reading at AdAge.com

GSD&M Targets Wedding Season for Southwest Airlines

GSD&M is launching its fall campaign for Southwest Airlines with a new spot, entitled “Wedding,” which debuts this Sunday during NFL programming.

The ad touts Southwest Airlines as the perfect partner for wedding season. While it may seem like odd timing (with wedding season just ending), invitations for weddings during the season are likely making their way out now, and people like the woman in the ad may be wondering how they’re going to make it to several different weddings without going broke. The spot takes a humorous approach, showing the woman partying it up, dancing at several different weddings, before finally resting (very) easy on a Southwest flight. “Everyone deserves 73 dollar fares,” says a voiceover, “because wedding season can get expensive.”

The broadcast spot, as well as a few which roll out later in the month, will run through December. There’s also a print campaign, shot by photographer Martin Schoeller, which features product-focused messages promoting “Bags Fly Free” and free in-flight TV courtesy of DISH. (more…)

New Career Opportunities Daily: The best jobs in media.

Flowchart: When You Should (and When You Shouldn't) Work for Free

As we learned again recently, professional creatives tend to get prickly when asked to do work for no compensation. But is it always a bad idea to work for free?

Jessica Hische’s handy flowchart should help you decide. It’s divided into four main types of jobs, and from there you snake around answering various pertinent questions—and hopefully reaching a satisfactory conclusion to your particular situation.

Notably, the “Is it for a legitimate business” section yields only “No” answers. That’s debatable, but Dan Cassaro would be proud.

Click here to see the full flowchart.



Everything You Hate About Advertising Comes to Video With the Onion-Like 'Advertising Insider!'

The advertising trade parody site Adweak.com made quite a slash when it debuted way back in 2001, even meriting mention in an Adweek column. The site itself hasn’t been updated since 2005, but Adweak (pronounced Adwee-YAK, or at least it was by Adweekers back in the day) soldiers on even today through the @Adweak Twitter account, which spits out blatantly fake headlines about the industry in the style of The Onion.

Adweak, which turned out to be a pet project from the guys at G&M Plumbing, has now teamed up with Dissolve, the stock video company—which also likes to make fun of advertising—to bring the Adweak tweets to life in a new video series.

It’s called Advertising Insider! Check out the first installment below. And yes, all the stock footage comes from Dissolve. If you like any of it, you can license the clips at dissolve.com/adinsider.



Brands: What to Expect from Your Agency When a Key Staffer Leaves


Can you imagine how different “Mad Men” would be if Jon Hamm were suddenly replaced by another actor to play the lead role of Don Draper? Would you tune in to “House of Cards” if Kevin Spacey wasn’t returning next season in the role of Frank Underwood? While lead roles are vital to making a successful TV show, the same questions could be asked about the director, writers or producers. After all, we can agree it takes an army of talent, not just the camera-facing actors, to create a hit show.

Now think about it in the context of the agency you work with. Advertising agencies are notorious for high turnover, so what if the account director on your business leaves for a new opportunity? What if the lead art director takes a sabbatical? Most agencies will quickly communicate to their clients that a transition plan is in place and not to worry — the work will continue without a hitch. It’s the right thing to say, for sure. However, it’s no mystery that replacing key team members on the fly is downright difficult. It’s not easy to replace experience, and even harder to teach the nuances of your business unless a solid structure is in place. I know this because we, like most agencies, have been down this path before and certainly will face it again in the future.

While communication is a component to navigating through a staff transition, an agency’s actions before and after the announcement are the keys to success. Without a strong process, follow-through, and at times willingness to overshare, the work will suffer. Details will be missed and small issues will become massive. We’ve taken our lumps by not taking a proactive stance during a personnel transition. In hindsight, we saw the signs but didn’t react in the appropriate way or put a proper system in place. Our relaxed approach has cost us business, whether we’d like to admit it or not, and that’s more than enough reason to implement change. But it’s also about valuing relationships so that we aren’t negatively affecting our client’s business or jeopardizing our brand manager’s career.

Continue reading at AdAge.com

NBC and Interns Settle for $6.4 Million


NBC Universal may have decided it wasn’t worth the fight.

Outten & Golden, the law firm that has made a name for itself seeking pay for unpaid interns, said in a court filing on Wednesday that its clients have settled their suit against NBC Universal for $6.4 million.

The named plaintiffs in the proposed class action had interned at “Saturday Night Live,” Universal Studios Hollywood and the Jerry Springer and Steve Wilkos shows. One of the original plaintiffs, a former intern at MSNBC, dropped out of the case.

Continue reading at AdAge.com

Detroit Electric / SP:01: Pure

The Detroit Electric SP:01 is a limited-edition, two-seat pure-electric sports car that sets new standards for performance and handling in electric vehicles. Boasting an impressive 155mph, 250km/h top speed and covering the 0-60mph sprint in a blistering 3.7 seconds.

Advertising Agency: Amp, London, UK
Creative Director / Art Director / Copywriter: Simon Haslehurst
Production House: Ground Control
Director: Laurent Barthelemy
Published: October 2014

Drive Dry: The Journey

Advertising Agency: FoxP2, Cape Town, South Africa
Creative Directors: Michael Lees-Rolfe, Justin Gomes
Art Director: Michael Lees-Rolfe
Copywriters: Ivan Ayliffe, Jason Mills
Director: Sam Coleman
Production Company: Giant Films
Published: October 2014

Poa Jazz Festival: Applause

Advertising Agency: Dez Comunicação, Porto Alegre, Brazil
Creative Directors: Carlos Saul Duque, Thiago Bizarro
Art Director: Fabio Piucco
Copywriter: Otavio Mello
Illustrator / Photographer: Miagui Imagevertising
Published: September 2014

Poa Jazz Festival: Heard

Advertising Agency: Dez Comunicação, Porto Alegre, Brazil
Creative Directors: Carlos Saul Duque, Thiago Bizarro
Art Director: Fabio Piucco
Copywriter: Otavio Mello
Illustrator / Photographer: Miagui Imagevertising
Published: September 2014

Poa Jazz Festival: Breaking

Advertising Agency: Dez Comunicação, Porto Alegre, Brazil
Creative Directors: Carlos Saul Duque, Thiago Bizarro
Art Director: Fabio Piucco
Copywriter: Otavio Mello
Illustrator / Photographer: Miagui Imagevertising
Published: September 2014

Pearl Street Creative Marketplace: Gabe

The platform is a place where businesses and brands who want creative solutions (anything from websites to full-blown marketing campaigns), can find the creative people who want to work on their projects.

Advertising Agency: Victors & Spoils, USA
Executive Creative Director: Noah Clark
Associate Creative Director: Brock Johnson
Art Director: Travis Brown
Account Director: Leslie Evans
Account Coordinator: Avery Henderson
Project Manager: Jenny Stefanov
Music & Vocals: Justin Badger
Video Production: Buck Ross
Animator: Keiko Ozaki

Wise Up English School: Halloween, 1

Learn without fear.

Advertising Agency: Yeah!, Curitiba, Brazil
Creative Director: Fabiano Teixeira
Art Director: Roger Fernandez
Copywriter: Edmundo Guimarães
Illustrator: Roger Fernandez, Raissa Schpatoff
Published: October, 2014

Wise Up English School: Halloween, 2

Learn without fear.

Advertising Agency: Yeah!, Curitiba, Brazil
Creative Director: Fabiano Teixeira
Art Director: Roger Fernandez
Copywriter: Edmundo Guimarães
Illustrator: Roger Fernandez, Raissa Schpatoff
Published: October, 2014