Penguin Audiobooks: Franz Kafka Collection
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Advertising School: Brother Ad School, Santo Domingo, Dominican Republic
Art Directors: Hugo Quezada, Sara Paz
Copywriter: César Salcedo
Published: September 2014
Advertising School: Brother Ad School, Santo Domingo, Dominican Republic
Art Directors: Hugo Quezada, Sara Paz
Copywriter: César Salcedo
Published: September 2014
Advertising School: Brother Ad School, Santo Domingo, Dominican Republic
Art Directors: Hugo Quezada, Sara Paz
Copywriter: César Salcedo
Published: September 2014
The importance of nurturing a creative idea was spelled out at the Media Week Awards last week, when the PHD team and the Warner Bros market director behind the much-acclaimed Lego ad break admitted it almost never made it to the screen.
Retro 1920s and 1930s-style illustrations using a wine bottle silhouette as the central part of a motif representing French region Bordeaux form the heart of a €20m campaign for Conseil Interprofessionel du Vin de Bordeaux.
Em pouco mais de 24 horas, o vídeo “10 Hours of Walking in NYC as a Woman” (10 horas de caminhada de uma mulher em Nova Iorque, em tradução livre) já arrematou mais de 4 milhões de visualizações.
O motivo é simples: não trata-se de um problema restrito à Nova Iorque, ou às ruas das cidades brasileiras. Nossa sociedade vê isso como ~elogios~, mesmo que por vezes os elogiadores mais pareçam perseguidores das moças que passam pelas ruas.
O vídeo é parte de uma campanha para arrecadar fundos para a instituição Hollaback, que quer acabar com o assédio que acontece nas ruas, e é ao mesmo tempo uma crítica social. Afinal, ninguém fica confortável de andar na rua com alguém fazendo provocações e mexendo com ele.
Se você é um homem e não viu muito problema, ou acha que trata-se apenas de uma reclamação de ‘feminazis’, minha recomendação é que você pense novamente, reflita melhor, ou quem sabe assista esse curta francês, que reverte a situação e mostra o quão complicado poderia ser se os homens é que sofressem esse tipo de assédio.
Post originalmente publicado no Brainstorm #9
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Estamos a pouco menos de dois meses do Natal, mas pelo menos para a Halfords, a corrida para garantir as vendas já começou. A a rede britânica especializada em bicicletas já colocou no ar seu comercial de fim de ano, questionando o público se existe algum presente melhor do que, claro, uma bicicleta.
O problema de se fazer uma pergunta dessas é ouvir uma resposta que talvez não seja a esperada. Afinal, smartphones, tablets e games têm liderado a preferência da garotada nos últimos anos.
Isso não quer dizer, entretanto, que bicicletas tenham perdido seu apelo. E é exatamente com isso que conta a Halfords, se antecipando em sua campanha natalina. O filme nos leva para um tempo em que mesmo com o frio inverno europeu, a manhã de Natal sempre seria perfeita para um passeio de bicicleta. Vale o play.
Post originalmente publicado no Brainstorm #9
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Pour ce projet, l’artiste danois Olafur Eliasson a utilisé des miroirs, du verre teinté, des plaques en acier inoxydable et des ampoules pour créer ces superbes lustres aux lumières kaléidoscopiques. Souvent géométriques, ces lampes en suspension projettent et emplissent tout ce qui les entoure de formes et de couleurs extra-ordinaires. Quelques-unes de ces fabuleuses installations sont à découvrir dans la galerie.
To show the everyday street harassment faced by women Rob Bliss Creative documented one woman’s ten hour walk through New York City for Hollaback, a nonprofit which aims to end street harassment.
The woman, Shoshana B. Roberts, (a volunteer) walked behind Rob Bliss, who carried a hidden GoPro camera in his backpack, which captured over 100 instances of catcalls and other forms of verbal street harassment (to say nothing of the undocumented winks, leers and whistles). Shoshana, wearing jeans and a crewneck t-shirt, faced endless unsolicited comments as she passed through the streets, ranging from demands that she smile to shouts of “Damn!” and “Hey beautiful.”
Despite the fact that Shoshana silently continued to walk without responding, several men were startlingly persistent. At one point a man actually harassed her for not responding to his catcall, saying, “Someone’s acknowledging you for being beautiful. You should say thank you more.” Another guy continually asked to talk and give her his number and questioned if it’s because he’s ugly that she wouldn’t respond. In one disturbing instance, a man greeted her and then walked beside her for a full five minutes.
The video has generated quite a bit of visibility for Hollaback, with well over four million views since being uploaded yesterday. Since this is the Internet, you can’t deliver a message like this without the misogynist trolls coming out full force and, indeed, the YouTube comments are filled with such asshats, with comments ranging from blaming her moderate attire to pointing to the most moderate calls from strangers as evidence that no street harassment took place while ignoring the more flagrant offenses and sheer volume of harassment. Of course, the backlash is a sign that the video delivers a message such people find threatening or just don’t want to hear. (more…)
New Career Opportunities Daily: The best jobs in media.
You remember Vytautas Mineral Water. The Lithuanian water brand was the subject of the single craziest commercial of 2012—a spec ad from director Tadas Vidmantas that the client ended up loving and tacitly endorsing. (It ended up hiring Vidmantas to do ads in a similar lunatic style.)
Well, now Vidmantas is back with a Halloween spot for Vytautas. And it’s completely sick and twisted. Check it out below, and watch out for flying blood.
Credits are also below, and after that, the classic “It’s Earth’s Juice” ad from 2012.
CREDITS
Client: Vytautas Mineral Water
Agency: Superior
Director: Tadas Vidmantas
Producer: Asta Liukaityte
I gave birth four times over a four-year period, and during that time, I launched two Silicon Valley startups. Now, I am the CMO at Neustar, leading a major brand transformation.
I get asked all the time, “How do you do it?” And my answer is always, “I have an amazing husband.” My husband, Sheldon, is a “home guardian” or full-time, stay-at-home-dad. This set-up is now being called “The Big Flip,” which is the same title given to a documentary and book project for which I am an advisor.
Forty percent of American working wives now out-earn their husbands, according to The Big Flip. And according to the U.S. Census Bureau, 189,000 dads stayed home to raise approximately 369,000 children in 2012. This is the beginning of a new normal.
Advertising Agency: BETC, Paris, France
Agency Management: Anne Isabelle Cerles, Camille Rieu
Creative Director: Olivier Apers
Art Director: Jordan Lemarchand
Copywriter: Julien Deschamps
Traffic: Coralie Chasset
TV Producer: Hugo Diaz
Production House: Rita Production
Sound Production: Schmooze
Director: Jack Cole
Released: October 2014
Advertising Agency: BETC, Paris, France
Agency Management: Anne Isabelle Cerles, Camille Rieu
Creative Director: Olivier Apers
Art Director: Jordan Lemarchand
Copywriter: Julien Deschamps
Traffic: Coralie Chasset
TV Producer: Hugo Diaz
Production House: Rita Production
Sound Production: Schmooze
Director: Jack Cole
Released: October 2014
Advertising Agency: Rain43, Toronto, Canada
Creative Directors: John Farquhar, Cher Campbell
Head of Client Services: Kevin Pfuhl
Client Supervisor: Tim Pearson
Client Account Director: Lynda Pinder
Agency Account Supervisor: Adam Ball
Account Executive: Denis Spellen
Media Planner: Wills & Co
Agency Producer: Laurie Maxwell
Production Company: Soft Citizen
Directors: Perlorian Brothers
VFX: Fort York
Editing: School
Sound: Eggplant
Published: October 2014
Advertising Agency: Rain43, Toronto, Canada
Creative Directors: John Farquhar, Cher Campbell
Head of Client Services: Kevin Pfuhl
Client Supervisor: Tim Pearson
Client Account Director: Lynda Pinder
Agency Account Supervisor: Adam Ball
Account Executive: Denis Spellen
Media Planner: Wills & Co
Agency Producer: Laurie Maxwell
Production Company: Soft Citizen
Directors: Perlorian Brothers
VFX: Fort York
Editing: School
Sound: Eggplant
Published: October 2014
Advertising Agency: Rain43, Toronto, Canada
Creative Directors: John Farquhar, Cher Campbell
Head of Client Services: Kevin Pfuhl
Client Supervisor: Tim Pearson
Client Account Director: Lynda Pinder
Agency Account Supervisor: Adam Ball
Account Executive: Denis Spellen
Media Planner: Wills & Co
Agency Producer: Laurie Maxwell
Production Company: Soft Citizen
Directors: Perlorian Brothers
VFX: Fort York
Editing: School
Sound: Eggplant
Published: October 2014
Production Company: Golden Wolf
Production Company: Blacklist
Creative Director: Ingi Erlingsson
Art Director: Ewen Stenhouse
Producer: Ant Baena
Editors: Max Englehart, Stefan Falconer
Designers: Stefan Falconer, Max Englehart, Romain Loubersanes
Animation/Compositing: Stefan Falconer, Max Englehart, Alex Fernandez, Romain Loubersanes
Prep/Roto: Pablo Lozano, Liane Plant
Live Action Colour Grade: Envy Post
Managing Director: Adina Sales
Executive Producer: Andrew Linsk
Producer: Nathan Jew
One of the biggest things in marketing and in barcoding these days is the QR code. The QR code is that unusual looking code that you see everywhere and that can give you a discount on items that you buy. If you are planning to implement a QR code into your marketing campaign, you should […]
The post QR Tips for an Effective Campaign appeared first on AdPulp.
The Clippers are under new ownership, and they want everyone to know it.
Last night, the team launched a 60-second spot and campaign dubbed “Be relentless.” The spot is an anthemic call-to-action, with a voice over saying, “You think you know who we are; you’re wrong. … We have walked through fire and come out on the other side.”
RPA, which won the account last month following a review, handled the campaign.
Pollster Frank Luntz’s mantra — “It’s not what you say; it’s what people hear” — isn’t revolutionary. But in an industry that can be easiily distracted by shiny new tech and content toys, he reminded the audience at the Holmes Report’s Global PR Summit in Miami that language is more capable of changing public opinion of a brand or politician than almost anything.
Among the examples he shared was a top-testing 2014 political campaign for Mitch McConnell, in which a cancer patient who could barely speak told a story about how the Kentucky senator stood up for locals who had been exposed to radiation and were ultimately diagnosed with cancer. At the end, the whispering patient said, “Having a strong voice matters.”
“McConnell has no personality,” exclaimed Mr. Luntz. “This ad makes him emotional. It makes him caring. It says that everyone, even those who don’t have a voice, have a voice. It’s what makes this ad so powerful.”