ECPAT: Noomi Rapace

Advertising Agency: Svensson, Sweden
Copywriter: Tomas Carrfors
Art Director: Filip Lindquist
Account Manager: Anna Lennström
Production Manager: Ewa Staël von Holstein
Designer: Perry Gustafsson
Final Art: Jonas Sahlström
Production Company: Vidory
Communication Agency: Prime
Director: Henrik Gyllenskiöld

SEAT I-Tech: Someday

Advertising Agency: Grey, London, UK
Production: Canada
Director: Erik Morales
Producer: Julia Carrasco
DOP: Paco Femenia
Color: Marc Morató
Editor: Ramon Morejon
Flame Artist / Supervisor VFX: Xavi Bertran
Flame Artist: Ivan Iniesta, Jana Casanovas
3D: Marcial Aparicio, Nico Roig
Music: Trafalgar 13

yes Satellite TV: Yes Oh Gallery

Advertising Agency: D.Tales, Tel Aviv, Israel
CEO: Itay Nagler
COO: Nadav Saadia
Executive Creative Director: Daniel Barak
Account Exrcutive: Marina Talias
Creative Director: Ronen Harten
Illustrators: Tom Melnick, Eyal Taub, Maya Shleifer, Or Rosenstein, Ronen Harten, Shlomit Sauer, Danna G Windsor, Efrat Hasson, Tomer Rubens, Osnat Faitelson, Sari Cohen, Or Livneh, Noam Amir, Haggar Ben Yishay, Omer Silverman, Andre Mysin, Muchnik Inesa, Yonatan Popper, Yuli Serfaty, Talia Rachmani, Rafi Ben Aharon, Sarit Evrani, Ori Livney
Programmers: Guy Schlider, Peleg Schlider
Design: Norbert Studio
Photographer: Amnon Haas
Published: April 2014

Mr Kipling: Pink elephant

Advertising Agency: JWT London, UK
Executive Creative Director: Russell Ramsey
Creative Director: David Masterman
Creatives: Verity Fenner, Claudia Southgate
TV Producer: Toby Clifton
Planner: Hilde Oord
Managing Partner: Simone Forster
Account Managers: Joanne Murray, Amy Wright
Media agency: Carat
Director: Bjorn Ruhmann
Director of Photography: Justin Brown
Production Company: Blink
Blink Producer: Sam Levene
Editor: Paul Hardcastle / Trim
Post & CG: The Mill
CG Lead: John Wood
CG 2nd Lead: Gareth Brannan
Lead Animator: Jorge Montiel
Producer: Ian Berry
Music Studio: Jungle
Sound Engineer: Owen Griffiths
Copyright title: “Soul Bossa Nova”
Artist: Quincy Jones and His Orchestra

Jack Link’s Takes Sasquatch to College

How do we know that Jack Link’s wants to connect with the college crowd? The Big Ten Conference theme behind the brand’s latest campaign “The Wildest Room on Campus” gave us a big hint.

Some context before we dive back in: Carmichael Lynch, the agency behind the Sasquatch concept, retains creative AOR duties for Jack Link’s. Yet CL is not responsible for this campaign, and the brand’s last ads starred real animals.

Still…like that famed DDB bunny, this creature keeps going thanks to the work of production company Über Content.

(more…)

New Career Opportunities Daily: The best jobs in media.

LIVE IN LEVI'S – Just Don't Bore Them – (2014) :60 (USA)

LIVE IN LEVI'S - Just Don't Bore Them - (2014) :60 (USA)

Despite it being a little cliché, in that were showing all lifestyle of jean-wearing people, this is nowhere near as dated as that Adidas ad with the predictable couch feels.

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Always A Chance: Leon

If trouble is all you see, then trouble is all you’ll get.

Advertising Agency: Big Communications, UK
Creative Director: Dylan Bogg
Art Director: Tim Jones
Copywriter: James Cross
Photographer: Martin Brent
Published: August 2014

Always A Chance: Ashlee

If trouble is all you see, then trouble is all you’ll get.

Advertising Agency: Big Communications, UK
Creative Director: Dylan Bogg
Art Director: Tim Jones
Copywriter: James Cross
Photographer: Martin Brent
Published: August 2014

Always A Chance: Darren

If trouble is all you see, then trouble is all you’ll get.

Advertising Agency: Big Communications, UK
Creative Director: Dylan Bogg
Art Director: Tim Jones
Copywriter: James Cross
Photographer: Martin Brent
Published: August 2014

Bissell Symphony: Subway

Advertising Agency: KBS+ Toronto, Canada
Chief Creative Officers: Matt Hassell, Gary Watson
Creative Director: Raul Garcia
Art Directors: Jessica Toye, Raul Garcia
Copywriter: Alex Bird
Account Director: Hanh Vo
Account Executive: Megan Chown
Agency Producer: Margaret Callaghan
VP-General Manager: Craig Emmerson
Senior Brand Manager: Ravi Delchand
Production Company: Circle
Executive Producer: Karen Tameanko
Director: Jeffrey Zablotny
Line Producer: Elizabeth Findlay, Amanda Field
Postproduction Company: Married to Giants
Executive Producer: Denise Shearer
Editor: Monica Remba
Assistant Editor: Dylan Atkinson
Online Artist: Trevor Corrigan
Online Assistant: Preeti Torul
Colour / VFX Artist: Alter Ego
Colourist: Tricia Hagorilles
Published: August 2014

Belize Thanks Journey's Keyboardist for Visiting by Recording 'Don't Stop Beliezin'

You can’t make this stuff up.

Jonathan Cain, the keyboard player for Journey and writer of perhaps the band’s biggest hit, “Don’t Stop Believing,” vacationed in Belize recently—and tweeted about what a fantastic experience it was.

The Belize Tourism Board got wind of this, and with help from its ad agency, Olson, orchestrated an elaborate thank-you to Cain—in the form of a cover song, “Don’t Stop Belizein.” Popular local Belizean group The Laru Beya Boys recorded the song, which you can hear below.

Olsen and the Belize Tourism Board have collaborated on quirky campaigns in the past. Last year they offered free vacations to Vince Gilligan and eight members of the Breaking Bad cast—after the phrase “taking a trip to Belize” was used on the show as a euphemism for getting murdered.



Joe Buck and Troy Aikman Are Telenovela Foes in This Insane Ad for Fox Sports

What would happen if football didn’t exist? Well, for one thing, Fox Sports announcers Joe Buck and Troy Aikman would have very different jobs.

The two hombres star in this perfectly executed spot made in the style of a Latin telenovela. And it’s glorious. While their Spanish is downright remedial, they make up for it with absurd soap-opera melodrama. (Fox Sports seems to be going full comedy this fall, having also rolled out the “Sorry About All the Football” campaign.)

You could take issue with the premise, though. It’s highly doubtful, outside of football, that these two guys would have ever ended up in the same room. Unless baseball still existed, and Aikman played on the Red Sox.

The YouTube page says this is “the first of a series of videos featuring NFL on Fox talent, so it will be fun to see what happens next as the “drama unfolds.”

A world without football is, of course, inconceivable. But a world with more of these ads?

Si, por favor!

Via Awful Announcing.



Save the elephant, a 3D printed Elephant petition (actual size!)

Save the elephant, a 3D printed Elephant petition (actual size!)

Petitions. Who pays attention to them? Attempting to solve that problem, and to save the worlds elephants, my old ad agency FHV/BBDO in Amsterdam made a 3D printed elephant petition.

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Commercials: 

Fundación Acción Jóven: BLANK! Project

Advertising Agency: Crea FCB Costa Rica, San José, Costa Rica
Creative Director: Carlos JIménez
Art Director: Carlos Arias
Photographer: Ricardo Quirós
Additional credits: All Blank Designers
Published: April 2014

Global Commission on Drug Policy: War on Drugo

Advertising Agency: AlmapBBDO, Brazil
Creative Director: Marcello Serpa
Development: Marcello Serpa, Pernil, Andre Gola
RTVC: Vera Jacinto, Rafael Motta, Diego Villas Bôas
Producer: Vetor Zero / Lobo
Director: Gabriel Nóbrega
Art Director / Assistant Director: Diego Coutinho
Photographer: Alexandre Elaiuy
Client Services Production: Roberta Reigado, Thais Lopes
Executive producers: Alberto Lopes, Sergio Salles, André Rosa
Completion: Vetor Zero / Lobo
Sound Producers: Hilton Raw, Fernando Forni
Audio producers: Pity Lieutaud, Robério Barbosa / Raw Audio
Client Services: Carolina Derra

One Trick Pony Unites Branson, Goldsmith for Virgin Hotels

One Trick Pony got together Virgin billionaire Richard Branson and Jonathan Goldsmith — the actor perhaps most well-known for playing “The Most Interesting Man in the World” in the ongoing Dos Equis campaign — to promote the launch of Virgin Hotels, starting with a single location in Chicago.

In the spot, Branson recites some supposed rumors about the hotel — “The beds are so springy, they had to lift the ceilings 16 inches,” for example — while Goldsmith acts them out. Goldsmith’s involvement leaves no doubt from where One Trick Pony took its inspiration, and Branson’s acting can be a bit stiff, but the 55-second spot is not without its charm. Where the campaign really shines, though, is its social component, which invites consumers to tweet their own rumors about the hotel from the Virgin Hotels site. Users who submit some of the best tweets will be entered for a chance to win a two-night stay at the first Virgin Hotels location, where it’s rumored that Richard Branson tucks everyone in at night. (more…)

New Career Opportunities Daily: The best jobs in media.

BBDO Makes Short Shorts for Mountain Dew

In the latest BBDO-helmed project for client Mountain Dew, the agency has created something even our own sharpest critics must call unique: an animated/live-action mini-series.

Make that a “mini mini-series” — it amounts to two minutes of material in the form of eight different shorts starring the Dew’s as-yet-unnamed “superhero” mascot.

The series focuses less on the client’s product than on the aforementioned cartoon doing cartoonish things:

While the spots debuted on Sunday night’s Video Music Awards, they received a healthy promo push targeting the brand’s Twitter followers and its nearly 9 million Facebook fans (along with their friends).

Most of the spots focus on unconventional methods of transportation…

(more…)

New Career Opportunities Daily: The best jobs in media.

DJ Samples Thousands of Sounds From GE Machines for a Track Called 'Drop Science'

GE doesn’t just do whatever it is that GE does. It makes beats, too.

Last year, GE brought you an electronica song featuring the sounds of shipping containers, as interpreted by Reuben Wu of Ladytron. Now the engineering brand is back with a sequel that graduates to samples from a broader range of GE’s heavy machinery—thousands, we’re told, including a jet engine—as assembled by artist Matthew Dear.

Created with The Barbarian Group, the campaign essentially argues a natural alignment between GE and music, focusing on the brand’s use of acoustics to test that its equipment is functioning properly. Andrew Gorton, an acoustics engineer for GE, worked with Dear to record sounds at a GE research facility in Niskayuna, N.Y., a process documented in a video produced by m ss ng p eces. A package of the loops Dear created is available to download via BitTorrent so that anyone can remix them.

While the symbiosis might seem like a stretch, it’s hard to fault GE for not wanting to bore regular people with too much geek talk about turbines and who cares what else. The resulting track, titled “Drop Science,” is certainly worth a listen.

That is, if you like the electronic music genre in general, it’s fun. If you don’t, you might think it sounds like a bunch of beeping machines. 



Hyperlapse, o app do Instagram que estabiliza e cria timelapse

Para ajudar a minimizar os efeitos ‘Bruxa de Blair’ dos vídeos que você grava a partir do seu smartphone, o Instagram apresentou hoje o Hyperlapse, app especialmente desenvolvido para estabilizar gravações e acelerar vídeos.

Assim, além de eliminar o tremelique, os usuários poderão também condensar vídeos mais longos em passagens rápidas, efeito conhecido como ‘time-lapse’.

O uso é bem simples: basta instalar o app, que é gratuito, e tocar na tela para começar a gravar. Ao terminar, o usuário terá as opções de ajustar a velocidade, entre 1x e 12x mais rápido que o original, e poderá salvá-la no rolo de câmera ou publicar diretamente no Instagram ou no Facebook. É uma pena, contudo, que o app não permita usar o efeito também em vídeos já armazenados no seu dispositivo – a tecnologia funciona apenas com o que for gravado através do próprio app.

hyper-prin

A princípio, o Hyperlapse está disponível apenas para iOS, mas há intenção de apresentar uma versão para Android em breve.

instagram-hyperlapse-capa

Brainstorm9Post originalmente publicado no Brainstorm #9
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Modern Kitchen with Aquarium

« Ocean Kitchen », c’est le nom de cette cuisine pensée par le designer hollandais Robert Kolenik proposant un aquarium comme décoration principale. Une idée maligne et visuellement impressionnante qui éclaire la cuisine et donne envie de se plonger dans une recette.

Modern Kitchen with Aquarium5
Modern Kitchen with Aquarium4
Modern Kitchen with Aquarium3
Modern Kitchen with Aquarium2
Modern Kitchen with Aquarium1