A decade of UK agency Grands Prix
Posted in: UncategorizedTo gee up agencies ahead of Cannes, Campaign has compiled a list of all the Grand Prix-winning entries by UK agencies over the past decade.
To gee up agencies ahead of Cannes, Campaign has compiled a list of all the Grand Prix-winning entries by UK agencies over the past decade.
Metcalfe’s Food Company, which was set up by the founder of Pret A Manger and sells low-calorie snacks, has picked Quiet Storm to create a TV campaign for its popcorn range.
Swarovski a fait équipe avec Rem Koolhaas, pour réaliser une installation lumineuse spectaculaire pour la 14e exposition internationale d’architecture de la Biennale de Venise. La structure est majestueuse et ressemble à un décor de théâtre. Elle se compose de milliers d’ampoules de verre aux couleurs vives et 15kg de roches de cristal.
Paddy Power has continued its tactical World Cup campaign with a special build billboard featuring a caged “traitor” who had bet on Italy beating England on Saturday.
Starbucks is to offer its US employees a free online college education, after reaching an agreement with Arizona State University to pay fees on their behalf.
Campaign and its sister brands are covering Cannes Lions 2014 in our live 24-hour blog, bringing you everything you need to know about the festival. Here are ten things you may have missed on the first day.
UK consumers will be able to switch energy providers within three days, after an agreement between industry regulator Ofgem and supplier brands such as British Gas, EDF and Npower.
CANNES, France—Maybe India’s Internet Baby isn’t as horrifying as he seems?
If you think about it, the preternaturally social star of the MTS Telecom campaign—who learns to cut his own umbilical cord immediately after birth—is actually someone to be revered, at least according to the agency that created him.
We thought he was creepy, as most CGI infants are when they do adult-like things. The ad’s utopian vision of ever-younger digital natives also seemed dystopian, to say the least. The ad will make you “weep for humanity,” we wrote, adding that Internet Baby must be stopped. (Others, including Time magazine, later agreed with us.)
But Sajan Raj Kurup, founder and creative chairman at Creativeland Asia—which is hoping the ad snags a Lion at Cannes this week—sent us an email in which he suggests we may have missed the cultural import of the spot. He urges us to look at it in a different way—as beautiful, not terrifying.
Check out his full email below.
Dear Tim,
You have mentioned how the MTS Internet Baby spot will make one weep for humanity. You have also appealed that somebody must stop the Internet baby. As someone who wrote the spot, may I sincerely ask that somebody not to stop my little Internet baby. Very humbly, here’s why:
I live in a country where millions of babies are born into poverty. Hunger in their life manifests itself in many terrifying ways. From basic amenities, to education, security and healthcare.
The Internet and mobile phones arrived in my country in the late ’90s. Today, India is the fastest growing telecom and Internet market. Beyond the economic benefits, there is huge social upside to it. Internet and telecommunications has perhaps been the greatest social leveler in my country. It has begun to empower even the most socially backward Indian in the remotest corner of the country with information, with access, with knowledge, with education, with true power.
I would like to hope that this empowerment continues. And it transcends age-groups, caste, religion and social standing. I would like to hope that every baby born in my country is born to the Internet. The Internet that empowers him or her to start life like any other baby in an urban Indian home, European or an American home. For then he would have knowledge available, at the touch of a button. The same button a child in London presses when he needs to know. The same button that empowers a child in Tokyo.
It is natural for a handful of people to think that this is freaky or unnatural. Remember even the motorcar was called evil by some people a hundred years ago. But let not the playful thought of an Internet-empowered baby at birth terrify us. Let’s not stop him.
There’s no telling how far this generation of Indian children, those born for the Internet, will go. They will definitely go farther than their fathers did. They might even go farther than kids in the developed world. Let them go. Let them break barriers.
Debates and point of view are essential. They are what make our business a lot more fun. But that doesn’t change facts. Technology and the Internet are getting deeper into our lives. And the MTS Internet Baby has made people stand up and take notice.
I would like to invite you to Mumbai after Cannes Lions to witness firsthand India’s flourishing creative scene and our country’s “Internet Babies.” I promise it would be something you would never forget—and you would weep for humanity. With a mixture of joy and excitement.
Yours sincerely,
Sajan Raj Kurup
Founder & Creative Chairman, Creativeland Asia
To commemorate the birth of the Internet Baby, Creativeland also ran a promo in which it christened babies born on MTS India’s founding day (which happened to be within the launch month of the spot) as Internet babies and gave away free Internet connections. See that case study below.
If a new Xbox One ad gone awry is any indication, the voice-command function on the Microsoft Kinect device is working a little too well for some gamers.
The commercial shows Aaron Paul, best known for playing Jesse Pinkman on Breaking Bad, using the feature by bossing around an Xbox. But according to complaints on social media sites including Twitter, the spot’s audio accidentally—and amusingly—turns on the consoles of viewers who happen to watch it while in the same room as their voice-enabled Xbox Ones and Xbox Kinects.
“I find it funny when people complain about the kinect sucking and not working,” says one reddit commenter. “By watching this video on my phone Aaron Paul turned on my Xbox. Thanks Aaron Paul.”
The phenomenon appears to be a boon for the brand, generating quite a bit of press for an otherwise straightforward celebrity spot, which now has more than 2.6 million YouTube views since being posted June 5.
Paul, to the disappointment of many a fanboy, does not address the Xbox in the 30-second ad as “bitch,” Pinkman’s hallmark greeting. But the broken-hearted can rest easy knowing all is well in the universe—as he does grace a gaming exec with the title in this longer ad for the brand.
Dockers prepares men for fatherhood, among other things, in these two videos from Red Tettemer O’Connell + Partners, timed to Father’s Day. Former Tampa Bay Buccaneers head coach Jon Gruden gives a speech that is loaded to the gunwales with quotables (“You’re just hired help paid in groin kicks!”) to a room full of soon-to-be dads, while Sarah Harbaugh—wife of San Francisco 49ers coach Jim Harbaugh—tearfully warns men about the dangers of “dad pants.”
Didn’t Dockers make those popular in the first place? Just asking questions. It’s nice to see gendered advertising that doesn’t go out of its way to insult anyone for a change, but did I hear Gruden take a swipe at dad jokes? Like hell those are going away.
Dyson, Amazon, Google and Apple have been voted the most entrepreneurial of blue-chip companies by a panel of business experts.
Amnesty International a fait appel à l’agence TBWA Paris et au vidéaste Onur Senturk pour réaliser une vidéo en 3D entièrement faite de stylos qui forment des images de combats et manifestations. Les stylos sont là pour appeler les gens à signer les pétitions pour les droits de l’Homme. Une co-production Troublemakers.tv et One More studio, sur une musique de Paolo Nutini.
I’m roaring with approval for this interactive sequel, of sorts, to “The Bear,” the 2012 Grand Prix-winning commercial from BETC Paris and French movie channel Canal+.
In the original, an ursine auteur sinks his claws into a big-budget medieval action film, fussing like a temperamental Hollywood diva over every aspect of production, from the script and direction to the special effects and score. Ultimately, the spot pulls the rug out from under viewers’ expectations with an inspired visual punch line.
Now, with “Being the Bear,” users can play director and take over a film set, choosing among several genre types to complete a dramatic scene (shown in the first commercial) in which a woman kneels over a wounded warrior who has been shot through the chest with an arrow. Naturally, some of the selections work better than others, but the writing and on-screen details are sharp throughout, and they reward multiple viewings. (The approach reminds me a bit of Tipp-Ex’s pick-your-own-adventure videos—work from France that featured a goofy, scenery-chewing bear. It also recalls the “Film, TV and Theater Styles” game from Whose Line Is It Anyway?)
My favorites in the new Canal+ campaign include the “Porno” option, which lets the actors have a ball, and “Horror,” a gloriously yucky exercise in spit-screen technique. The “Independent” selection yields the kind of self-obsessed, overly-probing dialogue only an audience of film majors (or Woody Allen) could love.
I wish they’d included a “Wildlife Documentary” option, because it might’ve given the bear—who stays behind the camera this time (we just glimpse his paw)—a role he could really sink his teeth into.
See the original spot below.
Via Adland.
Global ad revenue is expected to expand more in 2014 than in any year since 2010, driven by strengthening economies and major events like the World Cup and the Winter Olympics, according to a new forecast by Magna Global. part of Interpublic Group of Cos.’ Mediabrands.
Worldwide ad revenue will grow 6.4% to $516 billion, Magna Global said in the forecast, leaving unchanged its top-line global prediction from December. Ad spending grew 4.2% in 2013, Magna Global said.
The report boosted Magna’s projections for the U.S., Canada, U.K., and Brazil, however, while lowering forecasts for six other major nations including China and Russia. All of the revised nations are still expected to show growth.
AlabhyaVaibhav is Associate Creative Director (Copy) at O&M, Mumbai. He has 10 years of experience in advertising across Automobile, Mobile Phones, Home Appliances, Notebooks, FMCG, OTC, Personal Care, Telecom, IT, Paint, Aviation, Tourism, GEC, Retail, Apparels, Hospitality, Corporate and Health & Lifestyle categories.
Why are you into Advertising?
Because I love writing TV ads.
Did you attend school for fine art or design or Communications?
I studied advertising at MICA in 2003.
Were there any particular role models for you when you grew up?
Amitabh Bachchan as Shehanshah.
Who was the most influential personality on your career in Advertising?
Sanjay Menon ECD at Mudra in 2008. I was looking for my first break in a top ad agency when Sanjay interviewed me. He went through all the ideas and we started brainstorming as to how to take them forward in other mediums. The interview went on for almost an hour and I was chosen to be a member of a creative team I am so proud to be part of. Sanjay is the kind of senior every youngster needs early in life. His passion for work was infectious and inspiring. His attention to detail, self-confidence, and presentation skills there was so much I learned from him.
Where do you get your inspiration from?
From society, from people around me and news.
Tell us something about Ogilvy and Mather, Mumbai work environment.
I am in the company of people who have done the ad campaigns I look up to for inspiration. And all these people are so humble, so focussed. It is awesome.
Tell us about your first job in Advertising.
At MICA all I wrote was TVC scripts and everywhere people would ask for press ads. I had none. At UshakKaal, a creative boutique in New Delhi I was interviewed by Mr. Raj Hiremath, the M.D. of the ad agency. He read my scripts and liked all of them. That’s how I got my first job.
Do you think brands whose advertising wins awards, do well in the market?
Of course. After all only good campaigns win awards.
What advice do you have for aspiring creative professionals?
Your work is your recommendation letter.
Your upcoming campaigns, if you can talk about it
Approve toh hone do: P
Who would you like to take out for dinner?
Vidisha Srivastava, she is an actress.
What’s on your Mac or PC?
A quote by Ayn Rand as wallpaper: “A creative man is motivated by the desire to achieve, not by the desire to beat others.”
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