Safari: Best moments, 3

The best South African moments are made with charcoal.

Advertising Agency: The Jupiter Drawing Room, South Africa
Illustrator / Art Director: Thabang Lehobye
Copywriter: Nicole Glickman
Production: Manuel Carduso Lopes
Photography (Pack Shot): Lindon Mathews
Retouching: Drerick Hewitt
Music Composition: Dave Waugh, Garrick Jones
Account Manager: Andrew Wright
Award Coordinator: Lynne Fox
Creative Director: Hennie Stander
Executive Creative Director: Tom Cullinan
Published: May 2014

Safari: Best moments, 4

The best South African moments are made with charcoal.

Advertising Agency: The Jupiter Drawing Room, South Africa
Illustrator / Art Director: Thabang Lehobye
Copywriter: Nicole Glickman
Production: Manuel Carduso Lopes
Photography (Pack Shot): Lindon Mathews
Retouching: Drerick Hewitt
Music Composition: Dave Waugh, Garrick Jones
Account Manager: Andrew Wright
Award Coordinator: Lynne Fox
Creative Director: Hennie Stander
Executive Creative Director: Tom Cullinan
Published: May 2014

Skullcandy: Where the music of football plays, 1

Advertising Agency: Shango, Buenos Aires, Argentina
Creative Directors: Beto Resano, Lucas Bottero
Art Director: Ramiro Fernandez
Copywriter: Juan Malka
Illustrator: Carlos Wyszogrod
Photographers: André Fofano, Cassio Vasconcellos, Leonel Albuquerque, Jobson Galdino
VFX director: Alejandro Agrasar
Executive Prodution: Fernando Fasano
Account Director: Gonzalo Guardiola
Published: April 2014

Skullcandy: Where the music of football plays, 2

Advertising Agency: Shango, Buenos Aires, Argentina
Creative Directors: Beto Resano, Lucas Bottero
Art Director: Ramiro Fernandez
Copywriter: Juan Malka
Illustrator: Carlos Wyszogrod
Photographers: André Fofano, Cassio Vasconcellos, Leonel Albuquerque, Jobson Galdino
VFX director: Alejandro Agrasar
Executive Prodution: Fernando Fasano
Account Director: Gonzalo Guardiola
Published: April 2014

Skullcandy: Where the music of football plays, 3

Advertising Agency: Shango, Buenos Aires, Argentina
Creative Directors: Beto Resano, Lucas Bottero
Art Director: Ramiro Fernandez
Copywriter: Juan Malka
Illustrator: Carlos Wyszogrod
Photographers: André Fofano, Cassio Vasconcellos, Leonel Albuquerque, Jobson Galdino
VFX director: Alejandro Agrasar
Executive Prodution: Fernando Fasano
Account Director: Gonzalo Guardiola
Published: April 2014

Skullcandy: Where the music of football plays, 4

Advertising Agency: Shango, Buenos Aires, Argentina
Creative Directors: Beto Resano, Lucas Bottero
Art Director: Ramiro Fernandez
Copywriter: Juan Malka
Illustrator: Carlos Wyszogrod
Photographers: André Fofano, Cassio Vasconcellos, Leonel Albuquerque, Jobson Galdino
VFX director: Alejandro Agrasar
Executive Prodution: Fernando Fasano
Account Director: Gonzalo Guardiola
Published: April 2014

Dubai Resort Welcomes Giant Flock of Ghostly Bird-Humans in Odd JWT Ad

JWT Dubai teamed with FilmWorks and Psyop for this strange 80-second CGI-fest that shows travelers flocking to Atlantis The Palm, a luxury resort in Dubai. And they “flock” in the literal sense of the word, moving through the sky without even flapping their arms, to escape the gray chill of London and Moscow for a taste of sun-soaked, beachfront opulence.

This approach, though well realized from a technical standpoint and certainly memorable, might be a little too odd for its own good. At first, I thought the sky was filled with bees. Around the 30-second mark, we get a clear view of human beings aloft against the sun. They look like souls ascending to heaven, floating into the light … a notion that actually meshes with the tagline, “Check into another world.”

Of course, these people land alive and well at the hotel. The production team used acrobats fitted with special harnesses to make the scenes look realistic. Alas, some of the images serve the client poorly. Who wants to take a vacation in a place where people are constantly falling from the sky? (A stockbroker from Croydon could burst through the clouds and crush you at any moment.) And that hand skimming the surface of the sea is creepy.



Watch This Ad Which Took 90 Minutes to Shoot 2 Seconds of A Cat Driving A Car

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Denver-based Pilgrim Advertising & Digital Marketing is out with a new campaign for AAA’s Roadside Assistance. Hoping to combat old stereotypes, smartphones and the notion AAA is something their parents bought, the campaign works hard at “reinventing roadside is ways you never imagined” for Gen Xers.

Three :30 commercials take a this-is-what-we’re-not approach to describing the service’s new benefits. AAA won’t cover that silver-plated hovercraft of yours but it will cover you while driving or riding in someone else’s car. Likewise, AAA will not beam you home Star Trek-style if your bicycle breaks down but a AAA van will certainly come pick you up.

And while it might be nice to have the family cat drive the car in for a preventative battery replacement, all AAA can promise is they’ll come to you. And yes, this is the ad that took 90 minutes, 3 wranglers, a green screen “gimp suit” to get 2 seconds of “Toonces” the cat driving).

The ads will run on all broadcast networks, plus 11 major cable channels including AMC, CNN, History, Lifestyle, SyFy (of course!), TNT and USA. They will also appear online as :30 pre-roll videos.

You Won't Believe the Secret to These People's Perfect Bodies

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In a hilarious look at the whole weight/loss/weight control/dieting/health and fitness thing, College Humor is out with a parody commercial that offers up the ultimate answer to everyone’s health and weight issues. Genetics.

Yes, genetics. It’s awesome really. And it always works. But, sadly, not for everyone. BUt for the people is this ad, genetics is doing just fine.

Inside Coca Cola London Office

Les architectes de chez Morey Smith ont construit et imaginé le nouveau siège de Coca-Cola aux couleurs de la marque, basé à Londres. Avec un mélange de briques, de bois, de blanc, de bouteilles de toutes les formes, les bureaux possèdent des baies vitrées et une terrasse offrant une belle vue sur la ville.

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Mirrored Monarch Accessories – The Fashionisto's Dark Occasion Editorial Features Reflective Crowns (GALLERY)

(TrendHunter.com) Fashion Milano faces Anton Worman and Dino Sabanovic star in the “Dark Occasion editorial for web publication The Fashionisto. The models are captured by photographer Stella Bonasoni’s…

Deichmann: High Heel Navigation System

Advertising Agency: GREYgermany, Duesseldorf, Germany
Chief Creative Officer: Fabian Kirner
Creative Directors: Alexandros Antoniadis, Martin Venn, Oliver Gelbrich
Art Directors: Markus Werner, Yvonne Miss
Copywriter: Thomas Kuhn
Account: Mona Elobeid
Additional credits: Marco Wickrath, André Schieck, Derk Hayenga, Hendrik Tervooren
Published: April 2014

Vitasprint B12: Running alarm

Advertising Agency: GREYgermany, Duesseldorf, Germany
Chief Creative Officer: Fabian Kirner
Creative Directors: Alexandros Antoniadis, Martin Venn, Oliver Gelbrich
Art Directors: David Baertz, Nora Zimmermann, Alexander Bertschat
Copywriter: Julian Jacobi
Concept Developer: Serdar Kantekin
Account: Nils Ammann
Published: April 2014

McCann Montevideo: Inspiring Rolling Paper

Advertising Agency: McCann, Montevideo, Uruguay
Executive Creative Director: Leandro Gómez Guerrero
Art Director: Gerardo Podhajny
Copywriters: Daniela Varela, Andrés Olivera, Leandro Gómez Guerrero
Agency Producer: Natalia Azzato
COO: Sabina Ricagni
Executive Producer: Gabriel Richieri
Editor: Cristina Franco
Post Production: Rodrigo Fernández
Sound Studio: Gonzalo Moreira, Guillermina Moreira
Sound Engineer: Joaquín Moreira

Jack Link's Beef Jerky: Middle Seat

Advertising Agency: Carmichael Lynch, Minneapolis, USA
Director: Harold Einstein
Production: dummy
Chief Creative Officer: Dave Damman
Executive Creative Director / Copywriter: Marty Senn
Associate Creative Director / Art Director: Brad Harrison
Head of Production: Joe Grundhoefer
Executive Producer: Freddie Richards
Account Director: Jesse Simon
Account Supervisor: Sofya Vannelli

Jack Link's Beef Jerky: Lecture Hall

Advertising Agency: Carmichael Lynch, Minneapolis, USA
Director: Harold Einstein
Production: dummy
Chief Creative Officer: Dave Damman
Executive Creative Director / Copywriter: Marty Senn
Associate Creative Director / Art Director: Brad Harrison
Head of Production: Joe Grundhoefer
Executive Producer: Freddie Richards
Account Director: Jesse Simon
Account Supervisor: Sofya Vannelli

Jack Link's Beef Jerky: Status Meeting

Advertising Agency: Carmichael Lynch, Minneapolis, USA
Director: Harold Einstein
Production: dummy
Chief Creative Officer: Dave Damman
Executive Creative Director / Copywriter: Marty Senn
Associate Creative Director / Art Director: Brad Harrison
Head of Production: Joe Grundhoefer
Executive Producer: Freddie Richards
Account Director: Jesse Simon
Account Supervisor: Sofya Vannelli

DDB Chicago Brings the Trickshots in ‘McDonald’s GOL!’

DDB Chicago teamed up with Smuggler and Whitehouse Post to create “McDonald’s GOL!,” an online and broadcast spot for the World Cup sponsors.

The 1:50 video (above) celebrates amateur trickshots, including a few from unexpected sources, as players around the world show off their skills in anticipation of the 2014 World Cup, now less than 10 days away. It’s a fun approach, and many of the trickshots are quite impressive. At the conclusion of the video, viewers are prompted to visit gol.mcd.com, home of the campaign’s augmented reality trick shot game. The app utilizes Qualcomm Vuforia AR technology to allow players to bounce a digital soccer ball off real world items, but only after it is triggered from any of the 12 limited-edition FIFA World Cup™ fry boxes — which have supplanted the iconic red boxes for the World Cup promotion. Over the course of the campaign, the game will “be available to play from 1.5 billion fry boxes in almost 120 countries,” making it the largest AR experience ever created. Stick around after the jump for credits and a look at some of the fry boxes. continued…

New Career Opportunities Daily: The best jobs in media.

Lowe Campbell Ewald Wants to Help Keep California Golden

Lowe Campbell Ewald, Los Angeles teamed up with newly created brand Energy Upgrade California in a state government effort to start a conversation around energy and water use management in anticipation of the summer drought season, predicted to be one of the worst in the state’s history.

Since California is a fragmented state, with its citizens pledging allegiance to a specific region, Lowe Campbell Ewald knew they needed to draw on a unifying factor. So they leveraged the bear from California’s state flag, turning him into a relatable character who sits atop the flagpole by day and educates Californians on how they can help California stay golden once his work day is over. In the spot, he shares valuable tips like replacing old bulbs with LEDs, and using a programmable thermostat. He ends the spot by directing viewers to Energy Upgrade’s site. With a perilous drought season ahead, hopefully citizens of the Golden State heed his advice. Credits after the jump. continued…

New Career Opportunities Daily: The best jobs in media.

Domino's Wants to Roll Out This Gyroscopic Pizza Delivery System Worldwide

Here’s a solution to a problem you rarely think about but might occasionally fall victim to.

Domino’s Pizza in Brazil is so intent on convincing you that it will deliver you a pizza instead of a deformed pile of cheese and sauce that it has created an elaborate, pizza-stabilizing device to be mounted on the back of delivery motorcycles.

Created by agency Artplan, the device consists of a platform on two hemispheres that pivot to compensate for any tilting caused by turning, riding on a hill or hitting a speed bump. The cube holding the device glows at night, probably to strengthen the illusion that Domino’s is carrying around something important as opposed to just a lazy man’s dinner.

This technique reportedly will be expanded to roughly 10,000 Domino’s locations worldwide, meaning that soon, you too may be able to gawk at one in real life. Makes you wonder how we’ve gotten by without this revolutionary discovery.