Ben Hoberman, 91, Pioneer of All-Talk Radio, Is Dead
Posted in: UncategorizedIn 1960, Mr. Hoberman transformed the music station KABC in Los Angeles into what is generally considered the country’s first 24-hour all-talk station.
In 1960, Mr. Hoberman transformed the music station KABC in Los Angeles into what is generally considered the country’s first 24-hour all-talk station.
The host of the Sirius XM satellite radio program “The Whoolywood Shuffle” spends Sundays on social media, and eats Frosted Flakes at night.
Radio
Turner
Advertising Agency:Santa Clara, São Paulo, Brazil
Creative Director:Santa Clara
Creatives:Fernando Campos, Felipe Cury, Felipe Ribeiro
Art Director:Felipe Cury
Copywriter:Felipe Ribeiro
Produced by:Jamute Audio
Outdoor, Design
Turner
Space Channel is best known for its horror films, but now it’s also broadcasting football. To promote the new football programming and connect it with the channel’s regular schedule, we’ve created a series of football-themed posters inspired by horror films, showing that when it comes to extreme emotions, there is a huge connection between horror and football.
Advertising Agency:Santa Clara, São Paulo, Brazil
Creative Director:Santa Clara
Creatives:Fernando Campos, Felipe Cury, Felipe Ribeiro
Art Directors:Felipe Cury, Diego Limberti, Henrique Folster, Patrícia Oliveira, Ian Sutter, Paulo Eugênio (Geninho) Moura
Illustration:Felipe Cury, DiegoLimberti, Henrique Folster, Patrícia Oliveira, Ian Sutter, Paulo Eugênio (Geninho) Moura
Copywriter:Felipe Ribeiro
Creative people in advertising are not normal. Things like meetings and time sheets are real crimps in their machinery. So, imagine how hard it can be for a non-conformist artist or writer to package himself in a way that appeals to corporate America’s jester service.
Despite the difficulty, it’s a popular pursuit for people not wanting to work in insurance or on an oil rig. People like John Boone, a co-founder of BooneOakley in Charlotte, NC.
On Thursday, Boone wrote an interesting note on his Facebook page about his path to success.
Today I’m thankful for Tom Cordner, who gave me a chance early in my advertising career. I started my career in Atlanta and loved every minute of it. But I’d always dreamed of working in LA. At the time, my portfolio was really …what’s the word? …bad. But somehow, Tom saw through the bad and saw the potential for something better. I can tell you from experience, it’s incredibly difficult to do. Most creative directors typically want to bring in proven talent. Talent that’s done amazing, buzz-generating, award-winning work. It’s similar to an NBA team wanting to hire a marquis player who’s won championships. But I was a no-name player in the D-league.?
I can tell you from experience that the best in the business often can’t see past the glare of last season’s Lions. Which is a real shame, because original ideas come in all shapes and sizes, not just in neat portfolio school-like packages.
I am grateful for Boone’s story and pleased that his talent was discovered by someone who could give him the chance to perform on a large stage. Had Tom Cordner failed to recognize Boone’s talent, we would not now be looking at this quality NBA advertising:
BOBCATS – Fan Appreciation from BooneOakley on Vimeo.
Where did you find your break in this business, and how has it impacted the arc of your ad career? Inquiring ad minds want to know…
Previously on AdPulp: Agency Sites That Merely Showcase Credentials Are Done
The post Spotting Advertising Talent In The Wild A Lot Tougher Than It Looks appeared first on AdPulp.
Stop going to the same places.
Advertising Agency: vml, São Paulo, Brazil
Creative Director: Silmo Bonomi
Art Director: Alexandre Amaral
Copywriter: Marcel Ares
Photographer: Rodrigo Ribeiro
Account Director: Rodrigo Gouveia
Published: March 2014
Stop going to the same places.
Advertising Agency: vml, São Paulo, Brazil
Creative Director: Silmo Bonomi
Art Director: Alexandre Amaral
Copywriter: Marcel Ares
Photographer: Rodrigo Ribeiro / Shutterstock
Account Director: Rodrigo Gouveia
Published: March 2014
Advertising Agency: McCann, Mexico
Creative Directors: Javi Carro, Joanna Lopez, Roberto Martinez
Art Directors: Roberto Martinez, Myriam Barrios
Copywriter: Adria Jauregui
Illustrator: Jazzthief
Account Director: Marcela Berlanga
Published: April 2014
Advertising Agency: McCann, Mexico
Creative Directors: Javi Carro, Joanna Lopez, Roberto Martinez
Art Directors: Roberto Martinez, Myriam Barrios
Copywriter: Adria Jauregui
Illustrator: Jazzthief
Account Director: Marcela Berlanga
Published: April 2014
Now that Airbnb, that controversial apartment “sharing” (read: renting) business, has grown beyond its startup roots to become a company with an estimated value greater than the entire Hyatt Corporation, it needs a little creative work to show the world what it’s all about.
Today Pereira & O’Dell provided that work in the form of the very first Airbnb spot:
We’re not sure whether the business will catch on with the public at large and we can’t imagine warming to the idea of swapping apartments with strangers, but we also can’t think of a better way to summarize Airbnb’s appeal than with a series of views from alternate windows in a “you could be here, or here, or here” montage.
Unfortunately, you may still have a tough time describing the company’s product to your grandmother.
Credits after the jump.
New Career Opportunities Daily: The best jobs in media.
Advertising Agency: McCann, Mexico
Creative Directors: Javi Carro, Joanna Lopez, Roberto Martinez
Art Directors: Roberto Martinez, Myriam
Barrios
Copywriter: Adria Jauregui
Illustrator: Jazzthief
Account Director: Marcela Berlanga
Published: April 2014
Advertising Agency: GlobalHue, USA
The failed merger between Publicis Groupe and Omnicom Group gradually lost momentum and became mired in multiple issues, but Maurice Levy said the trigger for him was Omnicom’s first-quarter 2014 results call with analysts, when CEO John Wren discussed details of the merger.
Publicis’ href=’http://lookbook.adage.com/Agencies/Publicis’ class=’directory_entry’ title=’Ad Age LookBook’>Publicis</a> CEO Maurice Levy and Omnicom CEO John Wren” class=”rightrail” credit=”Balint Porneczi/Bloomberg” image=”http://%%img_server%%/images/bin/image/rightrail/Levy_Wren_Publicis_Omnicom_by_Bloomberg.jpg” url=”
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O Dia das mães é o momento de homenagear as mães, mas dessa vez a história mudou: elas é que prestaram um tributo a suas filhas, que recentemente também viraram mães.
O vídeo traz o novo posicionamento da marca – “Quando a gente muda, tudo muda com a gente” – para o mundo digital, através de histórias que jamais haviam sido reveladas antes.
O resultado é um filme repleto de emoção, capaz de tocar o coração de todas as gerações: as mulheres que já se tornaram mães e as que ainda vão se tornar.
Além disso, a campanha conta com um Tumblr – Ser Mãe Muda Tudo – onde é possível ler as cartas na íntegra e ver fotos pessoais das mães e filhas que participaram do filme. Pra completar, todas as mamães que quiserem participar podem enviar suas fotos e histórias através da #sermaemudatudo.
Acesse o tumblr e abra o coração: O que mudou quando você virou mãe?”
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[Esse post é trazido a você por Nextel. Texto de responsabilidade do anunciante.]
Post originalmente publicado no Brainstorm #9
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For clients, the mega-merger ended much like it began — with very little communication.
Even the most senior marketers at the holding companies’ biggest clients learned the news in a haphazard fashion — via social media, colleagues or reporters looking for comment. Both Omnicom’s John Wren and Publicis’ Maurice Levy sent out brief, generic emails to key clients in the hours following the official announcement that the deal was off.
Last summer both Publicis and Omnicom executives sold the deal to clients as a way to better wrap their arms around data; increase leverage with media companies like Facebook and Google; and create a one-stop shop for everything from content marketing to app development.
L’artiste Benjamin Swanson a fait la belle série très conceptuelle appelée « The Conquest of Materials », dans laquelle il joue avec des matières vues à travers notre perception, le tout avec une dominante de nuances de teintes grises, blanches et noires. A découvrir dans la suite de l’article.