Africa Is Ad Age’s 2014 International Agency of the Year


Africa is consistently named Brazil’s most-admired ad agency, but perhaps because it rarely enters award shows and chose its name from another continent, it isn’t well known in the rest of the world.

It should be.

When Grupo ABC chairman Nizan Guanaes and four partners who had worked together at DDB Brasil started Africa a decade ago, they took a break from Brazil’s awards-obsessed agency culture and built a shop with a deliberately small number of big clients. Today they are doing some of the most offbeat — and wildly popular — digital work for Procter & Gamble brands you’ll see anywhere, creating new products for clients at Africa Lab, and revving up World Cup sponsorships for Brazil’s biggest marketers like AmBev and Banco Itau.

Continue reading at AdAge.com

LatinWorks Is No. 9 on Ad Age’s 2014 Agency A-List


LatinWorks generated impressive revenue growth of 32% in 2013. But the real story is how those billings broke down: 59% U.S. Hispanic work and 41% total market, meaning work that addresses the general market and multicultural consumers. Just a year earlier, the split was 82% Hispanic work and 18% total market.

The total market is a destination the ad industry is moving toward,” said Sergio Alcocer, LatinWorks’ president and chief creative officer. “It will be a reality, not an alternative.”

Consider AT&T, which selected LatinWorks after a pitch against general-market agencies to launch a pre-paid wireless brand called Aio Wireless. The business, LatinWorks’ largest win in its 15-year history, now represents 21% of the agency’s revenue.

Continue reading at AdAge.com

Carat Is Ad Age’s 2014 Media Agency of the Year


Carat could have been forgiven if it was a little distracted last year.

The media arm of British conglomerate Aegis was in the thick of work for its massive General Motors account. It pivoted in numerous directions to get up and running on other new accounts and it moved in with the parents — taking up office space at the headquarters of Japanese ad giant Dentsu following their big merger.

But Carat kept its focus, increasing revenue 20% in 2013 and reeling in new talent to stay on the cutting edge.

Continue reading at AdAge.com

From McCann to Firstborn, These Are the 10 Agencies to Watch in 2014


Agencies — and the marketing landscape — never stop evolving. From well-established firms hitting a new stride or carving out different disciplines to up-and-comers offering digital-world solutions, here are 10 shops to have on your radar in 2014.

1. McCann, New York

In its first year under CEO Harris Diamond, it added more than $30 million in revenue, winning U.S.P.S., Lockheed Martin, Jose Cuervo and The American Frozen Food Institute. Oh yeah, and Chevrolet. As it reshuffles its creative leaders, this is the top shop to watch in 2014.

Continue reading at AdAge.com

Alma Is Ad Age’s 2014 Multicultural Agency of the Year


“There’s no ethnicity flag on Twitter.”

So says Isaac Mizrahi, managing director of Omnicom-owned U.S. Hispanic agency Alma. It’s hard to tell whether English-language tweeters are Hispanic, or if Spanish-language tweeters are in the U.S. Hispanic market or somewhere in Latin America. So the shop developed the Social Media Lab to help marketers learn from Hispanics’ online conversations. The ambitious project is already paying off in new-business pitches and positions the agency to bring in more work from existing clients.

Alma has painstakingly assembled a database of about 20,000 U.S. Hispanics active on social-media networks, and analyzes their conversations from lifestyles to brand preferences to mine actionable insights. Alma’s winning pitch for University of Phoenix’s Hispanic business included insights from online conversations about higher education and career advancement, providing a bigger picture. And even when Alma came in second in a different pitch, the client later approached the agency to ask about subscribing to the Social Media Lab.

Continue reading at AdAge.com

Anomaly Is No. 5 on Ad Age’s 2014 Agency A-List


At first glance, it might seem like the Anomaly didn’t have much to brag about in 2013: It didn’t win a massive account and it didn’t pick up a host of awards it could parade around. It didn’t win the PlayStation pitch and it was a runner-up in the Smirnoff review.

But the shop’s growth strategy has never included winning headline-grabbing pitches. “Pitches are always suspect, we don’t like to do them,” said Jason DeLand, founding partner at Anomaly. “The justification of our model is effectiveness. That’s really the focus: clients’ growth as opposed to the traditional new-business machine.”

Its clients certainly did grow, and that helped the agency to a big year as well. Anomaly’s U.S. and global revenue and headcount all grew 25%, and it expanded into Asia. In all, the shop has grown 350% in three years.

Continue reading at AdAge.com

Colenso BBDO Is 2014 Runner Up International Agency


Whenever a new Apple product is released, people camp out for it. New Zealand’s Colenso BBDO came up with a clever, tech-savvy take on that phenomenon to promote the Samsung Galaxy S4 — a virtual product line, with people jumping ahead by plugging the brand on social media.

A huge outdoor LED screen broadcast their avatars standing in line. The digital customers even pulled out umbrellas when it rained. About 12,000 people queued up for two weeks and mentioned the campaign 85,000 times on social media.

Revenue in 2013 grew 23%. The agency picked up New Zealand business from brands including Volkswagen and Fonterra and global projects for Snickers, Pepsi, Mountain Dew and 7Up.

Continue reading at AdAge.com

Droga5 Is No. 4 on Ad Age’s 2014 Agency A-List


Droga5’s heart is in its New York kitchen. It’s there that the shop provides dinners every night at 8 p.m. It’s where Pizza Thursday is celebrated. It’s where the shop gets to use the main components of its “new staffer” welcome kits (hot sauce and placemats, along with relevant information about the company). It’s where the agency will toast this year’s agency A-List honor.

And when the shop moves its 240 employees to a new, 90,000-square-foot space on Wall Street, Droga5 will place its kitchen near a stairway connecting the two main floors.

That kitchen-table approach is emblematic of how Droga5 works, even as it expands from small shop to an international force to be reckoned with. Newly minted Chief Creative Officer Ted Royer describes the culture the agency tries to retain as having “funkiness” and “scrappiness.” Droga5, though, is far from an underdog, posting a healthy 40% U.S. revenue growth in 2013, the shop’s seventh straight year of more than 30% growth.

Continue reading at AdAge.com

R/GA Is No. 10 on Ad Age’s 2014 Agency A-List


R/GA is proving it’s not just about digital.

With U.S. client wins like Samsung, Victoria’s Secret, E-Trade and Moet Hennessy, the agency that made a name for itself with digital is diversifying with a new emphasis on TV work. “A traditional agency would have gone from TV to the internet to mobile and social,” said CEO Bob Greenberg. “R/GA is the first company to go the opposite way.”

The agency’s U.S. headcount grew slightly last year to 1,075, up from 995 on Jan. 1, 2013. The big growth came in its Los Angeles office, which swelled from three employees to 40. It’s there, in a 15,000-square-foot space in the Playa Vista neighborhood, and in the New York and London offices where much of the editing and creative work for TV production will take place.

Continue reading at AdAge.com

We Are Social London Is 2014 Runner Up International Agency


Any agency that can persuade reserved Brits to shake their booties for the “Wimbledon Wiggle,” and get 30,000 U.K. families to grow their own tomatoes, can justifiably describe itself as social.

London’s We Are Social created the “Wiggle” (based on the hip-shaking movement made by tennis players when waiting to receive a serve) for client Evian, one of the sponsors of the Wimbledon tennis tournament, and in doing so reached 90 million people and grabbed 70% of the sponsor mentions in social conversation around the two-week event.

The tomato-growing was for Heinz, to demonstrate the real fruit in its ketchup. We Are Social gave out free seeds, set up an online “tomato school,” sent out branded gardening gifts to enthusiastic participants, and reached a third of the U.K. Facebook population.

Continue reading at AdAge.com

Budweiser lidera mais uma vez o top 10 do Super Bowl AdMeter

Se alguém ainda tinha dúvidas de que a Budweiser levaria, mais uma vez, a liderança do Super Bowl AdMeter, realizado pelo USA Today, elas acabaram. Puppy Love, o fofíssimo comercial criado pela Anomaly e estrelado por um cãozinho e os cavalos Clydesdale, ficou em primeiro lugar no top 10, repetindo o feito de Brotherhood no ano passado. Foram 57 comerciais exibidos no jogo de ontem, três a mais do que em 2013.

Foi a consagração total da marca e da agência, mas também serviu para mostrar que é possível contar boas histórias sem precisar complicar, emocionar, sem ser piegas. Basicamente, o que a gente espera do maior embate do mercado publicitário: que realmente sejam os melhores entre os melhores.

Outro filme da Budweiser, Hero’s Welcome, que mostra uma cidade recepcionando um soldado que está voltando para casa, ficou em terceiro lugar.

Doritos também se deu bem mais uma vez, e dois comerciais do Crash the Super Bowl ficaram em segundo e quarto lugares – Cowboy Kid e Time Machine, respectivamente. A invasão dos personagens dos anos 1980 no comercial da RadioShack garantiu à rede a quinta colocação, enquanto a Hyundai ficou em sexto com Sixth Sense.

A fofíssima Gracie, de Cheerios, Technology, da Microsoft, e Going All the Way, da Coca-Cola, ficaram com a sétima, oitava e nona posição. Soundcheck, da Pepsi, encerra o top 10.

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Best Visual Effects Oscar Winners

Une compilation impressionnante du réalisateur Nelson Carvajal afin de présenter l’évolution des effets spéciaux au cinéma de 1978 à 2013 à travers le trophée des Oscars : Best Visual Effects. Un clip de 4 minutes avec une sélection de visuels des films E.T., Matrix, Forrest Gump, Inception, Titanic ou Jurassic Park.

La liste des films récompensés aux Oscars pour le « Best Visual Effects » :

– Star Wars, épisode IV : Un nouvel espoir (1978)
– Superman (1979)
– Alien, le huitième passager (1980)
– Star Wars, épisode V : L’Empire contre-attaque (1981)
– Les Aventuriers de l’arche perdue (1982)
– E.T. l’extra-terrestre (1983)
– Le Retour du Jedi (1984)
– Indiana Jones et le Temple maudit (1985)
– Cocoon (1986)
– Aliens, le retour (1987)
– L’Aventure intérieure (1988)
– Qui veut la peau de Roger Rabbit ? (1989)
– Abyss (1990)
– Total Recall (1991)
– Terminator 2 : Le Jugement dernier (1992)
– La mort vous va si bien (1993)
– Jurassic Park (1994)
– Forrest Gump (1995)
– Babe, le cochon devenu berger (1996)
– Independence Day (1997)
– Titanic (1998)
– Au-delà de nos rêves (1999)
– Matrix (2000)
– Gladiator (2001)
– Le Seigneur des anneaux : La Communauté de l’anneau (2002)
– Le Seigneur des anneaux : Les Deux Tours (2003)
– Le Seigneur des anneaux : Le Retour du roi (2004)
– Spider-Man 2 (2005)
– King Kong (2006)
– Pirates des Caraïbes : Le Secret du coffre maudit (2007)
– À la croisée des mondes : La Boussole d’or (2008)
– L’Étrange Histoire de Benjamin Button (2009)
– Avatar (2010)
– Inception (2011)
– Hugo Cabret (2012)
– L’Odyssée de Pi (2013)

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transformers-2
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Stylish Statue-Like Editorials – Karolina Waz Stars in Harper’s Bazaar Mexico February 2014 (GALLERY)

(TrendHunter.com) This Harper’s Bazaar Mexico February 2014 shoot is so monochromatic, even the model’s face is painted to match the clothing. Tom Schirmacher snaps up this oddly alluring spread. Model Karolina…

Cube-Shaping Food Gadgets – Create Blocks of Rice Like a SousChef with the Rice Cube Kitchenware (GALLERY)

(TrendHunter.com) The Rice Cube kitchenware gadget lets you serve the perfect sized amount of rice without all the effort and mess.

It’d be so cool if you could impress your friends the same way those sushi chefs…

Morrisons brings Market Street to life in latest Ant and Dec ad

Morrisons is looking to push its fresh-food offering by recreating its Market Street as an outdoor location, in its latest ad starring TV presenters Ant and Dec.

United Biscuits launches £12m campaign to rejuvenate McVitie’s master brand

United Biscuits is investing £12m in rejuvenating the McVitie’s master brand under the leadership of new chief executive and former marketer Martin Glenn.

Rustlers ad campaign stars ‘hunger monkey’

Kepak, the convenience food company, is introducing a “hunger monkey” character in an ad campaign for its pre-prepared Rustlers burger.

Morrisons promotes Market Street in new Ant and Dec ad

Morrisons is to launch an ad campaign starring its brand ambassadors Ant and Dec alongside real Morrisons employees.

Architectural Patterns

Depuis 2006, le directeur artistique basé à Paris, Alexander Jacques, a décidé de photographier les façades des architectures de grandes villes comme Paris, Brisbane et New York, afin d’en faire ressortir des motifs. Ce projet consiste à porter un nouveau regard porté sur l’architecture, vue d’un autre angle.


Paris, Tour Novotel.

Paris, Tour Ariane.

Paris, Tour Egée.

Paris, Tour Espace 2000.

Paris, Tour Mirabeau.

Paris, BNF.

Paris, BNF.

Paris, Arche de la Défense.

Paris, Coeur Défense.

Paris, Tours Adria.

Brisbane, Santos Place.

Brisbane Square.

New York Times Building.

New York, Two World Financial Center.

New York, One Liberty Plaza.

New York, Marriott Marquis.

New York, FBI Building.

New York, 1221 Avenue of the Americas.

New York, Socony Mobil Building.

New York, Marine Midland Building.

19 New York Socony Mobil Building
18 New York 1221 Avenue Of The Americas
20 New York Marine Midland Building
17 New York FBI Building
16 New York Marriott Marquis
15 New York One Liberty Plaza
14 New York Two World Financial Center
13 New York New York Times Building
12 Brisbane Brisbane Square
11 Brisbane Santos Place
10 Paris Tours Adria
9 Paris Coeur Defense
7 Paris Arche de la Defense
6 Paris BNF 2
6 Paris BNF
4 Paris Tour Espace 2000
3 Paris Tour Egee
2 Paris Tour Ariane
1 Paris Tour Novotel
5 Paris Tour Mirabeau

Super Bowl 2014: The best ads and tweets from the night

What the Super Bowl XLVIII lacked in entertainment was made up by blockbuster advertising starring opera-singing Matrix stars, Clydesdale horses and “drunk” tweeters.