Deliberately Lost Passport Lands Job Seeking Creative Four Interviews

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So there was that thing where this creative got a job by taking advantage of the fact creative directors Google themselves. Now there’s this other thing where this creative deliberately lost her passport in order to land a job in New York.

Miruna Marci created 20 copies of her passport designed to looked just like a real passport but, instead, were crafted to function as her portfolio which she calls her “passfolio.” In the passports were her resume, her work and her bio. Marci dropped the passfolios in front of her favorite agencies in New York. So far, she’s landed four interviews.

Not bad. Not bad at all, Miruna

A&E’s Three-Network ‘Bonnie & Clyde’ Simulcast Guns for Extra Ratings


Why attract just one audience when you can aggregate three? That’s what A&E Networks is gunning for when it simulcasts its “Bonnie & Clyde” miniseries across three of its channels next month.

The move is designed to create event-driven TV on the order of “Hatfields & McCoys,” the highly successful series that ran 18 months ago on A&E-owned History. “We aren’t in sports, we aren’t in live, so for us, events need to be self-made,” said Nancy Dubuc, president and CEO of A&E Networks.

Aside from a few series and National Football League games, it’s hard to get big reach and even tougher to do so across three owned channels, said Mel Berning, presidentad sales, A&E Networks. Even so, the company is shooting for that by spreading the miniseries about the infamous outlaw couple around A&E, History and Lifetime on Dec. 8 and Dec. 9.

Continue reading at AdAge.com

It’s Still Movember, So Why Not Play Dare’s ‘Stache Vs. Stache’ Game?

In case you’ve forgotten, it’s still Movember, the month-long event where men (and women, if they’re so inclined) start clean-shaven and then grow facial hair to raise awareness for prostate cancer, and hopefully even get a few donations for prostate cancer charities.

With the final third of Movember approaching, the folks over at Dare Vancouver wanted to make an untraditional fundraising push. So DARE creatives David Giovando and Todd Takahashi put together a fun game, called “Stache Vs. Stache,” in which players try to determine which mustaches are “real” and which are “Movember staches.” It’s a fun little diversion that should only take a couple of minutes. Although it’s pretty easy to pick out most of the Movember staches — I only got stumped a couple of times — the real fun is seeing a bevy of funny mustaches and attempted mustaches. Plus for each correct answer DARE will donate ten cents, up to a maximum of $1,000, to Prostate Cancer Canada. You can also upload a photo of your own mustache, be it of the real or Movember variety.

The folks over at Dare also put together the above video, a funny montage of disgusted reactions followed by a particularly gross mustache. If you have a similar reaction to the onslaught of Movember mustaches, take solace in the fact that those bad boys should be shaved off in less than two weeks. Happy Movember, everybody.

New Career Opportunities Daily: The best jobs in media.

Top Five Mistakes to Avoid When Creating An Infographic

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Justin Beegel, CEO of Infographic World — yes, there is such a company — has identified the top five mistakes companies make when creating infographic campaigns. And, of course, what you should do to avoid those mistakes.

According to Google, searches for infographics have increased 800% in the last two years. with so many infogrphics floating around out there, you might want to takes every possible step to insure yours stands out from the crowd.

Top Five Mistakes to Avoid:

1. Make it About a Topic, Not the Company: The number one turn off is having too strong a company presence on the infographic. It is only natural for brands that pay money to create a campaign to want as much exposure as possible. However, they must ask themselves whether you would rather have 10 logos on a graphic that only lives on their homepage, or one well-placed logo on an impactful graphic that is being shared around the world?

2. Playing it Too Safe: As social media gaffes steal headlines and damage careers, companies are very careful about what they put out, and they absolutely should be. At the same time, when constructing an infographic you have the opportunity to walk the fine line on controversial issues. Smart and controlled depictions of issues will spur debate and kick start a viral campaign. Make sure to consult with the experts before releasing anything that could be damaging.

3. Overcrowding: Cramming too many facts and angles into your infographic is a recipe for disaster. The beauty of infographics is that they take complex subjects and visually tell the story in a succinct way. In the new 140 character world, we must keep it short or loss the reader. Keep is simple.

4. Being Inaccurate and Outdated: If even one statistic is wrong or outdated, media outlets and readers alike will dismiss the graphic and create a bad taste about the brand in general. Getting it right is crucial. Citing stats from 2009 when we are heading towards 2014 will make visitors close out, not forward.

5. Poor Planning: As Thanksgiving approaches, a light bulb may go off about a great infographic that ties into turkey day. Great, right!? In theory, but the problem is that infographics will require sound research, creativity, editing and approvals. Scrambling to create something last minute will not give you appropriate lead time to promote it and let it go viral. Nobody wants to run the Thanksgiving graphic after the last bite of turkey. It is crucial to plan ahead and allow the infographic time to pick up speed.

By identifying and mitigating these five common mistakes, you will be closer to producing an informative infographic that is much more likely to “go viral” and create the awareness you need for your brand.

How to Create Content That Doesn’t Stink

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When was the last time you were enthralled by B2B “content?”

If you’re struggling to remember, or are having daymares about your own content, the first thing you need to do is stop thinking of content as just “filler,” like packing peanuts or bubble wrap.

Visiting a website with filler content is a lot like walking into a living room and finding a coffee table book like “Extraordinary Chickens” or “United States Coinage: A Study By Type.” As a visitor, you’re under no obligation to read either book, but you have to question the judgment of the person who chose them. In other words, I would argue that bad content is worse than a lack of content.

This means that great content can also give B2B companies a serious leg up over their competition. Anyone can produce web copy, infographics, videos, slideshows, white papers, blog posts, cartoons and interactive gizmos, but not everyone can do it well.

Publishing, distributing, tracking and analyzing content has become much easier thanks to technology. But what in the world should B2B businesses try to create?

If you’re looking for a better starting point, here are three steps that can help.

1. Set a measurable goal

In Lewis Carroll’s Alice in Wonderland, a lost and troubled Alice asks the Cheshire Cat for directions. The exchange goes like this:

“Would you tell me, please, which way I ought to go from here?”

“That depends a good deal on where you want to get to,” said the Cat.

“I don’t much care where–” said Alice.

“Then it doesn’t matter which way you go,” said the Cat.

B2B content often sounds a lot like Alice: it never had a destination, so the subject and type of content never mattered.

Instead, set a quantifiable goal before choosing what you’re going to create.

Do you want website visitors to spend X% more time on your new product page? Do you want to boost blog traffic by Y%? Do you want to increase the sales conversion rate on your new software suite by Z%? Be specific and make sure you can measure your success. This will hold you and your team accountable for whatever you do create.

2. Give your visitors what they want

When you visit Google News, you want to be informed. When you load The Onion, you want witty entertainment. When you visit Dunkin’ Donuts, you probably want coffee.

However, when Dunkin’ launched in the 1950s it wanted people to buy donuts. Once local coffee shops, McDonald’s and Starbucks starting kicking its butt, Dunkin’ Donuts realized people wanted coffee first and donuts second. In the 1990s, Dunkin’ Donuts became a coffee shop with donuts.

If ‘donuts’ aren’t helping you reach any of the goals you set in Step 1, it’s time to search for your coffee and test your hypotheses.

HubSpot, the maker of inbound marketing software, could have created one of the world’s most boring B2B blogs, but instead they created one of the internet’s favorites. They figured out that their audience likes up-to-date marketing news, inbound marketing tips and the latest statistics on SEO, blogging, social media and marketing trends–all packaged in concise, readable posts. You don’t have to be a HubSpot customer to benefit from the overwhelming majority of their content.

Whether you aim to inform, entertain, inspire, argue or mesmerize your audience, before you publish anything, ask yourself: Why do they care? What’s in it for them? Am I giving them coffee or forcing down donuts?

3. What can we offer that nobody else can?

The Internet is a breeding ground for repurposing. It’s easier to re-Tweet, ‘like’ and copy/paste than it is to Tweet, post or write from scratch–so businesses often cringe at the idea of offering something entirely new.

Imitate all you want–the very best writers, filmmakers and artists are all prolific imitators–but add your personal touch. Original surveys or experiments could be a great option if you have the time, skill and money. But sometimes you just need a fresh, unusual perspective on a familiar topic. If you’re grasping for ideas, there are probably interesting characters at your company that can help out.

Chances are, that highly caffeinated, 60-year-old sales veteran who shouts across the office and replies all to every email has some great stories and unconventional opinions that would make for a fun post on sales strategies. Has that topic been covered? Many times, but that’s because people, including your B2B customers, probably care about making sales.

Don’t get trapped into believing that your business is too technical or confusing for lively content. If Stephen Hawking can make cosmology interesting and understandable for the masses, you can make your industry interesting to more people than you think.

A Final Test

After all your brainstorming, research, creating and editing, how do you know when a piece of content is ready to ship? I recommend two litmus tests:

1. If someone emailed you the content you just created, would you be grateful?

2. Does your content have any sentiment or piece of information you would repeat while out socializing with your friends?

If the answer is “no” to either question, pump the breaks and get some outside opinions.

Don’t beat yourself up though: you don’t have to publish the next Malcolm Gladwell book on your blog. Just set your goals, remember your audience and take the risk of offering something original and perhaps even risky.

This guest article was written by Jake Athey, Marketing Manager for Widen Enterprises and Smartimage.

Havas Chicago Nabs Terminix Biz

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Well, Terminix never responded to our initial inquiries two months ago when we first heard that the termite/pest control company parted ways with Publicis Dallas after six years (during which time we saw campaigns like this). But alas, it was so and Terminix has indeed moved on, selecting new creative agency partners in Havas Worldwide Chicago and the Dallas office of integrated/digital agency network, Hawkeye. The former will tackle branding, TV, and print for Terminix while the latter, as you’d expect, will take on digital and direct.

Kevin Kowalski, CMO of Memphis-based Terminix, says in a statement, “We were determined to select best-in-class partners who could combine great strategic thinking, multi-channel execution and a passion for our business,” said Kevin Kowalski, Terminix, chief marketing officer. “We are very pleased to have found Havas and Hawkeye.” Expect first work from Terminix’s new creative partners to debut early next year.

 

New Career Opportunities Daily: The best jobs in media.

Gizmogul Will Save You From Ordering A Taco Naked

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You might feel like you’re watching Ben Affleck and his Boston buddies in The Town as you view this Gizmogul video touting the services digital device recycling services offering. With a thick Boston accent, we are informed it is very important to properly dispose of your old digital devices so as to avoid the embarrassment of your social dalliances ending up on the internet for your boss to see.

The video was written by the Gizmogul co-founders and brothers Stephen, Barry, and Cory Schneider, and MTV Catfish’s co-host Max Joseph.

"How to Expropriate Money from the Banks" & other Displaced Legal Applications: an interview with Nuría Güell

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Nuría Güell has an impressive portfolio: she wrote a manual on How to Expropriate Money from the Banks, married a man from Cuba to give him her nationality, collaborated with a famous bank robber to design the plan to rob a bank agency from the high security prison where he was detained continue

GoldieBlox: Princess Machine

GoldieBlox, the toy company out to inspire the next generation of female engineers and builders, wondered what they could do to showcase the inventive power that girls have. So, they recruited three young girls, The Academy’s Sean Pecknold and Brett Doar, the man behind the OK Go! famous Rube Goldberg machine, to turn an average home into a massive, magical contraption.

Production Company: The Academy
Director: Sean Pecknold
Co-Director: Zia Mohajerjasbi
Executive Producer: Harry Calbom
Production Designer: Jason Puccinelli
Editor: James Lipetzky / Foundation Content
Assistant Editor: Jesse Richard
Post Producer: Stacy Paris
Line Producer: Mark Campbell
Production Supervisor: Sarah Archuleta
Steadicam: Ari Robbins
1st AC: Canh Nguyen
Gaffer: Osha Mattei
Key Grip: Michael Moeller
Swing: Bobby Bradshaw
Prop Master: Eric Lathrop
Art Intern: Chris Hannemann
Stylest: Alina Harden
Location Manager: John Schaunessy
Music: Pico Sound
Animation: Ed Skudder, Lynn Wang, Mike Holm

Beldent: Almost identical

Advertising Agency: Del Campo Saatchi & Saatchi, Argentina
Executive Creative Directors: Maxi Itzkoff, Mariano Serkin
Creative Directors: Juan Pablo Lufrano, Ariel Serkin, Ammiel Fazzari, Matias Eusebi
Agency Producers: Adrian Aspani, Consuelo Gimenez Uriburu
Account team: Ana Bogni, Oriana San Martin
Planner: Regina Campanini
Production Company: Agosto Buenos Aires
Directors: Diego & Vladi
2nd Unit: Pato Martinez
Installation artist: Guillermo Marconi
Executive Producers: Luli Krämer, Chula D’Amico
Postproduction Company: La Posta
Sound Designer: Tres Sonido
Music: Circle of sound

MediaVest, DigitasLBi Crack All-Important NY ‘Sexiest’ Firms List

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In your most essential news item of the day, the New York Post reports the breaking story that the hottest people in the Big Apple just so happen to work in media, and many of them from the agency world from the looks of it. Based on data compiled by a social dating app we’ve never heard of (sorry) called Hinge, the Post reveals, in two lists divided by men and women, that Facebook and MediaVest USA, respectively, are the sexiest firms in NYC. According to the Post, “Hinge reviewed 18,000 profiles to determine which users most often get “favorited’— or named hot by other users — to rank companies according to “most desirable” employees.”

Well, that kind of sample size surely cements things, don’t it? Along with MediaVest, other agencies that made the list include DigitasLBi (men) and Weber Shandwick (women). There are also a host of well-known brands and high-end retailers in the mix, but we don’t want to spoil it for you. Just read it for yourself and feel free to weigh in with thoughts below.

New Career Opportunities Daily: The best jobs in media.

Manta Underwater Room

Focus sur la société Manta qui a ouvert récemment la première chambre d’hôtel sous-marine avec ce Manta Resort situé à Zanzibar. Des images montrant ce projet « Manta Underwater Room » et ce lieu insolite d’une incroyable beauté, à découvrir en détails dans la suite de l’article.

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Stroke Awareness: Chokehold

Ischemic strokes choke the brain by inhibiting the transport of oxygen, often leading to permanent neurologic injury or death in just a matter of minutes.

Advertising Agency: McCann Regan Campbell Ward, New York, USA

Dr Anna Schossler: Broken glasses Schossler font

Advertising Agency: Sek, Warsaw, Poland
Creative Director: Michal Sek

The Martin Agency Has The Most Awesome Intern Program in the World!

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After watching this promotional video for The Martin Agency’s Martin Agency Kitchen, a three month program for interns, you’ll think the shop is the coolest place on earth to work. It’a all about becoming cool by making something great. And the only way to can make something great is by learning from the experts. And the only way you can learn from the experts is, yes, to attend The Martin Agency’s Martin Agency Kitchen.

Online Video Advertising: Entering Our Teenage Years


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Matt Timothy

Continue reading at AdAge.com

Site Promises Talk About Birth Control That’s ‘Not Awkward,’ but the Ads Sure Are

Bedsider.org, a free online resource for birth control, has teamed up with BET Networks to target African-American women ages 18-29 through a series of TV spots from Havas Worldwide portraying painfully awkward discussions about sex and birth control with family and friends. The idea is cool. Talking about sex can be awful, but checking out a website about sex and birth control is awkward free, as long as you're not in a library or synagogue or elementary school.

The three spots feature a young woman having cringe-worthy conversations with 1) her grandmother, 2) her boyfriend and 3) her mother.

A little old lady delivers the line "Oh, you're very supple" to her visibly uncomfortable granddaughter in the best of the three ads. The spot featuring the IUD conversation with the boyfriend doesn't do it (pun!) for me. You guys are having sex, but you can't ask your boyfriend to tell his dog to stop humping your leg? Strange. The video featuring the daughter—wrapped in a towel, fresh out of the shower—and the overeager mother is the weirdest of the three. The line "We should talk, like, vagina to vagina" is seriously grossing me out.

Bedsider's goal is to make us all cringe; mission accomplished. I've maxed out my quota for hearing the word "vagina" today. Nobody talk to me until tomorrow.

CREDITS
Bedsider 2013 Awkward Campaign

Agency: Havas Worldwide New York
Chief Creative Officer Global Brands: Lee Garfinkel
Chief Creative Officer: Darren Moran
Executive Creative Director: Lisa Rettig-Falcone
Creative Director: Jeremy Pippenger
Art Director: Thomas Shim
Copywriter: Catherine Eccardt
Global Chief Content Officer: Vin Farrell
Integrated Producer: Candice Vernon
Group Account Director: Tamara Goodman 
Account Executive:  Alexandra Litzman
Senior Content Strategist: Shawn Shahani
Strategy and Analytics: Chris Lake

TV Production Company:
Director: Clay Williams
EP: Scott Howard
Producer: Debbie Tietjen
DP: Stefan Czapsky

Editorial:Mackenzie Cutler
EP: Sasha Hirschfeld
Producer: Evan Meeker
Editor: Dave Anderson
Telecine: Company 3 NY
Colorist: Tim Masick


    

Impact: Zip it up

Accelerated wound healing.

Advertising Agency: McCann Healthcare, Singapore

Air New Zealand Still Offering Non-Stop Flights to Middle Earth

Yesterday, Air New Zealand announced its latest campaign entitled “Middle Earth is Closer Than You Think,”  a continuation of its association with The Hobbit Trilogy. The airline, dubbed “the official airline of Middle Earth” rolls out the campaign two weeks ahead of the launch of the second film in Peter Jackson‘s saga. The campaign was announced with a 2:30 video, “Just Another Day in Middle Earth,” featuring Dean O’Gorman, who plays dwarf Fili, and the voice of Sylvester McCoyThe Hobbit Trilogy’s Radagast the Brown.

Tolkien fanatics are well aware of New Zealand’s association with Peter Jackson’s Middle Earth films, but stoking their interest with a Hobbit-themed campaign makes a lot of sense for the airline. Tourism New Zealand survey figures from last year’s The Hobbit: An Unexpected Journey marketing campaign “showed 82 percent of international survey respondents stated the campaign increased their interest in New Zealand” and “8.5 percent of international visitors to New Zealand during January-March this year said The Hobbit Trilogy was a factor in stimulating their interest in New Zealand.” So using Tolkien to sell New Zealand is a proven method, and Air New Zealand doesn’t disappoint with their latest installment.

The “Just Another Day in Middle Earth” video employs a cheeky sense of humor to merge Middle Earth references with Air New Zealand’s friendly approach. Tolkien fan boys will undoubtedly eat this one up, even if there aren’t quite as many cameos as in last year’s “An Unexpected Briefing.” My only complaint would be that in a 2:30 spot, I’d expect to see more shots of New Zealand’s stunning landscapes, but I imagine most people are here for The Hobbit factor and I’m in the minority. It’s a cute little video, and if you’re a Tolkien obsessive, it should make you want to visit New Zealand even more than you (presumably) already do.

Another important component of the campaign is a contest allowing participants to choose from entering for one of two prizes: tickets to the Hollywood premiere of The Hobbit: The Desolation of Smaug, or a “once-in-a-life-time Middle-earth experience for two in New Zealand.” Personally, I don’t see why you’d take the Desolation of Smaug premiere over a chance to visit New Zealand, but I’m sure a certain breed of Tolkien/Jackson fanatic would rabidly disagree with me. Air New Zealand is also resurrecting the idea of decking out one of its planesHobbit style, from last year’s campaign. This year, they will be turning a Boeing 777-300 into a flying billboard for Jackson’s latest installment. The plane will be unveiled December 2nd, leaving that night in time to touch down for The Hobbit: The Desolation of Smaug premiere in Hollywood. Most Tolkien nerds would kill a bag of puppies for a spot on that plane.

 

New Career Opportunities Daily: The best jobs in media.

3 Girls Smash Gender Roles to Smithereens in Toy Company’s Glorious Debut Ad

One of the most anti-feminist songs of the 1980s, "Girls" by the Beastie Boys, is recast as an empowering theme for young women in a new toy ad looking to break gender stereotypes.

The spot is a holiday promotion for GoldieBlox, a construction-themed board game that nearly doubled its Kickstarter goal in 2012. Game developer Debbie Sterling designed GoldieBlox to combine young girls' love of reading and characters with the engineering themes of toys typically more popular with boys, like Legos and erector sets. To that end, the ad features a massive Rube Goldberg scenario, designed by OK Go contraption collaborator Brett Doar. As the machine's workings unravel, the girls sing modified Beastie Boys lyrics: "It's time to change/We deserve to see a range/'Cause all our toys look just the same/And we would like to use our brains."

And this is just the start of what could be a crazy few months for GoldieBlox, as the company is one of four finalists angling for a free Super Bowl ad paid for by Intuit as part of a small-business contest.

Hat tip to @rjgnyc on Twitter.

CREDITS
Client: GoldieBlox
Title: "Princess Machine"
GoldieBlox CEO: Debbie Sterling
GoldieBlox Creative Director: Beau Lewis
GoldieBlox Machine Creative Director: Brett Doar
Production Company: The Academy
Director: Sean Pecknold
Co-Director: Zia Mohajerjasbi
Executive Producer: Harry Calbom
Production Designer: Jason Puccinelli
Editor: James Lipetzky (Foundation Content)
Assistant Editor: Jesse Richard (Foundation Content)
Post Producer: Stacy Paris (Foundation Content)
Line Producer: Mark Campbell
Production Supervisor: Sarah Archuleta
Steadicam: Ari Robbins
First Assistant Cameraman: Canh Nguyen
Gaffer: Osha Mattei
Key Grip: Michael Moeller
Swing: Bobby Bradshaw
Prop Master: Eric Lathrop
Art Intern: Chris Hannemann
Stylist: Alina Harden
Location Manager: John Schaunessy
Music: Pico Sound
Animation: Ed Skudder, Lynn Wang, Mike Holm