Tintas Verginia: Colors of Rock, 3

The wrong tone compromises the whole work. If you’re painting, consult our experts.

Advertising Agency: Verbal Communication, Curitiba, Brazil
Creative Director: Cláudio Erwin
Creatives: Rodrigo Lira, Leandro Bonfim
Art Director: Rodrigo Lira
Copywriter: Leandro Bonfim
Published: July 2013

Tintas Verginia: Colors of Rock, 2

The wrong tone compromises the whole work. If you’re painting, consult our experts.

Advertising Agency: Verbal Communication, Curitiba, Brazil
Creative Director: Cláudio Erwin
Creatives: Rodrigo Lira, Leandro Bonfim
Art Director: Rodrigo Lira
Copywriter: Leandro Bonfim
Published: July 2013

Tintas Verginia: Colors of Rock, 1

The wrong tone compromises the whole work. If you’re painting, consult our experts.

Advertising Agency: Verbal Communication, Curitiba, Brazil
Creative Director: Cláudio Erwin
Creatives: Rodrigo Lira, Leandro Bonfim
Art Director: Rodrigo Lira
Copywriter: Leandro Bonfim
Published: July 2013

News Corp to leave Wapping after 27 years for ‘Baby Shard’

News Corp is moving its new London operation, including News UK (formerly News International), HarperCollins and Dow Jones, to The Place building, dubbed ‘Baby Shard’, along London’s South Bank.

Ad Industry Proposal: ‘Do Not Track’ Should Let Us Track Anyway


With two weeks left until its own latest deadline to agree on “Do Not Track” standards for web browsers, a Worldwide Web Consortium working group has been thrown for a loop by a new proposal from its ad industry members.

The proposal would alter the way analytics firms, marketers and others that track web surfers would have to react when they encounter a Do Not Track signal, letting them continue collecting and using behavioral data. In exchange, the industry would agree to strip that data of certain information it may keep otherwise.

If a user with Do Not Track enabled visits Cars.com, for example, the proposal would let third parties peg him as interested in cars but not as a visitor to that particular site. Stricter Do Not Track standards being considered would let Cars.com tag visitors to its own site but prevent third parties from dropping cookies on those visitors.

Continue reading at AdAge.com

Who Should Buy Maxim Magazine? A Former Editor-in-Chief Has an Idea


EDITOR’S NOTE: A couple of days ago we reported that money-losing Maxim, the men’s magazine that was put up for sale in March, is fetching bids in the $20 million range — less than a 10th of the price its owners paid six years ago. Who’s in the running to grab the title? Good question — and one that Maxim publisher Alpha Media Group, which is controlled by creditor Cerberus Capital Management, is currently declining to answer.

And so meanwhile, for today’s edition of One Rude Question For… — our excuse to lob blunt questions at assorted media figures — Ad Age’s “Media Guy” columnist Simon Dumenco decided to hit up Keith Blanchard, who helped introduce Maxim in the U.S. and served as its editor-in-chief (2000-2004) during the “lad mag” glory days.

Dumenco: Seriously, who the hell is crazy enough to buy Maxim?

Continue reading at AdAge.com

Elmsta 3000 Horror Fest: Home Invasion

Advertising Agency: Saatchi & Saatchi, Stockholm, Sweden
Creative director / Art director: Gustav Egerstedt
Copywriter: Petter Dixelius
Digital creative: Erik Hiort af Ornäs
Planner: Elin Johansson
Intern: Stella Cocozza Laconelli

Self Portraits of Travel

Les auto-portraits d’Alicia Savage sont emprunts de poésie et de délicatesse. Entre poses lascives et envols vaporeux, elle se met en scène et laisse le spectateur entrer dans son monde aux frontières de la réalité. Des clichés superbes dont les couleurs et la lumière incitent à la fois au voyage et à l’introspection.

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Newspaper ABCs: Telegraph enjoys summer lifts in June

The Daily Telegraph and The Sunday Telegraph were the only quality newspapers to achieve slight circulation lifts in June, according to figures from the Audit Bureau of Circulations published today.

Jay-Z, Rihanna Just Do It in New Global Budweiser Campaign

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Hmm. After viewing some of the Translation-created work for a new 85-country Budweiser campaign which features Rihanna and Jay-Z, we can’t help but think they could have summed up the entire campaign with a tagline like, “Just Do It.”

Oh wait.

Continuing the Made in America music-focused campaign which kicked off last year with a two day event in Philadelphia that grossed $5 million and boasted 80,000 attendees, the campaign will closely marry promotions with the two musical artists as well as support Jay-Z’s Legends of the Fall tour with Justin Timberlake.

Jay-Z and Rihanna are featured in two new Mark Romanek-directed commercials. The campaign will also include limited-edition packaging, digital, out of home and social media.

Of the campaign which breaks July 15, Translation CEO Steve Stoute said, “As the program develops, we’ll be working with the team to figure out how it takes shape. Music is very elastic, so the program has to be fluid because you’re dealing with the consumer and their evolving tastes.”

Movimento Bandeiras Brancas / Jornal Sensacionalista: Crime

Creative: Brunno Barbosa
Development: Estúdio Haack
Photography: Shutterstock
Publisher: Admag

David Fincher dirige comercial de Calvin Klein com Rooney Mara

Virou tradição o lirismo da comunicação de perfumes vir acompanhado de uma dupla: ator/atriz + diretor/a do momento. Baz Luhrmann, Frank Miller, Jean-Pierre Jeunet, Martin Scorsese, Guy Ritchie, David Lynch, Wes Anderson e Sofia Coppola, por exemplo, já dirigiram Nicole Kidman, Evan Rachel Wood, Natalie Portman, Audrey Tautou, Brad Pitt, Jude Law, Scarlett Johansson, Marion Cotillard e outros em diversos comerciais do segmento na última década.

A mais recente dobradinha é entre David Fincher e Rooney Mara, que repetem a parceria de “The Girl with the Dragon Tattoo” (me recuso a utilizar o título-spoiler em português). Ambos promovem aqui Downtown, a nova fragrância da Calvin Klein, sem fugir das irritantes convenções do gênero ao emular uma atmosfera cheia de estilo mas sem significado.

Alguém poderia apelar para as pretensões artísticas da obra, mas corto meu braço fora como David Fincher pouco se importa com isso. É só estética, e fim. De qualquer maneira, tem filmagem P&B com cameras RED, slow motion e “Runaway” do Yeah Yeah Yeahs como trilha sonora, se isso serve de atrativo.

Calvin Klein

Brainstorm9Post originalmente publicado no Brainstorm #9
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Campari Orange Passion: Now at home

Advertising Agency: Havas Worldwide, Milan, Italy?
Creative Directors: Erick Loi, Dario Villa?
Art Director: Erick Loi?
Copywriter: Dario Villa
?Director: Alberto Colombo
?Dop: Alessandro Pavoni?
Production Company: Filmmaster

Assembleia Legislativa do RN: Trench

Your blood may be needing help. Keep a healthy life and avoid this war against diabetes.

Advertising Agency: Art&C Comunicação, Natal/RN, Brazil
Creative Director: George Wilde
Art Director: Jonathan Souza
Copywriter: Marcos Maidana
Illustrator: Pedro Dantas

Assembleia Legislativa do RN: Avalanche

Your blood may be needing help. Keep a healthy life and avoid this war against diabetes.

Advertising Agency: Art&C Comunicação, Natal/RN, Brazil
Creative Director: George Wilde
Art Director: Jonathan Souza
Copywriter: Marcos Maidana
Illustrator: Pedro Dantas

Pizza Hut: Poptent

Creative Directors / Art Directors: Adam Huber, Jake Huber
Director / Photography: Adam Huber

Ministry of Heritage Ecuador: Záparo

Advertising Agency: Maruri-Grey, Ecuador
Creative Director: Daniel Perez Pallares
Art Directors: Luis Campoverde, Eduardo Velez
Copywriters: Daniel Perez Pallares, Alejandro Peré
Additional credits: Ana María Puig

We Hear: R/GA Portland Open for Business?

But why are they keeping it hush-hush if so? We called the agency for the digital age’s NYC hub and the person we spoke to didn’t have a contact number for the office and said she “didn’t think so” when asked if R/GA Portland had opened its doors. Hmm, well, for the last few days, we’ve been getting tips like this: “rga portland open for bizness. snatched up best creative from chicago office.” OK, perhaps the grammar doesn’t lend to its legitimacy, but the agency, which just took over for Razorfish on Samsung’s U.S. digital account, is officially hiring in the PDX and has been as far back as January.

Normally, R/GA’s PR folks are happy to send us announces boasting new office openings, which have happened quite often over the last year alone, but now they’ve been unusually unresponsive. Who knows, perhaps they’re formalizing things including staff and even the press release, but whatever the case, the office in Portlandia would be the 13th in the network. If anyone has a contact or knows who the R/GA Chicago creative is who headed to the Northwest, give us a shout in the tips box or at agencyspy at gmail dot com.

New Career Opportunities Daily: The best jobs in media.

Viking Vixen Photography – This Fierce Editorial Features Lots of Viking Style Fur Fashion (GALLERY)

(TrendHunter.com) This viking style fashion series by photographer Jose Herrera features stunning fur-focused fashion. In each capture, the model is completely draped in fur in a way that seems warrior women-inspired….

Cramer-Krasselt Elevates Two as Part of Succession Plan

Cramer-Krasselt is establishing the agency’s future management team by elevating two execs, Marshall Ross and Karen Seamen, to vice chairman and president, respectively. As part of the move, agency leader Peter Krivkovich is giving up his president title — after 25 years — and moving into the post of chairman-CEO.

Although there’s no timeline for his retirement, the move is part of a succession plan for Mr. Krivkovich. He joined Cramer-Krasselt in 1981 when he sold his Chicago agency to the shop, and has been CEO since 1998.

The agency ranks as the second largest U.S. independent shop. In addition to its flagship has offices in New York, Phoenix and Milwaukee. Its clients include Heinz, Porsche, Corona and Panera Bread.

Continue reading at AdAge.com