YWCA: Demand Equal Pay

Advertising Agency: DDB Group, New Zealand
Executive Creative Director: Andy Fackrell
Creative Director: Steve Kane
Copywriter / Art Director: Jonathan McMahon
Art Director / Copywriter: Lisa Fedyszyn
Copywriter / Art Director: Simone Louis
Art Director / Copywriter: Toby Morris
TV agency producer: Jane Mill
Print Producer: Andy Robilliard
Print Designer: Amanda Summersby
Account Director: Jenny Travers
Account Executive: Amy Pollock
Planner: Jamie Barrett

Samsung: Bridge of Life

Sport Club Recife: Immortal fans

Advertising Agency: Ogilvy Brazil, Rio De Janeiro, Brazil
Chief Creative Officer Anselmo Ramos
Executive Creative Director / Copywriter: Paco Conde
Executive Creative Director: Roberto Fernandez
Art Director: Joao Coutinho
Motion Creative Director: Tulio Inoue
Motion Artists: Thiago Bancaro, Guilherme Todorov
Producers: Gilberto Filho, Patricia Cortes, Veronica Beach, Renata Neumann
Heads of digital: Daniel Tartaro, Tatiana Michelan
Digital Account Director: Tomaz Praca
User Experience Director: Pablo Moura
User Experience Designers: Rodrigo Lima, Fred Celestino
Typographer: Ramon Muniz
Creative Technologist: Juscelino Vieira
Planners: Bruno Cunha, Camila Coelho
Account Director: Mauro Frota
Account Executive: Amanda Madeiros

Virgin Mobile Australia: Meet Doug Pitt

This is Doug Pitt, the second most famous Pitt in his family. Unlike his brother, Doug’s not a super star, he’s never been featured on the front page and never made big bucks from a celebrity endorsement. Virgin Mobile believe in a fair go for all, and want your help to make things a little fairer in the Pitt family. Visit http://fairgobro.com.au and show Doug some ‘like’.

Advertising Agency: Euro RSCG / One Green Bean, Australia

Shelly Lazarus on Bundling, Brands And Her ‘Random’ Career


Rance Crain

With her immaculately coiffed gray hair, matching gray skirt, blue jacket and white blouse, Shelly Lazarus presents herself as a very focused and resolute woman. So it was hard to fathom that the poised and elegant chairwoman emeritus of Ogilvy & Mather at one time didn’t have an inkling of what she wanted to do with her life.

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Oreo: Super Bowl dunk in the dark

Cannes Lions Jury President: Branded Content is Permeating Advertising


Scott Donaton, who was recently named global chief content officer at Interpublic Group of Cos.’ Universal McCann, is back on the branded content and entertainment jury at the Cannes Lions International Festival of Creativity, this year as president. He explained how the category, only in its second year, has evolved and what it means for the future of marketing. 

Advertising Age Player

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Red Bull – MacAskill Imaginate

Red Bull a imaginé pour le professionnel du street trial Danny MacAskill ce film « Imaginate ». Ce dernier se retrouve au milieu de jouets pour enfants fabriqués à une taille géante, permettant d’observer des tricks impressionnants dans des décors inattendus. A découvrir en vidéo dans la suite.

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CANNES 2013: PHD staff now come to work to play

After six months in beta, staff at Omnicom agency PHD will come into work everyday to play games, following the formalising of an initiative called Source, spearheaded by the worldwide strategy and planning director, Mark Holden.

Salesforce, Others in Race to Create One-Stop Shop for Marketing Data


Travis May

By acquiring ExactTarget, Salesforce just entered an escalating battle for control of the marketing-services field.  Data fragmentation poses a great problem for marketers as new technologies and data sources arise. 

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Why Marketers Should Know Bots

Bots are software that perform automated online tasks, such as web crawling. A botnet is a network or group of computers that run such software. Often bots and botnets can be used for nefarious purposes, such as click fraud, spreading viruses, or enabling fake ad impressions.

James Green, CEO of Search Retargeting Firm Magnetic on Bots:

What’s a botnet? It’s a combination of two words: robot plus network. The "robot" bit is code that resides on your computer to do something, and the "network" bit means that there are lots of them out there (thousands or more) and they are all coordinating to do the same thing.

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Printer People Dolls – The ‘3D-Printed Life-Like Photo Figurines’ are Shockingly Realist (GALLERY)

(TrendHunter.com) The inventive creators over at TwinKind have created these shockingly realistic ‘3D-Printed Life-Like Photo Figurines’ inspired by actual people. The creators comment on their site, “the…

Alpha Male Cooking Aprons – These Apron Designs Were Designed for Macho Men (GALLERY)

(TrendHunter.com) Kitchen apron designs were traditionally made for women, but Hardmill’s rugged aprons were specifically designed to cater to the testosterone-fuelled males of the world’s populace that operates…

State Farm Gets Music-Buzz Smarts from SeatGeek Data


When indie music tastemaker Pitchfork Media and others posted about Disclosure on Twitter and Tumblr recently, lots of social media users shared praise for the British House band’s new album, “Settle.” However, while social media posts about musical acts might indicate appreciation, they don’t necessarily show intent to buy live show tickets. Entertainment ticket search engine SeatGeek thinks its data could be a better signal of popularity, and aims to help brands like insurer State Farm spot the next up-and-coming band.

By watching ticket sales and prices across the web, looking at the size of the ticket resale market for musical acts and the average ticket price, as well as measuring purchase intent, SeatGeek believes it can identify bands on the verge of popularity among the younger crowds that brands want to reach.

“We do care a lot about sports and music because those are the things that our customers are passionate about,” said Matt Johnson, digital media manager at State Farm. The company often sponsors live streams on Pandora, and has sponsored MTV’s revived Unplugged music series online.

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Impressive Paper Origami

Coup de cœur pour l’artiste Nguyen Hung Cuong vivant à Hanoï et qui imagine / réalise de superbes créations en technique origami en utilisant des billets ou encore le « Dó », un papier largement répandu au Vietnam. De magnifiques animaux de papier à découvrir en images dans la suite de l’article.

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Momentum Cuts Some Staff in St. Louis

Almost a year to the day that we last reported on cuts at Momentum St. Louis, we’ve received confirmation from the IPG-owned global agency that is has once again made some reductions–though not quite as severe as last time from what we hear. Word on the Spy line this week was that both STL and NYC were affected and the cuts were significant, though that doesn’t appear to be the case at this point.  The Momentum camp tells us, “We made recent staffing adjustments across various departments of our St Louis office – affecting a small percentage of our workforce – in line with changing business needs and a proactive restructuring to evolve our creative model.”

Sources add that the “small percentage” of cuts equates to essentially a handful of staffers in St. Louis, though we haven’t been able to confirm what current headcount is at Momentum’s Midwestern branch as a result. The St. Louis office currently works with clients including JM Smucker, William Grant & Sons, Pacific Gas & Electric and SSM Healthcare.

New Career Opportunities Daily: The best jobs in media.

How Do Cannes and SXSW Compare and Contrast?

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Written in March following SXSW in Austin

While we knew this was the case for several years now, SXSW Interactive has become a huge event generating conversation the world over. This year’s event generated 1.1 million tweets in 5 five days across 200 countries and 19 languages.

Social media monitoring company Synthesio created an infographic summarizing global social media conversation about the Austin, Texas event. Without surprise, the U.S generated the most (71%) conversation followed by the UK (4.6%) and Canada (4.4%).

Some say SXSW is the new Cannes. In some respects, it is. As the advertising industry moves more towards technology and content solutions versus Super Bowl-style creative solutions, this shift in mentality may make sense. But it will be a very long while before the advertising industry gives up its Rose-filled afternoons on the Carlton Terrace or the massive beach parties that occur every night which, by the way, put even the best parties at SXSW to shame.

But parties are not the primary reason to attend a conference or festival. It’s to connect with people, ideas and technologies that fuel a different sort of creativity. A creativity that results in conception of technologies and content that are of use to consumers who have certain needs and have gone looking for solutions to address those needs.

Of course, that’s not to say “regular” advertising doesn’t attempt to address people’s needs. It does. It’s just far less efficient than technology or content-based solutions.

Everyone has heard of Nike Fuelband. It’s the classic example of technology put to use to create a product that serves the specific needs of a certain set of people. But it’s not an ad. It’s a product. It’s also a product that does a pretty good job advertising the Nike brand name without beating one over the head with an interruptive-style commercial.

Everyone has heard of content marketing. Ever since the original Yahoo! was born (and probably before), people have been able to turn to the internet when they have a need. If a brand has well-SEO’d content available to that information seeker, that brand is far more likely to draw that person into its acquisition funnel than a brand that doesn’t.

That, of course, is one of the pillars of inbound marketing; the creation of content that educates, informs and satiates the needs and wants of consumers. It also includes SEO, social media, lead management, lead nurturing, email marketing, marketing automation and more.

The days of Cannes-style industry celebration may be limited. While some slam SXSW for getting too big and promise they won’t be back next year, we think they will. Other wise, they may be stuck alone on the Carlton Terrace drinking Rose and watching the tumbleweeds roll down the Croisette.

However, for SXSW to become the new Cannes, it simply must improve programming. With hundreds of over overlapping panels chosen, mostly, by popular vote resulting in a very high percentage of lame ass flops, the event comes nowhere near the high quality, highly curated content of Cannes. At Cannes, there are far fewer panels but they are of the highest quality and well worth attending either to educate or to inspire.

And inspiration is a powerful thing. Inspiration can lead to the creation of amazing things. And amazing things have a far better chance of influencing people than a better way to get a Highlight of where your friends are.

That said, Cannes places a lot of emphasis on creativity for creativity’s sake. In one sense, that’s not bad. After all, creativity fuels the development of wonderful things that can result in the development of killer products and services. On the other hand, winning a Gold Cannes Lion, in some respects, just means your work was prettier and more “creative” than everyone else’s.

But as we said before, Cannes has killer content that can truly inspire. It’s not just about the awards. In a nutshell, Cannes is a well-oiled machine with a highly specific agenda. SXSW, conversely, is looser, more egalitarian and frenetic. Both styles have their advantages. And disadvantages.

What are your thoughts? How are SXSW similar? How are they different?

BOS Ice Tea: Bee

BOS Ice Tea’s latest offering comes in the form of a viral video shot and produced by Tonic Africa, South Africa. The spot features their energy variant BOS Energy – a healthy, lightly sparkled organic Rooibos ice tea, with a natural cranberry flavour that gives you juice – without the nervous edge. The spot follows two energetic youths on their way to play a game of basketball. One of the guys finishes off a BOS Energy drink and casually tosses the can into a nearby bin. An inquisitive bee finds the drink irresistible and disappears into the can for a taste. After a few sips, the bee starts buzzing ferociously until it lifts the can under it’s newly found energy and flies away with it.

Advertising Agency: Tonic Africa, Cape Town, South Africa
Executive Business Director: Jason Slinger
Account Executive: Kirsty Webster
Creative Director: Vincent Raffray
Copywriter: Richard Marshall
Art Director: Peter Walker
Agency Producer: Alexis Roberts
Production House: In-house
Directors: Peter Walker, Vincent Raffray
DOP: Vincent Raffray, Peter Walker
Special Effects: Three-Two-One Enterprises
Bee Keeper / GoPro Aerial: Voytek Modrzewski
Quadrocopter Pilot: Toni Unterberger
Off-line Edit: The Bridge
Post Producer: Charles Champion
Editor: Morné Jacobsz
Post Production: Searle Street Post
Final Grade: David Grant
On-line: Charmaine Greyling

78 Spunky Street Style Editorials – From Big Cityscape Fashion to Nomadic Patterned Streetwear (TOPLIST)

(TrendHunter.com) These spunky street style editorials depict everything that is lovely and real about the living fashion we see on a daily basis. If you take time to get ready before you leave the house and you…

Publishers — And Marketers — Must Meet Ethical Standards in Native Advertising


Publishers — and marketers — must meet ethical standards in native advertising

Native advertising — or what we used to identify by the slightly less opaque term advertorial — has earned some pretty interesting headlines lately. Presented in the context of editorial content, native advertising is heralded as a savior of the publishing industry, opening up a new revenue stream for publishers and freelance journalists, or maligned as the death of journalism because it undermines public confidence in journalistic independence.

Much of the discussion has centered on the responsibility of publishers to ensure consumers aren’t hoodwinked by ads-posing-as-editorial-content. It is important to remember, though, that advertisers bear a responsibility to consumers as well.

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