PEEPS: Brothers
Posted in: UncategorizedAdvertising Agency: The Terri & Sandy Solution, New York, USA
Creative Directors: Terri Meyer, Sandy Greenberg
Art Director: Mark Forsman
Copywriter: Vincent Garbellano
Published: March 2013
Advertising Agency: The Terri & Sandy Solution, New York, USA
Creative Directors: Terri Meyer, Sandy Greenberg
Art Director: Mark Forsman
Copywriter: Vincent Garbellano
Published: March 2013
Bra-burning is all well and good when you’re 20.
Advertising Agency: Target Marketing, Canada
Creative Director: Tom Murphy
Associate Creative Directors: Jenny Smith, Jeff McLean
Art Director: Dax Fullbrook
Copywriter: Sarah Park
Junior Copywriters: Graham North, Antonina Gousseva
Agency Producer: Cindy Wadden
Photographer: Dejan Vuchichevic
Published: December 2012
She’s part of a movement. We’re against any movement.
Advertising Agency: Target Marketing, Canada
Creative Director: Tom Murphy
Associate Creative Directors: Jenny Smith, Jeff McLean
Art Director: Dax Fullbrook
Copywriter: Sarah Park
Junior Copywriters: Graham North, Antonina Gousseva
Agency Producer: Cindy Wadden
Photographer: Dejan Vuchichevic
Published: December 2012
There’s power in numbers. And letters.
Advertising Agency: Target Marketing, Canada
Creative Director: Tom Murphy
Associate Creative Directors: Jenny Smith, Jeff McLean
Art Director: Dax Fullbrook
Copywriter: Sarah Park
Junior Copywriters: Graham North, Antonina Gousseva
Agency Producer: Cindy Wadden
Photographer: Dejan Vuchichevic
Published: December 2012
They wanted to change the world. We just want to change yours.
Advertising Agency: Target Marketing, Canada
Creative Director: Tom Murphy
Associate Creative Directors: Jenny Smith, Jeff McLean
Art Director: Dax Fullbrook
Copywriter: Sarah Park
Junior Copywriters: Graham North, Antonina Gousseva
Agency Producer: Cindy Wadden
Photographer: Dejan Vuchichevic
Published: December 2012
Presentation.io é um novo serviço online que oferece à qualquer um a habilidade de transmitir uma apresentação de slides para sua audiência, via computador, smartphone ou tablet, em tempo real.
Para assistir à apresentação, é possível fazê-lo de qualquer web browser, sem a necessidade de um aplicativo ou alguma instalação específica. O usuário precisa apenas fazer o upload de seus slides – que pode ser em mais de 20 tipo de arquivos diferentes – e, ao gerar um link, enviá-lo às pessoas.
Ao colar o link no navegador e apertar o botão ’start presentation’, qualquer um pode acompanhar o usuário passando os slides. Além disso, pode-se adicionar comentários em partes específicas do arquivo, de forma privada ou pública – neste caso, aparecendo na tela de todos.
Algo assim pode ser útil em diversas ocasiões, como grandes eventos, quando nem toda a plateia tem a oportunidade de enxergar o telão, ou até em reuniões feitas remotamente. De acordo com a empresa por trás da criação e lançamento, CanvasDropr, a ferramenta já está sendo usada no MIT, Stanford e Yale, permitindo engajar os alunos em aulas mais direcionadas e que absorvem a atenção.
Na versão gratuita, é possível subir apresentações e deixá-las online por até 48 horas. Já na versão paga, $14 por mês, os slides podem ser acessados sempre que for preciso.
Post originalmente publicado no Brainstorm #9
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Advertising Agency: Digital Republic, Cairo & Dubai Creative Director: Karim A. Yusuf Copywriters: Mohamed Ghazy, Ahmed Safi Art Director: Karim A. Yusuf Head of Accounts: Ismail Ternawly Senior Digital Media Consultant: Hassan Daoud Senior Social Media Consultant: Ahmed El-Sadek Social Media Specialist: Nadine Sayegh Director/Editor: Mohamed Khaled Via [mediaME]
Ron Johnson was smiling as he took the stand Friday to testify in the trial involving Macy’s, JC Penney and Martha Stewart Living Omnimedia. But over the course of nearly four hours as a Macy’s attorney grilled the charismatic executive, forcing him to clarify unflattering emails and the intent of certain documents, his calm turned to aggravation.
It was the capper to a very bad week for the JC Penney CEO. Just a day earlier, JC Penney’s stock shed 17% as the market reacted to sobering fourth-quarter results. On Wednesday, Mr. Johnson revealed that JC Penney sales plummeted 28% in the fourth quarter, closing out a year in which sales sunk an unprecedented 25% to $12.98 billion. That marks the lowest annual revenue the retailer has reported since at least 1987.
Words like “horrific,” “atrocious,” and “unprecedented” were batted around the investment community as Mr. Johnson prepared to testify in the case, which will decide whether MSLO may partner with JC Penney to produce a line of products to be showcased within shops-in-shop concepts, an issue vigorously debated given MSLO’s agreement for exclusivity in certain categories with Macy’s.
Tim Mahoney, Chevrolet’s new global marketing chief, knows something about sparking struggling brands and focusing confused marketing.
When he returned to Subaru of America in 2006 — his second stint with the company — he found a brand that had lost its way. Executives in Japan had upped sticker prices, aspiring to become the Japanese BMW. Marketing consisted of a mishmash of campaigns.
A quiet man with a wicked sense of humor, Mr. Mahoney and the team slashed prices and stopped using celebrities in Subaru’s advertising. New ads concentrated on the brand — mixed with a bit of goofiness. Subaru’s market share has been surging ever since, and Mr. Mahoney has become a hot commodity.
Fifty years later, the ad messages remain the same.
When Ad Age asked me for my take on how much advertising to women has changed since “The Sexual Sell” chapter in Betty Friedan’s “The Feminine Mystique,” I had to go and buy a copy to reread it.
I asked the information desk at my local Barnes & Noble where I could find the book — which turns 50 this year — and was directed to Women’s Studies. I located it quickly, but then found myself browsing through the many brilliant and compelling books alongside it, thinking what a pity they were all categorized in a section that was guaranteed not to attract male browsers and buyers.
Hallmark Channel is aiming to beef up its daytime-programming block by partnering with Meredith Corp. for the exclusive cable rights to the syndicated talk show “The Better Show.”
The cable network has been working to revive its daytime slot after it cut ties with Martha Stewart late last year.
For Meredith, the deal comes as the publishing industry tries to find new sources of revenue as print advertising continues to tumble.
Government agencies and their marketing firms are bracing for budget cuts due to sequestration — $85 billion in mandatory, automatic reductions.
As of press time, Congress hadn’t agreed on a budget to reduce the deficit to stave off cuts slated to go into effect March 1. That will force government agencies to make tough decisions on where to reallocate and cut resources, and marketing is often a place to start.
There’s a lot of money at stake. The U.S. government is the country’s 56th largest advertiser, laying out $738.5 million during 2011, according to Ad Age’s DataCenter.
As tension between cable providers and program distributors crackles over content costs, one company is emerging as the lightning rod: Viacom.
Cablevision last week sued the distributor of MTV, Comedy Central and Nickelodeon, alleging Viacom is forcing the cable operator to carry and pay for 14 lower-rated networks such as Palladia. And this seems to be the first of several fights brewing for Viacom.
“When a distributor decides to take a stand [or] pick a fight, Viacom is the obvious target,” said Bernstein Research analyst Todd Juenger. “Viacom is in the weakest position of all the network groups in terms of ratings and brand health. At the same time, Viacom is the most aggressive at making its content available via online sources.”