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Posted in: UncategorizedThe camera of 10 x10 slowly scrolls down 100-storey building, going from one floor to the one below, looking through the windows, room after room. The result looks like a strip of film continue
K-Swiss: Blades Animation
Posted in: UncategorizedPost from Japan: Visit Japan
Posted in: UncategorizedSince the catastrophe in spring 2011 Japan have lost 36 percent of their tourists. In order to bring them back Japan need to show that now, one year later, it’s both a safe and beautiful country to visit. We created a campaign where we get existing tourists to share their photos to the rest of the world. And thereby helping Japan to change its image.
Advertising School: Berghs School of Communication, Stockholm, Sweden
Art Director: Michal Sitkiewicz, Eva Wallmark, Kristofer Salsborn
Copywriter: Rickard Beskow
Voicez Sound Producer: Stories
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Posted in: UncategorizedShailesh Khandeparkar, Illustrations
Posted in: UncategorizedShailesh Khandeparkar is a Graduate from ‘The Goa School of Art’, working as a Freelance Illustrator and Designer, based in Mumbai. At present he is working with Karigari Design inc. He had the fortune of being one of the emminent panel of juries for the prestigious D&AD awards 2011. He prefers working on what he calls Indian-Urban genre of design. It is a mix of classical Indian styles of design with modern techniques. He likes the starkness of black and white and colour acrylic style. Shailesh’s work has been featured in all international design magazines, and all the projects are mostly done completely by himself, like the art direction, execution etc.
His work for WWF was selected as ‘In-book’ at D&AD 3 years in a row and also been nominated for the Yellow Pencil He has won a Gold Pencil in One Show Design, Bronze at the Clio Awards, and silver in Cannes, London International and other several nomination in major awards. Someof his work & articles was published in The Work Book, WPP Cream Book, IDN, Communication Art, Computer Art and Indexbook.
Why are you an Illustrator?
This is an odd question. Actually, I don’t think I am perfect for the role of illustrator, because i cannot replicate the given refrence style (as it’s so called in advertising). I am a bit of illustrator + designer + art director.
Did you attend school for fine art or design?
Yes, I did a Degree course from Goa College of Art.(B. F.A ) in commercial art.
You have a distinct style of illustration. How long did it take you to develop your style?
Firstly, I believe that the style of illustration depends on the project and the idea. As far as my unique style of illustration is concerned, it was developed when I was working on the WWF poster. I tried several styles and suddenly this style of illustration struck me, and thus came the B/W style of illustration. Later, many have tried to replicate this style of illustration.
Were there any particular role models for you when you grew up?
Yes, I have always admired Mario Miranda’s style of illustration. I think he was an illustrator with a great sense for graphic design.
Who was the most influential personality on your career in Illustrations?
There are many,as I developed my sense of illustration, not just in the skill but also in terms of idea and execution. Personally I believe that the illustration is a mind game. I like the work of-Marion Deuchars-specially the way her typo blends with illustration. Olle Eksell-swedish graphic designer.NOMA BAR- from israel.parra-dutch artist.sara fanelli- famous for her illustration style+ design, many others. Also, as you grow, you realize that illustration is more than just a skill.
What made you decide to become a freelance illustrator? When did you start freelancing?
Frankly, of all it was mainly for money. As I had come to Mumbai from Goa, money was a priority, and it .also gave me the opportunity to work with different agencies and publishers.After graduation, my first job was freelancing for a storyboard, and that is how it all started.
You have worked for many top agencies as an illustrator.. How was the experience?
I had a mix of good and bad experiences. As I said, I was not good at copying the given style, and in agencies very few creatives are good at selecting the styles, with should go with the product.Most of them just select the style which they liked personally, so it’s quite boring.But you can learn a lot working with agencies.My style of illustration got the exposure through advertising agency only.I would always be thankful to them.
Do you work more with agencies or publishers?
I work more with agencies.
Was there any time when you wanted to quit Illustrations?
Yes, on the first day of my career.
Have you considered turning your illustrations into toys?
I have tried with many people, but no, until now, nothing.
Any other Indian Illustrators who you admire?
As i said- Mario Miranda and Ravi Paranjape.
You have such a wide experience as a top working professional. What advice do you have for aspiring creative professionals? Would you advise them to take on Illustration as a career option? Is it paying well enough?
I don’t think that I become so big enogh to advice people. But one thing I would like to say is that please create your own style, people should know you by your style. It is very difficult to do, as i am still fighting with it. Do not depend only on agencies, explore your style in 360 degree.
Who would you like to take out for dinner?
Of course my wife.
What’s on your iPod?
My passion – Lata Mangeshkar.
Mac or PC?
Both.
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Posted in: UncategorizedGuinness: St. Patrick’s Day
Posted in: UncategorizedSXSW 2012: #amexrules – Sync, Tweet, Save
Posted in: UncategorizedDepois de lançar sua plataforma Sync no Foursquare no SXSW 2011, como foi já contado por aqui, a American Express lança mais uma forma dos seus clientes americanos ganharem créditos e juntarem dinheiro: o Sync, Tweet and Save, este lançado no SXSW 2012 e usando o Twitter como a ferramenta protagonista.
A ideia tem praticamente o mesmo mecanismo: quando os clientes sincronizam seus cartões com a rede social, eles podem usufruir de exclusivas ofertas diretamente nos seus próprios cartões, a partir do uso de hashtags especiais.
E já que essa novidade foi lançada no SXSW 2012, uma ação especial rola por lá: todos que efetuarem a sincronização, tuitarem a hashtag especial #AmexAustin10 e usarem seus cartões sincronizados, ganham $10 na hora.
Para quem não tem uma simpatia muito grande por utilizar as famosas hashtags no twitter, agora acho que começa a usar.
Post originalmente publicado no Brainstorm #9
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Chocolate Milk: Miranda, Carmelo
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Posted in: UncategorizedMcDonald’s: Champions Of Happy
Posted in: UncategorizedAdvertising Agency: Leo Burnett, USA
Chief Creative Officer: Susan Credle
Executive Creative Director: John Montgomery
Art Director: Keith Hughes, Jill Fix
Copywriters: John Montgomery, Jonathan Fussell
Executive Producer: Denis Giroux
Producers: Bridget Rose, Ross Greenblatt
Production Company: Duck Studios
Music Company: Comma Music
White Square Ad Awards: DontFake.com
Posted in: UncategorizedAdvertising Agency: Mizbala, Israel
Design Agency: Hooligans
Executive Creative Director: Dori Ben Israel Kario
Copywriter: Peter Jay
Managing Partners: Max Shcherbakov, Sahar Lewenstein
Design: Miriam Moshinsky
Project Manager: Yaarit Rosenfeld
Coding: Guy Tzaban
White Square Festival PR Manager: Evgeniya Leonova
PR Agency: Ronnie Hassid, Ofir Auslander
Forbes Publishers: Rafi Rosenfeld, Nir Barzilay
Forbes Editor-in-chief: Simon Tetro
Brandhouse Drive Dry Initiative: Who’s Driving You Home Tonight?
Posted in: UncategorizedAdvertising Agency: FoxP2, Cape Town, South Africa
Creative Director: Justin Gomes
Art Director: Ryan Barkhuizen
Copywriter: Simon Lotze
Director: Robin Goode
Editor: Anthony Lee Martin
Production: Giant Films
Producer: Katherine Tripp, Laura Sampson
Additional credits: We Love Jam Cape Town, Bellville Studios, Searle Street Post