Blind Item: Vendor Email Pitch Gets ‘White Boy Street Cred’ Awkward

shutterstock_165515501Despite the fact that we run a couple of industry gossip blogs, we get a lot of inappropriate pitches…so we could very much relate to today’s blind item, sent from a vendor that will remain nameless to an agency that will do the same.

This email is real — and our contact tells us that it landed in the inboxes of every member of his/her team this morning along with a series of “personalized intros”:

Jennifer Jennifer bo-bennifer, banana-fanna-fo-fffrrrriggin hell, what am I doing? Sorry, when I get nervous I involuntarily play The Name Game. It’s weird. Mind if we start over?

I’m ___, a custom ___ based out of lower Manhattan. We make ___ for __  – think ___, but with a brand message at the center.

That’s why I’m in your inbox. The work you all did with ___ and ___ is great. Wait, so blacks and jews can finally get down with the crackas? #WhiteBoyStreetCred.  Seems to me we’ve got like minds, and I likes that…

Check out the work we did for ___ (yeah, that ___). Here’s our ode to one’s manhood in the form of a power ballad. #catchmydrip?

Oh, and also this: ___ – it’s like viagra for your deck. You’re welcome.

Why I’m really stalking you: We’re always on the hunt for new, interesting projects to collaborate on and we’d love to make some new friends. Anyone want to drink drinks or lunch some lunch purchased by ___??

I sure do. Holler back.

Love,

_____

Good god, the hashtags.

At least the sender of this message seems somewhat self-aware; he/she did use the word “stalking,” but this entry belongs squarely in the #PRFAIL category.

We posted because we have never received such an appalling message — and we welcome any opportunity to waste a few minutes reviewing unbelievably shitty stock photos.

Bogusky Sends Everyone Back to the Drawing Board

Our source got the connection between Alex Bogusky and “green” startup Spiffly wrong.

The network did happen to launch at almost exactly the same time as his new, unnamed venture; it shares his interest in sustainability; it employs at least one former CP+B strategist; it runs on some of the same money that will fund Bogusky’s new project.

But, as Bogusky just told us, he’s merely an investor in Spiffly — not a founder.

Dear @agencyspy, Spiffly has nothing to do with new agency. Although @Spiffly is a cool company. Details to come. http://t.co/0WSC2cx0xH

— Alex Bogusky (@bogusky) February 25, 2015

So, to recap: we know that the new agency will involve some sort of partnership with Fusion and that it will focus primarily on “green” clients.

Other than that, we don’t really care to guess. Maybe Bogusky is returning to advertising after all.

McDonald’s Oscars Campaign (Allegedly) Sparks Controversy

Today in Life Imitates an AgencySpy Comment Thread news, someone wanted Lewis Lazare of the Chicago Business Journal to know that the Leo Burnett McDonald’s ad that ran during the Oscars bore a striking resemblance to work from the chain’s other agency, DDB.

Seems that the responsible party pointed Mr. Lazare back to a print ad, created by DDB’s Australian operations, that paired the ingredients of certain McDonald’s staples with the narrative elements of classic films. Here’s the work in question in case you forgot:

ddb mcd

At the time, the controversy surrounding this particular Cannes winner concerned the fact that it appeared in a tiny local publication just in time to qualify for the awards. The placement was…questionable.

Now both Lazare and several of our most insistent tipsters tell us that the Burnett Oscars work obviously mimicked the earlier DDB work, because how could two teams independently come up with an idea tying the world’s biggest fast food chain to a series of popular film franchises?!

A McD’s spokesperson did have a perfectly vague statement about the “controversy”:

“Great ideas are meant for sharing, and we are often inspired by creative campaigns in other McDonald’s markets. We’re proud of all of our agencies’ work on our behalf.”

Our Unofficial PR Translator tells us to read this as, “Yes, the concepts are similar because we love consistency in messaging…idiot.”

The chain of events is not surprising: someone leaked the much-mocked “Lovin’ Beats Hatin’” line — which has yet to appear in any ads verbatim — to the Wall Street Journal in what now looks like an attempt to embarrass the client as its creative review came to a close.

THAT story is completely believable.

Alex Bogusky Prepares to Launch…Something Good

spiffly-logo

GIF logo via Colorado designer Dan Lehman

Former agency executive Alex Bogusky is about to start something a little different.

Here’s a semi-cryptic tweet from yesterday:

Excited to launch new social-good agency platform very soon. Imagine an agency with a community (millions) and media distribution built in.

— Alex Bogusky (@bogusky) February 23, 2015

You may notice a pattern in his recent tweets: beyond sharing the “Save the Bros” campaign from “ad startup Humanaut,” he’s been posting quite a few links to Fusion, the joint media venture of Disney/ABC TV and Univision that ended 2014 by launching a cable network and signing a slew of journalists from more traditional publications like The Atlantic, ForbesNew York magazine, and Reuters.

The reason behind that trend, it seems, is that Bogusky’s newest project is a collaboration with the people at Fusion…a sharing of the assets, as it were.

Our contacts at Fusion were mum, and a CP+B spokesperson confirmed that this is NOT a Crispin Porter joint. But thanks to a Denver Egotist reader (hat tip), we can tell you that the new project is Spiffly, a Boulder-based “community for the natural and socially conscious goods industry” set to launch any day now.

It would seem, based on the vague descriptions given, that the baseline community of which Bogusky tweets is comprised of Fusion’s viewers, readers, and followers. It would also seem that he, former CP+B senior strategist Jim Moscou, and a few others will use these pooled assets to bring attention to area nonprofits and, eventually, global companies doing what people in the PR field call “corporate social responsibility” or CSR.

Spiffly reads like a combination agency/B2B social network. From the group’s LinkedIn page, which classifies it as a “partnership”:

“Launched in Boulder, CO. in January 2014 by a small group of entrepreneurs, strategists, and designers, Spiffly believes in the power of products that do good. In turn, Spiffly aggregates online for the first time one of the fastest growing, most innovative, and most influential business communities in today — companies and professionals making and supporting a new generation of consumer products that take into consideration people, planet and profits.”

Here’s more from the Spiffly Facebook page:

“At Spiffly, we believe in transparency and authenticity; a fun and festival atmosphere; to help fledgling and established brands alike to thrive and succeed; and to bring to market the first ever natural products ‘pro deal’, sampling, social/discovery shopping platform (and much more) at Spiffly.is.”

Regarding the venture’s mascot:

“…to manifest this unique vision, we really had to start from scratch and be our own animal. Thus, introducing the one and only, Spiffly!”

The Spiffly Twitter account currently follows one person: Boulder-area “healthy living market expert” Carlotta Mast. As we know from his past work with SodaStream and others, Bogusky is a big fan of sustainability, and Spiffly looks like a network created to help people who work at similarly-minded companies connect and further one another’s business goals in the process.

What’s not yet clear is what Spiffly will create beyond the network itself — and how it will partner with green-themed companies looking to exchange their goods and services for some form of legal currency via that social/discovery shopping platform.

But at least it’s not advertising.

Creatives Debate Ownership of ESPN Campaign on Facebook

This weekend, while you were nursing your hangover and preparing for the Oscars, a debate occurred on Facebook between ad industry veterans.

It would seem that Droga5 CCO Ted Royer — or at least his official online biography — took what felt to some like an excessive degree of credit for ESPN’s acclaimed series of SportsCenter campaigns, launched by Wieden+Kennedy in the 90s.

Here’s the line from Royer’s bio that started the debate:

Ted Royer 2

Others — chief among them former ESPN marketing director and ad industry veteran Allan Broce — took issue with the language above.

The resulting Facebook post and comment thread are no longer online, but we can recreate the exchange for you via the magic of screenshots:

Ted Royer 1

Broce and several fellow ad industry players followed by debating the size of said balls. Here’s Scot French, who was an account executive at Wieden+Kennedy when the campaign first launched:

scot french 1

scot french 2

W+K veteran Matt Stiker, who also worked on the ESPN account during that period, responded with a letter:

stiker 1

stiker 2

Stiker did receive that prompt reply:

Stiker 3

The updated bio page reads exactly as the note promised it would:

new ted royer

Broce followed by bringing the debate to an end and noting that Royer had probably not written his own bio in a conscious attempt to take greater credit for the campaign at large:

broce 1

broce 2

The contested line still contains a moderate dose of snark, but all’s well that ends well in ad land.

How Douchey Is Your Creative Director?

hipster douche bag

Here’s a stunt that someone worked on for quite a while: it’s a multi-step interactive project created to determine exactly how terrible your agency’s current creative director is in real life.

The Creative Douchebag Detector Device involves a few of our favorite (dated) references:

  • Subservient chicken
  • TED Talks
  • Swedish people
  • Standing desks (but NOT “Superdesk”)

Our favorite category may be “side hustles,” which include “having an affair” and running extreme marathons. We’ve heard these jokes before.

For the record, we scored “hipster douche bag,” which is relatively accurate — but we’ll let you determine how spot-on the whole thing is.

From the “press release”:

“Can this new Creative Leader attract and win business? Can they inspire staff? Will they hire the right people? Or will they tank the business and ruin the agency culture with their Douche Baggery?

The Creative Director Douche Bag Detector Device is here to help. This state-of-the-art-futuristic-hi-tek-gismo will calculate the potential DBAG risk of that overly paid Creative Leader.

Simply adjust the dials and toggle the knobs to the exact specifications you are looking for in said Creative Leader and…. Beep! Boop! Beep! DING! You will know with 99.997% accuracy whether the Creative Leader you want to hire has real potential… to be a complete Dill Weed.”

…or you could just add “agencyspy” when Googling that director’s name and see what his or her former colleagues have to say.

Partners + Napier Trolls Kanye West, the Media

Remember Partners + Napier? The Rochester-based agency has appeared on this humble blog for an animated Kodak campaign, the wooing of a “big agency” Ogilvy executive, and the usual staffing reductions.

This week, members of the shop’s Manhattan office did a bit of OOH trolling and managed to score local press mentions thanks to a PR push that amounted to Tweeting the image below at everyone from Gawker and BuzzFeed to Taylor Swift and Kim Kardashian (in addition to dropping some mentions in our anonymous tip box).

@AgencySpy This is how @pnycagency welcomed @KanyeWest to Flatiron Plaza for his performance tonight. #AllStarWeekend pic.twitter.com/uUS4uVdMNQ

— PNYC (@pnycagency) February 13, 2015

Congratulations, PNYC: you did it (note the double URL there).

Pitchfork mentioned the stunt yesterday, and local blog Gothamist talked to the single-name duo Matt and Jason (who would be aforementioned executive Matt Dowshen and ECD Jason Marks, veteran of Ogilvy, CP+B and R/GA).

Here’s their pitch:

“We are an agency actively researching the effects of Out of Home (OOH) advertising. We found out Kanye was playing outside of our building and we wanted to make a point about being in the right place at the right time with the right message and how that can be amplified through digital channels. And… don’t fuck with Beck.”

Neither pop music’s self-appointed savoir nor his super-cheeky bride have responded to this blatant act of provocation, but the agency’s social media manager had a fun 24 hours:

.@KimKardashian when she eventually sees all of our crazy tweets. pic.twitter.com/Xl3uU5pLgY — PNYC (@pnycagency) February 13, 2015

Michael McDonald put us up to it. — PNYC (@pnycagency) February 13, 2015

Just kidding. It was McDonald, Tswift, Beck, and a random assortment of crowd-hating, noise-averse residents in the Flatiron District.

— PNYC (@pnycagency) February 13, 2015

Score one for persistence, then.

McKinney Helps You Get Over Your Breakup

McKinney has recently been pushing its creatives to work on projects that have nothing to do with clients in an effort labeled “McKinney Ten Percent.” Past work has included the Twitter influencer tool Crows Nest and SPENT, an interactive game simulating homelessness. (Tagline: “It’s Just Stuff. Until You Don’t Have It.“)

The agency’s latest such work is a Valentine’s Day-themed stunt to help bitter exes get over their recent breakups. The idea is that you send a pic to @ShredYourEx and watch it get, well, shredded.

Here’s the first contextual video, which appears to be a case study of a failed relationship between a copywriter and an account manager (just kidding):

Because this project is all about charity, here’s a mention of cat poop:

McKinney Copywriter Dylan Meagher told us more about the project:

“We realized that Valentine’s Day sucks for a lot of people. We created ShredYourEx.tv to give all those cold hearts the chance to warm up by a fire — a fire fueled by spite.”

Sounds perfect for our readers.

“Using Instagram or Twitter, simply send @ShredYourEx a picture of your ex tagged with #ShredYourEx to watch it print directly into our commercial-grade shredder on ShredYourEx.tv. And if that wasn’t enough, all shreds are donated to Paws4Ever, a local animal shelter, and used as litter for their kittens.

Just let that visual sink in.

McKinney’s #ShredYourEx provides a public service to the broken-hearted living in a digital world.  In the old days, you could burn or rip those pictures of your ex stashed under your bed. You can’t do that with a digital photo, and simply deleting it doesn’t offer the same satisfaction as physically destroying it. So on a day when you’re bombarded with sad reminders of old flames, we’re here to help.”

On the “how we did it”:

“In order to take Instagram and Twitter information from the Web directly to a printer, we hacked the printer API, which uses the Common Unix Printing System (or CUPS).

A thin PHP wrapper checks Instagram and Twitter user information for three things: mention of the @ShredYourEx handle, the hashtag #ShredYourEx and an image. If a post contains all three, ShredYourEx sends the image directly to the printer.

True heartbreak deserves more than deletion. Experience the kind of catharsis possible only through physical ruin with #ShredYourEx.”

The project unfortunately appears to have grown a bit too popular for its own good:

Annnd we’re back up and running! You guys almost broke the machine last night with all the posts. Keep it up! pic.twitter.com/SJuN8LEHA1

— ShredYourEx (@ShredYourEx) February 12, 2015

And so our lonely stock photo of Mila Kunis waits to be shredded.

Maybe the algorithm doesn’t consider what we had together a “relationship.” Our faith in artificial intelligence has been restored.

Mistress Promises to Punish All Who Attend Its Anniversary Party

An agency based in Los Angeles is hosting its fifth anniversary party this week in Venice Beach. We don’t live in Los Angeles and don’t personally know anyone at Mistress, so our interest level was hovering near zero until we saw the pictures.

Here’s Scott Harris — current Mistress partner and former CD at Mother London/senior copywriter at Ogilvy New York — surrounded by his fellow creative professionals at last year’s event:

mistress 2

…and here’s the host of said event, Mistress Anastasia.

mistress 1

We don’t know what “ribbon bondage” is and we don’t quite care to find out.

There’s a bit of the usual PR blah blah in the release about agency growth, etc., in addition to this quote from the agency’s “Culture Mistress” aka head of operations Aya Nishimura:

“There will be plenty to look at, but the most tantalizing opportunity for guests is that participation is encouraged for anyone who’s game. Without giving too much away, we’re Mistress, we like getting hands-on, and now everyone else gets the chance, too.”

This bordering-on-TMI story isn’t quite as juicy as the blind item we received regarding an executive who was so fond of one particular adult entertainer that he went and married her.

But it is distracting, no?

Leo Burnett Change Forces You to Think About Meningitis

Ready for a semi-trippy buzzkill?

Leo Burnett Change, the “specialist social change division of the Leo Burnett Group,” teamed up with UK charity Meningitis Now to paint a one-minute portrait of a horrifying disease from a UX perspective.

This is the org’s “first-ever awareness film,” and it’s positively brutal:

The PSA first aired on Monday on Channel 5; there’s a website and a #FastestHour tag on all social media channels.

The ad even aired in cinemas before — we presume — tonally appropriate films like The Spongebob Movie.

The release tells us that the film is part of an “ongoing push to increase public knowledge of the disease,” and it certainly got our attention.

This is no joke; the org’s CEO says that “In the last year some 1500 people aged over 15 contracted the disease, some of who may have sadly died or, as our film shows, suffered life changing consequences.”

Lest you think this is a UK-specific thing, a high school student is currently undergoing treatment at Yale’s hospital for a bacterial meningitis infection; doctors gave her a 20 percent chance of survival.

And while media outlets everywhere freaked out over Ebola, more than 1,000 people died of meningitis in 2014 in Nigeria alone.

 

Creative Credits:

 

Client: Meningitis Now

Agency: Leo Burnett Change

Executive Creative Director: Justin Tindall

Creative Director: Beri Cheetham

Copywriters: Ben Newman & Milo Williams

Art Directors: Ben Newman & Milo Williams

Agency Producer: Helen Choonpicharn

Production Company: Bare Films

Director: James Lawes

Senior Executive Producer: Helen Hadfield

Producer: Tom Ford

Director of Photography: Malte Rosenfeld

Post-Production Company: Framestore

VFX Supervisor: Tim Greenwood

Editing Facility: The Quarry

Editor: Jim Robinson

Sound Design Company: 750mph

Sound Designer: Sam Robson

Channel: TV & cinema, UK

Ogilvy Shanghai Re-Thinks Toy Meals for KFC

Ogilvy Shanghai has a new campaign for KFC leveraging the popularity of Korean boy band EXO.

A new broadcast promotes the agency’s re-thinking of the toy meal giveaway, as QR codes on EXO figurines given away with KFC’s new Korean meals unlock a mobile 3D dancing game featuring the band, as well as offering users bonuses like virtual selfie shots with the band, Wechat GIFS and more. The spot itself is pretty hard to follow, thanks to some questionable translation leading to such gems as “should be seen on a committee satellite into a deep,” “highlights like gonna die soon yeah” and “today’s esos enough time John online.”

At any rate, the campaign targets a slightly older crowd than typical toy giveaways — 16-24 fans of the band, according to a press release — and “marks a range of firsts for all parties involved,” according to Ogilvy & Mather Shanghai Vice President Henry Ho, who added, “We engage EXO enthusiasts with a fun mobile game, but ultimately, we keep the player’s attention by offering fresh, exciting activities and, ultimately, helping them interact with each other as well.”

Credits:

Creative:

Chief Creative Officer: Graham Fink

Creative Director/ Deputy Head of Digital: Sascha Engel

Group Creative Director: James Lee

Associate Creative Director: Marc Viola

Art Director: Li Wen, Da Lin

Copywriter: Terrace Liu

Digital Strategy: Simon Usifo/ Chelsea Zou

Account Supervisors:

Henry Ho/ Christopher Wu/ Yu Hong/ JC Wu/ Fiona Wu/ Mikki Li/ Junjun Ji

Social@Ogilvy:

Sonic Zhao/ Coolio Yang/ Winnie Wang/ Joy Ji/ Miya Kang/ Le Luo/ Qian Zhang/ Jin Feng

Droga5 Begins Teasing Newcastle’s 2016 Super Bowl Ad

Droga5 has built campaigns around lampooning big budget advertising for Newcastle since its digital “If We Made It” campaign for the 2014 Super Bowl. This year, the agency attempted to crash Doritos’ “Crash the Super Bowl” campaign and enlisted the aid of Aubrey Plaza to get brands to join its “Band of Brands” regional big game ad. Now, the agency is looking towards the future, parodying brands’ tendency to tease their ads far before the big game by already teasing its 2016 effort.

With “just 52 short weeks” until the next Super Bowl, the teaser, narrated in a robotic voice, asks viewers “to prepare yourself to prepare yourself” for the brand’s “ad from the future.” Newcastle promises the ad will feature “2016’s hottest trends,” such as telepathic horse races, electric trumpet, mind-yodeling and, of course, high-speed cheese.

Looks like it’s going to be a pretty crazy year…

P.M. Dawn’s Doc G, David Bruce ‘Hold the Crown’ for HTC

Doc G of P.M. Dawn fame appears alongside HTC America Senior Marketing Manager David Bruce in a new rap video for the brand declaring the HTC One as the “greatest smart phone ever created.”

Thankfully, Bruce limits his role in “Hold the Crown” to silent hype man, leaving all the rhyming to Doc G. How you feel about the spot’s over-the-top self-satire will depend largely on your tolerance for the (perhaps a bit overused) parody rap video trope in advertising. Still, HTC stands out from the pack by hiring a real rapper and hitting the right balance of self-satire and promotion. Doc G and Bruce even manage to work in plugs for the phone’s extreme power saving mode, gorilla glass and “boom sound.” No word yet as to whether this was created in-house or with agency Deutsch.

 

From #AdBowl to #SadBowl: 2015’s Unsettling Super Bowl Commercials

nationwide kid

This is a guest post by Tom Siebert.

Before the end of the first quarter, I changed my twitter #adbowl hashtag to #sadbowl — but I had no idea how accurate that theme would turn out to be.

Commercials for the 49th Super Bowl may have been overall better than usual (though there were certainly a couple clunkers, and one disaster for the ages), but it was largely a roster of somber and sometimes unsettling spots.

If advertising reflects the tone of our times, then we live in a wounded and worried nation, concerned God has abandoned us, hungry for a father figure, feeling guilty about how we treat women, and fearful of the sense of loss and even death waiting in the wings.

Disturbingly, the America presented by the collective unconscious of the top minds of the advertising industry in 2015 is not a place you’d want to live. Despite over-the-top absurdist escapism like life-sized Pac-Man games and updated fairy tales in which our tortoise hero cheats to win (in a Mercedes, no less), the protagonists of the 2015 Sad Bowl did not much feel like winners.

The biggest loser of the year was a misbegotten flop of a commercial that should go six feet down in history along with the Just for Feet horror show and GroupOn’s insulting trivialization of Tibet.

No guess is necessary, because we all know it’s the Nationwide Insurance ad that swerved from playful to shocking like a smooth-handling sports car crashing into a tree: a plucky boy informs us that he WON’T experience all the pleasures mentioned over the past thirty seconds, because he’s dead.

At the party I attended, a man literally said, “Holy shit! That was the worst ad ever!”

It was a sucker punch to the heart completely inappropriate for the Super Bowl. It was never a good ad — at its core, Nationwide is leveraging parents’ love to create fear and then pressure to purchase their product — but it’s 100 times worse when slotted among what’s supposed to be America’s biggest secular holiday…and a rare television experience the whole family can share. Truly an epic failure on numerous levels.

The guys at Nissan are breathing a sigh of relief, because the exact same ad pod also included their spot featuring an absent race car driving dad and his perpetually lonely and worried wife and son. The campaign seemed to have learned nothing from its own theme: Harry Chapin’s tragic fatherhood fable of loss and regret, “Cats in the Cradle.”

The smartest takeaway for this downer came from @MaleCopywriter:

“Shitty dads drive Nissans” — Nissan #BrandBowl #SuperBowl

— Lawson Clarke (@Malecopywriter) February 2, 2015

It may have been the worst ad of the night…before Nationwide ran and jaws dropped around the room.

The other seriously disturbing ad was for Jeep, which used Woody Guthrie’s patriotic “This Land Is Your Land” to unsettling and perhaps sinister effect, showcasing the beauty of the United States before moving into a global perspective, which sure made the commercial seem like a paean to American Imperialism.

Both Microsoft and Camry ads featured Americans with prosthetic legs. The former was more sincere than the latter, which featured Paralympic snowboarder Amy Purdy doing real outdoor stuff and fake ad stuff while Mohammad Ali audaciously skipped some rope-a-dope off the tongue. But there was no connection between the two…and the connection to the Camry — Camrys are safe and reliable, but hardly bold — wasn’t authentic to the brand.

Viewers also endured a parade of freakishly-altered Americans ranging from the only slightly stretched countenance of Pierce Brosnan for KIA to the Joker-like Katie Couric and the nearly unrecognizable terror who claims to be Bryant Gumbel hawking BMW. Then, of course, the full-on freak show that is Kim Kardashian parodied Save the Children for T-Mobile. As a viewer, I found myself distracted from the message in each of these campaigns by the bizarre countenance of the stars’ faces.

The best cameo of the night came from Liam Neeson, who was perfectly and amusingly cast as a gamer waiting at a coffee shop, for “Clash of Clans,” channeling his best intense Taken persona and bringing something surprising and unexpected to a category that usually falls flat (take last night’s “Game of War” campaign, for example). Jeff Bridges was less personally appealing in the SquareSpace campaign, which may represent the biggest “WTF?” of the night.

A couple of feel-good spots for dads and daughters were great for :50 until you realized that they were advertising Dove for Men and Always tampons (in intrusive cutaways).

The NFL/NoMore.com PSA-ish spot also presenting a jarring contrast between the effectiveness of the ad and the ineffectiveness of the league to convince us it cares about the topic at hand.

Bud did its usual thing with puppies and horses, but the one spot that stood out from the rest (for me) was Carnival’s unexpectedly resonant commercial featuring a voiceover from President John F. Kennedy. Unlike any other Super Bowl ad, it actually sought to express a sense of wonder via the mystical draw of the sea. Part of my pleasure came from the sense of surprise — too many of these damn ads get previewed before the game — but the Carnival campaign was also beautifully shot and emotionally evocative.

Otherwise, most of the highlights leaned toward humor. The much-mentioned Snickers spot may not be the funniest Super Bowl ad of all time, but it built on an already-successful campaign and used special effects for a purpose instead of a gimmick. The Avocado ad was clever and perfect for the game. The Mophie spot was a big budget blockbuster with a dark gag at the end; it was borderline blasphemy, but it was also one of the night’s very best because it seemed to sum up the existential unease suggested by many of the other commercials.

That’s what we’re left with after the four-plus hour high holy day of consumerist capitalism and sport: the game quickly turned from a suspenseful classic to a sour and arrogant show transformed by arguably the worst coaching decision in the history of the sport into a game-ending brawl.

The entire experience reinforced America’s perception of itself as an incomplete people living in a country where people like Patriots owner Bob Kraft score the all-important post-game interview before any player. It’s a country in which most of us desperately hope to carve out a little safe space for our children…while a nationwide insurance company suggests we probably can’t (so we might as well buy their product).

It’s going to take more than a hug from a lowest-common-denominator burger joint to make any of us feel better.

Nationwide Makes Sad Happen

Ogilvy created the year’s most depressing Super Bowl ad with its “Make Safe Happen” spot for Nationwide.

The spot, which ran during the first half of the game, opens with narration by a young child. “I’ll never learn to ride a bike,” he says over a melancholic acoustic guitar track, and then continues to list all the things he’ll never do. “I couldn’t grow up, because I died from an accident,” he reveals at the end of the spot, followed by the message, “The number one cause of childhood deaths is preventable accidents.”

Unsurprisingly, people didn’t take the depressing message interrupting their football and cute animals very well. The social media backlash was quick and pronounced. So, what exactly was Nationwide thinking?

“Preventable injuries around the home are the leading cause of childhood deaths in America,” Nationwide  said in a statement released last night in response to the backlash. “Most people don’t know that…The sole purpose of this message was to start a conversation, not sell insurance. We want to build awareness of an issue that is near and dear to all of us—the safety and wellbeing of our children. We knew the ad would spur a variety of reactions.” Nationwide went on to claim that “thousands of people visited MakeSafeHappen.com, a new website to help educate parents and caregivers with information and resources in an effort to make their homes safer and avoid a potential injury or death.”

Still, given the negative publicity, we’d be pretty surprised if Nationwide considered the ad a resounding success.

Blind Item: Girls Allowed Into Geeky Boys’ Club

Which industry is more sexist: advertising or tech?

For today’s quick non-Super Bowl blind item: an unnamed West Coast shop is hosting a “makers” event for geek-ish programmers, etc. in order to spark some innovation.

Said agency wants everyone to know that the event will be “amazingly cool” and that even gross girls can come…if they so choose.

redacted

How could any tech-savvy lady not respond to such a charming invite?

 

 

PKT Throws Down for Similac

Publicis Kaplan Thaler launched this perplexing online spot for baby formula brand Similac, entitled “The Mother ‘Hood.”

“The Mother ‘Hood” plays up the overused people acting like they’re in a rap video schtick, imagining all sorts of animosity between breastfeeding moms, formula moms, stay-at-home moms, working moms, dads, etc. (but then we’re not parents so maybe we’re just in the dark on this one?). At the end, these feuding groups band together for a common goal, and realize they’re not so different after all. The message, presumably, is that people shouldn’t be judgmental of parents who use formula — which seems like an awfully defensive way to advertise a product.

Mother Gets Goofy for MoneySuperMarket

Mother created what is sure to be one of the strangest/goofiest ads of the week with this 60-second spot for MoneySuperMarket, entitled “Dave’s #EpicStrut.”

The spot begins by showing a man, presumably named Dave, from the shoulders up as he appears to strut. As the song “Don’tcha” by the Pussycat Dolls begins, the camera pans out and reveals Dave’s outfit: tight booty shorts and high heels. He continues to shake his thing as he walks down the street deploying ridiculous dance moves, excited by MoneySuperMarket’s deals. The spot is narrated by Sharon Osbourne, who also makes a brief appearance at its conclusion. Clearly Mother was shooting for epic levels of silliness here, and they didn’t miss.

A Quick Update on the State of the Site (and the Comments)

Hi Readers,

How are you? Did you have a good holiday break? Do you have big plans for 2015?

And how has your week been? Ours has been a little unusual.

Some things happened to the site…and you noticed! No, this was not a stunt run to see whether you were paying attention. But since you’ve been asking us a lot of questions via Twitter, email, and the anonymous tip box, we figured it would be best to explain said changes (ha ha) in a Q&A so as to best address your concerns in order of relevance.

Did you sell out?!

Technically, yes. Our parent company Mediabistro was acquired last year by Prometheus Global Media, a b2b business that also owns Adweek, The CLIO Awards, and several other major trade properties like Billboard and The Hollywood Reporter.

In short: while we are not owned by Adweek, we are owned by the company that owns Adweek — and that change culminated in the redesign that launched on Tuesday.

Did you kill the comments forever??

Agency PR people will be very disappointed to learn that the answer is no. It’s true that Disqus has been inconsistent this week, but it should be back to normal by next week — and as soon as it starts behaving, you can resume commenting as you see fit…with the understanding that we can delete and blacklist you if you get especially nasty or impersonate other people.

What happened to all of our old comments??

Again, to the chagrin of your agency’s PR department, your old comments are not gone for good. They’ve disappeared for the moment, but they will be back. As we explained on Twitter, the process of uploading nearly ten years’ worth of invective is taking longer than expected.

Are you interested in covering a new campaign for client X by agency Y?? Did you know that our production house signed not one but TWO new award-winning directors?? Would you like to talk to the founder of a hot new adtech startup about trends in programmatic buying?? Do you have time to meet our new client’s CEO for coffee next week?

Oh sorry, those were pitch email questions; we get a lot of them. (But the answers are: possibly, no, definitely not, and please stop asking this question.)

Are you aware that we only read this site for the comments?

No comment.

Are you going to keep forcing us to click through every post to see how many comments are in the thread?

See above.

Fallon Puns on Numbers for H&R Block

With tax season approaching, Fallon has a new broadcast campaign for H&R Block, a client the agency has handled since winning the account from DDB in 2010.

With a host of rivals, Fallon attempts to use humor to differentiate H&R Block from other brands. In “Nein Nein Nein,” for example, a man teaching German repeatedly drills his pupil on the pronunciation of the word “nein.” The connection — that H&R Block charges only $9.99 to file taxes online — isn’t revealed until the spot’s conclusion. In “Nine Nine Tee Nine,” by contrast, the deal is revealed upfront, while the play on words comes across as a bit…inexplicable. (That ad also features an appearance from what appears to be Todd Bosley of Little Giants fame.) Still, both spots succeed at making H&R Block’s selling point memorable for viewers, whether or not they actually find the ads funny. (more…)

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