Cincinnati Ballet: Guitar

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Peter Frampton is performing a new composition with the Cincinnati Ballet, so the idea was to bring these two very different art forms together visually. But we couldn’t just use any guitar—any fan would’ve called out a fake. The custom Les Paul guitar Frampton plays is legendary, and the original (as used and seen on the album, Frampton Comes Alive!) was recently returned to him after being lost for decades and believed destroyed in a plane crash. (Here’s the NPR story: http://n.pr/zmAok1) Now that he got it back, he wasn’t letting it out of his sight. So the AD and photographer actually went to Peter Frampton’s house, pre-lit a dummy until Frampton brought the long lost guitar from his bedroom, set the dials to exactly how he plays it on stage, and nervously placed it in the rig. When it was over, the guitar was returned unharmed and Frampton’s one request upon seeing the roughs was that no retouching be done to the guitar in the final art. Which, of course, we honored. The result is a striking image, steeped in an authentic rock story. Hope you like it.

Advertising Agency: Northlich, NY, USA
Executive Creative Director: Jason Schmall
Creative Director: Jeffrey Warman
Art Director: Brian Nelson
Copywriter: Larissa Cole
Photographer: Jonathan Willis
Post/Compositing: Brian York

UNRIC The Future We Want: Drop By Drop Head, Drop By Drop Brain

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“More important than you have imagined.”

Advertising Agency: Brandays, Dnipropetrovsk, Ukraine
Creative Director: Maxim Zuew
Art Director: Evgeniy Vetrov
Copywriter: Dmitry Khabarov
3D visualizer: Mikhail Mikhalyov

IM Leather Paper: Crocodile, Camel, Cattle

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“Close to real leather paper.”

Advertising Agency: Draftfcb, China

Yamaha: ATV-Long Jump On The Land

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“Sets its own limits.”

Advertising Agency: Communique, ?stanbul, Turkey
Creative Director / Copywriter: Hami Kural
Art Director / Retoucher: Korhan Y?ld?zcan
Account Supervisor: Ebru So?ukp?nar
Account Executive: Asl? Ertem

Grupo Vhiver: Pharyngitis, Cancer, Diabetes, Flu

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Advertising Agency: Filadélfia Comunicação, Brazil
Production: Grupo Vhiver
Creative Director: Dan Zecchinelli
Art Directors: Rivadávia Coura, Lucas Queiroz
Copywriters: Flávio Chubes, Dan Zecchinelli

Ad Print Festival: Will Work In A Coffee Shop, Will Work For Food

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“A good print ad works for just about everything. Don’t by-pass it.”

Advertising Agency: Bold Ogilvy, Athens, Greece
Executive Creative Director: Yannis Sideris
Creative Director: George Adamantides
Art Director: George Adamantides
Copywriter: Peny Pagoni
Photographer: Vassilios Michail

Oreo: NFL Lockout

Advertising Agency: Draftfcb, New York, USA
Creative Director: Jill Applebaum, Megan Sheehan
Copywriter: Noel Potts
Art Director: Jared Isle, Mike Lubrano, Jackie Anzaldi
Media Agency: 360i

Paper Cut Silhouettes

Le designer David A. Reeves nous dévoile cette scénographie miniature avec une série de vignettes fabriquées à partir de silhouettes en papier découpé. Chaque image propose plusieurs plans et couches pour créer une profondeur de champ, sans omettre de faire référence à Limbo ou la BD Walking Dead.

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UNHCR: Dilema

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Advertising Agency: Y&R, Geneva, Switzerland
Creative Director: Bob Heron
Art Director: Frédéric Savioz
Copywriter: Bob Heron
Graphic Designer: Ludovic Rossier
Photographer: Cédric Delsaux

Visa: Stanley Cup Playoff Beard

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“Proud supporter of the Stanley Cup playoffs & all its diehard fans.”

Advertising Agency: TBWA\Toronto, Canada
Creative Directors: James Ansley, Allen Oke
Art Director: Jason Lee
Copywriter: Francesco Grandi
Photographer: Dave Todon

Rohan Avriti: Creeper, Lift, Staircase

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“Surprisingly private property.”

Advertising Agency: Ogilvy, India
National Creative Directors: Piyush Pandey, Rajiv Rao, Abhijit Avasthi
Executive Creative Director: Joono Simon
Creative Director: Shamik Sen Gupta
Art Director: Vinci Raj
Copywriter: Sraman Majumdar
Account Management: Deepika Tiwari, Sneha Ramachandran, Gulshan Bharadwaj
Other credits: Vijaykumar

Ford: Don’t Text While Driving

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Advertising Agency: JWT, Delhi, India
Chief Creative Officer: Bobby Pawar
Creative Directors: Saurabh Dawar, Amitav Misra
Copywriter: Smriti Shadra
Art Director / Illustrator: Chandni Jain

What Girls Want

Dakine est allée voir des jeunes femmes actives / reconnues dans différents domaines pour savoir ce qui les passionnaient et ce qu’elles désiraient. Parmi les différents focus : l’artiste française Koralie (dont l’interview est présente sur Fubiz TV Issue 5) qui dévoile sa passion pour la création avec une vidéo dans la suite.

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Casablanca i-Pillow: Domino, Cards, Glasses

Advertising Agency: Leo Burnett, Hong Kong
Executive Creative Director: Connie Lo
Creative Director: Nutchanun Chiaphanumas
Copywriter: Nutchanun Chiaphanumas, Spring Liu
Art Director: Nateepat Jaturonrasmi, Martin Tong
Illustrator: Surachai Puthikulangkura
Photography: Illusion
Account Manager: Alan Ng

Barmer Gek: Fat Posters

People eat too much fat. Barmer Gek health insurance asked us to make people aware of how much fat their food contains. So we created posters made out of fat. We extracted the fat from popular dishes and designed posters with it. The fat of one product for one poster – no more, no less. In a complex chemical process, we extracted the fat from five different dishes and airbrushed it on white paper. The result: five fat posters.

Advertising Agency: Serviceplan, Munich, Germany
Chief Creative Officer: Alexander Schill
Executive Creative Director: Maik Kaehler
Creative Director: Christoph Nann
Copywriter: Andreas Schriewer
Art Director: Roman Becker
Design: Felix von Pless
Account Manager: Ines Herbold
Producer: Bianca Schreck
Programmer: Steffen Knoblich

Gillette: What’s in a Beard Print Campaign

Advertising Agency: BBDO, New York City, United States
Chief Creative Officer: David Lubars
Executive Creative Director: Toygar Bazarkaya
Creative Director: Raj Kamble, Paul Vinod
Copywriter: Paul Vinod
Art Director: Raj Kamble
Illustrator: Brosmind
Art Buyer: Sarah Gold
Account Manager: Henrie Clarke, Stephanie Petta, Cassi Pires

Wordsworth Books: Lord Of The Flies, The Hitchhiker’s Guide To The Galaxy, Twenty Thousand Leagues Under The Sea

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“Where will the next page take you?”

Advertising Agency: Saatchi & Saatchi, South Africa
Creative Director: Sammy-Jane Every
Art Director: Gareth Cohen
Copywriter: Alex Goldberg
Client Service: Graham Cruikshanks

Santher: Musician, Misses, Scout

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Advertising Agency: Talent, Sao Paulo, Brazil
Executive Creative Director: Joao Livi
Creative Directors: Philippe Degen, Felipe Luchi
Art Directors: Bruno Trad, Leonardo Azevedo
Copywriter: Ligia Mendes
Photographer: Billy Hells / Florence Moll
Retoucher: Billy Hells
Art Buyers: Jean Luc Chirio, Lauriane Dula
Marketing director: Jaime Sousa

McDonald’s: Fish, Tomato, Eggs, Lettuce

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Advertising Agency: DDB, Sydney, Australia
Executive Creative Director: Dylan Harrison
Art Director: Daryl Corps
Copywriter: Peter Ogden
Typographer / Designer: Domenic Bartolo
Photographer: Anson Smart
Art Buyer: Bryson Holt

Cam: A curiosidade infantil com respostas fantásticas

A Itália é boa em fazer dezenas de coisas. Comida, sorvete, igrejas, esculturas e gladiadores são ótimas especialidades da bota. Porém, tem outro tipo de obra que os italianos mandam bem, e talvez você não saiba: produtos para crianças.

Falo com experiência recente de causa. Você sai pra comprar equipamentos essenciais para a exigente vida infantil, e se depara com “made in Italy” por todas as partes.

A marca Cam, que assina com “Il mondo del bambino”, é uma dessas especializadas, e que recentemente mostrou uma excelente campanha impressa. As peças brincam com a curiosidade infantil, imaginando respostas e visões fantásticas para algumas das divertidas perguntas feitas por crianças.

O primeiro anúncio, lá em cima, pergunta: “Quem desenha as nuvens no céu?”. Confira as outras abaixo.

A criação é da DLVBBDO, de Milão.

Pra onde vão as estrelas quando eu durmo?

Por que a neve derrete?

O quê os carros fazem enquanto estão estacionados?

Eu posso construir uma casa na árvore em qualquer lugar?

Como os peixes respiram?

Quem rouba as folhas no outuno?

Brainstorm9Post originalmente publicado no Brainstorm #9
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