Baby Brand Tommee Tippee Made Baby Wipes From Reams of Actual Parenting Advice

New parents eventually get so sick of advice, they’ll want to wipe their baby’s butt with it. And now, infant feeding brand Tommee Tippee has made that possible—with a limited run of baby wipes made from actual parenting advice.

The new Advice Wipes—made from a recycled mix of parenting books, magazine articles, printed-out blog posts and more—aren’t available for sale to the public (yet—they might be someday). Rather, they’ve been made in a limited edition for special distribution as part of a new campaign from McCann themed “#ParentOn,” which aims to give parents the confidence to put away the baby books and trust their instincts when it comes to raising their kids.

Check out the brand’s new video about the Advice Wipes here:

An established baby brand in the U.K. that is looking to expand further in the U.S., Tommee Tippee came to McCann with Eric Silver when he arrived earlier this year as North American chief creative officer. (Silver + Partners had picked up the brand earlier.) It’s been a while since Silver was a new father—his daughters are 16 and 14—but he’s still plenty familiar with the pressures of modern parenting, which Tommee Tippee is trying to ease.

“One of the lines we used early on with the client was, ‘Humans were having babies for 200,000 years before the first baby book was written,’ ” he says. “We’re saying to new parents, ‘You got this. You know what you’re doing.’ “

Not only weren’t there baby books in prehistoric times, there also wasn’t an Internet half a century ago (when Tommee Tippee was founded) to amplify the pressure on parents, as the brand’s #ParentOn site reminds us.

“When questions were raised on how to raise a child, you just figured it out,” says a post on the Tumblr-like site. “There was parent and child. There was instinct. And there was Tommee Tippee. For 50 years we’ve made products that are smart and simple, innovative and intuitive. For 50 years, we’ve helped parents parent the way they were made to.”

The site also includes this anthem spot:

The baby-products industry in many ways is invested in making parents feel insecure—so the products can be the antidote. And while a handful of brands, including Similac and Plum Organics, have acknowledged that fact, and turned it on its head, the Tommee Tippee campaign is one of the first to say parents can really do just fine on their own.

And it does so with an approachable, fun-loving vibe—and with elements like the Advice Wipes that could get some buzz. Says Silver: “We thought it would be funny to take all that advice and actually wipe a baby’s ass with it.”

For more about the avalanche of advice doled out to new parents, check out the Tommee Tippee infographic below, based on the brand’s survey of 1,000 U.S. moms:

Man Shaves Beard Off After 14 Years, and Family Reacts in Shock, in Remarkable Razor Ad

“Maybe it’s a new chapter in my life.”

That’s how Amit (aka, “Mook”), a 44-year-old dude who’s had a thick beard for 14 years, describes the experience of shaving it off in “My New Face,” a remarkbaly three-minute online film by Israeli agency BBR Saatchi & Saatchi for Super-Pharm’s private label line of Life M6 razorblades.

Since the M6 competes with better-funded brands such as Gillette, “traditional messaging promoting efficiency due to number of blades” would likely have proven “majorly ineffective,” says BBR’s Eva Hasson. “That’s why we decided to follow a different approach.”

The idea for the film originated with an agency staffer who recalled that as a child, he did not immediately recognize his father after he shaved off his trademark beard. Much to the agency’s surprise, the client proved eager to give the offbeat idea a try.

“We were offering to shoot a documentary, which is not your regular advertising format where things are scripted,” Hasson says. “This format is a lot riskier, and we warned our client that we may ultimately go through all the motions and end up with nothing. Truth be told, we actually shot three documentaries—only one worked out. This was a gutsy decision by the client, who rolled with us, and so far, the movie has garnered over 430,000 views in under a week.”

Agency creatives were also surprised to learn “the volume and sheer power of the emotional attachment men have developed toward their beards,” says Hasson. “Some of the topics uncovered were the fact people like to hide behind their beard. It gives them a sense of security. It is an exteriorization of their virility. They believe it is a source of authority.”

Indeed, in the video, Amit admits that he “can’t remember being so nervous,” and frets about “loss of virility, loss of intimidation power.” Once the six-bladed cartridge has done its work, Amit looks at least 10 years younger and—in my estimation, at any rate—more friendly and approachable than he had before.

The reactions of his family are priceless. And in the end, the special people in Amit’s life heartily approve of the change, and our hero embraces his “new self,” reveling in the nearly forgotten tactile sensations he can once again enjoy. It’s almost as if he’s cut through a barrier he didn’t know existed. “It’s amazing,” he says.

“It’s about the simple pleasures that come from being clean shaven,” says Hasson. “Little things like the ability to feel a gentle breeze and the sunshine on your face, to kiss without tickling, to look younger.”

Few consumers will undergo such an intense sensation of renewal by using M6 blades. Still, the film does a fine job of boosting the brand by transforming a basic consumer good into an almost mystical agent of change.

CREDITS
Client: Super-Pharm
Brand: Life Private Label Brand
Product: M6 Razorblades
Agency: BBR Saatchi & Saatchi Tel Aviv
CEO: Yossi Lubaton
Executive Creative Director: Nadav Pressman
Creative Director: Idan Levy
Art Director: Michal Gonen
Copywriter: Yair Zisser
Digital Creative Director: Maayan Dar
VP Production: Dorit Gvili
Producer: Odelia Nachmias Freifeld
VP Client Services: Shani Vengosh Shaul
Supervisor: Noa Sharf
Account Executive: Stav Hershkovitz
VP Strategic Planning: Shai Nissenboim
Strategic Planner: Roni Arisson
Planning Information Specialist: Eva Hasson
Traffic: Ronit Doanis, Yael Kaufman
Production Company: T GO Tom Sofer
Director: Oded Binun
Postproduction: Broadcast

Holiday's Over for Germs in These Awesomely Gross Ads for a Unilever Cleaning Brand

Attention, germaphobes. Here are your worst nightmares realized.

Unilver cleaning brand Domestos is out with three new print and poster ads in the U.K. that vividly imagine microorganisms as gross cartoons on vacations—swimming, snapping selfless, sipping cocktails on the beach (yes, that’s duck face).

The “Holiday’s over” tagline is a little long on bravado, but the illustrations—created by Bangkok CGI studio Illusion, via agency British agency DLKW Lowe—might be the most gorgeously disgusting visuals ever (even if Harvey Keitel’s credits apparently include voicing one of their millions of impressively hideous dead ancestors).

Now enjoy your righteous sense of horror, and go and wash your hands.

Full ads below. Click to enlarge.

CREDITS
Client Name: Domestos
Campaign Name: Holiday’s Over
Agency: DLKW Lowe
ECD: Richard Denney, Dave Henderson
Global Creative Director: Tony Hardcastle
Creative Team: Katrina Encanto,  Edgar Galang 
Planner: Richard Kelly
Account Team: James Pool, Ross Marshall
Agency Producers: Gary Wallis
Media Agency: Initiative 
Design Company: Illusion Co. Ltd  
Illustrators: Surachai Puthikuangkura, Supachai U-Rairat
Producers: Somsak Pairew, Kitidej Rattanasuvansri



Angel Soft Wishes Single Moms a Happy Father's Day in Unique Take on the Holiday

Adult children raised by single mothers wish their moms a happy Father’s Day in this interesting, unconventional take on the holiday by Deutsch L.A. for Georgia Pacific’s Angel Soft bathroom tissue.

The two-and-a-half-minute video presents various men and women who speak directly into the camera, thanking their moms for being both mothers and fathers in their lives. “She did it all, as though she was two people,” one subject says. The others echo this sentiment, explaining how their moms combined softness and strength, tying back to the brand’s new tagline, “Be soft, be strong,” which is introduced here.

Quite a few of these folks get choked up, but that’s de rigueur for the “gratitude advertising” category, and the tears are balanced by some lighter moments. (One guy recalls his mom teaching him to defend himself on the playground: “She was like, ‘When you punch, you put your knuckle out and you just go for it.’ I don’t even know if that’s a thing.”)

Sure, this is another attempt to yank viewers’ heartstrings, but the novel concept and no-frills presentation really carry the day. The subjects simply tell their stories, and there are no “dramatic appearances” by the moms, or clichéd hug sessions, so the spot feels less contrived than others in the genre. Another plus: The ad honors moms and dads by implicitly acknowledging the importance of the latter.

All that said, the work, from my perspective, has a basic conceptual flaw. While well-meaning, it could be be construed as trading in gender stereotypes. Some might find the suggestion of one parent typically being “soft” and the other “strong” kind of regressive. (Gee, I wonder which is supposed to be which?)

Don’t men and women—raising kids alone or together, or childless, for that matter—usually combine both traits to varying degrees?

CREDITS
Client: Angel Soft
Chief Marketing Officer: Douwe Bergsma
Senior Vice President & General Manager, Bath Tissue: Vivek Joshi
Senior Marketing Director, Brand Center: Shari Neumann
Senior Brand Director: Joe Stempien
Senior Brand Manager: Todd Wingfield
Brand Manager: Melissa Blunte

Agency: Deutsch L.A.

Creative Credits:
Chief Creative Officer, North America: Pete Favat
Executive Creative Director:: Karen Costello
Executive Creative Director: Juan Oubina
Associate Creative Director: Melissa Langston-Wood
Associate Creative Director:: Jorge Ortega:
Director of Integrated Production: Vic Palumbo
Executive Integrated Producer: Rachel Seitel
Integrated Producer: Win Bates
Associate Integrated Producer: Justin Polk
Music Director: Dave Rocco

Account Management Credits:
Group Account Director:: Erik Petersen
Group Account Director:: Montse Barrena
Account Director:: Megan Prince:
Account Director:: Lauren Pollare
Account Executive:: Melanie Faessler
Assistant Account Executive : Bianca Brittain

Account Planning:
Chief Strategic Officer: Colin Drummond
Executive Planning Director:: Jeffrey Blish
Group Planning Director:: Thas Naseemuddeen
Account Planner:: Eva Cantor
Digital Strategist : Janet Shih

Business Affairs/Traffic:
Director of Integrated Business Affairs:: Abilino Guillermo:
Senior Business Affairs Manager:: Terry Miglin:
Director or Broadcast Traffic:: Carie Bonillo
Broadcast Traffic Coordinator:: Anna Brito

Executives:
CEO, North America:: Mike Sheldon
President, Los Angeles: Kim Getty

Production Company: Steelhead
Director: Eric Kaufman
Executive Producer: Ted Markovic
Producer: Matt Johnson
Line Producer: Melissa Verdugo

Editorial Company: Steelhead
Editor: Morgan Griswold
Executive Producer: Ted Markovic
Producer: Simone Gurren

Post Facility: Company 3
Executive Producer: Rhubie Jovanov
Senior Colorist: Stefan Sonnenfeld

Post/VFX: Steelhead
Executive Producer: Ted Markovic
Broadcast Motion Design Director: Jason Porter

Music by: Elias Arts
Track Title: Father’s Day
ECD: Vincenzo LoRusso
CD: Michael Goldstein
EP: Vicki Ordeshook
Head of Production: Katie Overcash

Audio Post Company: Steelhead
Executive Producer: Ted Markovic
Mixer: Chase Butters



This Household Cleaning Brand Has the World's Most Immaculate Twitter Feed

If you’re a cleaning brand, you’d better have your house in order—which means making your social media feeds as spotless as possible. French brand Spontex has done just that on Twitter, with a whole feed of white space.

Actually, though, the brand somehow hid images in that white space, which you can discover by clicking on the tweets. (Try it on the embedded posts below.) A fun idea from ad agency Kids Love Jetlag in Paris.



Cottonelle Wants You to Go Commando and Not Throw Your Panties at New Kids on the Block

Cottonelle wants you to “go commando.” That’s right, the toilet paper brand says you should walk around without underwear because its CleanRipple texture imparts a superior clean.

In fact, they’ve hired documentary filmmaker and British accent possessor Cherry Healey to intercept random people who’ve just used the toilet and ask them to go commando.  Whereupon they hide in a little popup tent, take off their underpants and receive an undies storage baggie and some Cottonelle—in stunts that are both bizarre and amusing.

I can only surmise that part of the reason they picked Healey is because Poo-Pourri’s success taught marketers that Americans like it when potty humor is delivered via a British accent. In fact, Time Out recently found that British accents are considered the most sexy.

Speaking of sexy, Cottonelle isn’t just doing this commando stuff to hawk its product. It’s doing it for the good of musicians everywhere. Musicians who have been much maligned by the odious habit women have of throwing our undergarments on stage. Musicians like New Kids on the Block, who kicked off the Cottonelle campaign on Feb. 15 with an intimate concert that didn’t get intimate enough for underwear throwing.

The Kimberly-Clark brand will be joining the first leg of the NKOTB summer tour to offer “an elevated bathroom experience,” and surprise meets and greets with the boys—which presumably only happen if you agree to remove your underwear ahead of time. Meow.

So, if you want to trust your butt to clean ripple, challenge a friend with a free sample, or just want to browse a lot of pictures of people showing side-hip to prove their not wearing underwear, head over to Cottonelle’s website. And take a moment to wonder about this new trend in bathroom humor that’s sweeping marketing.

CREDITS
—TV
Director: Fred Goss
Production Company: Company Films
Editor: Matt Walsh
Editorial Company: Cutters
Sound: John Binder
Sound Studio: Another Country
Agency: Trisect
CCO: Chris Cancel
CSO: Gabe Misarti
ECD: Kevin Hughes
GCD: Mel Routhier
Sr. CW: Dan Lewis
Sr. AD: Garrett Fleming
CW: Aaron Vick
Group Acct Director: Soraya Faber
Acct Director: Meg Graeff
Strategic Planning Director: Danielle Simon
Producer: Corrine Serritella

—Print
Photographer: Liz Von Hoene
Studio: Stockland Martel
Retoucher: Kellie Kulton
Agency: Trisect
CCO: Chris Cancilla
CSO: Gabe Misarti
ECD: Kevin Hughes
GCD: Mel Routhier
Sr. CW: Dan Lewis
Sr. AD: Garrett Fleming
CW: Aaron Vick
Group Acct Director: Soraya Faber
Account Director: Meg Graeff
Strategic Planning Director: Danielle Simon
Producer: Corrine Serritella



Pepsi Max Did the One Halloween Prank That Was Pants-Crappingly Awesome

Welp, it’s basically Christmas now, but we’ve got one more Halloween ad to share with you. Yeah, it’s November now, but this gem is still as fresh as that stash of Twix bars you stole from your child. 

PepsiMAX, no stranger to scaring the crap out of people with ad pranks, delivered what might be the coolest use of tech for nefarious purposes this Halloween. Watch below to see how the brand really freaked out unsuspecting moviegoers at a London cinema. 

And try to imagine not soiling yourself.



Kotex Tells You to Be Gentle With Your Cat (What's Another Word for Cat?)

Cats are very sensitive. And when you apply sticky tape to them, they tend to walk funny. Just like when your pad won’t stay in place and decides to adhere to your crotch.

Ogilvy & Mather Shanghai created a viral hit for Kotex around the truth that no cat of any persuasion likes sticky tape. An entire spot starring super fluffy cats filmed in slow motion looking uncomfortable and walking sideways? It’s no wonder it’s already attracted over 1 million views in China (not on the subtitles version below, though, of course).

The brand has another spot that suggests it’s easier to find a good pad than a good man. (Well, yeah—you can buy pads at the store.)

Kudos to Ogilvy for coming up with an adorable cat spot that also has an actual product benefit included amid the cute. And don’t worry, no cats were harmed in the making. They were just made very uncomfortable.

CREDITS
Client: Kimberly-Clark
Project Title: Kotex Brand Promise Viral Campaign
Creative Agency: Ogilvy & Mather, Shanghai
Chief Creative Officer: Graham Fink
Head of Copy: Thomas Zhu
Creative Director: Bamboo Zhuang
Group Head: Yaya Wu
Senior copywriter: Kiddy Wang
Agency Producer: Xiaolong Wu
Media Agency: Mindshare
Production House: Shine Works



Put Your #PinkiesDown And Your Cans In The Air

Union Wine Co. of Tualatin, Oregon is making waves in the wine world—which like the ad industry, is ripe for reinvention. From the start, Union’s primary goal has always been to reduce the pretension associated with wine drinking by making great wine without all the fuss. In an effort to bring this “pinkies down” philosophy […]

The post Put Your #PinkiesDown And Your Cans In The Air appeared first on AdPulp.

After 1,000 Meals, Here's What Made the Frozen Food Review King Call It Quits

For six years, Gregory Ng has held the uncontested title of Frozen Food Master, a grocery guru who has eaten his way through 1,000 microwaved meals and recorded the results for a loyal audience. 

But a few days ago, in mid-review, he abruptly quit. The breaking point? A $2 children’s meal that Ng felt was “breading with a hint of chicken on the inside.”

“You know what? I can’t do this anymore,” he said into the camera after a pause. “This is horrible. We should not be feeding our kids this. We should not be eating this frozen food anymore. I’m done with this.”

Obviously, it’s not the frozen food industry that’s changed since Ng’s video review series, Freezerburns, began in 2008. What’s changed is Ng himself.

In recent years, while working his day job as CMO for optimization firm Brooks Bell, Ng has become an advocate for healthy, active living. He even quit Freezerburns briefly in 2012, noting, “I was feeling great every day, and shooting more episodes of Freezerburns was my daily downer.”

He soon returned to the show, reinvigorated with ideas for how to make it better. Today, he estimates the Freezerburns audience across multiple video platforms totals 75,000-100,000 viewers per episode.

This time, though, he says the end is truly the end. In a blog post, he explains how he’s become increasingly uncomfortable with the influence the show has had on his life, such as motivating him to feature the unhealthiest items because he knew they’d be the most popular.

We wanted to know more about his decision to close down a niche he’s spent so much time carving out. Check out our Q&A with Ng below:

AdFreak: So, what are the final stats for your time creating Freezerburns? How much frozen food did you eat? How much video did you create?
Gregory Ng:
I published my first episode on Oct. 4, 2008, and in the nearly six years since then I reviewed over 1,000 frozen food items in nearly 700 episodes. One fan calculated that it would take four days to watch every video back to back. Not quite the longevity of The Simpsons marathon, but still a lot of time to watch me eat.

You’re an all-around healthy guy and committed father. Do you feel Freezerburns did more harm than good by promoting the frozen food category?
Absolutely not! While the issue of healthy eating eventually ended the show for me, the frozen food category as a whole did not and does not contradict my health and my parenting.

There are a ton of items in the freezer aisle that are extremely nasty, unhealthy, sodium-laden and fattening. They truly fit the stereotype of frozen food. But there are also a ton of options that cater to organic, healthy eating as well as special dietary needs like gluten-free or vegetarian.

As the Frozen Food Master, I was able to uncover those gems in the freezer aisle that were great tasting and good for you with the added convenience that frozen meals provide. And when I reviewed things that were great tasting but not great for you, I feel like I represented the tradeoffs in eating them. Because of this, I feel like I promoted the frozen food industry in a positive but realistic way.

How did your “mic drop” moment of walking off set come about? A lot of people would probably assume a scene like that was staged.
In the last couple of months I had a few “moments of clarity” that caused me to question my motivations in keeping my show going. Some of it was simply the time aspect of producing online video in addition to my day job as well as my family commitments and whether the financial benefits outweighed the effort.

I’m typically an impulsive person but I didn’t want to make an impulsive decision to end something I spent a lot of time building. My brand was strong, my relationships with frozen food companies were strong, and my revenue coming in was strong. I had told myself that I would finish out the calendar year. I felt that would be a great time to end things.

Then I reviewed this particular Kid Cuisine meal and I just got very angry during the review. It is geared at kids, and it just isn’t anything I would serve to them. It was also a meal that has a commercial tie-in with the How to Train Your Dragon 2 movie, and the commercialization of the meal made me upset. I record every episode in one take and it just happened. So it wasn’t staged, but there was certainly a buildup to this moment.

You mentioned when you quit that you were starting to be bothered by the fact your audience was closer in age to your kids than yourself. Why was that uncomfortable for you?
I knew that college-aged kids is a great segment to be marketing to, and I exploited that in the beginning years of my show. It fueled a lot of the decisions I made regarding content, publishing times, sponsors I pitched, and merch I designed.

As the years progressed, I tried to evolve the age of my audience into grocery shopping moms. I was successful doing that on my website and on Facebook but not so much on YouTube. My average audience is 19. My oldest child is nearly12. I’m nearly 40.

Good YouTube community management involves conversation and engagement. It was getting to the point where I was no longer aware of what my audience was talking about. And when I dropped a pop culture reference in my dialogue from a movie like Back to the Future, most of them didn’t get it.

You also noted that you felt a bit corrupted by the allure of traffic. Did you feel you were starting to lose control of your content and your own choices?
Absolutely. Over the years, I optimized everything about my show: which items I reviewed to gain the most views and comments, the time to publish, the best way to title my videos for SEO benefits, and the best video length for my audience.

There are a lot of best practices around YouTube optimization but those should just be viewed as guidelines. Every channel is afferent because every show is different. I figured out mine and I didn’t like the decisions I was making to drive more subscribers and revenue.

For example, I would review a Hot Pocket over a vegan Indian meal because I knew the views would be 10 times larger. I could have reviewed what I wanted, but that wasn’t my goal. I was in it to build audience, prove that you could monetize by owning a niche and fine tune my camera presence.

Eventually I realized I accomplished those things and it wasn’t good for me to continue down this path just for a little more revenue.

Like most YouTube personalities, you get a lot of nasty comments. While you seem to have fun mocking them, did they factor into your decision to quit?
Oh no. I know for people not used to publishing a lot on YouTube the troll comments are very scary, emotionally damaging, and offensive. I have always said that a sign that you are popular on YouTube is that the trolls come out. They did not factor into me ending the show.

Do you see yourself starting another ongoing video series with revenue potential? Will you be conquering another niche?
Yes! I am already in the ideation phase of my next project. Freezerburns was the result of careful planning and identifying of a profitable, untapped niche. My next project will be online video-based but not necessarily capitalizing on an exploitable niche. I will not be eating on camera nor will I be reviewing things. This one is coming more from my soul as I will be focusing on crafting behind the camera instead of in front of it. If revenue comes, great. My goal on this one is to create something where the reward is in the emotion it creates.



Johnson's Baby Is Sorry Not Sorry in Awkward Reply to Customer Concerns

We’ll always listen and be here for you. Even when you’re wrong.

That’s the somewhat odd message that Johnson’s Baby offers consumers in this video emphasizing the Johnson & Johnson brand’s commitment to the safety of its products—to the point of reformulating them even when there’s nothing wrong.

The ad, “Our Safety Promise,” explains that Johnson’s Baby heard the worries of customers bothered by news that “chemicals of concern” had been found in its products. “Although always safe, for your peace of mind, we removed them,” the video says of the chemical.

That message may be transparent. To me, it’s also condescending. It’s like saying, “We’re doing this to appease you. But we still know better than you.” Perhaps it’s a legal thing. Still, the wording could be much better.

The brand then goes on to celebrate its bigheartedness by having its employees make 1,000 origami storks, which apparently signify “a hope granted and a promise fulfilled,” according to a Japanese legend about origami cranes.

It could be I’m just not the target for the ad, which is obviously meant to be touching and sweet. (I’d call it more feel-good for feel-good’s sake.) But after watching, I was even more curious about the controversial chemicals.

The spot is part of a new social-media effort that will see 40 more videos released throughout the rest of the year. Let’s hope they’re less awkward than this one.



Old Spice Scores With World Cup Ad Full of Screaming

Old Spice scores another goal with Terry Crews, this time for the World Cup.

The brand would like you to know it’s now available in Brazil, and it’s a good time to tell you that because there’s a rather large sporting event taking place there right now. Wieden + Kennedy in Portland, Ore., cranked up its crazy machine and decided to have Crews power drill through the Earth to Brazil, where he meets his Brazilian double and congratulates him on being awesome, spontaneously creating a pineapple in the act.

Someday, they’ll just have Crews scream the whole thing; this time they settle for screaming half. Luckily, Crews’s elongated vowels work great for celebrating a sporting event where people yell “Goooooooaaaaaaal” all the time.



Terry Crews Can Shave Anything With His Old Spice Razor, Including Tiny Terry Crews

It's been almost a year since we've seen Terry Crews psychotically scream his way through an Old Spice sales pitch. So, to make up for lost time, we get twice the Terry in one spot. 

"Get Shaved in the Face" is the newest oddity from Wieden + Kennedy, which first tapped Crews in 2010 for a series of over-the-top spots directed by comedy duo Tim & Eric. In this installment, Crews faces the existential dilemma of whether to shave off a facial hair that appears to be his micro-clone.

While Isaiah Mustafa is still the most iconic Old Spice guy, Crews seems to be the brand's personality of choice over the long term. He's gone from advertising Odor Blocker Body Wash to shaving cream—and here he's fronting Old Spice's newest foray into grooming hardware. Thanks to a partnership with Braun, you can now buy an Old Spice Hair Clipper ($49.99), Beard & Head Trimmer ($49.99), Wet & Dry Shave & Trim ($59.99), Shaver ($69.99) and Wet & Dry Shaver ($79.99).

They're apparently the perfect devices for committing anthropomorphic follicide—you know, in case that's an issue for you.

CREDITS
Client: Old Spice
Project: "Get Shaved in the Face"

Agency: Wieden + Kennedy, Portland, Ore.
Creative Directors: Craig Allen, Jason Bagley
Copywriter: Andy Laugenour
Art Director: Matt Sorrell
Broadcast Producer: Jennifer Hundis
Director of Broadcast Production: Ben Grylewicz
Account Team: Georgina Gooley, Nick Pirtle, Michael Dalton, Jessica Monsey
Executive Creative Directors: Susan Hoffman, Joe Staples

Production Company: Gifted Youth
Direction, Editing, Visual Effects: Fatal Farm
Sound Mix: Charlie Keating, Joint Editorial


    



Meet the Superhuman Moms in P&G’s Stirring Ad for the 2014 Paralympics

Procter & Gamble's "Tough Love" ad, which celebrates the pride and determination of athletes and their moms ahead of next month's Paralympic Winter Games in Sochi, Russia, manages to play on the heartstrings without hitting a saccharin note.

Not long ago, images of kids without limbs struggling to excel in sports would have been viewed as appropriate for fund-raising PSAs but too downbeat for other types of advertising. It's a mark of how far we've come that such visuals are now seen as inspiring and triumphant. And the found footage in this minute-long clip from Wieden + Kennedy, Portland, Ore., showing determined youngsters swimming, racing and skating (with their supportive moms nearby), is especially soul stirring.

Paralympic snowboarder Amy Purdy narrates: "You could have protected me. You could have taken every hit. You could have turned the world upside down so that I would never feel pain. But you didn't. You gave me my freedom because you were strong. And now, so am I."

The ad, running both online and on TV, debuted on Feb. 19 and has racked up 2.2 million YouTube views so far. Part of P&G's "Thank you, Mom" campaign, the spot serves as a companion piece to W+K's similarly themed viral hit "Pick Them Back Up," which follows four athletes from their baby steps to Olympic glory.

Taken together, the two spots make the point that all athletes, regardless of ability or skill level, similarly strive toward their goals. They fight to overcome long odds, personal travails and self-doubt—often relying on the dedication and perseverance of their moms to help them succeed. Such equality communicates a simple, universal truth: You have to let them fall a few times before they can soar.


    



Old Spice-Styled Hair Can Play 29 Different Huey Lewis Songs on the Keyboard

When you use Old Spice hair products, your hair is capable of anything.

First, it leaps off your head—that's a given. Then, as we've seen, it either hits on women at work or skillfully operates claw machines on the boardwalk to retrieve lost children.

Now, though, it reveals its most impressive talent to date—playing all the best-loved Huey Lewis and the News songs on the keyboard. In the interactive video below, also embedded at ThatsThePowerofHair.com, you can request any of 29 Huey Lewis songs, and a mop of hair will play them soulfully for you, supported by props like a disco ball and Hula girl.

"The Power of Love," "The Heart of Rock 'n' Roll," "I Want a New Drug," "Bad Is Bad," "Doing It All for My Baby"? Hear all those and 24 more great hits right now.

The digital experience, on desktop and mobile, is being embedded online in custom banners, news sites and Old Spice's social channels. Agency: Wieden + Kennedy.

Credits below.

CREDITS
Client: Old Spice
Project: "That's the Power of Hair"

Agency: Wieden + Kennedy, Portland, Ore.
Creative Directors: Craig Allen, Jason Bagley, Matt O'Rourke
Copywriter: Jason Kreher
Art Director: Max Stinson
Executive Interactive Producer: Mike Davidson
Director of Broadcast Production: Ben Grylewicz
Director of Interactive Production: Pierre Wendling
Technology Lead: Ryan Bowers
Account Team: Georgina Gooley, Liam Doherty, Nick Pirtle, Michael Dalton, Jessica Monsey
Executive Creative Directors: Susan Hoffman, Joe Staples

Production Company: MJZ
Director: Tom Kuntz
Executive Producer: Scott Howard
Producer: Emily Skinner

Editorial Company: Rock Paper Scissors
Editor: Carlos Arias
Asst. Editor: Christopher Mitchell
Producer: Lisa Barnable

VFX Company: Framestore, New York
Creative Director: Mike Woods
Producer: Christine Cattano
Head of Commercial Development: Ming-Pong Liu
Lead Developers: Sebastian Buys and Nien Liu
Lead Compositor: Mindy Dubin

Music Company: Stimmung
Executive Producer: Ceinwyn Clark
Post Engineer: Rory Doggett
Composer: Greg Chun


    



Your Hair Can Now Leap Off Your Head and Hit on Women, Thanks to Old Spice

Attention men: Want hair-care products that turn your hair into a sentient toupee capable of the most charming antics?

No? Really, it's better that it sounds. It's great for when you're in a business meeting and some dial tone is droning on about whatever who cares, and the hot woman across the table is eyeing you hard … it will mack on your behalf without anyone noticing.

So says one of two new oddball spots from Wieden + Kennedy for Old Spice hair products, vaguely reminiscent of Axe's walking-hair-loves-headless-boobs commercial from 2012. (The director, Tom Kuntz, also has experience working with hair that has a mind of its own—going back to Skittles' "Beard.")

Another new Old Spice ad tells you that your creepy-furry head pet will also serve you exceptionally well when you're on a date at the boardwalk. Just look at the magical surprise it can pull, hands-free, out of the arcade claw.

It really is the perfect marriage of the campaign's tagline, "Hair that gets results," and the brand's classic marketing ethos—"If your grandfather hadn't worn it, you wouldn't exist."

Credits plus a print ad below.

CREDITS  
Client: Old Spice
Spots: "Meeting" and "Boardwalk"

Agency: Wieden + Kennedy, Portland, Ore.
Creative Directors: Craig Allen, Jason Bagley
Copywriter: Jason Kreher
Art Director: Max Stinson
Producers: Hayley Goggin, Katie Reardon
Account Team: Georgina Gooley, Liam Doherty, Nick Pirtle, Jessica Monsey, Michael Dalton
Executive Creative Directors: Susan Hoffman, Joe Staples
Head of Production: Ben Grylewicz

Production Company: MJZ
Director: Tom Kuntz
Executive Producer: Scott Howard
Line Producer: Emily Skinner
Director of Photography: Andre Chemetoff

Editorial Company: McKenzie Cutler
Editor: Gavin Cutler
Assistant Editor: Ryan Steele
Producer: Sasha Hirschfeld

Visual Effects Company: Framestore
Visual Effects Supervisor: Alex Thomas
Compositing Supervisor: Russell Dodgson
Producers: Tram Le, Claudia Lecaros
Flame: Stefan Smith, Trent Shumway
Nuke Leads: Vanessa DuQuesnay, Jonni Isaacs, J.D. Yepes
Nuke: Geoff Duquette, Jason Phua, Carl Schroter, Jack Fisher, Anthony Lyons, Katerina Arroyo, Nick Sorenson, Kenneth Quinn Brown

Music Company: Rumblefish
Producer: Mikey Ecker

Final Mix Studio: Lime Studios
Post Engineer: Loren Silber
Assistant Engineer: Patrick Navarre
Producer: Jessica Locke

Color Transfer: CO3
Artist: Stefan Sonnenfeld


    



Most Inclusive Ad Ever? Swiffer Spot Stars Interracial Family, and Dad’s an Amputee

Here's a feel-good moment from Swiffer. A new ad for the brand stars an interracial family, which deserves some credit, if lamentably, in light of the idiotic controversy around last year's Cheerios ad. But also, Zack Rukavina, the husband and father in the documentary-style spot, also lost an arm to cancer—a fact that is central to the ad's narrative about how the brand makes cleaning easier, and which seems to be earning the P&G-owned brand extra points.

Zack is also cast as an active participant in the cleaning, unlike Morty Kauffman, the husband in the geriatric Swiffer-endorsing couple from last year, who only does the laundry and leaves the rest to his wife, Lee. In fact, Rukavina even cracks wise about how much better he is at cleaning than his wife, Afi.

The ad, by Publicis Kaplan Thaler, pulls so many progressive levers at once that it risks feeling contrived or opportunistic, but ultimately ends up coming across as real enough to actually warrant a rare bit of respite from cynicism. Enjoy.

Via Jezebel.


    



Hello, English Ladies. Isaiah Mustafa Returns for Old Spice in the U.K.

If you've been unable to sleep since the Old Spice guy faded from the spotlight, or suffered from nightmares that he was permanently relegated to playing a lesser version of himself in Israeli beer commercials, you can finally rest easy. Isaiah Mustafa is back.

You'll find him over at Old Spice's U.K. Facebook page with his junk wrapped in a Union Jack. The images there are just teasers of what's still to come: videos (from Leo Burnett, not Wieden + Kennedy) of Mustafa exploring the virtues of what he describes in one promo as "the manliest man to ever grace this planet, the great British gentleman."

It's a certain kind of flattery, but it's not without charm—and a kernel of truth, insofar as anyone can really measure manliness. (Old Spice tried, finding in a 2,000-person survey that less than 20 percent of people think it's manly to wear a Speedo.) Mustafa has already begun traipsing around London on a white horse, and snapped an Instagram photo outside St. Paul's Cathedral.

Given his equity as a pop culture icon, it's not really a surprise to see Old Spice return him to the role. It might not smell as fresh as it once was, but it's pleasing nonetheless.


    

Amazing Pantene Ad Defiantly Tackles How Women in the Workplace Are Labeled

Pantene Philippines has launched a powerful campaign pointing out how identical behavior often earns men and women different labels in the workplace.

In this spot by BBDO Guerrero in Manila, a lovely cover of "Mad World" by Tears for Fears plays while each scene displays a double-standard in a working environment. A man is the "boss" while a woman is "bossy." A man is "persuasive" while a woman is "pushy." He's "neat" but she's "vain." He's "smooth" but she's a "show-off." "Don't let labels hold you back. Be strong and shine," says the copy at the end.

There's nary a shampoo bottle in sight, although glossy hair certainly features here. But the video delivers, and the #whipit campaign has inspired discussion on both the YouTube video and Facebook.

• "Too bad they couldn't find a male equivalent of 'bitch.' This is the one I hear the most about strong women in the workplace."
• "Sell product by convincing your target market that you are more invested in contributing to emotionally charged, globally relevant women's image issues than you are in advertising your product."

While it is disappointing that they used only light-skinned models—a long-standing trend in the Philippines—it's a potent spot with an important message criticizing gender stereotypes. Oh, and Sheryl Sandberg is a fan.


    

Burt’s Bees Stages Classic Works of Literature in Six-Second Vines

Burt's Bees doesn't exactly balm in its debut on Vine, but the effort isn't da balm, either.

The brand riffs on classic literature in animated "adaptations" of 20,000 Leagues Under the Sea and Little Women, with more to come, all created by ad agency Baldwin&. Burt's products stand in for the characters and key story elements. For example, a foot-cream tube and a hand-salve tin—the latter with tentacles—play the Nautilus submarine and giant squid, respectively, in the 20,000 Leagues clip. Lip-balm tubes portray the Little Women. (Burt's seven core products are called "classics," hence the theme of classic books.)

Jethro Ames's energetic, playful stop-motion work is a highlight, and the all-out attempt to be wacky is laudable. Still, this feels like a brand searching for its voice in a new medium and falling just a little flat.

Most fans will access the clips through Burt's social outlets, so they'll understand the literary theme. Still, with products playing people, the quirky animation and the oddball dialogue snippets—"Less Leagues! Less Leagues!"—there may be too much to absorb in six seconds.

Burt's plays it far simpler in its first Instagram campaign, showing founder Burt Shavitz paddling a canoe, making tea and generally kicking back in woodsy Maine. These bucolic images do a fine job of illustrating the brand's "classic" folksy motifs. In fact, tastefully edited, with an appropriate soundtrack and logo at the end, they'd make quietly understated Vines that could grow on you.

See the two released Vines below, and scripts/images for three more below that.