Coke Zero: The Game

Coke Zero: The Game

Check out the advergame: http://www.cokezerogame.de/ (It’s in German)

Digital Agency: North Kingdom

Microsoft Promises to Stop Being So Damn Mean

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The breakdown of its commitment:

Leica Camera: 1 ½ Love Stories for Leica

Leica Camera: 1 ½ Love Stories for Leica

Check out the new Leica Corporate Image Website: http://www.leica-camera.com

Advertising Agency: Scholz & Volkmer, Wiesbaden, Germany
Creative Director: Dominik Lammer
Art Director: Carolina Cwiklinska
Screendesign: Carolina Cwiklinska, Susanne Schwalm, Ben Reubold, Hugo Göldner
Concept/Copywriters: Eva Kuemml, Tim Sobczak, Claudia Bauer, Carolina Cwiklinska, Dennis Baum, Peter Post, Claudia Bauer, David Gilbert
Photographer: Carli Hermès
Technical Direction: Natascha Becker; Programming: Dennis Baum, Christian Auth, Sebastian Ludwig,
Markus-Oliver Morgenstern, Christian Söllner (Assistance); Project/Account Management: Frank Thieme, Sascha Kurfiss, Stefan Döring; Motion Design: Rob Chiu, Patrick Weber (Assistance), Sound Design: Ben Lukas Boysen
Published: January 2008

What Ho, It’s an STA Travel Campaign

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Remember those Choose Your Own Adventure books that served as the gateway to your Lord of the Rings and/or Star Wars fixation?

BBC + iTUNES

BBC downloads deal with iTunes

Around 10 series to be available to buy

LONDON — The BBC and Apple have agreed a pioneering deal that enables users to download high profile fare like “Life on Mars” via iTunes for around $4 a shot.Brits will be able to buy shows for £1.89 an episode ($3.70) from Tuesday following an agreement between the Corp’s commercial division, BBC Worldwide, and Apple.

Around 10 series including “Life on Mars,” “Little Britain” and “Robin Hood” are available on the U.K. iTunes store for viewing on a PC or Mac computer, video-enabled iPod, iPhone or via Apple TV.

It is the first time a U.K. broadcaster has made its fare available on iTunes.

Recently aired shows like “Ashes to Ashes,” the follow-up to “Life on Mars,” will be made available once they have run on the BBC iPlayer on-demand catch-up service, funded by the license fee — levied on all U.K. TV homes.

Simon Danker, director of digital media at BBC Worldwide, said, “We want to give audiences a wide variety of options on how and where to view their favorite BBC shows.

“With more people now choosing to watch TV shows on their iPods, fans of series such as ‘The Mighty Boosh’ and ‘The Catherine Tate Show’ can now enjoy those shows wherever they are.”

Added Apple’s vice prexy of iTunes Eddy Cue: “Television programming has been incredibly popular with iTunes customers in the U.K.

“We’re thrilled to add hit programming from the BBC with favorites including the latest ratings winner ‘Ashes to Ashes.’ ”

The move is the first time the BBC has asked British auds to pay to download content and will be watched with keen interest by privately funded rivals.

The iPlayer is doing boffo business for the corp. since it was relaunched on Christmas Day, with more than 3.5 million shows streamed or downloaded within the first two weeks.

BBC Worldwide is collaborating with Channel 4 and ITV to launch an on-demand broadband TV initiative provisionally entitled Kangaroo and due to bow later this year.

The BBC already runs download to rent and download to own services in the U.S.

Microsoft, Yahoo and the Glacial Pace of Traditional Marketers

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Guest columnist Sean X Cummings, in response to the ongoing Yahoo/ Microsoft acquisition dance along with Google’s response, has several things to say about the deal and how the pace of technology growth is out pacing the ability of some marketers to keep ups with and master the influx of new media.

Sound of Color Gives Us Good Vibrations

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Last Friday Gap launched its Sound of Color effort by Rehab. It’s pretty neat.

Exopolis Exhausts Our Defenses with Barrage of Mixtapes

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Remember that Exopolis V-Day mixtape from, like, 2006?

CD-Turned-Author Self-Promotes without Spending. Much.

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CD and president Kelly Simmons of bubble, Philadelphia is sharpening her ad chops by promoting her own book, Standing Still. Released by Simon & Schuster, it’s about a mom who exchanges her life for her kidnapped daughter’s.

Virgin Islands Tries Triggering Wanderlust with Music

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To drive tourist cash to the US Virgin Islands, JWT Atlanta and RagingArtists produced a promotional music video for PrimalScream’s “Meant to Be.”

Taco Bell, Sports Illustrated Toss Aspiring Photographers a Bone

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Want to photograph models like Daniella Sarahyba for a living? Go for it — just not for money — courtesy of Taco Bell and Sports Illustrated.

If ‘Precious Moments’ Had an Adorable Death Frolic, This Would Be It

Here’s a happy Valentine’s day message from Psyop. It all started cavity-sweet until the back-shaving, tooth-pulling, organ-dissembling and decapitating happened. And what’s going on with the gaunt stranger giving away razorblades, candy and saws of varying strength? Wait a…

Old Spice Hair and Bodywash: For Hair and/or Body, or Both

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In a moment of generosity, Make the Logo Bigger spilled some saucy new Old Spice beans on us. If you have hair here, here, here but not there, consider yourself obliged to watch it.

Taco Bell: directdaniella.com

Taco Bell: directdaniella.com

Be the photographer: http://directdaniella.com/

Advertising Agency: Draft FCB, Orange County, USA
Chief Creative Officer: Chris D’Amico
Executive Creative Director: Scott Johnson
Creative Director: Teddy Brown
ACD/Copywriter: Brad Meyers
Copywriter: Zachary Schmitz
Art Director: Andrew Lincoln
Interactive Producer: Scott Davis
Broadcast producer: John Bleeden
Account Director: Leila Cesario
Account Executive: Shaun Pallardy
Interactive Studio Manager: Jason Mitton
Sr. Flash Developer: Kurt Suchomel
Flash Developer: John Polacek
Sr. Web Developer: Tome Rowe
Web Developer: Sally Rosen
Broadcast Studio Manager: Jennifer Ritchie
Released: February 2008

Johnson’s Lotion, Blind Adoration Are Key to Mother/Child Bonding

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To promote what it calls its “iconic baby lotion,” Johnson launched Touching Bond to encourage moms to get touchier with their babies. Glean advice on making “your touch more touching,” massaging your baby, and capturing its giggle.

Yahoo stock hangs on

INVESTING; Wins yet worries for Internet stocks; Overvaluation and recession concerns challenge the sector.

Walter Hamilton, Times Staff Writer — Los Angeles Times , February 11, 2008 Monday Home Edition


When shares of Yahoo Inc. soared 48% on the first day of this month, it felt like a flashback to the late 1990s when Internet stocks routinely defied gravity.

But this was far from dot-com euphoria. Rather, Yahoo was propelled by a takeover bid from Microsoft Corp. that reflected the Web icon’s recent stumbles as much as its perceived opportunities, underscoring the peril as well as the promise of Net stocks these days.

The Internet sector has matured greatly in the years since the dot-com bust. Google Inc., EBay Inc. and Amazon.com Inc. have solidified their positions, while less likely survivors such as Priceline.com Inc. and EarthLink Inc. managed to escape ruin in the dot-com shakeout. And since the crash, enthusiasm over ever-rising Internet use has translated into generally sterling stock performance.

But those strong gains have renewed fears that Net stocks are overvalued. And despite some hopes to the contrary, analysts say, the sector is unlikely to be immune this year to the recession that many have predicted. Meanwhile, Yahoo’s struggles show that the vast changes still roiling the Internet marketplace — relegating the once-dominant company to second-tier status behind Google — make it hard for investors to pick long-term winners.

Perhaps the biggest difference between the Net sector now and during the dot-com era is that today far more companies make money — and far fewer exist on just a hope and a prayer.

“Now they’re real companies,” said Jeff Tyler, a portfolio manager at mutual fund group American Century. “You can apply real-life logic to them.”

However, critics say the resurgence in the Net sector in recent years also left the valuations of many of its stocks overstretched.

After being pummeled starting in early 2000, an index of Internet stocks more than quadrupled from its low in October 2002 to its high five years later compared with a mere doubling of the more broad-based Standard & Poor’s 500 index during the same period.

Despite a pullback in prices in the last four months, the Internet sector’s average price/earnings ratio — a measure of how expensive a stock is relative to its earnings per share — is about 36. By comparison, the average price/earnings ratio of the companies in the S&P 500 is about 18.

The valuation concerns became especially strong late last year when investors briefly were enchanted with the notion that large tech stocks would be able to withstand the economic turmoil lashing most other sectors. For example, Amazon’s price/earnings ratio exceeded 100 in December and still tops 60 despite a recent sell-off.

“While a lot has changed, a lot hasn’t changed,” said Fred Hickey, who writes the High-Tech Strategist newsletter from Nashua, N.H. “Valuations are still wild.”

And because a wild valuation often reflects the potential for wild growth, any news that throws doubt on a buoyant scenario for growth can send a stock, especially a smaller one, plunging.

Shares of Travelzoo Inc., an online travel site, for example, skidded 32% on Wednesday after the company’s profit fell short of analysts’ estimates because of wider losses in Europe and Asia. The stock is down 73% since its peak in April.

More immediately, some experts say, Internet stocks could be particularly vulnerable to an economic downturn.

Though technology is often viewed as a growth industry that can expand even in a soft economy, many Internet companies are dependent on cyclical consumer spending, experts say.

“A lot of the large names are funded by advertising [and] a lot of the other large names are retailers,” said Stuart O’Gorman, co-manager of the Henderson Global Technology mutual fund in Edinburgh, Scotland. “So obviously if we do have a really hard landing, and it looks like it’ll be consumer-led, then these stocks will suffer.”

O’Gorman has been following through on his analysis by selling Internet stocks in recent weeks.

He hasn’t been alone. Since hitting its peak Oct. 12, the Interactive Week Internet index is down 21% (compared with a 15% drop in the S&P 500).

Cisco Systems Inc., which sells much of the networking equipment that makes the Internet run, last week released lower-than-expected sales projections, blaming cautious corporate spending in the U.S. and Europe. Cisco shares are down about 30% since the company warned in November of weakening demand among major customers.

The question for investors is whether share prices have fallen enough to become compelling.

Beyond the short-term worries, however, the challenge is picking the right companies in an ever-changing Internet marketplace where the basic problem remains how to translate heavy consumer usage into ever-rising profits.

Google has struck gold, but others have been unable to replicate its success.

Yahoo was once considered a Goliath in the online advertising and search-engine markets. But the company has stumbled badly in recent years, steadily losing market share to the more innovative Google and failing to capitalize on Internet trends such as social networking.

Even mighty Google isn’t immune to setbacks. Its fourth-quarter earnings were shy of analyst estimates — the second time in three quarters that’s happened — and its share price has sunk 30% from its November peak (but is still six times what investors paid in Google’s August 2004 initial public offering).

“Five or 10 years ago it was all just getting traffic and then figuring out how to monetize it,” said Kevin Landis, chief investment officer of tech-focused Firsthand Funds in San Jose. “Now it’s been demonstrated that monetizing that traffic is not so easy. And Yahoo is the absolute poster child of that.”

Blackberry Dabbles in Comedy to Snare Fresh Demo

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So, 101 bellybuttons walk into a bar.

This is just one of the cliffhangers you won’t revisit after checking out teasers for this Blackberry-sponsored improv troupe.

It’s the Regulation Eco-Take on Valentine’s Day!

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Because no holiday is legitimate until it gets its own eco-spin, feast your eyes on Winterwarm by Superhero with assistance from photographer Richie Hopson.

Mini Clubman: Online game

Mini Clubman: Online game

Check out the site: http://www.mini.com

Advertising Agency: Interone Worldwide, Hamburg, Germany
Creative Director: Silke Gottschalck
Art Director: Michael Ploj
Copywriter: Stephen James
Photographer: Aixponza (Manuel Casuela)
Designers: Stefan Schulz, Tanja Fröhlich
Released: September, 2007

HP Exploits Idle Hands with Idolhands Contest

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HP is looking for the world’s most talented hands.