Meet the Adman Who Really, Really Likes Laughing at Adolf Hitler

Anyone who knows Jim Riswold knows he has a bit of a Hitler obsession—or more specifically, an obsession with making the Nazi leader look stupid through art. Speaking to Vice in 2011, the legendary Wieden + Kennedy copywriter explained:

“Bad guys don’t mind being called bad guys. But bad guys don’t like to be laughed at. I have always thought humour could diffuse fears and deflate even the most evil of egos. Voltaire said, ‘I have never made but one prayer to God, a very short one: “O Lord, make my enemies ridiculous.” And God granted it.’ I made Hitler look ridiculous. Hitler is ridiculous. But please don’t tell him I said so.”

Now, Riswold gets to show off some of his Hitler work in a new documentary called Meet the Hitlers. Directed by Tool’s Matt Ogens (who also created the acclaimed doc Confessions of a Superhero), the film explores people named Hitler or related to Hitler, and how keeping that name has molded their lives.

As part of the film, Ogens profiles Riswold, who documents Nazi-themed objects as a way of disarming the hatred and making fun of the consumer culture behind Nazis and Hitler. Check out a scene from the documentary here:

Meet the Hitlers is also launching a digital campaign that includes whatsinaname.me (created by TRUST), which looks at many people with absurd names (including some named Hitler from the movie) and how those names helped to shape their lives.

Soon, an interactive experience at meetthehitlers.com will allow users to experience what it might be like if their last name were Hitler.



Young Glory Team Launches Global Talent Agency

The team behind Young Glory, who this year added a design category to “the only industry awards program rewarding creative consistency” have launched a new, global talent agency called YG Talent.

Young Glory mines the best under 30 talent for a competition spanning 8 creative briefs over 8 months. Over the years, they’ve attracted talented creative directors such as AKQA’s Rei Inamoto, R/GA’s Nick Law and Wieden+Kennedy’s Jim Riswold as judges. This has positioned Young Glory’s organizers as the caretakers of an ever-growing database of well-tested young talent.

“We realised that we were sitting on a real goldmine of talent  – talent that was tested and vetted by some of the industry’s finest. So we thought why not allow agencies to tap into that? Through our monthly participations, we’re able to identify the next generation of  creative superstars before everyone else. And most importantly for agencies, before they become too expensive,” says Young Glory co-founder Rafik Belmesk.

YG Talent will offer agencies “the opportunity to hire young to mid-level art directors, copywriters and designers from the four corners of the globe, solving an ever-present issue on agencies’ agendas: hiring the talent that will keep increasingly digital and diverse creative departments brewing,” providing talent in North America, Asia, Australia, Europe and New Zealand. Check out the video above, and head on over to YG Talent for more information.

New Career Opportunities Daily: The best jobs in media.

Op-Ed: Your Ads Are Not Art. Just As Your Shoes Are Not Gumbo

Houston-based freelance creative Chuck Hipsher, who you may remember from his ode to Chevy last month, is back with another column. This time, our scribe’s intent is to “challenge ad creatives to make certain that they are channeling their creative energy into the space they truly love. It can’t just be a paycheck.” We’ll let him take the floor from here. Read on and if you’d like, you can check out his blog here

Having come from a painter’s background  – and I don’t mean the painting of walls or ceilings – although I performed those jobs to make ends meet – I always viewed my ad work as very intimate and somewhat self-expressive. Nearly precious. Mostly because it eventually replaced my artwork, so I had to rationalize that decision.

Advertising became my passion. My obsession. My dedication. My joy.

To my old artiste friends, I sold out when I put down my brushes and picked up my magnifying glass. When I decided that advertising was far more interesting and sexy than sitting in a cold, lonely studio, staring at a canvas and wondering if it was worthwhile, reasonable, or even sane to want to try and top de Kooning or Pollock.

Early in my ad career, I developed a tendency to disagree. And while it was annoying to some, it was a healthy habit, carried over from my days of painting. The habit saw me questioning every step of the way in the creation of an advertisement for any of the clients I worked on. It became somewhat routine. It was the same argument I had with myself when contemplating a nearly finished painting and wondering, “Is it right? Is it done? Is it worthwhile? Will people like it – or even get it?”

continued…

New Career Opportunities Daily: The best jobs in media.

Aussie, SF Teams Take Young Glory 2 Crowns

It’s been a while since we’ve checked in with the 30-and-under global creative battle that is Young Glory. Well, season two is now in the books and just like last time, there are two creative teams–one professional, one student–that the YG folks have crowned the most consistent throughout the eight-month battle. The Australian duo of Tristan Viney and Kieran Adams –aka Invisible Pants–took home professional Young Glory honors, which this year were determined by judges including ex-W+K adman Jim Riswold, now-former CP+B ECD Tom Markham and TBWA worldwide digital CD, David Lee.

You can click through the image above for a visual narrative of the YG2 professional battle, which also included submissions from TracyLocke (which took 2nd place), Tribal DDB and BBDO creatives. Below and after the jump are a couple of examples of Invisible Pants’ work throughout YG2 and a full rundown of the competition, in both pro and student categories, can be seen here.

continued…

New Career Opportunities Daily: The best jobs in media.

Richard Branson Wants You to Fix the War on Drugs

We’ve covered a few of the Young Glory briefs from previous months, like when Jim Riswold wrote, “Islam has an image problem…fix it…with a poster,” and now that it’s March, we’re back with highlighting another impossible task for young creatives to tackle. Courtesy of Sir Richard Branson, Sid Lee, and C2-MTL, this month’s theme is the failed war on drugs.

Project Boot Camp has two categories for students and young professionals, respectively. The contestants submit their ideas online and can win small prizes and travel packages that aren’t worthy of someone who is trying to solve the global drug crisis. If a contestant came up with a serious idea capable of stopping drug violence, he/she should be given a bit more than a trip to Montreal. (He/she also would’ve done something that nobody in the American government has ever accomplished, so extra kudos to that person…)

Once the winners are chosen, Sid Lee, led by its Montreal co-CD/partner, Eva Van Den Bulcke, will take the original ideas and try to create a campaign that puts the war on drugs on the social agenda. I think this whole contest is supposed to be noble, and deep down it might be, but it also reeks of self-importance and futility. This month, war on drugs. Next month, we should create a poster that ends racism. Ready…go!

After the jump, you can watch a C2-MTL promotional video. Hint: The people who solve the war on drugs get to go here for free.

continued…

New Career Opportunities Daily: The best jobs in media.