Do You Have What It Takes To Go Fund Yourself?

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We spoke to Anshulika Dubey, Co-Founder | Strategy at Wishberry.in about crowd funding.

Srinivas Sunderrajan, a bassist in a metal band and an innovative filmmaker, wanted to make a movie called the Greater Elephant. Based on a mahout who has lost his elephant, a faithless constable, a fangless Dracula (and many others), Greater Elephant delves into the hunt for something significant and meaningful. Vasuda Sharma, an artist who rose to fame in her earlier days at Aasma, the famous Channel V band, went on to study at the Berklee College of Music. Her dream was to get artists from across the globe together and produce an album that brought to life a fusion of western and classical music—Stay Attuned.

What was obstructing both these artists from realising their dreams? Money. Srinivas lacked funds to market his movie or sell it to theatres and the distribution of Greater Elephant largely restricted to friends and family. Vasuda needed the money to hire the right music technology and bring together all the people she wanted in the album. Similarly, many other creative and innovative people in this country face the problem of limited funding and most ideas die without having a chance to be implemented.

Enter Wishberry.

The first online crowdfunding website in India, Wishberry hopes to solve this issue by democratising funding and spurring inventive projects all over the country. In the past 2 years, 600 projects have come to life by using Wishberry; they have been able to raise a total of Rs. 3 Crores from 8,000 funders.

So what is crowdfunding? It is simply raising funds from the crowd for the project you want to create. The crowd can fund almost anything, as small as Rs. 50 to as large as Rs. 2 lakhs! And all this is done using the website Wishberry. The funds can be contributed by using debit/credit cards or by simply placing a cash/cheque home pick up order on the website. Now what does the crowd get in return? Crowdfunding is not simple charity; the crowd gets back exclusive rewards such as VIP entry to gigs, invites to the launch, even acknowledgement as a producer in the rolling credits of the film. Rewards are exclusive, limited edition and simply things money can’t buy. And the best part is that funders can choose the rewards too.

Crowdfunding on Wishberry isn’t simple though. Every project has to fit into one of creative and innovative fields the company has chosen to work in. The project then has to be submitted using an online form and is evaluated on Wishberry guidelines. These artists and innovators are chosen after careful consideration and only then are allowed to create a crowdfunding campaign on Wishberry. The three most important elements that Wishberry looks for in a project are the novelty of an idea and its execution plan, an engaging pitch video and great rewards. The pitch video must engage and interest the funders, gripping them with the details of the project, the rewards being provided and all the reasons they should want to fund it. The rewards must be intriguing and desirable, seducing people into funding the campaign there and then. But most of all, the idea of project cannot be run of the mill and has to be different, and must have a USP. That’s exactly what Srinivas and Vasuda had. A great idea for their films and music album respectively, a kickass pitch video and extremely interesting rewards—from a cameo in the film to a date with the artists.

Once you have all the right elements for the campaign, the last thing you need is a shameless attitude to market it among everyone you know; your colleagues, friends, fans, followers, family, and if needed even the enemies. Vasuda and Srinivas did just that. The two went all out on social media to make their campaign viral. They made sure that friends, family and everyone they met along the way shared, tweeted and funded the project. Srinivas visited a film festival in Denmark during the campaign and didn’t forget to spread the campaign at the event. Vasuda even tapped the music fraternity from getting Shankar Mahadevan to spread the campaign on Facebook to getting Vishal Dadlani to even fund the highest amount. They were not only aggressive on Facebook and Twitter but also made sure music and film bloggers wrote about the campaign as well, that helped garner more attention to their campaigns. Moreover, they made sure their NRI friends also funded the campaign with their dollars; a fan from London funded Rs. 2.5 lacs for Srinivas’s film. Vasuda also engaged in offline collections by organizing an unplugged night for her family where she sang for everyone and collected money right then and there!

Wishberry strongly believes that a creative and innovative idea should be able to see the light of day. But with a lot of traditional investors being interested in only profit margins or setting a load of restrictions on your idea and its implementation, a better alternative needed to exist. Wishberry provides that alternative route; it provides the solution, making sure creative ideas are constantly born and executed. So do you have what it takes to go fund yourself?

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Television Audience Measurement (TAM)

Article by Arvind Jayant, a student of Advertising at Symbiosis

The birth of television was rather caesarian, not the first born, yet an equally important child of science, money and the growing society. And since that happy day when man forever learned to see himself in a device other than a mirror, he has been set on the quest to manipulate the vision of the world, create an aesthetic collage and build a sustainable market around the artsy frame of the same.
Streaming through long cables, the box and the minds of several dedicated devotees of the small screen is the constant buzz of the above mentioned art, delicately intertwined with the whisper of a market scene- the Indian market scene or better still, the Indian television industry. Studies conducted by the Television Audience Measurement (TAM) of India slammed a figure suggesting that 134 million households in India possessed television sets.


Now with a figure like that sitting on the table, comes the need to invest, to use the medium to advertise and the need to understand the social and ethnic diversity the investment reaches.  The expanse it covers is much like a large desert and to invest in it, you must know the terrain, the ups and downs, the effectiveness and the possible rate of return. Ignoring the need to know the right possibilities of investing and advertising would be like digging for coal in a gold field.
And with that need to know – Enter TAM and the world of ratings.
The Television Audience Measurement (TAM), a joint venture by Nielsen and Kantar, appointed by the Joint Industry stakeholders of ISA (Indian Society of Advertisers), IBF (Indian Broadcast Foundation) and AAAI (Advertising Agencies Association of India) has been the pathfinder for advertisers since its inception in 1998.  TRP’s or Television Rating Points released very frequently by the same, measured from the audience itself, leads the advertisers much  like how the pied piper led mice.
How are TRPs measured, you ask?  The answer lies in a small device with a queer name – the People Meter. These devices are placed in random homes across the country to measure the amount of time spend watching a particular show or a commercial – which decides the ratings and ultimately the fate of every broadcast.  However, as said before, People Meters come with giant loophole. The company that manufactures these meters, namely Nielsen, tells us that each of them comes at a cost of around 5000 dollars –for installation and maintenance. And owing to this, in a country with 144 million television sets, only 8150 People Meters have been installed. In short, the fortunes of advertising and investments hang in an irregular balance of misrepresentation.
The lack of representation is not the only thing plaguing the scene. TAM has not had proper industry monitoring after the unnatural death of JIB (Joint Industry Board) in 2004 and its successor BARC (Broadcast Audience Research Council) has been a ‘non-starter’ since 2007 when it was first suggested. This has led to a lot of bullying by big names and rolled wads of green over the issue of ratings. The NDTV suing TAM for ratings manipulation earlier this year can be recalled in this context.
Besides this, TRP has also come under attack on several occasions with the criticism that it is only efficient to deduce from a homogenous pool of data and not from such diversity. TAM does not have the in-house efficiency to measure, analyse or use such data in the most effective manner.
With criticisms aplenty, the TAM and the current method of ratings analysis are now being chased into a back alley where it’ll be forced to succumb to a not-so-poetic epitaph or pull up with a last minute shift of technique.
As the dust stirred up by the agency’s loss of footing slowly settles down, one can perhaps see a solution in the government’s call to eliminate intermediary cable operators and install Digital Set-top Boxes in all major cities. With a little bit of cooperation and the implementation of proper technique, one can replace the outdated equipment of people meters with a string of data flowing back from the set top boxes, complete with detailed information about viewing preferences.
The Direct-to-Home (DTH) system eliminates the need for a local cable operator, as each household will have its on independent receiver. Forbes India suggests that a lot of corruption occurs at the level of local cable operators and elimination of these intermediaries will hence give the agency more muscle.
If the DTH systems are indeed implemented properly in the context of TRP’s, the TAM can perhaps look forward to a note of thank you from the big fishes of the broadcasting industry who will be swimming in clearer waters. The advertisers will have their compasses calibrated properly and channels will receive the investment they deserve rather than the one they claim to deserve.

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Measuring effectiveness for a digital marketing campaign

By Shalini Pal. (Shalini is a student of Advertising at Symbiosis College, Pune)

Gone are the days, when all we would be hooked up to in our free time for entertainment or to increase our know-how about the world were radio, TV and newspapers. With the advancement in science and technology, the emergence of extremely influential and powerful new digital era has overtaken all the other forms of media. Just like air, water and sunlight, today internet has become a quintessential part of our life and it’s impossible to imagine our life without internet!
In the present day, all our life revolves around is text messages, phone calls, google search, e-mails, tweets, Facebook status updates and game consoles. Clearly, we are way too overwhelmed with the new digital era and this is the prime reason why marketers are increasingly shifting from traditional marketing methods to digital marketing campaigns.
Digital marketing refers to promotion of a brand, service or product by using digital media which incorporates various digital channels like social networks, emails, cellular phones, Search Engine Optimization (SEO), banner advertising, pay per click (PPC), SMS, voice broadcast, smartphones, tablets, game consoles, fax broadcast, video streams, podcasting, etc.


The reason why digital marketing is in the lime-light nowadays and is grabbing the eyeballs of most of the marketers, is because digital marketing is a form of direct marketing which allows marketers to directly interact with their customers, stakeholders, investors etc., thus allowing them to get instant feed backs and lets them discuss about their brand promotions, services, products and business progress. This helps in catering to specific needs of the customers and therefore increasing their brand loyalty as the customers get personal attention from the marketers.
Moreover, digital marketing is one of the most cost-effective and efficient tools of marketing and advertising. At anb entry level, it can be practiced by any and every one as it doesn’t require any prior knowledge or acquisition of any professionals for launching successful campaigns. One of the nonpareil advantages of digital marketing is that it consents us to measure qualitative plus quantitative performance of the campaign at an individual level and helps marketers identify nature of the user, who was exactly exposed to the campaign, at what time, whether visitors turned into leads or conversions etc. This helps marketers analyse how effective their campaign was and whether their campaign pitching was done in the right direction.
It is rightly said, “If you can’t measure it, you can’t manage it”. Measuring effectiveness of digital marketing campaigns is very crucial to a marketer in order to understand his target audience, measure campaign’s cost effectiveness, to know various touch points that visitors interacted with, analysis of the amount of time spent by each visitor and the activities conducted by him which in turn helps marketer find out effective means of digital marketing that could be optimized in future in order to achieve their goals. Hence, we must know various ways to measure the effectiveness of DM campaign.
To evaluate digital marketing campaign effectiveness various tools and means are used depending upon the type of digital marketing campaign. But before you look into these tools and means, the first and the foremost thing is to determine the goal of your site or campaign i.e. what do you intend to do with your campaign? Is it to increase number of conversions and leads or increase membership or increase ROI or sales or increase brand awareness etc.
Then, in order to find out the worth of the goal, its cost effectiveness and whether the goal was achieved, we need to adopt various methods to measure the effectiveness of our digital marketing campaign like:
•    Display advertising is measured generally through planning, performance and visitor metrics. Planning metrics is achieved through cost per click, cost per action, cost per mille, counting number of ad impressions or Click Through Rate (CTR). Performance metrics includes engagement metrics, brand awareness and direct response metrics. Visitor information metrics measures visitor’s information and helps in forming customer profiles which can later be used to design specialised and personalised services for those customers. This can be made possible by profiling website visitors and cookies.
•    In order to measure the effectiveness of affiliate marketing which is a part of DM, cookie based tracking method is used. It is easy to quantify and measure it because under affiliate marketing expenses are gained only when there is conversion, be it signing up for memberships clicks, downloads, registrations etc.
•    If you are specifically using Ad words for promoting your brand, Google Analytics is one of the most preferred options to help you analyse diverse data which encompasses scrutinizing the text of the ads, positioning on landing pages, overall effectiveness of a page etc.
•    Heat maps also aid in finding out where visitors are clicking in your site.
•    Side by side comparison of landing page effectiveness that will give you a deeper insight into your target audience.
•    Measuring ‘hit counters’ is also one of the ways to measure your campaign’s effectiveness
•    Apart from Google Analytics some other web analytics tools are Yahoo Web Analytics; 4Q which assists in collecting direct user feedbacks; and Clicky that offers real-time tracking.
•    Try finding out the sources of traffic in order to find out which medium is drawing maximum traffic to your website or ad and then accordingly improvise upon those specific mediums.
•    Calculate Bounce rate i.e. the percentage of visitors who just visited first page of your website and left it.
•    Examine ‘top keywords’ i.e. try to identify the keywords that pull maximum traffic to your website. Key words and rankings can to some extent tell you about the effectiveness of SEO campaigns.
•    The main aim of marketing is ultimately to gain financial benefits out of it. Hence, measuring financial effectiveness of your campaign is very vital. This can be done by:
•    Keeping a track of number of conversions, the conversion rate, and frequency of use of landing page, the source and cost per conversion.
•    Examine your earnings per click which will tell you about the worthiness of the site visitors
•    Most importantly, see if your campaign is resulting in positive or negative ROI (Return on Investment). Make sure your ROI is improving to safeguard success of your campaign.
•    Calculating pay per click will also help in determining financial success of your campaign
•    There are many other ways too, like tracking order value on an ecommerce site etc. which can help measure financial success
•    Last but not the least, the degree of engagement and involvement of your brand with your customers and stakeholders is a strong determinant of your campaign’s effectiveness. This can be achieved by tracking online social media activity i.e. things like facebook likes, fans and page views, You Tube video views and subscribers, twitter followers, klout and tweets, social bookmarks and shares and Alexa which provides free traffic metrics, both quantitatively and qualitatively.

ITC WelcomGroup – The secret is out

Another in a continuing series on DM case studies by Sanjeev Jasani, VP, OgilvyOne, New Delhi.

This was one spa that was conceived and designed to be like no other. Royal in inspiration it was contemporary in interpretation. Inspired by the Mughals love for perfection, symmetry and aesthetics it sought to revive a lifestyle perfected by Mughal emperors 600 years ago.The task was to create a buzz around this Spa and position it as the perfect tribute to the city that holds the wonder called the Taj Mahal.
There are numerous luxurious spas in India and the world and then there are spas that are the ultimate in indulgence and pampering. Now, how do you defy and transcend even this?

The answer: look back in history and reach the very courts of the Mughal Emperors to revive their love for rejuvenating therapies and exotic treatments which were transported to India from Turkey and Persia.
The result of this was the creation of paradise that would do even Emperor Shahjahan proud.

The objective was to turn the Royal Spa into the last word for rejuvenation and revival and to get the invitees to come and experience the magical treatments available. This would not only get them to experience the wonder of this Spa but also make the Spa the most talked-about.

We sent the DM to Diplomats, Ambassadors of Embassies, opinion makers, members of the press and the countries’ Who’s Who. due to confidentiality reasons, the database was drawn up by the client from the patrons at their specialty restaurants, in house guests and societies’ crème de la crème.

The strategy was to partake of a royal experience that took them back in time to the glorious era of the Mughals. And what better way of doing this than sending them the fruit picked from the garden of paradise that the Mughals so loved, and created on earth. For the Mughals the pomegranate was the fruit of eternity, the fruit descended straight from paradise. It was considered an aphrodisiac and the elixir of youth.
Given this, the recipient received a direct mailer which had hidden within it this very fruit of eternity: A full-blooded, ruby red pomegranate from Central Asia, the homeland of the Mughals.

The results were phenomenal and it whetted the curiosity of the invitees. The prelaunch was a full house affair and the spa was covered by all the leading fashion and lifestyle publications. There was a 45% response to the invites sent out and within months of opening, Conde Nast Traveler declared it the ‘World’s best city spa’.

ITC WelcomGroup – The divine welcome

Continuing our series on DM case studies by Sanjeev Jasani, VP, OgilvyOne, New Delhi.
ITC Welcomgroup unlike any other hotels anywhere in India and the world. While they offer the most modern of amenities of facilities and privileges, what sets them apart is the Indian soul – that takes hospitality to a new level. And this is exemplified best by the manner in which ITC engages its guest and customers into the festivities. Diwali being one such fine example. The festival of lights is one of the biggest festivals in the Indian calendar. And ITC becomes an integral part of this occasion by joining the customer in their celebrations at home.

In a festival when customers receive gifts that are consumed and are of utilatiranian value, the challenge lay in sending a gift that was not just clutter breaking but also created an emotional connect. So how do you become a part of the lives of your customers?
To make the gift relevant to the moment and the occasion itself while simultaneously engaging the individual as well as the entire family. It was sent to The Silver Card Tier members of the WelcomAward Loyalty Programme.

To enter the homes of the customer and be a part of the celebrations. And as a guest you come bearing the gift of prosperity and happiness that will attract the blessing and a visit from the Goddess of Goodluck. Create a personal carpet of flowers by hand for the Goddess of Goodluck and Prosperity to walk on. A block was sent with a floral motif carved on it and a series of colours related to the auspicious occasion were also sent. The accompanying card invited the receiver to let creativity flow and use the block to let his imagination take over and create his own carpet. A diya was given to place in the centre, so that the light it emanated would bring to life the colors of the rangoli carpet.

It was one of the most welcomed gifts of Diwali and the receiver of the gifts showed their appreciation by not only making the patterns, but by also taking photographs and sending it to ITC.

ITC WelcomGroup – It’s time to revise geography

Another one in a series on DM case studies by Sanjeev Jasani, VP, OgilvyOne, New Delhi.
To highlight the transformation of the restaurant, West View from offering just continental cuisine to a cuisine that was quintessentially European in nature. Check out how ITC Maurya went about this task.
For many years, West View, the restaurant at ITC Maurya, New Delhi specialized in continental fare. Keeping in mind, competition and shifting trends the restaurant had undergone a total transformation in terms of food and décor and it now served typical European fare. The task at hand was to establish in the minds of customers that West View now stood for all-things authentically reminiscent of the European countryside.


To establish the restaurant’s European lineage by highlighting the décor, the food and of course the largesse of an overflowing European farmhouse’s centre table.
The target audience consisted of the WelcomAward members – ITC Hotels Loyalty Programme base. We also wanted to target the guests who were staying with the ITC Maurya. How do you capture the many different flavours of a continent? The cue was to take into account the mosaic of flavours available across Europe.What could be more perfect to illustrate this mosaic of flavours than by sending a Direct Mailer that encapsulated the many nuances of Europe’s different regions in the shape of a tile.
Each part of the tile opened up to reveal the many flavours of a country. The line on the tile summed up this perfectly by saying: Europe now resides at West View.
The Direct Mailer had a great response with a 15 % response with the weekends seeing a larger turnout.

Nokia – Designed for the way we work

Continuing our series on DM case studies by Sanjeev Jasani, VP, OgilvyOne, New Delhi.
The only online campaign in India to use Dilbert. Nokia wanted the new E-Series phones to work as ‘Blackberry Killers’ – business phones that facilitate any kind of work. Linking the E-Series with Dilbert created an immediate association with office culture. OgilvyOne partnered Nokia in facilitating a tie-up with The Dilbert Group, where Scott Adams’ team suggested a set of Dilbert images responding to the creative brief by the agency. The campaign had a fun personality test that discerned the user’s style of working and recommended relevant phone features in sync with the user’s work style.

The campaign saw approximately 6 lakh visits to the site with close to 34,000 registrations.


Nokia wanted to position the new E-Series (E71 and E66) phones as the leaders in the Office Phones segment. The aim was to educate the consumers about the E-Series Phones, and to be perceived as the most sought after business phones. Nokia being the global market leader, it was an uphill task to keep up with the brand expectations.
Hence it was imperative to devise a campaign which people could relate to, recall and receive gratification from. The challenge was to strike a latent chord with the consumer and to be perceived as more desirable as compared to the competition. During the launch there weren’t too many mobile brands present in the business phone segment. The only strong contender was the Blackberry, which is purely a business phone. Nokia wanted to position E71 and E66 as phones supporting business and entertainment, thereby creating an edge.

The objective was to

  • 1. To position E71 and E66 as business and entertainment phones
  • 2. Engage the user to experience the features of the phones
  • 3. Lead generation by generating traffic to the site

The campaign was targeted at Life Builders, Techno Stylists & Technology Leaders

  • • 25-40, male & female with a skew towards males and active professionals
  • • Existing Communicator users and competition email device consumers
  • • High technology phone users

The campaign strategy revolved around the idea of having a conversation about ‘the way we work’ and how Nokia E-series facilitates that with the two new devices in its line-up. The proposition was that Nokia E-series makes it easier for ‘doers’ to enhance their business because Nokia products/services are designed for the way we work.
The creative concept of ‘Designed for the way we work’ visually depicted the target audience’s working environment and their unique habits to show that the E-series phones work in the same way as they do and help them increase efficiency. By linking the E-Series phones with the character “Dilbert”, an immediate association was made with office culture. A fun personality test was devised to arrive at the user’s style of working and the proposition furthered was that whatever your style of working, the E-series can help by getting it done in an efficient manner. This was achieved by revealing the phone features that match the user’s work personality. The site also included a viral component where the user could get his personal work profile and a certificate of incredible potential and forward them to his friends.
The online campaign consisting of banners and eDMs effectively drove traffic to the site and converted the visitors to active registrants.
The site was developed in macromedia flash and seamlessly integrated with the backend to display results in real time, basis the user inputs. The site also delivered the user’s work profile and a certificate of incredible potential on the fly, which could be printed and also sent to a friend, to invite him to take the test on the site.
OgilvyOne partnered with Scott Adams, the creator of Dilbert, to do a tie-up with Nokia and co-ordinate the creative development according to the character guidelines.
Within a period of 5 months:
Total Visits to the site : 591,262
User Registrations: 33,211
Sales figures are confidential and cannot be shared.


Customer Satisfaction

By Sanjeev Jasani, VP, OgilvyOne, New Delhi

We have heard many companies claim how satisfied their customers are with them; they claim to have a satisfaction rating of 95 percent. However, it is very dangerous to define customer satisfaction simplistically, especially if you work out any customer plan or strategy based on oversimplified figures. Based on industry observations, any customer satisfaction measurement should cover the following variables:

  • Product
  • Service
  • Relationship
  • Price
  • Convenience
  • Brand/Image
  • Total customer Experience

But what is customer satisfaction?
Sometimes we find that although we have delivered a high level of products and services to our customers, they are not as satisfied as we presume. What’s gone wrong? Technically we are bang on. We have tried to deliver a complete experience to the customer, then why isn’t he satisfied? The satisfaction equation is missing one element: customer expectation. It is created by your company and your competitors, as well. Be aware that the expectations of the customers are constantly increasing.

“The quality of your customers experience is not a direct result of the objective quality of your products and services. Instead, customer satisfaction is more a function of how closely your customers’ experiences with your business conform to their expectations.”

So if one were to look at it as an equation one could simplify it as follows:

Customer Satisfaction = Customer Experience – Customer Expectation

The larger the positive gap the more satisfied your customers are and the larger the negative gap the more dissatisfied your customers are.

Let me give you an example if it still isn’t clear. Recently I was in Jaipur and went to shop at the local market called Bapu Bazaar. I wanted to buy my mother a bandhni saari. I had heard that bandhni saari is a specialty of Jaipur and one shouldn’t leave without buying one. Obviously before I went there I had surveyed the market and planned my budget. I heard Bapu Bazaar was a pace where you could bargain heavily. I also knew that the rock bottom offer should be around 30% of the price listed by the store owner, and the list price of my favorite saari was RS 500. Thus RS 150 was the amount that I was willing to spend. So I walked into the shop and pretend that I was not interested, though I showed some minimum interest on one particular saari. When I was asked the price in my mind by the store owner, I knew the rules of the game was to offer an unacceptable price to make them counter offer to reach a deal. I offered RS 100 and started to walk away, and within seconds was called back and said the deal is done. What went through my mind? What do you think I would have thought and felt? The price is way below my budget, I got what I wanted. So what’s wrong?

I was now thinking if my offer of RS 100 was too high or if there are any defects in the saari. I still bought it but was surely not satisfied. I would have been more satisfied had I got the deal at RS 150 after rounds of negotiations and bargains.

Why? Because there wasn’t any real experience (negotiating & bargaining) and my expectations (to get the saari through clever tactics and the negotiation process) too were not addressed and met. Simply put: The customer experience was less than the customer expectation.

On the other hand, 2 years ago I ordered 12 books from Amazon.com to come by sea freight. After 12 weeks, my order arrived at my doorstep but when I opened it I found only 11 books. The delivery list attached showed 12 books.
What do I do? I emailed Amazon.com. In two days, the missing book was delivered by air. Bear in mind that during the whole exchange there are no questions asked. This “no question” experience far exceeded my expectation. So, has Amazon.com lost or gained? They’ve got me as an extremely loyal customer from now on, and I tell this story to everyone I know. Simply put: The customer experience is greater that the consumer expectation.
These simple experiences have enabled me to look at and understand customer satisfaction more closely. I’ve tried to put them down as an equation so that it could be simplified and easily remembered. So as I wander around in the local flee markets (I believe that the local shop keepers there are the best marketers and there is lots to learn from them) I’m constantly testing this equation to see if it works. Do tell me if you agree or disagree with this equation. I would be more than willing to listen and improvise.

Hutch – How do you make CEOs run?

The seventh in a series on DM Case Studies by Sanjeev Jasani, VP, OgilvyOne, New Delhi.

Business is a serious game. And CEOs don’t run!

CEO’s attend round table conferences, strategy summits and engage in high profile leisure activities like Golf, cricket, swimming etc. But somehow we don’t associate them with running. (There are a few exceptions to this of course but only a handful). And certainly not running in public with the masses.
The challenge here was to break this mindset (in this case, the CEO’s own) and get them to run in the Hutch Delhi Half Marathon (HDHM). Since this event was being organized for the first time in Delhi, there were no past experiences to refer to and this event itself would serve as a benchmark for future years. Further since it was being launched for the first time, it was extremely critical to set the tone of the event. And for that it was important to elicit participation from even the upper segment of the society. The database constituted of 100 top CEO’s who were also Hutch customers, held in high esteem by the society and seen as leaders in their fields.

The Idea: Shoes are sold in pairs. Period.

A single shoe is an incomplete story. Which almost calls out for unraveling. When we sent the single shoe to CEO’s, we expected them to turn around and ask for the other pair. And sure enough, they did. The programmed was designed to keep room for a follow up communication. We were aware that we were giving too little time for CEO’s to reschedule their busy lives and take out some time for the event, leave alone to practice. And therefore we sent them a reminder email and offered a RSVP number for them.
Out of 102 DM’s sent the exercise saw 34 CEO’s responding to the invite and 34 pairs of shoes were sent out. This gave us an exceptionally good response rate of 33.33% as compared to the expected 10%. There was a tremendous amount of word-of-mouth publicity that Hutch received amongst the high profile customers and decision makers.

In the larger context, Hutch was also able to establish a connect with its top end users and this exercise served as a platform for Hutch to build a relationship program with these CEO’s subsequently.
This entry won the GOLD at EMVIES AWARD 2006


The Fundamentals of Customer Value

By Sanjeev jasani, VP, OgilvyOne, New Delhi.

A lot has been said on customer value. And entire business models have been built around this concept. I have simply tried to collate my understanding on the subject and share my experiences with you.

Successful customer relationships are built on the bedrock of superior customer value. To attract and retain your most important customers, you must understand what they care about and what value propositions will appeal to them. While “value” is an overused buzzword, we rarely pause to reflect if we really understand what value is.

It is a natural human failing to question the concepts that we think we know well. We don’t know who it was who discovered water, but we are pretty sure it wasn’t a fish. In my 10 years of experience in this industry I have read a number of pieces about different aspects of creating, delivering and capturing customer value. But this is my first attempt to distill my understanding of customer value into six fundamental lessons. I would encourage people to add to these lessons or even criticize them.

What is Value?
The dictionary defines value as “Worth in usefulness or importance to the possessor.” As this definition suggests, value is the assessment of “all that you get in return for all that you give” in an exchange. More formally I define customer value as “the perceived worth of a set of benefits received by a customer in exchange for the total cost of an offering, taking into consideration available competitive offerings and price.”

Consider an example. When a customer buys a new BMW car he gets a certain level of performance, comfort, safety and entertainment benefits from the car. He also gets service benefits like financing, warranty, repair, scheduled maintenance and roadside assistance. And he gets the social status of belonging to an exclusive club of BMW owners. In return the customer invests money, time and effort in searching for the right car and dealer, negotiating the right deal arranging for financing and maintaining the car over its lifetime. The customer will asses the BMW’s value based on how these benefits, weighed in proportion to the importance that he placed on the benefits, compared to the total cost of buying and owning the car. The customer’s assessment of value is also influenced by other new cars he may have considered, the car he currently owns, as well as the alternative of taking public transportation instead of owning a car.

The definition embodies six fundamental lessons on customer value.
1. Value is Customer-Defined
You don’t define value. Your customers do. As peter drucker the father of management theory, notes, “what the business thinks it produces is not of first importance … What the customer thinks he is buying, what he considers value, is decisive. And what the customer buys and considers value is never a product. It is always utility, that is, what a product does for him.”
So the first lesson of value that I learnt is that value is that what you sell (products and service) and is not what your customers buy (utility and value). You may grossly misunderstand what business you are in if you see your business through the product lens. It is a myth that “If you build a better mousetrap the world will beat a path to your door.” Customers don’t want mousetraps. They want to get rid of mice. While you may be busy building a better mousetrap, the customers may simply get themselves a good house cat!
To understand how customers define value, we must first focus on the outcomes that customers want when they buy and use these products. This will help you understand what your real business is. Of the 10 odd years that I have spent in this industry and the many brands that I have handled, I can think of one great example to share with you at this stage. Lafarge Cement. They understood that their real business was actually helping customers complete their construction projects and not selling bags of cement. At the end of the day, no one wants to buy cement; they want to build a house or a bridge or a road. They are looking for a solution. And thus was born a revolutionary idea “The Lafarge Home Building Center”. Charles Revson, the founder of Revlon, echoed the same idea when he famously observed, “In the factories, we make cosmetics. In the departmental stores we sell hope.”

2. Value is Opaque
If value is actually defined by customers, you need to get inside their hearts and minds to really understand value. Needless to say, this is a very difficult task. As Drucker notes “What is value for the customer … is anything but obvious.” Quantifying value is difficult, because we don’t understand customers, customers don’t understand themselves, and we don’t speak their language.
The first hurdle in quantifying value is that we don’t understand customers as well as we should. I recently read an article on how Mattel failed to understand the Japanese market for its Barbie dolls. Mattel was at a loss to understand why its word famous Barbie doll wasn’t an instant hit in Japan. After much qualitative research, they discovered that Barbie’s legs were too long and her chest too large – physical attributes that young Japanese girls could not relate to. To appeal to Japanese sense of beauty and aesthetics, Mattel changed Barbie’s dimensions and made the dolls eyes brown instead of blue.
The second barrier in quantifying customer barrier is that customers don’t always understand their own motives and cannot always articulate what they want. Consider the inexplicable popularity of growing functions and features on your mobile phone. 50% of which you simply never use. Yet, if one were to remove it from your mobile, would you buy it? My guess is no. Being a gizmo freak, I have spent time in mobile shops and it has amused me to see customers asking the dealer if the phone contains features like Bluetooth, VPN (Virtual Private Network), POP 3 mail facilities etc. On probing further I realized that a majority of them didn’t even know what they were, yet they wanted it. Cause everyone else has it. This has made me come to a conclusion, that the smarter you are with technology the better your chances of survival in the urban jungle, where everyone is trying to bump the other one off. No one wants to look like an idiot who is all thumbs when it comes to technology, the new wave to hit our country. So, unless you plumb deep-seated customer motives and emotions, you run the risk of misunderstanding what drives their perception of value.
The third challenge is that marketers don’t speak the customer’s language. Let us look at a hypothetical situation. If you were conducting a research on attributes that customers would consider important while buying a HDTV (High definition Television) do you think “aspect ratio” would be considered an important parameter. My guess is “NO”. In case you are thinking what is aspect ratio? Well, it’s a term used to define that HDTV screens are more rectangular than other regular TV screens, with a length to width ratio of 16:9 instead of 4:3 for regular TV. Confused? Well, I’m sure customers too will be and this feature would not score very highly in your research. Realize this, the average customers do not understand techno-speak. Try this, If you were to reword your description of aspect ratio to “cinema like wide screen” do you think they would rate it highly. “Bingo” you have him right where you want him to be. He is suddenly interested.
To make value transparent you must realize that you are not the customer. The first principal of customer research is “I have met the customer and he is not me.” Develop empathy with customers by walking in their shoes and feeling their pain. It is a good idea to spend a few days in the life of your consumer to understand their hopes, fears, problems and ambitions. This is a lesson I have learnt from a dear friend and planner colleague of mine called Saurabh Sharma. Thank you Saurabh, for making me realize and experience this.

3. Value is Contextual
Value like beauty lies in the eyes of the beholder. So it is irrelevant to talk about the value of a product without knowing the context within which the product will be evaluated, bought and used. Context has three dimensions: the end user, the end use situation and the environment. Customer assessment of value will be a function of who they are, what they want to do and the environment in which they live and work.
For example, a mother choosing a digital camera to take pictures of her child may value ease of use and convenience in a camera. A professional photographer on the other hand may emphasize on image quality, resolution and advanced controls. Hence the expression “Different strokes for different folks.” This is the essence of customer segmentation – identify groups of customers who have similar needs and priorities, who therefore will tend to respond similarly to your offerings.

4. Value is 3D
A common myth in marketing is that customers choose products purely based on superior features and functions. While functional value is important, it is only one of the three dimensions of value. Besides functional value customers also consider emotional and economic value. Emotional value is the psychological value that a customer derives from owning, using and buying a product. Economic value on the other hand is what the product is worth in terms of time and money.
Consider the value proposition of an Apple Power Book. According to Apple, The benefits of the Power book are its powerful processor, bright screen, expandability and flexibility. But to close a sale Apple must also demonstrate economic value of a Power book – Improved productivity for end users as well as GUI application developers. As far as the emotional value of owning a Apple product goes, well, just ask an Apple user and he will tell you.
Functional value is a good starting point but we need to translate functional value into economic value and develop emotional appeal which make the product far more sustainable.

5. Value is a Trade-off
Value is defined, as he perceived worth of something in relation to the total cost that customers pay for it. In fact it is a trade-off between the total benefits that customers get against the total cost they incur. So, in effect there are two ways of increasing customer value: Either increase the total benefits you offer or reduce the customer’s cost. It is important to understand that the purchase cost is only one element of the Customers total cost. We need to look at his total cost of ownership (TCO) and evaluate it to the benefits offered.
Sometimes customers may themselves not be aware of the hidden costs of using a product. Imagine a conversation between a pharmaceutical company CEO and a supplier of plastic. Now suppose the plastic supplier is trying to get the CEO switch to plastic bottles instead of the regular glass bottles. What is the first thing that the CEO would say? “Are your plastic bottles cheaper?” A classic case of the customer not seeing the TCO. The smart plastic supplier will try and show him his TCO of glass bottles and how plastic can add more value. First of all, plastic weighs less as compared to glass so the transportation cost would be lower. Secondly, plastic is not fragile so breakage loss would be lower. Thirdly, plastic bottles would save on labeling cost as u can print directly on plastic bottles. Fourthly, you can deliver plastic more frequently and in small batches thereby reducing inventory-holding cost. And finally the production line would be run faster as there is no breakage. As the example suggests there are several hidden costs in using glass bottles and the CEO was not even aware of them. To make an accurate value trade-off you must make sure that customers see the full picture of benefits as well as costs.

6. Value is Relative
Customers always evaluate value relative to available alternatives. Particularly the next best alternative. Some management gurus call this the customers “Best Available Substitute or Equivalent” or BASE. Customers always have a BASE, even if you don’t think you have viable competitors. If you don’t know your customers BASE you will never know the frame of reference customers use to make buying decisions.
Customers can use a variety of BASE to evaluate your product. This could be competition; it could also be your own product if you are trying to sell upgrades or new versions of your own product. Status Quo can be a BASE too. Doing nothing is always an option. And it is often a fairly attractive option as it entails less risk.
So whenever you think of value, you need to think of who or what you are up against, because this is the frame of reference that your customer uses to evaluate your value proposition.
Firms that adopt the value mindset think differently about the customers whom they focus on, the value proposition that they create for their customers, the growth strategy that they employ, the way they organize they marketing and sales organization, and the way they measure and reward success. Broadly we need to move from a product mindset to a customer value mindset.
In stormy economic seas, value can serve, as an anchor by reminding you that every initiative you engage in should be grounded in a clearly articulated customer value proposition. If you focus relentlessly on defining value as customers do, designing your offering based on what customers value, and measuring your performance in terms of value that customers experience, you will be well on your way to creating successful customer relationships.

Online Ad. Spends: Are We Keeping Track With Reality?

Indranil is an old friend and Vice President of Mudra Max. He wrote this article sometime in September ‘09, but I think it still raises some valid questions.

In 2008 the over all ad expenditure on Internet was around Rs. 600 Crores, which makes it only 1% share of over all expenditure on Media & Entertainment(M&E) industry of India. While there is growth in net audience every year, the time spent on this medium is also growing rapidly over the years. In fact the growth in time spent on the net is higher than the growth in our share of ad expenditure on this medium.

Figure 1: Avg. Daily Time Spent On Net vs. Share of Ad.

Source : Avg. Time Spent = Indian Readership Survey Round 1(IRS R1)

Share of Ad. Expenditure = Industry Estimate, FICCI- KPMG Report

TG = 12 years +

The similar chart for other media has remained either flat or declining.

Figure 2: Average Daily Time Spent On Various Media

Source: Avg. Time Spent = Indian Readership Survey Round 1(IRS R1)

TG = 12 years +

Over the period of time the role of net has also evolved in our lives. From a communication medium, today we use net from searching of information to sharing our views/work and also as an entertainment medium.

The core group for net audience is always 15-39 years. However, the share of elderly age(40 years+) on the net has also increased from 2005.

Figure 3: Age-wise Break Up Of Net Audience

Source: Avg. Time Spent = Indian Readership Survey Round 1(IRS R1)

TG = 12 years +

The core users of net, 15-39 years of age group with SEC AB spend higher time on the medium.

Figure 4: Comparison Of Time Spent On Net

Source: Avg. Time Spent = Indian Readership Survey Round 1(IRS R1)

TG = 12 years +

Why Should We Look At Net As An Advertising Option Seriously?

The core audience of net is youth(15-39 years) and from higher socio economic category(SEC) AB and is growing rapidly
This group is normally the trend setter and the early adopters for many new categories
Also the medium allows peer-to-peer communication which can be used for reviews, opinion shaping etc.
Precision targeting is possible like geographic targeting, behavioral and profile based etc.
One of the most measurable media
Advertising options are also evolving everyday.

Motorola Campus Rock Idols

The sixth in a series on Direct Marketing case studies by Sanjeev Jasani, VP, OgilvyOne New Delhi.

Continuing its push to forge deep emotional connects with youth in the music space, Motorola took on the mantle of promoting Campus Rock Idols (CRI), the biggest rock talent hunt in India.

While the on-ground event chain helped reinforce the association, sustaining momentum beyond the event was necessary to keep the relationship alive and thriving. This was a ripe opportunity to build an inclusive community of music, musicians and music fans like never before. To help celebrate music and music addiction 24/7. http://www.campusrockidols.com/ was the way this opportunity was brought to life, to:

  • – provide easy online registration of participating bands for the event
  • – be a forum for visitors to get official information about the event in the current and past years
  • – provide a portal for young artists and their fans to engage with each other via videos, pictures and shared opinions
  • – keep the buzz around CRI alive round the clock


Music is not just a philosophy to own but a ground reality to live and swear by. How does Motorola entrench itself as a solid part of this reality?
Campus Rock Idols existed before Motorola began its association with it. It was sponsored by other brands looking to associate with youth, but with no real connection to the world of music. The challenge then was to appropriate CRI so Moto would be the stand-out association with it. It was also a two-way street. For all the mileage Motorola could gain, it first had to build CRI into an inimitable property, one that stood for youth and music, and induced greater audience participation for the on-ground 10-city event.
The objective thus that lay before the brand to fulfil were :
• To build an online property for Campus Rock idols- the biggest rock talents hunt for India.
• Generate event awareness & drive traffic to www.campusrockidols.in
• To reinforce the association of Motorola with the Youth and Music.
• To provide a online platform for registration of participating bands for this event
• To build a forum for visitors to get official information about current and past events
• To build an online community of young artists so that they use this portal, view videos and pictures and share their views with others in the long run
o Target CTR was 0.5 % for the online campaign

Motorola in the process were trying to target Rock followers – a fanatic breed with strong preferences and aversions, entering their lives through the formative stage of CRI, presents the opportunity to connect with the heart and mind of this hard-to-reach yet the most significant target audience.
As Motorola was one of the most desirable brand amongst the youth, CRI was the best platform with the right kind of environment to reach out to the youth. And be part of their lives with their kind of music.
• TG- 16-24 Yrs. M/F, college students, Rock music lovers and active net users
• Targeting- India
• Ultimate Target was to reach-3.4 Million college students

The strategy deployed was to:
• Create an online presence and help drive traffic to the website along with tracking results to ensure success
• Build a website with registration made simple by giving the visitors both offline and online options:
1) Offline: Downloading the form from website and submitting the registration at Moto store or
2) Online: Online submission to an email id given by sponsors
• Create an online media plan including keyword search
• CRM initiatives like Virals to spread the word around

Activities scheduled
• First On ground event : 24th October 2007
• Regional events scheduled in between
• National Final: 2nd December 2007

Execution schedule
• Website went live on 11th October 2007.

OgilvyOne’s Role:
• Design and development of Campus Rock Idols website as well as online banners
• Selection of portals for banner deployment
• Running a Google search campaign on youth and rock music targeted keywords
• Integration of Google analytics for the website
• Performance tracking of banners and search keywords
• Design & development of viral emailer as a part of this campaign

The Results:
• Website results:
Traffic (Tracking from 2nd November 2007 to 3rd December 2007):

  • 25,051 Unique visits across 61 countries / territories (96% traffic from India) and 37,899 page views in a tracking period of one month.
  • Daily visitors traffic reached a peak of 1,819 Unique visitors on 27th November 2007
  • Within India, the top visitors were from New Delhi, Hyderabad, Mumbai and Chennai in that order
  • On an average, 808 visitors per day on CRI website
  • 13.07 % visitors are repeat visitors who keep on coming back to CRI website out of a total of 25,051 visits
  • 8.89 % visitors had visited CRI website for 2 or more times
  • 12.84 % visitors had spent more than 1 minute to a max. of 30 Minutes (0.68%) on the website
  • The plan reached approx. 83% of the TG- approx i.e. 2.8 millions college students using Yahoo, Rediff & Google.
  • o Rock bands Registration:
  • 765 visitors downloaded registration form and left behind their name, email id and City information
  • 431 visitors signed up for future updates and left behind their name, email id, complete postal address, Mobile No., Name of the participating band and City.
  • More than 300 application forms received and more than 180 bands participated

• Online Plan Results:
o 5,425,742 Impressions and 39,054 clicks delivered at a campaign click through rate (CTR) of 0.72% as against a target CTR of 0.5%
o Yahoo performed exceptionally overall contributing 55% of total clicks. Messenger Lrec banner contributed 30% of overall clicks.
o Rediff fell short of estimated clicks by 12% but overall the mailer performed better than logout banner.
o As expected search performed very well. CPC bid based Keyword search ads gave better results than CPM based flash ads.

Samsung – The birth of a new species

This is the fifth in a series on DM Case Studies by Sanjeev Jasani, VP,OgilvyOne, New Delhi

The Background
In a market dominated by CRT TV (92.9% in 2008), the LCD TV holds 6.6% market share. However, according to a DisplaySearch report that analyses trends and opportunities in the Indian market, the Indian flat panel TV market is just at the beginning of a real growth curve. What with year-on-year growth of more than 100% expected for the next five years.
In fact, the report states that by 2012, LCD TV shipments will surpass those of CRT TVs in India.
Meanwhile, major brands like Samsung, LG, Sony and Philips and Indian local brands like Videocon and Onida are all focusing their efforts around LCD TV.
So the big question being, was the timing right and the market ready for the launch of Samsung LED TV?

The Problem
While LCD is still finding a strong foothold in the minds of the Indian consumer, was the launch of a new technologically superior Samsung LED TV a little ahead of its time?
While LCD TV carries a price tag of 60,000-80,000 and above; would the cautious Indian consumer be ready to shell out more than 1.5 to 2 lakhs?
Last, but most importantly, with the launch of the more superior LED TV, would it not cannibalize Samsung’s very own LCD TV market which holds a substantial share?

The Objective
To create awareness and clearly establish LED TV as a benchmark for TV viewing experience.
The second objective, get qualified leads – at least 400 to be specific that too at the time of launch and within a period of 2 months.

The Approach
There are TVs and there are LED TVs. Yes the avant-garde LED TVs from Samsung are here to redefine TV viewing. They also redefine the standards of image quality and aesthetics in home entertainment.
Which is why with the birth of LED TV it’s like the birth of a new species. This birth has no other parallel, there’s no comparison, no competition, no rival.
LED TV was pegged in a league of its own with the “birth of a new species”

The Direct Mailer
If the birth of the new species is one of the most extraordinary events in the history of life on earth and we are lucky to be present at this amazing time, then who better to carry this important news than a magazine of National Geographic stature.
Our execution was inspired by NatGeo. Our story was sent neatly packaged in a box containing a special issue of a mock-magazine, carrying only and the all important news of the birth of a new species. On skimming through the first few pages which built up the story, one finally realizes it is the birth of the all-new Samsung LED TV that one was referring to.
To add more punch to the mailer, a gift certificate comprising a great offer and a personalized letter made for a complete DM pack.

The Database
The objective was to contact a niche audience. Someone who’s unabashed about his indulgences and revels in the exclusivity of luxury and has the ability to afford it.
We contacted CEOs & CFOs residing in the metros and mini-metros, adding to 11 cities. With disposable household income of over Rs. 8-9 lakhs per annum. They mostly owned a D/E segment car like Honda Accord, Skoda Octavia, etc. No. of contacts: 42,000

The Result
Although the actual sales figures were not shared with the agency, out of 42,000 contacts made, we received ‘qualified leads’ totaling 374 – meaning the no. of people who were keen to buy the TV. Although, this figure is a few short of our target no., our client Samsung was satisfied considering the product was new (it was also a global launch of LED TVs), the price was high and time was short – just within 2 months of the launch.
The no. further indicates that for an activity spend of Rs 23 lacs, the mailer created sales opportunities worth approx. Rs. 2 CR.
Moreover, today LED TV has already created a buzz in the market and is synonymous with high-end TV viewing experience.

Seagate – I love my hard drive

This is a fifth in a series of Case Studies by Sanjeev Jasani, VP, OgilvyOne New Delhi
A story of a hard drive
A story which depicts what lovers want
A story which helped 1000s of lovers express their love on Valentine’s Day
A story which was shot in India but got publicity in Singapore
A story which got famous in just 10 days by spending only Rs 6 lacs
A story which got a fabulous click through rate of 0.8%
A story which generated a demand of over Rs. 72,00,000 in 10 days
A story which helped Ogilvy get over 3 times this budget for the next online campaign

Today, the Indian external hard drive market stands at 1,20,000 units per quarter. In revenue figures it comes out to be at INR 456,000,000. Out of this 1,20,000 units, Seagate commands a market share of 50%, with its immediate competitor, Western Digital far behind at 15%. The rest of the market share is owned by small players and the DIY category (‘Do It Yourself – DIY means, usage of internal laptop hard drives with an external casing.)

Our recent online research found out that Seagate is very popular among the male audience because of Seagate’s decade old market leadership in internal pc and laptop hard drives. But to grow the external hard drives market, female audience can’t be left out. The current female audience of Seagate was only 5%. So, the marketing task for us was to grab the attention of the female audience as soon as possible.

The activity was planned to fulfill the following objective:
To interact with 15% of the female audience out of the total TA
To achieve this 15% figure we planned to fulfill the following 3 objectives in our total media budget of 5.5 lacs with duration of 10 days:

  • a. To generate 1000 Valentine contest entries
  • b. To generate 250 product enquiries
  • c. To generate campaign CTR of 0.5%

The campaign was targetting data guzzlers. Males and females within the age group of 20-35 years. Who are currently in a love relationship. These are the people who are deeply attached to their loved ones and the moments spent with their loved one are not just moments, but memories for a life time. For these lovers, Valentine’s Day becomes the most important event of their lives. They would like to gift the most precious gift during this event in a most differentiated way.
They are the ones who spend maximum time online but particularly on Orkut/ Facebook. If they are in office, they would want to spend their maximum time chatting with their loved one; if they are at home they would be logged on to G-chat. To some extent they are the most evolved digital medium users. Their Facebook / Orkut account will always be updated with their pictures, videos and scrapbooks.

Data guzzlers need space. Space to store stuff from their music to their memories. Space which is portable and can be accessed from virtually anywhere. Valentine’s Day on the other hand is a day of reliving memories. A day of expressing your love and finding ways of capturing these moments and immortalizing them.
The strategy was to then find a fit between the two for which a Valentine’s Day contest was designed which allowed the users to express their love to their loved ones with the help of Seagate’s interactive platform. The best Valentine message delivered would stand a chance to win the couple individual gifts -“one for him and one for her”

  • a) FreeAgent – Portable Hard Drive
  • b) Diamond jewellery

Step by step campaign execution:
Step a – A user sees the Valentine communication through display banners on various sites like (Yahoo, Rediff, Indiatimes, Tech2) / Google text ads and third party emails
Step b – After clicking on these online ads, the user lands on to a micro-site which consists of a 2D product demo, a contest form & a purchase form. The user is asked to fill up the form
Step c – User receives a thank you message with the help of an auto generated email
Step d – A user who has filled up the “Purchase” form receives a call back within 24 hours.

Innovations across the media:
Specific valentine related keywords like valentine gift, valentine, valentine contest were bought to draw attention of Valentine info seekers on the Google search engine
Yahoo messenger, Orkut, HI5 and Facebook were the additional media sites selected to target the active female audience.
A dedicated customer care centre was set up by the client to follow up on the product enquiries
4 additional elements which led to the success of the campaign were:

1) Viral nature of the contest
Every Valentine love message received in the micro-site was sent to the other half with the help of an email. The other half was told that if he/she also fills up the form then both the partners stand to win prizes individually and also in pairs.
The idea of keeping diamond jewellery with portable hard drives was to make it exciting for both the partners.

2) Form factor
Instead of keeping one form to capture the Valentine contest leads, we kept two forms to segregate the contest leads from the potential buyers’ list. A user was given an immediate option to either play the contest or put in a request to buy the product.
All the users who had filled up the form to buy Seagate’s FreeAgent external hard drive received a call back from the Seagate’s customer care in the next 24 hours.
And all the users who had played the contest received an email from Seagate’s customer care about the FreeAgent external hard drives.

3) Timing in follow up
In response to earlier campaigns a sudden jump of 20% in the sales closure was seen due to a call back lead time of max. 24 hours. Quick follow up led to quick closures.

The campaign got the all time best figures as given below:
Particulars Projections Actual
Female audience interaction 15 % 30 %
Valentine contest entries 1000 1700
Product enquiries in units 250 900
Campaign CTR 0.5% 0.8%

Pernod Ricard – Break the mould

This is a fourth in a series of DM case studies by Sanjeev Jasani, VP, OgilvyOne New Delhi.

The Challenge:
2009 was the year of change for Pernod Ricard’s popular whisky brand, Blenders Pride. The brief was to enthuse the sales team and trade just before the launch of the new bottle in a manner that engages, excites and breaks their sense of déjà vu.

The Solution:
A very select audience of 300 recipients were sent a clay mould of the Blenders Pride bottle with a miniature hammer. The message urged them to literally break the mould, from within which emerged the new bottle. This ‘hands-on’ dramatic experience instilled a sense of pride of personally bringing the new Blenders Pride to life. And this was not all. From behind the mould, emerged the handy bottle-shaped brand booklet, highlighting all the new changes.
The novelty of this innovative mailer continued with the miniature Blenders Pride bottle, proudly sitting on the desk as a paperweight!


The Results:
How do you measure enthusiasm!? By the sheer spontaneity of response to the DM that became a breakthrough of sorts. It not only shattered mindsets but also defied all clichéd notions of ushering in change. The excitement and buzz generated across offices and the trade led to eager inquiries from almost all recipients about the launch date.

ITC WelcomGroup – Start on a fresh palate

The third in a series on DM case studies from Sanjeev Jasani, VP, OgilvyOne New Delhi

The Challenge:
Draw in an audience used to India’s bastardised version of Chinese cuisine with its kitsch potpourri of red dragons, paper lanterns and fake ‘Ming’ vases, to savour contemporary Chinese food at My Humble House – the speciality restaurant at ITC Maurya, New Delhi, that goes beyond all clichés. From the decor, presentation and cuisine, everything is atypical. Although the restaurant was launched earlier we needed to keep the momentum going and this was more of a follow up activity with the same message that “This is not the chinese that you are used to.”

The Solution:
Implementation – In a dramatically atypical style, “erase” all remnants of Chinese tastes and perceptions by getting a new palate.
The creative idea translated this quite literally by numbing the palate with a strong mint placed inside the mailer. As the mint is tasted, it overpowers the taste buds, effectively cleansing them of all taste. Thus preparing the patron for the amazing sensory experience awaiting at My Humble House. In addition to the mailer, a poster was also made with an actual mint pack stuck on it. the poster was placed in the hotel lobby where guests could see and interact.

The Result:
Result – The mailer was sent to over 5000 people – the Who’s Who of the fine dining circuit that included ambassadors of diplomatic missions, corporate heads and top spenders of the hotel’s loyalty programme. Figures are currently not known and hence cannot be shared.


General Motors : Give in to temptation

(this article is second in a series, from Sanjeev Jasani, VP at OgilvyOne, New Delhi)

Chevrolet was going to launch a compact sedan with mid-size appeal – Cruze. A car destined to make an impact. This car breaks stereotypes, while staying true to its DNA. It’s bold. It’s stylish. It’s aggressive. It’s bigger. Faster. Stronger. Safer. And it embodies the spirit of Chevy’s legendary muscle cars. In fact, the design of the Cruze is inspired by one of the most revered Chevys ever – the Corvette. And just like the Corvette, the Cruze features a push-button start, twin-cockpit sports car interior, and an exhilarating feeling that only people who love to drive understand. The Cruze is a category breaker, in a class of its own, and a car that’s value without compromise.

For Chevy, Cruze was an important launch not just because of the features of the product, but also because it was going to showcase the new face of Chevy in India in terms of styling and to let go the baggage of the GM global image post bankruptcy that acted as a barrier in the minds of the Indian consumer.
Chevy was launching a car in an already cluttered segment that was dominated by Honda and Skoda with 32% & 26% share respectively. Further, the image of Chevy took a hit in India post GM filed for bankruptcy in U.S. and hence, Chevy was not considered at the time of purchase. While the Cruze is a category breaker, the biggest challenge was to excite the TG and push them to consider the Cruze by demonstrating the segment first innovative features such as PEPS.

Out of a total of 377 people who we sent the DM to, we wanted at least 7% to test drive Cruze and consider the product. We sent the DM to 377 HNI Golfers. Why? A market research for the segment was conducted by Chevy that highlighted the need, interest and market share of the HNI Golfer community. On further probing, we found that while the HNI Golfer is constantly looking for style statement and a bold impression, he is also value conscious and hence, looks for the best of both worlds – value and features which Cruze is offering.

Since Cruze is a category breaker offering the segment first features, we wanted to create excitement & buzz around the product and make the TG ‘FEEL THE PULL’. OgilvyOne took the responsibility to generate hot leads through direct mailers which were sent to an external base of HNI Golfers

The creative hook used was that of temptation. Temptation has always caused human beings to lose their resistance power and fall for it. It started way back at the time of human evolution. Adam fell for the forbidden fruit in a bid to explore and seek knowledge. Temptations lure everyone, only this time, the form has changed.
In a small wooden carton, we sent across a real APPLE (with hay around it, just like the way it is packaged to ship) with the message – “Great temptation has always caused man to fall for it. Adam fell for the forbidden fruit; now it’s your turn.”
Upon lifting the lid, you will find the Cruze brochure + a letter + response devise. The letter will explain about the temptations that Cruze creates. And hence, enticing him/her to test drive/book for it.

The responses cannot be shared due to confidentiality issues.

Pernod Ricard – Change lies within

From this month, with the help of Sanjeev Jassani, Vice President OgilvyOne New Delhi, and a very old and dear friend, we start a 15 episode series on DM case studies at OgilvyOne. This week we cover Pernod Ricard.

The Brief:
How do you celebrate and present the new face of an iconic spirit without denigrating the existing? More so when the spirit in question is Chivas Regal 12. The task gets even more challenging when the communication is aimed at the top rung of the core brand team that has lived through so many ‘changes’. So how do you shake them out of their ennui, raise excitement levels and ensure that this enthusiasm percolates right down to all those below them?

The Solution:
The old holds within it, the new face of exuberance. And this was demonstrated quite aptly by literally turning the carton inside out! As the old carton is folded back, the new one emerges from within, with the new bottle resting on a pedestal at its centre.
But the drama is not just reserved for the brand manager alone. It’s also to be shared with the team. And doing this to perfection are six identical miniatures of the ‘inside-out’ cartons, tucked into the base.
As each miniature is pulled out and reversed, from within emerges an exact new bottle replica holding an even bigger surprise. Hidden within each new Chivas 12 bottle replica are pen drives loaded with the new brand manual.

The Results:
Sometimes the impact of announcing change without the usual razzmatazz is more lasting. Not only were the core team taken aback by the multiple surprises the mailer held, but the levels of revelation intrigued them to go through every aspect in detail. And the piece de resistance – the miniature Chivas 12 bottle pen-drive, became as coveted as the new Chivas 12 bottle to be shared amongst all. What’s more, request for more miniature pen drives were placed to be gifted to the trade.

GET THE HELL OUT

tarjun

By Arjun Mukherjee. Arjun is a Creative Director with Bates 141, Kolkata.

Probably the most dreaded thing that gives any creative animal sleepless nights is the disease commonly described as a ‘creative block’. It’s like someone has placed your tender neck on the chopping block where many executioners appointed by the agency stand with gleaming, sharp axes in their hands. Other oddballs in the creative department look at you with sympathy dripping from their eyes or stand with daggers drawn, busy bees in the account management smirk at you inside the loo and even the chicken tandoori that the helping hand lovingly packed in silver foil seems bland and boring.

Until that idea pops up and goes ‘trinnng’ over your head the feeling doesn’t go. It’s gnaws away into your ego and even forbids you to facebook, twitter or blog away to glory on boring everyday issues. By then you have been through the brief about 102 times, have summoned the pale junior executive to your table and bullied him on irrelevant points that wouldn’t have made a difference whatsoever. You have changed pens, drawn massive doodles on your pad and even wished you joined that accounting job which your mamaji kindly offered when you were fresh out of college. Still the idea doesn’t show any inclination of making even a guest appearance of some kind.

So what is next? You harass the planner for hours on end and casually peek into the screen of the other team trying to crack the same idea. Then stepping into the cold conference room you shut yourself from the world and stare with intent at the white board, which is choc-a-bloc with scribbles
from the previous day’s brain -storming. When that doesn’t help, you shift to the half-lit library and scan through piles of advertising annuals
looking for inspirations and any semblance of an idea. By this time you are really in an ugly mood and pick up a fight with the hapless system guy for not allowing useless downloads on your machine. Yes, you’ve pushed and pushed and pushed but still the idea doesn’t break water and take birth.

Some more cups of coffee later you feel ‘guard dog like’ awake but ‘domesticated cow like’ blank. You have tried each and every classical trick in the book when it comes to cracking an idea but to no avail. The spectacles seem heavy, the shirt claustrophobic, and your cushy chair seems
to have suddenly become the breeding ground of porcupines. Staring at the ceiling light you breathe out a gasp and wonder why the F*** this had to
happen you. Depressed and dejected you kiss the brief goodbye and step out for a long walk. The fresh air uplifts your mood a bit and this is followed by a trip to the local bookstore where you feverishly dig into the new collection of graphic novels. A big bite into a cheese brownie in the neighbourhood coffee shop and suddenly you see it…the idea. It comes from
nowhere particular and pops over your head shamelessly with a big, goofy smile on its face. Quickly you ask the waiter for a pencil and scribble it down the triangular long face of the napkin resting on your table.

Stepping into office with a big smile on your face you explain to your creative partner how and where the idea crash-landed on your head. He doesn’t seem surprised and replies that once he hit upon an award winning idea while lying flat inside a MRI scan machine. This gets you curious and you ask more people in the creative department about where their big idea
bumped into them. The results vary from the ordinary to the bizarre…dance bar, public toilet, maternity ward, sauna bath, elephant dhow, Ferris wheel and bungee ledge to name a few. However the most important revelation was the fact that the big idea moment happened for a quite a few outside the cold confines of their workplace.

Yes all you got to do sometimes is step outside your cubicle when you are stuck silly. Watch a movie, buy a book, eat a quiche, walk aimlessly, step into the video store, get a head massage, feed a dog some biscuits, go to the planetarium, check out cool electronics, have your feet scrubbed, dry your nail polish, talk to a mannequin, and do whatever you want to. In the process you not only unglue and open your mind but you may just stumble onto that killer idea that was previously eluding you like a red crab on the beach. It’s not a regular prescription for overcoming a ‘creative block’ but more on the realms of new-age alternative healing that may work miracles from time to time. Here’s what, if you have finished reading this article, why not take a break and test the theory by GETTING THE HELL OUT OF OFFICE.

See other articles by Arjun here

Never say die!

Illustration in Indian Advertising

George Supreeth runs  Pencilsauce, and Bite Lightning, an illustration studio and an Illustrator representation unit in Bangalore. He was among the new breed of computer literate visualisers who wiped out advertising studio artists in the mid 90s. He quit the Ad industry in 2000 and has been sulking around its periphery ever since. He teaches at the local art college and he loves to draw.

There’s something about the Punjabi  word ‘Jugaad’, that doesn’t translate too well into English, but it is a concept that is intrinsic to Indian advertising illustrations. There is something about our advertising that utterly and completely ignores illustration as a visual device. Perhaps social scientists and psychologists may say that it is the inherent Indian trait to deify that makes the humanizing art of photography a more relevant option. That and the fact that Photoshop changed everything in the early 90’s.

1956 ad

Illustration in Early Indian Advertising
Illustrations actually had a pretty good run in early Indian advertising. The fact that it lent itself to the coarse ‘Indian’ art paper (as opposed to foreign art), and reproduced well also helped.  Most illustrators were studio artists, who created stunning art using alabaster paper and poster colours. In fact until a few years ago, the model for most applied arts courses were actually illustration courses, posing as applied arts for advertising.

Since basic drawing skills were the very foundation of institutes like the JJ school of Art, almost every Indian art director in an advertising agency could draw. This led to quite a staggering range of illustrative styles in Indian advertising of the 70s and the 80s.

BSA SLR Kapil Dev

BSA SLR Kapil Dev

Boroline

Boroline

Remember Kapil and his BSA? Even then I thought that the artist’s lines were impeccable, and I loved the frame where he reaches the airport. This illustrator really nailed each action shot. and then there was the alien’s time machine in the Boroline ad. Another nicely done comic! Also remember the Nutrine rabbit? To be honest I always hated that guy, but comics, characters and even just ornamental styles were rampant in advertising of the 70’s and the 80s.

Visit Vishal Patel’s site for some examples of retro comic book styles.

In the early 90’s when Photoshop hit the agency circuit, and the possibilities of Photo manipulation dawned on the agency creative, the holy grail of advertising photography had been breached. Up until then, Photography was entirely the domain of the Photographer. From the shoot planning right up until the transparencies were handed over, the photographer ruled the whole mysterious process. With Photoshop however, you didn’t have to run back to the processing lab every time you needed a new overlay or colourisation. Even better you could create complete comps of the layout. That one software did everything. It wiped out photo strippers, colourisation artists, and cut and paste experts. A side effect of the whole process was that illustration got left out in the cold.
When applied arts and advertising students discovered digital photo manipulation, entire college projects were comped using the software. The idea of storytelling or using images to tell stories soon became prevalent, with the images informing the story. With illustration, the idea came first and then you briefed the illustrator on what you wanted. With photo manipulation, you picked an image with potential, and pick an angle to base your story on. As a result, an entire industry forgot how to draw, and with it how to use Illustration as a visual medium.

The Whole Point of Illustration
While some illustration enthusiasts argue VS photography in general, the point of illustration is something else entirely. Illustrations use the innate ability of human beings to anthropomorphise. Which is why Calvin and Hobbes are so endearing, and comic books feel like motion pictures when you remember them afterwards. Illustrations reach some areas of our mind that photographs just cannot. Unlike a photograph of a person, an illustrated character can be designed without a trace of gender, race or age. It need not even be of the same species, but it still has the power to resonate with basic human emotions.

A well designed illustration can present the viewer with a completely new experience. Take the Mother’s pride ads illustrated by the talented  Sameer Kulavoor. Using a collage styled illustration completely and pleasantly disrupts the viewers expectation of the visual. Here, the skill of the illustrator is to keep the illustration within the realms of believability even when he’s exaggerating the characters and the environments. Disruption in this case directly lends itself to brand recall or the ability of the viewer to recall the brand due to him associating it with the illustration. The entire point of cleverness in advertising is to create spikes in people’s normative experiences. Little anchors that they will associate with the advertised product or service. These anchors are reactivated at the point of purchase through repeating elements from the original message or advertisment.

Mother's Pride

The Illustration Scene Today
While Illustration has been making a major resurgence the world over, in India we are only just begining to rediscover it’s potential. Artist’s like Kulavoor are among the few talented people who are creating an interest in this field. In an area which is cluttered with photographic imagery, Illustration can provide the key to differentiation. However our skills in this area have atrophied. During the period when advertising and publishing forgot illustration, potential and budding illustrators turned to a new area for sustenance. Computer graphics!
You could argue that computer graphics is just the tool and not the field. But in the time that illustration was no longer required for storytelling, artists turned their attention to graphical representation. Most Indian artists are extremely skilled at graphical representations, even at hyper realistic detail. This is not the same as Illustration. The word Illustrate itself means to educate by example or to enlighten. An illustrator needs to understand narrative, continuity and characterization to illustrate an idea. Graphical representations on the other hand are just maps. An objective device devoid of interactive potential.
The potential to brand through illustration will eventually dawn on the Indian advertising creative. With the number of advertising media increasing exponentially each year and as differentiation through imagery becomes increasingly difficult, Illustration offers a way to create unique visual experiences and newer ways to tap into consumers’ minds.

Pencil Sauce at work

Pencil Sauce at work

Illustration for Jungle Camp, by Pencil Sauce

Illustration for Jungle Camp, by Pencil Sauce

Clay Model character, by Pencil Sauce

Clay Model character, by Pencil Sauce

A photo-realistic rendtion of a Wine Bottle. Illustration by Pencil Sauce.

A photo-realistic rendtion of a Wine Bottle. Illustration by Pencil Sauce.

There’s something about the Punjabi  word ‘Jugaad’, that doesn’t translate too well into English, but it is a concept that is intrinsic to Indian advertising illustrations. There is something about our advertising that utterly and completely ignores illustration as a visual device. Perhaps social scientists and psychologists may say that it is the inherent Indian trait to deify that makes the humanizing art of photography a more relevant option. That and the fact that Photoshop changed everything in the early 90’s.