Hasta La Creative!

Arguably the best part of the ongoing tech wars is just how catty all of these Silicon Valley giants are when it comes to their competitors. While a Microsoft spokesperson allegedly told Mashable that the above spot was “not meant for public consumption,” it’s an obvious continuation of the brand’s “Don’t Get Scroogled” campaign, which started running late last year. Perhaps all they needed to add before it went live was a Microsoft logo. Oh, and if you’ll notice after the jump, it’s a direct parody of Chrome’s “Now Everywhere” spot from early March.

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New Career Opportunities Daily: The best jobs in media.

Pim de Koel is not the most interesting man in the world, but he may be interesting enough to make you want to travel to Holland. Koel headlines a new Dutch travel spot, “Holland. The Original Cool.” that was put together in a joint effort from Mustache, the Netherlands Board of Tourism and Conventions, KLM Airlines, Schiphol Airport, and Amsterdam Marketing. The commercial focuses on how Holland is fun, quirky, pretty, forward-thinking, artsy, and generally better than wherever you live. They also like to say Van Gogh in thick accents. I can’t argue against their sophisticated European sensibilities, Holland is cool. You should visit there just so you can meet the one old, bitter Dutch dude who doesn’t speak English. And there’s no need for weed jokes or Red Light District quips, because Pim keeps it clean. The pitch has worked thus far, racking up close to 125,000 views in only one day (see how it’s blown up this week on Reddit after the jump).

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As you may know, Oklahoma City Thunder All-Star Russell Westbrook suffered a season-ending knee injury in the first round of NBA Playoffs. Instead of flying in for dunks, Westbrook has watched the rest of his team’s games with crutches by his side. And even though the Thunder are one game away from playoff elimination, Champs and Jordan brand have decided to launch a new Westbrook campaign, created by L.A.-based agency Zambezi and filmed pre-injury, as perhaps a sign of solidarity for their hobbled endorser. The above commercial will run for the next few weeks during the Conference Finals.

In the spot, a high school basketball player transforms into Westbrook on and off the court when he gets new Jordan gear from Champs Sports. The on-the-court part is great, but the off-the-court part may not be a good look for a high school kid – or any human being with two spoonfuls of self-respect, for that matter – since Westbrook is the guy who wears this in his free time. Regardless of the fashion lampooning or the fake glasses he wore regularly to post-game press conferences, the decision to keep the campaign alive after Westbrook’s injury is a cool gesture from the brands involved. Be on the lookout for more Westbrook spots as we head into the never-ending stretch of NBA Playoff basketball that precedes summer.

New Career Opportunities Daily: The best jobs in media.

Audi has been busy lately, pumping out ads for their newest cars in sponsorship deals with Iron Man while simultaneously pitting past and present versions of Spock against each other. The automaker seems to be at it again, now with longtime agency Venables Bell & Partners, for a 60-second spot that traces back to the origin of the company. Retro footage of Audi’s founder, August Horch, and old-school automobiles plays for most of the spot, set to narration of the children’s poem It Couldn’t Be Done, written by Edgar Albert Guest. I guess Dr. Suess was busy.

By design, most of the commercial feels like it belongs to pre-1980, but the dissonance of the kid’s poem and the speeding-car shots strikes a cool chord. While previous car spots may be clever or topical when full of movie stars, this one stands out in a good way. It’s smooth and engaging, presumably, like a ride in a new Audi. Credits and a couple of :15 second spots after the jump.

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“Jenny and the Chicken,” a Mash+Studio slideshow illustrated by Danny Mcclain, is one of those metaphorical stories that lets you know it’s metaphorical halfway through the narrative. A boy named Brand wants to befriend a a girl named Jenny, but he can’t figure out how to make her like him. He tries all of the usual friendly activities, like connecting on Facebook, Twitter, Instagram, etc., but Jenny doesn’t seem interested in a guy who talks about himself all the time. Remember, his name is Brand. Get it?

This type of wink-wink story is typically not as clever as its creators think it is. Anthropomorphic chickens aside, engaging with consumers effectively is a lot more complicated than showing how a brand sees the world. I’m not sure who Mash plans to target with this slideshow, which is partly why it feels disjointed, but unless they start teaching brand equity to second graders, you might want to turn the page.

New Career Opportunities Daily: The best jobs in media.

Over the past few years, VITRO’s work for ASICS has been consistently high-quality, doing a remarkable job of depicting products’ ability to allow athletes achieve the impossible but not quite the unbelievable. I’m talking, of course, of popular spots that feature athletes out-running arrows and kind of walking on water, which I would link here but I know you’ve seen them hundreds of times already.

Because of this history, a new spot, “What’s Next” is a bit surprising. There’s nothing superhuman or jaw-dropping here. Just some good ol’ fashioned working out. In a note from VITRO, they mention that the spot was “shot in three days, in two countries, 4 parks, 3 gyms and an Italian restaurant, using 3 Olympians (Bryan Clay, Andy Potts & Ms. Lolo Jones) 12 elite US athletes in all — a hurdler, shot putter, javeliner, golfer, tennis star, triathlete, decathlete, pole vaulter, and track star. Cool Stuff: Our creative director wrote the lyrics for the song which provides the backbone of the piece.” Even more cool stuff: “Javeliner” is apparently a word. Try to use it in a sentence sometime this weekend!

While “What’s Next” certainly looks beautiful, and is very well directed (by some dude named “Xander”), it doesn’t exactly employ an execution brand new to the area of sports apparel. Perhaps as a results of heavy marketing, ASICS feels it doesn’t need to be different to stand out, having gained that brand recognition of the last few years. In short: It’s great, but not the groundbreaking work we’ve come to expect. Credits after the jump.

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Let’s kill two birds, shall we? AT&T must really like little kids. First, we had the Beck Bennett commercials that ran incessantly during March Madness (and still run; check out the newest Mother’s Day-themed “It’s Not Complicated” clip from BBDO after the jump). Now, the telecom giant seems to think we want more, more, more. The latest work from Dallas-based multicultural agency Sanders\Wingo shows young’ns on their mobile devices, saying things like, “In my day…our connection was so slow, we had to take turns online.”

Some viewers may find this cute, others may find it scary, but as kids become more and more comfortable with the latest technology, these types of spots should become the norm. We already have videos of babies who can swipe a page on an iPad, but can’t turn the page in a book or magazine. Regardless, kids will always have to eat the trope-filled Brussels sprout before they get to use any of these devices, and that’s how we get the thirty-second “Veggies.”

Check out the second spot, “Haircut,” the aforementioned “It’s Not Complicated” Mother’s Day effort and credits for all after the jump.

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“Anthem” the latest effort from Atlanta-based 22squared and the Costa Rica Tourism Board, may look like the rough cut of a Coldplay music video. The one-minute spot features shots of sherbet sunsets, beautiful landscapes, and even a frog jumping in slow-motion. The music is actually from M83 (from their Oblivion score), not Coldplay, but the point is that the commercial has the big sounds and simulated importance of something we’re used to seeing in music videos. That’s not a bad thing.

A few of Costa Rica’s recent tourism pitches have tried to capture this splashy substance. Patrick Pierson, who directed “Anthem,” also made the colorfully moody “Get Living.” And two years ago,  there was the Effie-winning Million Dollar Happiness campaign. In the travel ad arms race, Costa Rica is destroying those clumsy Ocean City commercials with the lifeguard who has frosted hair. Slow-motion frogs beat inserts of standard beaches every time. Credits after the jump.

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Audi has switched gears from commuting with Iron Man to inject some ad gusto into another blockbuster franchise about to hit theaters: Star Trek into Darkness. The latest spot – produced by PMK-BNC – pits the wily veteran against the smooth newcomer. Spock v. Spock. Leonard Nimoy against Zachary Quinto in a battle of intellect, trash-talk, and automobile semantics. Quinto may be prettier, but Nimoy has an old-man game full of tricks up his sleeves.

The two-minute video promotes the new Audi S7 as the perfect vehicle for anyone in need of a smooth ride with technological toys. This may not be the USS Enterprise, but it can get Quinto to the golf club faster than Nimoy’s Mercedes, at least until the twist ending. The response has been overwhelmingly positive on YouTube thus far, and it’s a safe bet that sci-fi geeks will get a kick out of the Spock-off in the coming weeks. Can those geeks buy Audis? Probably not, but at least they’ll chuckle at the playful banter. Credits after the jump.

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Oh have we got something fun for you! It’s a little bit Mad Men and a little bit Google Glass. What would happen if iconic ad campaigns like VW’s Think Small, Clairol’s Does She or Doesn’t She, Keep America Beautiful’s Crying Indian, Wendy’s Where’s the Beef and Brooke Shield’s sexually-suggestive Calvin Klein campaigns were to play out today?

Working with HubSpot’s Shannon Johnson, I co-authored a report entitled Traditional Turned Inbound: Re-imagining 5 Iconic Ad Campaigns From the Past. But first, let’s be honest. While I came up with the five campaigns, reached out to the industry for comment and took a stab and re-imagining the campaigns, it was the brilliant Shannon Johnson who brought this report to life with uber-intelligent insight on how these iconic campaigns from yesteryear would play out in today’s very different media landscape.

In addition to commentary from Shannon and I, you will hear from super-intelligent industry folks including The Perlorian Brothers, 360i Director of Emerging Media David Berkowitz, Tattoo Projects Creative Director Buffy McCoy Kelly and School of Thought Co-Founder Tom Geary.

The report is a beautiful marriage between yesterday’s “big idea” approach to marketing and today’s socially-focused, data-driven approach.

Download the report now and find out what it might be like if Don Draper were creating ad campaigns today.