Nike Makes One of the Fastest Ads Ever to Sell the Zoom Air Sneaker

A super-fast sneaker deserves a super-fast commercial, and Wieden + Kennedy delivers one here for the Nike Air Zoom Elite 8 running shoe. Blink and you’ll miss it.

The 60-second “Find Your Fast” spot—directed by Neal Brennan, co-creator of the Chappelle Show, who also did this fun campaign for Jordan Brand—features 13 all-star athletes getting their speed on. The larger “Find Your Fast” campaign challenges runners everywhere to log their fastest-ever mile by Aug. 30 through the Nike+ community.

If the spot itself is fast, there’s a spot-within-the-spot that’s even faster—a quirky little old-timey diversion starring Kobe Bryant and the magician David Blaine.

Check out the spot below, and the list of athletes below that.

• Kobe Bryant: 5-time NBA champion (basketball)
• Wayne Rooney: 3-time England player of the year (soccer)
• Richard Sherman: Super Bowl champion (football)
• Marlen Esparza: Olympic bronze Medalist (boxing)
• Odell Beckam Jr.: Offensive rookie of the year (football)
• Rafael Nadal: 14-Time Grand Slam champion (tennis)
• Serena Williams: 20-Time Grand Slam champion (tennis)
• Marcus Mariota: 2nd overall NFL draft pick (football)
• Katarina Johnson Thompson: 2014 world No. 1, heptathlon (track and field)
• Shane O’Neill: Pro Skater (skateboarding)
• Mo Farah: Olympic Gold Medalist: 5,000M/10,000M (track and field)
• Allyson Felix:  Olympic Gold Medalist: 200M/4x100M/4x400M (track and field)
• Shelly-Anne Fraser-Pryce: Olympic gold medalist,100M (track and field)

Kids' Wildest Dreams Come True in This Beautifully Imaginative Airline Ad

Here’s a fun spot from earlier this year that picked up a silver Lion at Cannes last week. For S7 Airlines from Wieden + Kennedy Amsterdam, it features cute kids being themselves, namely by describing wonderful places or things they’d like to visit, but are also impossible … or so they think.

Asked to let their imaginations run wild, the kids cook up with flight destinations that, if they had their way, would feature mammoths, mermaids, space rockets, giant sandpits, superheroes, dragons, wizards, bogeyman, a space kitty (Nyan Cat?) and subterranean cities. (It’s not clear if she’s thinking of Demolition Man, The Matrix or Twelve Monkeys, but she doesn’t seem to have dystopian tendencies at all.) There would also be underground whales and, says the smartest kid by far, chocolate lakes.

Relaying on the charming ad-libs of kids is a familiar trick, reminiscent of past ads like Wes Anderson’s animated interview with an 8-year-old on the inner workings of a Sony smartphone (though it probably also owes a decent amount to the Fine Brothers “Kids React” series, as well).

But the W+K sequence is exceptionally well edited, and features a twist that anchors it nicely in the brand. All the fantastical things and places—or approximations of them—actually do exist, if you allow some creative interpretation of reality.

Sure, the ad’s reach exceeds its grasp ever so slightly, and might particular bother literalist viewers. But it really does distill what the spirit of travel can be at its best—an eye-opening, awe-inspiring experience that unlocks natural and manmade wonders. And beyond the stunning landscapes, some of the translations are particularly spectacular—Space Kitty, it turns out, is actually a yak, and underground whales are geysers.

In fact, the only real dubious one is that brown bubbling “chocolate” lake. If what you really want is fondue, you’re better off staying home and dropping a few Hershey bars into a pot.

Chance, the Wheelchair Bound Dog, Will Inspire You to Tears in This Kleenex Ad

With over 23 million Facebook video views in less than a week, this new ad from Kleenex is helping to make sure that the Kimberly-Clark brand’s plot to keep America crying into its tissues is going deviously well.

The latest video in the “Someone Needs One” campaign by VSA Partners was created by Vimby, and it combines dogs and disabilities—two of this year’s successful Super Bowl ad themes. It’s more than a tear-jerking testament to our love of a good cry. It’s proof that Facebook is still a viral sharing force despite cluttered feeds and an algorithm that seems to block a lot of branded content.

Vimby, working in partnership with VSA and Facebook, is creating all the online videos for the “Someone Needs One” campaign by leveraging its local documentary filmmaker network to collect the actual content. But the tale of an adorable dog who got a second chance at life by finding the perfect home has become a standout.

Perhaps more interesting than the story of how yet another tear-jerking inspirational video went viral is the story in the comments. People who have adopted special-needs pets have been sharing pics of their own animals who got a second “Chance.” It’s one thing to be inspired, but it’s another to be inspired to share your own story. It’s that sort of word of mouth that gives this video its wow factor.

So, give it a chance and see if you can keep from shedding a tear.

CREDITS
Client: Kleenex
Agency: VIMBY/Facebook Creative Shop
Media Agency: Mindshare
Kleenex AOR: VSA
Executive Creative Director: Adam Reno
Producer: Carrie Stett
Director of Photography: Ed Wu
Production Company: VIMBY
Editor: David Rowe, VIMBY

These Luxury Hotel Ads Use Instagram Shots Instead of Professional Photos

Catch New York combed through social media for guest photos taken at Loews Hotels and Resorts and integrated the candid, unsolicited images into the chain’s new “Travel for Real” ad campaign.

Mostly quiet, mildly quirky moments abound. They include shots of a tattooed dude playing banjo in his suite (with the headline, “Everyone needs to find their rhythm”) and a kid with cucumbers on his eyes kicking back in a swimming pool (“Everyone needs to soak it all in”). The work is breaking now in magazines like Bon Appétit, Condé Nast Traveler and Wired, as well as in airport displays and as online banners.

Building on 2013’s “The Room You Need” campaign, this new work puts guest visits in an even “more emotional and personal” context, says client CMO Bruce Himelstein. #TravelForReal is the hashtag.

“These are real-life images of actual guest experiences, licensed by Loews,” agency chief creative officer Doug Spitzer tells AdFreak. “The vast majority were taken by guests themselves, and while there are a handful of images capturing events such as weddings that may have been taken by professionals and subsequently posted on social media, none were commissioned by Catch nor by Loews. We loved the opportunity to break this boundary and sideline the pros that we are usually so excited to work with.”

He adds, “We started our search on Instagram using Loews Hotels hashtags and location tags, but our search grew much wider than that, spanning all of social media. To this date, we have reviewed more than 35,000 images, where we have found just about everything you can possibly imagine.”

Ultimately, he says, “anyone considering staying at Loews can be sure that what they are seeing is real, not the creation of a talented pro. There are no tricks, wide angle, Photoshopped shots—like people rightfully complain about on social media. ‘Travel For Real’ is the real deal, through the eyes, and lenses, of our guests who loved the time they had at Loews.”

Fair enough. It’s certainly a different approach for the hotel category, where the imagery is usually so manicured. I do wonder if the premise isn’t somehow neutered by the fact that most people flipping through magazines might assume these are professional shots—if they give the matter any thought at all?

“That did occur to us,” Spitzer says, “and that’s why we ended up giving every source credit, so you could actually look at their other photos and see their lives outside of their Loews travel.”

The imagery is appealingly on brand, evocatively portraying the luxury chain as an oasis of relaxation and rejuvenation in a stressful world. Though if you wind up in the room next to Banjo Boy, you won’t get much peace. Dude looks like he could play all night.

CREDITS
Client: Loews Hotels & Resorts
Agency: Catch New York
Campaign: #TravelForReal

Agency Team
Partner & Chief Creative Officer: Douglas Spitzer
Creative Director/Art Director: Rich Corrigan
Copywriters: Will Woods, Rich Corrigan, Douglas Spitzer
Designer: Maggie Mai
Producer: Kim Schulster
Production Artist: Elvin Garcia
Managing Director: Jason Dorin
Account Director: Isabelle Aylwin
Media Director: Stephen Wraspir

Client Team
Chief Marketing Officer: Bruce J. Himelstein
SVP, Marketing: Jim Cone
VP, Public Relations: Sarah Murov
Sr. Director, Marketing Communications: Piper Stevens
Director, Brand Marketing: Lacey Tisch
Director, Internet Marketing: Jacob Messina



Loverboy Frontman Recants 'Working for the Weekend' in This Throwback Job Hunting Ad

If you were wondering what the frontman of ’80s Canadian rock back Loverboy is up to these days, the answer is second guessing the lyrics to “Working for the Weekend” in an ad for job listings site Indeed.com.

Mike Reno anchors the commercial—from ad agency Sleek Machine, with 30-, 45- and 60-second cuts—explaining that, thanks to the recruitment company, more people are happy being at the office. (The short version is punchier, but the longer ones have the sharper kicker—that now, the right idea would be “more like everybody’s really enjoying their time at work, and when the weekend comes, that’s fine too.”)

The band, for its part, is still working (for whatever reason), with a new album out last year, and tour dates scheduled through up to October.

It’s not clear, though, whether Chippendales is standing by the song as the ideal tie-breaker for ridiculously close auditions.

CREDITS
Client: Indeed
Agecy: Sleek Machine, Boston
Chief Creative Officer: Tim Cawley
Senior Integrated Producer: Ben Ouellette
Senior Copywriter: Jeff Mariois
Senior Art Director: Jessica Ruggieri
Music: “Working for the Weekend” by Loverboy
Talent: Mike Reno
Director: Darcy Van Poelgeest
Production Company: Circle/Vancouver
Editor: Kat Baker/Element



Tylenol Further Explores the Changing Face of the American Family in New Ad

Tylenol is continuing its celebration of diverse families with a new commercial from J. Walter Thompson in New York featuring same-sex and interracial couples.

Titled “How We Family,” the ad is part of a broader effort to to challenge conventional—that is to say, conservative—definitions of family. Tylenol launched the campaign last fall by repurposing the classic holiday dinner scene in Norman Rockwell’s painting “Freedom from Want,” to profile contemporary families, including a lesbian couple who work closely with one woman’s ex-husband to raise the children from both relationships.

Sure, the tagline is a little clunky. And the cultural tides on LGBT issues have been shifting for a while now (a majority of Americans expect the Supreme Court to allow same sex marriage in the court’s imminent decision, and support it; brands have been increasingly open in embracing the LGBT community). So it’s a question of degrees as to how much Tylenol is pioneering, and how much it’s capitalizing.

But that also almost doesn’t matter. In a marketplace where some consumers still lose their minds over a Cheerios commercial with an interracial couple, and where the heads of reactionaries similarly explode over Tylenol’s decision to feature a same-sex couple in an ad, the brand deserves credit for using its ad dollars to spread a message that’s in exactly the right spirit … even with a desire to profit (and a considerable opportunity to do so) at the heart of it.

And while the topic might seem a bit far afield from the brand’s core business, it’s actually pretty appropriate for a product that makes pain go away.



Havas Chicago Is Loaning Out Its Summer Interns to Local Businesses That Need Them

I asked Havas Worldwide Chicago to #GimmeAnIntern for this post.

They sent me three.

Along with honing their skills in various agency departments, the 14 lucky folks in Havas’s 10-week summer internship program are being “loaned out” to local businesses, cultural institutions, sports teams and celebrities—anyone, actually, who makes a strong enough case on social media using the #GimmeAnIntern hashtag or via email. The interns are sharing their adventures in real-time video via the agency’s Periscope account and elsewhere on social media.

Coffee and danish runs for the ECDs just won’t cut it anymore, I guess. (That said, the Havas 14 are also required to spend time sitting on display in the agency’s street-level lobby, in full view of the public. So the time-honored tradition of humiliating interns by giving them stupid stuff to do isn’t dead yet.)

“In order to create campaigns that drive cultural conversations, you have to be immersed in culture,” says Celia Jones, Havas group brand director. “That means not only being exposed to the thinking and creativity within the walls of the agency, but also giving interns an opportunity to gain hands-on experience out in the world.”

I always thought folks went into advertising to escape the real world to a fantasy-land of brand worship where everyone eventually wins an award. Luckily, these plucky wannabes aren’t tainted by such cynicism. Yet.

Christina Muth, one of the interns, who graduated from Mount St. Joseph University with a business degree, enjoyed her first out-of-agency experience—working at a food blog. She says she leaned a lot about how media sponsorships work.

“I can’t wait to do it again,” she says, “especially if it involves food for a second time. But next time, I’d like to assist in the eating.”

Another intern, Chicago Portfolio School student Jeff Polaschek, was assigned a test-riding task at Divvy Bikes. Of the Havas program, he says, “They are just trying to keep us out of the agency because we are too good.” (If you guessed he’s a copywriter—bingo! He’s also branded himself as the “oldest intern ever” on Twitter.)

Carina Sherman, who graduated with a B.A. in communications and English from Andrews University, hopes her first real-world posting involves music. “I don’t want to brag, but I make the best playlists,” she says. “Making music playlists for local businesses, road trips and even dinner parties is something I feel I’d have a real knack for.”

As an English major, she will need some other work skills to fall back on.

All kidding aside, #GimmeAnIntern sounds like an engaging way for the participants to learn about advertising and lots of others stuff, too. Plus, as Muth notes, “it also broadcasts to the world what Havas has to offer.”

Indeed, #GimmeAnIntern serves as a fun self-promotion. Havas says the social-media-based competition to select the 14 interns was so popular, it boosted the agency’s Instagram following by 12 percent. Now, in addition to media coverage, Havas is getting the word out via Popular Plays, offering hour-long intern assistance to Chicago Instagrammers with more than 50,000 followers. (The shop has done some innovative, high-profile intern stuff before, including last year’s Winternship initiative.)

So, what do the #GimmeAnIntern recruits plan for their professional futures?

“In the short time I have been here, I have realized that I would love to work as a digital strategist for great American brands,” says Sherman.

“I have this little dream of building something from the ground up—whether that’s a product, an event, or even an app,” Muth says. “I would love to be behind something that I could call my own and something that others can also share. Being in an environment of thinkers and creators only helps me to grow, and I feel very fortunate to be here. Maybe one day, my big idea will hit me, but until then, I am in love with being around individuals that inspire me to be better than who I was yesterday.”

And Polaschek? “I would love to be a creative director at an agency like Havas,” he says, “but more than likely I will die from indentured servitude here first.”



Traffic Cop Shockingly Lifts NYC Taxi, but It's the Ad Up Top That's the Giveaway

It turns out Thinkmodo can thrill people, not just scare them.

The viral marketing agency, best known for its frighteningly good Carrie and Devil’s Due prank videos, takes a refreshingly different approach with its latest video. It shows a petite traffic cop in New York City arguing with a cab driver—and then, in an apparent act of savage anger, lifting his vehicle clear off the ground.

It is, of course, a prank—though plenty of people in the vicinity were gobsmacked by the chain of events. And turns out the advertiser, car selling app CarLister.co, is visible throughout the video—on the ad atop the taxi itself.

Mashable has more on the making of the video.



Angel Soft Wishes Single Moms a Happy Father's Day in Unique Take on the Holiday

Adult children raised by single mothers wish their moms a happy Father’s Day in this interesting, unconventional take on the holiday by Deutsch L.A. for Georgia Pacific’s Angel Soft bathroom tissue.

The two-and-a-half-minute video presents various men and women who speak directly into the camera, thanking their moms for being both mothers and fathers in their lives. “She did it all, as though she was two people,” one subject says. The others echo this sentiment, explaining how their moms combined softness and strength, tying back to the brand’s new tagline, “Be soft, be strong,” which is introduced here.

Quite a few of these folks get choked up, but that’s de rigueur for the “gratitude advertising” category, and the tears are balanced by some lighter moments. (One guy recalls his mom teaching him to defend himself on the playground: “She was like, ‘When you punch, you put your knuckle out and you just go for it.’ I don’t even know if that’s a thing.”)

Sure, this is another attempt to yank viewers’ heartstrings, but the novel concept and no-frills presentation really carry the day. The subjects simply tell their stories, and there are no “dramatic appearances” by the moms, or clichéd hug sessions, so the spot feels less contrived than others in the genre. Another plus: The ad honors moms and dads by implicitly acknowledging the importance of the latter.

All that said, the work, from my perspective, has a basic conceptual flaw. While well-meaning, it could be be construed as trading in gender stereotypes. Some might find the suggestion of one parent typically being “soft” and the other “strong” kind of regressive. (Gee, I wonder which is supposed to be which?)

Don’t men and women—raising kids alone or together, or childless, for that matter—usually combine both traits to varying degrees?

CREDITS
Client: Angel Soft
Chief Marketing Officer: Douwe Bergsma
Senior Vice President & General Manager, Bath Tissue: Vivek Joshi
Senior Marketing Director, Brand Center: Shari Neumann
Senior Brand Director: Joe Stempien
Senior Brand Manager: Todd Wingfield
Brand Manager: Melissa Blunte

Agency: Deutsch L.A.

Creative Credits:
Chief Creative Officer, North America: Pete Favat
Executive Creative Director:: Karen Costello
Executive Creative Director: Juan Oubina
Associate Creative Director: Melissa Langston-Wood
Associate Creative Director:: Jorge Ortega:
Director of Integrated Production: Vic Palumbo
Executive Integrated Producer: Rachel Seitel
Integrated Producer: Win Bates
Associate Integrated Producer: Justin Polk
Music Director: Dave Rocco

Account Management Credits:
Group Account Director:: Erik Petersen
Group Account Director:: Montse Barrena
Account Director:: Megan Prince:
Account Director:: Lauren Pollare
Account Executive:: Melanie Faessler
Assistant Account Executive : Bianca Brittain

Account Planning:
Chief Strategic Officer: Colin Drummond
Executive Planning Director:: Jeffrey Blish
Group Planning Director:: Thas Naseemuddeen
Account Planner:: Eva Cantor
Digital Strategist : Janet Shih

Business Affairs/Traffic:
Director of Integrated Business Affairs:: Abilino Guillermo:
Senior Business Affairs Manager:: Terry Miglin:
Director or Broadcast Traffic:: Carie Bonillo
Broadcast Traffic Coordinator:: Anna Brito

Executives:
CEO, North America:: Mike Sheldon
President, Los Angeles: Kim Getty

Production Company: Steelhead
Director: Eric Kaufman
Executive Producer: Ted Markovic
Producer: Matt Johnson
Line Producer: Melissa Verdugo

Editorial Company: Steelhead
Editor: Morgan Griswold
Executive Producer: Ted Markovic
Producer: Simone Gurren

Post Facility: Company 3
Executive Producer: Rhubie Jovanov
Senior Colorist: Stefan Sonnenfeld

Post/VFX: Steelhead
Executive Producer: Ted Markovic
Broadcast Motion Design Director: Jason Porter

Music by: Elias Arts
Track Title: Father’s Day
ECD: Vincenzo LoRusso
CD: Michael Goldstein
EP: Vicki Ordeshook
Head of Production: Katie Overcash

Audio Post Company: Steelhead
Executive Producer: Ted Markovic
Mixer: Chase Butters



Orange Is the New Black's Latest Inmate Is a Character From a Virgin Ad Campaign

Last year, Virgin Media in the U.K. introduced an ad character who’s literally a night owl, staying up late to binge-watch show after show on Netflix. Now, that owl—who goes by the name Ally McNab—is one step closer to her anti-heroes on Orange Is the New Black.

A new campaign from BBH London, pushing Netflix streaming on Virgin, actually sends Ally to Litchfield Penitentiary, where she becomes the latest orange-clad newbie inmate. And the show’s famous characters even filmed scenes with their freaky new cellmate. (Not surprisingly, Suzanne “Crazy Eyes” Warren takes a shine to her new feathered friend—either because they have a similar stare, or because Crazy Eyes befriends everyone.)

The spot actually combines new and existing footage. It’s an interesting bit of film, considering all the players involved.

“It’s a piece of content involving an entertainment property, a subscription streaming service and a broadband provider,” says Jeremy Ettinghausen, innovation director at BBH and BBH Labs. “It stars characters from a TV show interacting with characters from an advertising campaign, in an advertising campaign for a TV show, a broadband provider and a subscription entertainment service. Is this a new content type? We don’t know. Is it interesting? We think so, maybe simply because we can’t put it in a box.”

The campaign is running online, on social media, in retail, and on video on demand. The third season of Orange Is the New Black hits Netflix on Friday.

CREDITS
Client: Virgin Media
Head of Brand Advertising & Sponsorship: Ellie Tory
Partnership Marketing Lead: Rob Cannon
Agency: BBH London
Creative Team: Dan Morris & Charlene Chandrasekaran
Creative Director: Tom Drew & Uche Ezugwu
Strategist: Elle Graham-Dixon
Account Team: Phil Lloyd
Production Company: Black Sheep Studios
Editing House: Black Sheep Studios
Post Production: OutpostVFX
Sound: Factory



Housewives Get Hot and Heavy With Their Books in New Ads for Harlequin Romances

Desperate housewives enjoy illicit entertainment right under their oblivious husbands’ noses in this campaign for Harlequin, the romance novel publisher, from BBDO Toronto and Someplace Nice director Pete Henderson.

The campaign, themed “Whatever you’re into,” is designed to communicate that there’s something for everyone in Harlequin’s wide range of book series. So, whether you prefer snogging on a washing machine with a cowboy or humping on a couch with a sailor, Harlequin has you covered (because the ads would be even more awkward if the ladies started getting uncovered).

Despite the sudden scare from Fifty Shades of Grey, Harlequin remains the juggernaut in romance publishing, putting out more than 100 books a month in 34 languages in 110 markets. The imprint was bought by News Corp. last year and now operates a as a division of HarperCollins.

With the “Escape the Everyday” campaign, it hopes to rekindle passion for its products among the average woman, who’s read only one Harlequin romance novel in the past five years. Also check out the Harlquin website, where you can play a game called “Date, ditch or marry,” which is a certainly a racier trifecta than the publisher’s official tagline, “Entertain, enrich, inspire.”

CREDITS
Client: Harlequin
Agency BBDO Toronto
Executive Creative Directors: Carlos Moreno, Peter Ignazi
Associate Creative Director: Linda Carte
Copywriter: Shiran Teitelbaum
Art Directors: Linda Carte, Alice Blastorah
Account Directors: Martina Ivsak, Paul Forrest
Account Coordinator: Zach Kula
Agency Producer: Aimee DeParolis

Production Company: Someplace Nice
Director: Pete Henderson
Executive Producer: Chilo Fletcher, Estelle Weir
Director of Photography: Jonny Cliff
Editing: Matt Dell, Ricochet
Music/Sound House: Ricochet
Colour: Eric Whipp, Alter Ego
Casting: Shasta Lutz, Jigsaw Casting



This Ad Kicks Off Pride Month With a Sweet, Sad Story of Forbidden Love

Far too often, repression and discrimination fester in an atmosphere of silence, which makes it essential for those who can speak up to raise their voices for equality and understanding.

That’s the message of this minute-long film by McGann + Zhang, created for NYC Pride Month. At first, its imagery is serene, almost dreamlike: Two young women in long, flowing dresses run through a field in bright sunshine, sharing a special day. As the romantic but vaguely ominous piano track swells, a male authority figure appears, and the women hurriedly, sadly, conclude their rendezvous.

The costumes and a brief glimpse of an old-timey car place the action squarely in the past, as does the on-screen call for viewers to “Shout for those who couldn’t.”

Of course, the LGBT community still faces prejudice today. In some societies, people are put to death because of their sexual orientation. The need to speak out—clearly and unequivocally, for everyone to hear—is perhaps as urgent now as it ever was.



FedEx Can Help Your Micro-Business, No Matter How Patently Ridiculous It Is

No matter how absurd your small business has become, FedEx wants to help streamline it.

BBDO New York is out with a handful of amusing new ads pitching the ways its shipping services can save you money, and maybe some embarrassment.

You can be a startup CEO who’s running a bed and breakfast as well as a home office to make ends meet. You can be a precocious son ruthlessly professionalizing your parents’ canning operation. You can be a miniature Glengarry Glen Ross run by hard-charging, smack-talking 15-year-olds. Or you can be a legitimate enterprise saddled with a dysfunctional open floor plan and a leader who leaves you guessing whether he’s out of touch or just doesn’t care.

The ads, directed by MJZ’s Tom Kuntz, are running under FedEx’s “Solutions That Matter,” tagline, which BBDO introduced in 2011. They’re the latest in the agency’s long run of creating humorous little scenarios for the brand. (Earlier this year, Ogilvy rebranded FedEx competitor UPS under the banner “United Problem Solvers,” with a much more serious global anthem ad.)

Here, though, the best moment might have nothing to do with FedEx’s business, and everything to do with that pug pushing a stroller.

The ads will run heavily on the Golf Channel, golf broadcasts on NBC and CBS, and on PGA.com through the summer and on FedEx’s social channels.

CREDITS
Client: FedEx

Agency: BBDO New York
Chief Creative Officer, Worldwide: David Lubars
Chief Creative Officer, New York: Greg Hahn
Executive Creative Director: Gianfranco Arena
Executive Creative Director: Peter Kain
Creative Director/AD: Eli Terry (Hotshots and Bed & Breakfast)
Creative Director/CW: Jessica Coulter (Hotshots and Bed & Breakfast)
Associate Creative Director/AD: Justin Bilicki (Family Business & Open Floor Plan)
Associate Creative Director/CW: Matt Herr (Family Business & Open Floor Plan)
Group Executive Producer: Amy Wertheimer
Executive Producer: Tricia Lentini
Group Planning Director: Sangeet Pillai
Managing Director: Kirsten Flanik
Senior Account Director: Kathryn Brown
Account Director: Amanda Cruz
Account Manager: Joshua Mesquita
Account Executive: Trent Lyle

Production Company: MJZ
Director: Tom Kuntz
Executive Producer: Scott Howard
Line Producer: Emily Skinner
Director of Photography: Jo Williams

Edit House: Mack Cut
Editor: Ian Mackenzie
Assistant Editor: Mike Leuis
Executive Producer: Sasha Hirschfeld

Visual Effects House: Schmigital
Sound Mixer: Philip Loeb/Heard City
Casting: Francene Selkirk



Samsung Filled Its Frantic New Ad With GIF-Style Hiccups and Loops

Do you often find yourself compulsively stuck in GIF-style sequences where you’re repeating the same everyday action in a continuous loop just for fun? If so, Samsung would like you to consider its Galaxy S6.

The new ad below shows a bunch of happy young people doing a series of happy activities—flipping eggs, subway dancing, popping champaign. But instead of featuring each activity just once, the ad cuts them into a stuttering sequence of mini-clips that the brand is describing as GIFs, and which it’s also planning to use individually to promote the phone.

Big Spaceship selected the video’s music track, “When I Rule The World” by LIZ, which will be released on Columbia Records in the coming weeks. It’s a gleefully shrill, domineering record, apparently meant to appeal to youthful hubris, though if the rest of you olds can clear the blood out of your ears long enough to hear the lyrics, the sexual undertones are actually kind of subversive for a major marketer. It’s not every day you hear Samsung telling you to “get down on your knees and then do as I please until I tell you to stop” (even if that hope might be the basic premise at the heart of all of its messaging).

As fun as it might be, beating viewers about the head with fun and optimism could read as symptomatic of not having very much to say. Instead, Samsung harps on an intrinsically generic “new phone feeling,” which it suggests this phone will give you over and over again. And while the GIF approach theoretically fits the zeitgeist, and is reinforced at least in the abstract by PC Music’s incorporation of Internet cultural cues into its work, the concept ends up feeling a little half-baked. How hypnotizing or rewarding is it really to watch a guy pour coffee on repeat?

GIFs at their best tend to turn on some kind of exceptional visual cleverness or silliness or weirdness that’s riveting in its own right—not just a circular, slick, relatively mundane sales pitch. That, even if it is possible to tie simpler loops into a clearer narrative and proposition, as Spanish soccer magazine Libero proved with its dancing players.

At least nobody can accuse Samsung of not getting enough product shots in, though.



Tiny Dolls Act Out Hilarious Soap Operas Over Single Pieces of French Toast Crunch

Consumers bowled over by the recent return of French Toast Crunch after a nine-year hiatus should enjoy “The Tiny & The Tasty,” a strange and silly soap-opera parody that casts dolls as actors to reintroduce the General Mills cereal. McCann, Picture Mill and Beacon Street collaborated on the campaign.

All the classic daytime-drama tropes—amnesia, family intrigue, murder mysteries, surprise pregnancies—are played out in overwrought fashion on finely detailed miniature sets by poseable Ken- and Barbie-style action figures whose mouths never move.

Bill Wright, global executive creative director at McCann, says the idea stemmed partly from “the 1990s origin of French Toast Crunch. That was the decade when daytime dramas were at their height of popularity. So when you take soap operas and cross them with tiny dolls, you get a strangely awesome mashup.”

Real soap opera actors do a fine job of hamming it up on the tongue-in-cheek, breakfast-themed scripts (which, by the way, were written by Lex Singer, the son of former Adweek critic Barbara Lippert). And director Matt Piedmont, a writer for Saturday Night Live, establishes just the right tone. The spots channel the vibe of early SNL films by Walter Williams or Tom Schiller, though they’re less manic and, of course, more on brand.

Served up in brief, tasty bites, this serial really satisfies.



Christopher Guest Returns With More Hilarious Best in Show Spoofs for PetSmart

During the Oscars, PetSmart and Christopher Guest launched a pretty excellent campaign themed around Best in Show. Now, they’re back with more.

The new material from GSD&M is particularly reminiscent of Parker Posey and Michael Hitchcock as Meg and Hamilton Swan, who, in the movie, love J. Crew (and other clothing catalogs). But the man and woman in this latest ad, “The Avant Guardians,” are more haute, if equally insane, describing themselves, and their dog, as “fashion forward.”

That’s to say, in keeping with the Best in Show tradition, they ridiculously project all kinds of human qualities on their coddled shih tzu, Ford (presumably a nod to Tom Ford). And because it’s Guest-directed, the delivery is awkward in a perfect kind of way, with the actors ping-ponging between nonchalant and over the top, making crazy eyes and stammering out too-enthusiastic punch lines.

It almost makes it easy to forget that it’s a sales pitch. Then again, that’s pretty easy to do when you’re basically just copying a classic … even if by inbreeding.

CREDITS
Client: PetSmart
VP Marketing Communications: Shane McCall
Director, Traditional Creative: Valerie Lederer
Assoc. Creative Manager, Traditional Creative: Tara Niederhaus
Dir., Marketing Strategy and Nat’l Promotions: Debbie Beisswanger
Creative Manager- Store Environment: Chris Windsor
Project Manager, Salon Strategy: Megan Mouser
Titles: “The Avant Guardians” :15/:30; “Nooks and Crannies” 2:18
Agency: GSD&M
Group Creative Director/Art Director: Scott Brewer
Group Creative Director/Writer: Ryan Carroll
Assoc. Creative Director/Art Director: Ross Aboud
Assoc. Creative Director/Writer: Kevin Dunleavy
Art Director: Morgan McDonald
Writer: Scott Chalkley
Agency Producer: Abigail Hinojosa
Associate Agency Producer: Adriane Weist
Business Manager: Lindsay Wakabayashi
SVP/Managing Director: Scott Moore
Account Director: Sabia Sidiqi
Account Supervisor: Ben Creasey
Account Manager: Nadia Elias
Production Company: GO
Director: Christopher Guest
Managing Director: Gary Rose
Executive Producer: Adam Bloom
Executive Producer: Catherine Finkenstaedt
Line Producer: Mark Hyatt
DP: Kristian Kachikis
Editorial: Mackenzie Cutler
Editor: Gavin Cutler



Burger King Unveils Its First TV Commercial With the King in More Than 4 Years

You can’t keep a good King down.

Burger King’s creepy, plastic-faced King character, who was sidelined from TV ads four years ago, will return Monday night in prime time in a 15-second commercial for a Chicken Nuggets deal—his first appearance in a BK spot since February 2011.

The ad, created by Pitch Inc., isn’t much to look at creatively. But it affirms BK’s commitment to the character even after his long absence from TV.

“The King has been breaking status quo for decades and has earned his space in pop culture. He conveys the confident and bold spirit of the Burger King brand, which you can see comes to life in everything we do,” BK CMO Eric Hirschhorn tells AdFreak.

The King hasn’t been totally AWOL. He did, oddly enough, walk in with Floyd Mayweather and his entourage at last month’s big boxing match against Manny Pacquiao. That appearance cost BK a cool $1 million, Fortune reported, though it didn’t go over well with domestic violence advocates who oppose any deals with Mayweather, given his history with women.

CREDITS
Client: Burger King
Agency: Pitch, Inc.
Chief Creative Officer: Xanthe Wells
Exec Design Director/Creative Director: Helena Skonieczny
ACD/Copywriter: Heather Parke
ACD/Art Director:  Kimberly Linn
Account Director: Audrey Jersin
Account Executive: Christina Gocoglu
Director of Broadcast: Julie Salik
Production Coordinator:  Ivana Banh
CFO/COO: Pej Sabat
Chief Strategy Officer: Sara Bamossy
Jr. Strategist: Lexi Whalen
President: Rachel Spiegelman
Editorial Company: Bicep Productions
Editor: Nate Connella
Asst. Editor: Gary Burns
Editorial Producer: Esther Gonzalez
Animation & VFX:  Terry Politis
Color:  Bob Festa, Company 3
Audio Post Company: Bicep Productions
Engineer: Luis Rosario
Production Company: Woodshop
Director: Trevor Shepard
Executive Producer:  Sam Swisher
Producer: Ursula Camack
Director of Photography:  Tom Lazaravich
Music:  Motive Music Sound
Composer:  Jeremy Adelman
Producer:  Samanta Balassa



How to Make Your TV Commercials Look Epic, Even on Zero Budget

How can marketers with modest budgets—local home renovators and heating-system installers, for example—create “epic” advertising without going broke? Brazilian agency AlmapBBDO suggests tapping into the royalty-free video and image library of iStock by Getty Images. And it offers three amusing and effective spots to illustrate its point.

Almost everything about the mock ads below—for faux clients Lewis & Sons Heating Installations, Miracle Mike Contractors and Cosmo Cable and Satellite Services—is loathsome, from the cheesy, throbbing music cues to cheap-jack logos and annoyingly pulsating phone numbers.

In each case, however, the iStock visuals—of a tornado destroying a house, a snow-capped mountain range and a satellite orbiting the earth—are, well, epic.

“Creativity and visual accomplishment doesn’t have to come with a heavy price tag,” notes Andy Saunders, svp of content at Getty. Saunders says the campaign is designed to communicate the “quality, diversity and strength” of imagery available to advertisers at affordable prices through iStock.

Indeed, the images are so compelling, it may take a few beats before the commercials’ less-impressive aspects—and the fact that they are parodies—even register. (Though the absence of breathless testimonials from client CEOs is a dead giveaway.)

Getty’s stock has risen with AlmapBBDO before, notably in “85 Seconds” (which used 105 archived clips to tell a decades-spanning love story) and “From Love to Bingo” (conveying the saga of a single life using disparate 873 stills). Also, for Getty’s 20th birthday, agency and client showed famous faces aging through the years to demonstrate that great visuals are timeless.



Carl's Jr. Makes the Most Absurdly American Ad for Its Hot-Dog-and-Chips Cheeseburger

Putting a hot dog and potato chips on your cheeseburger is the ultimate expression of American-ness, according to Carl’s Jr. So, this 72andSunny ad for that monstrosity—an official menu item called the Most American Thickburger—celebrates that patriotism to a ridiculous degree. And Samantha Hoopes in a stars-and-stripes bikini is just the beginning.

People are making fun of this particular cheeseburger, of course. Check out Jimmy Kimmel’s takedown below, in which he imagines the craziest item on the Carl’s Jr. menu—and introduces a memorable new tagline for the place.



3M Makes Retargeted Banner Ads Less Annoying by Turning Them Into Post-it Notes

Retargeted banner ads are the sledgehammer of the web, bashing you again and again with the same random product you looked at once, whether you like it or not.

But 3M figured it could use the retargeted banner’s weakness as a strength. If the same banner comes up again and again, the company figured, why not make it a Post-it note where you could jot down info that might be useful later—when the ad pops up again?

Proximity Russia did just that in a recent campaign. Check out the case study below. It seems like ad-blocking software, but it’s not. 3M simply used retargeting technology and gave it an interactive spin.

The agency collaborated with several banner networks to get the Post-its on top websites in Russia. Clicking on the banners led you to a Post-it page, where you could create more stickers, edit or delete them all.

CREDITS
Client: 3M
Marketing Supervisor: Sergey Smolentsev
Marketing Coordinator: Yulia Smirnova
Agency: Proximity Russia
Creative Director: Andrew Kontra
Senior Copywriters: Polina Zabrodskaya, Anna Migaleva
Senior Art Director: Fernando Muto
Business Development Director: Mikhail Vdovin
Digital Director: Alexander Makarovsky
Senior Account Manager: Polina Zvereva
Digital Production House: INDEE Interactive
Producer: Alexey Zinchenko
UI designer: Egor Bernikov
Coders: Arina Vernidub, Andrey Zakurdaev, Oleg Nikanorov