EnergyBBDO Teases ‘Coin’ Super Bowl Spot for Bud Light

EnergyBBDO today released a 15-second teaser of “Coin,” the 60-second Bud Light Super Bowl spot featuring a life-size game of Pac-Man.

The “Coin” teaser doesn’t reveal much — but then there’s not really all that much to the premise, so showing much of the actual game might detract from the spot’s impact on February 1st. Basically, a guy at a bar receives a Bud Light bottle that says to “step outside for some old school fun” and enters a room for a life-size game of Pac-Man. It’s all a tie-in to Bud Light’s new packaging, which was revealed at the end of last month. The brand’s Super Bowl push will be supported by a “House of Whatever” event in Arizona (where the Super Bowl is being hosted) which will run for three days. The “Coin” Super Bowl ad is one of three A-B InBev is running for its Budweiser brands, along with two spots for the slightly-less-watery Budweiser.

Translation Debuts ‘Barrier Breakers’ for the NBA

Translation has just debuted its first work for the NBA, following being awarded the account in December.

In the new spot, entitled “Barrier Breakers,” Translation celebrates the NBA’s history of inclusiveness: from the league’s color barrier being broken in 1950; to Violet Palmer, the league’s first female ref; to Jason Collins, the first openly-gay player in the NBA. Images of these “Barrier Breakers” are set to excerpts from Martin Luther King Jr.’s famous “I Have A Dream” speech. The ad made its debut online today and will extend to broadcast during NBA games this coming Monday, Martin Luther King Day, and continue to air for five weeks.

“Barrier Breakers” seems to be Translation and the NBA’s effort to put last year’s Donald Sterling incident behind them as a dark moment in the history of a league that otherwise has many moments to celebrate. How tasteful viewers find the ad will depend largely on how they view the commercial use of the words of Martin Luther King, and whether they interpret the ad as simply designed to sell more seats or as having higher intentions.

Credits:

Title: Breaking Barriers
Client: NBA
Agency: Translation
CEO: Steve Stoute
Chief Creative Officer: John Norman
Executive Creative Director: Betsy Decker
Art Director: Matt Comer
Copywriters: Andy Ferguson, Betsy Decker
Director of Content Production/EP: Miriam Franklin
Associate Producer: Philinese Kirkwood
Account team: Tim Van Hoof, Chris Martin
Chief Strategy Officer: John Greene
Head of Brand Strategy: Tim Flood
Strategist: Lindsey Neeld
Project Manager: Matt DeSimone
Editorial Company: Cut & Run
Editor: Dayn Williams
Assistant Editor: Adam Bazadona
Post Executive Producer: Rana Martin
Post Producer: Jean Lane
Visual Effects: Sibling Rivalry
Creative Director: Matt Tragesser
Animator/Compositor: Gabe Darling
Executive Producer: Maggie Meade
Head of Production: Joanna Fillie
Post Producer: Tracey McDonough
Telecine/Conform: Company Three/Method
Colorist: Rob Sciarratta
Flame Artist: Carmen Maxcy
Audio Post: Heard City
Mixers: Phil Loeb, Evan Mangiameli
Executive Producer: Gloria Pitagorsky
Music: Trackmasters

Merkley & Partners Teases Super Bowl Spot for Mercedes

Merkley & Partners launched a 30-second teaser for Mercedes’ Super Bowl spot, featuring NFL legend Jerry Rice.

In the teaser for “The Big Race,” Rice discusses who will win the race between the Tortoise and the Hare with eight-year-old and “pet rabbit owner” Andrew Hunter. When Hunter reveals he doesn’t know the difference between a rabbit and a hare (they are both members of the Leporidae family, but belong to different genera), Rice tells him maybe he should “figure that out before debating the best wide receiver of all time.” Rice is then more than a little taken aback at Hunter’s response.

The ad is designed to mimic the buildup of anticipation leading to the Super Bowl, with Merkley & Partners having created its own version of the big game in “The Big Race.” Like with the Super Bowl, the weeks leading up to the event are filled with speculation and predictions. The teaser will air both on broadcast and online. Mercedes has also rolled out a social extension that includes Twitter accounts for the Tortoise and the Hare and a call for viewers to show their support by tweeting either #TeamTortoise or #TeamHare.

Drew Slaven, VP-marketing, Mercedes-Benz, divulged to AdAge that a specific Mercedes model will be a major factor in the brand’s Super Bowl spot. “There is a hero at the end of the race,” he added.

 

Big Changes at Deutsch

Deutsch Inc. has big plans for 2015, according to an agency-wide internal memo that went out this afternoon.

Following the Pizza Hut and Sprint wins, the year begins with several big staffing changes at the agency, most prominent among them being the appointment of LA CEO Mike Sheldon to the position of North American CEO and the departure of Donny Deutsch, who has been “a non-active Chairman for the past several years.”

Deutsch LA is the big winner in the new arrangement, which also sees CCO Pete Favat promoted to chief creative for the entire North American organization.

COO Kim Getty will assume the presidency of the West Coast office while LA-based SVP/Director of Business Development Jeff White will be North American EVP/CMO.

The biggest surprise in the announcement may be the fact that very little will change at the agency’s New York office.

Here’s the note from current North American CEO Linda Sawyer, who will soon replace Deutsch as chairman:

Deutschers –

I am pleased to share with you some exciting news about the future of Deutsch. I am announcing our succession plans and appointing Mike Sheldon as North American CEO overseeing both the LA and NY offices. Mike will report to me as I take on the role of Chairman. Donny, who has been a non-active Chairman for the past several years, becomes Chairman Emeritus. He will formally end his relationship with the agency at the end of March 2015 as he begins work on his recently announced new USA Network show.

Those of you who have had the pleasure to work with Mike know he has a big heart and big brains to match. Under Mike’s 17-year run, the LA office has grown from a handful of people to what is now the largest agency on the West Coast. He has built strong client relationships, has an innate ability to attract top-tier talent, land new business and to foster our culture. Beyond Mike’s business skills, you’ll find a down to earth guy who is the epitome of a fearless leader. It will be exciting to see how Mike helps write the next chapter of our agency.

New York will continue to be run under the strong leadership of Val DiFebo, CEO, and her management team. Val’s tenaciousness and unstoppable passion has made her a true force at the agency. She is an inspiring leader focused on influencing client’s business results through creative solutions.

Additionally, Mike and I are making a few other changes. To help grow both offices we have tapped Winston Binch as Chief Digital Officer North America, and Pete Favat as Chief Creative Officer North America. They will work hand-in-hand with both offices to maximize talent, share best practices and sharpen the tools in our toolbox.

Winston is a highly respected digital leader in our business. Since joining four years ago he has built a team of 190 digital specialists. As a result, digital is now

35% of the LA office’s revenue. Pete has been with LA for just over a year. In that time he has attracted top-tier talent, helped the office win eight pieces of new business, and bought home eight Lion’s from Cannes.

Mike and I are also happy to announce that current Partner, Chief Operating Officer Kim Getty is being appointed President, Deutsch LA. Over the years Kim has been responsible for helping manage LA’s fast-paced growth. Under her ambitious and get-it-done leadership, Kim has nurtured a world-class department of entrepreneurial thinkers and expanded services in experiential, public relations, and multicultural marketing.

And finally, SVP, Director of Business Development in LA, Jeff White, is being promoted to EVP, Chief Marketing Officer, North America. Deutsch LA has had some banner years, and working with the vast talent in both offices, Jeff will help generate even more new business for Deutsch.

Donny’s legacy, along with his father David’s, will be an enduring part of who we are. Every one of us will continue to make them proud. The Deutsch brand has always been dynamic, passionate and progressive. This leadership team, along with the strong and talented teams we have in NY and LA are going to be an unstoppable force in this industry.

Next Wednesday, January 21st, Val will be arranging an agency meeting in the afternoon to introduce you to Mike, and hopefully Winston, Pete and Jeff will join. It will be a nice opportunity for everyone to have a chance to connect with one another. More details to follow on this.

Please join me in congratulating Mike and the entire team of executives. 2015 is going to be a landmark year for us.

Mizuno Leaves McKinney, Launches Agency Review

Shoemaker Mizuno is currently conducting an agency review.

The Japanese footwear brand, which went from Shine to McKinney almost exactly three years ago, will not be renewing its contract with the Durham-based agency when it expires at the end of February.

A McKinney spokesperson writes:

We can confirm that McKinney is ending its partnership with Mizuno and it was a great run with five Effies, a WARC Prize for Social Strategy and Most Effective Brand in North America. Mizuno is a challenger brand with limited resources and we couldn’t be prouder to have produced such  groundbreaking work. We are actively pursuing a number of other, larger scale opportunities.

McKinney’s most recent campaign for Mizuno was “What If Everybody Ran,” which included the brand’s first-ever US TV spot along with a corresponding webpage and social media push; the project earned coverage in The New York Times.

A source told us several weeks ago, however, that the client wants its marketing strategy to focus less on video ads moving forward — a sentiment that fits with McKinney’s statement regarding budgetary concerns.

We know that Mizuno is currently involved in an (unannounced) agency review, but our sources did not list the shops competing for the account and the client has not responded to multiple requests for comment.

Updates as we receive them.

McCann NY Celebrates Jose Cuervo’s 220th Anniversary

McCann New York launched a new digital campaign for Jose Cuervo today, promoting the limited edition Jose Cuervo Especial Gold and Silver bottles the brand is releasing in celebration of its 220th anniversary.

The animated 30-second spot, called “The Blacksmith,” shows a blacksmith hammering away to create the gold and silver bottles of Cuervo Especial. Brooding music matches the dark animation, which fit the Dia de los Muertos inspired artwork on the bottles, an homage to Jose Cuervo’s Mexican roots. In support of the video, the brand’s Instagram feed has been slowly revealing details about the new bottles since January 11th. Animated GIFS on Jose Cuervo’s social channels will follow today’s video release.

Credits:

McCann

Chief Creative Officers: Thomas Murphy / Sean Bryan

Executive Creative Director: Mat Bisher

Creative Director: Jason Ashlock

Senior Copywriter: Nick DiLallo

Senior Art Director: Ryan Quigley

Chief Production Officer: Nathy Aviram

Senior Producer: Jessica Coccaro

Music Producer: Mike Ladman

Account: Lauren LaValle / Christopher Jeyes / Rachel Heiss

 

Production

Animation Company: Elastic

Director: Andy Hall

Executive Producer: Jenn Sofio Hall

Music & Sound Design: Q Department

Mix Studio: Sonic Union

Engineer: Fernando Ascani

180LA Eliminates Excuses for Expedia

180LA recently launched a pair of spots shots in and around Tokyo for Expedia entitled “No Excuses” and “Someplace New.”

In the 30-second “No Excuses” a young woman rattles off a list of excuse for not using her vacation days to travel (“I just don’t have the money to travel right now,” “If I had friends to go with I’d go, but I don’t want to travel by myself,” etc.) while she is shown taking a trip to Tokyo and having a blast. “There are no more excuses: find the hotel you want and the flight you want, and we’ll find the savings to get you there,” concludes the voiceover. The spot is well put together, with the fun Tokyo locations timed to break down the woman’s arguments.

Tokyo also functions into “Someplace New” which laments that 85 percent of people who travel go someplace they’ve already been before asking, “Where’s the fun in that?” Again, the city’s distinct personality — and specifically the iconic Robot Restaurant — helps give weight to the persuasion.

“I wanted our hero’s journey to be seen as an enlightening experience: She found the courage to do this trip, and was rewarded,” said Cap Gun Collective director Tom Haines. “Expedia wanted to show a different way of thinking about travel, and I was really attracted to that message. It really gave us the opportunity to tell an interesting, more emotional story.”

Credits:

Client: Expedia
Senior Director, Brand Marketing: Vic Walia
Brand Marketing Manager: Jessica Eichner
Media Director: Elizabeth Dorrance

Agency: 180LA
Chief Creative Officer: William Gelner
Creative Directors: Dave Horton, Matthew Woodhams-Roberts
Copywriter: Ben Bliss
Art Director: Marcus Brown
Head of Production: Natasha Wellesley
Senior Producer: Erin Goodsell
Head of Account Management: Chad Bettor
Associate Account Director: Brooke Stites
Account Manager: Mackenzie Walen

Production Company: Cap Gun Collective
Director: Tom Haines
Executive Producer: Jason Botkin
Producer: Benjamin Mann
Director of Photography: Steven Annis

Editorial Company: Melvin
Editor: Dave Groseclose
Producer: Brian Scharwath

Music Track: “Genesis” by Grimes

VFX and Finishing: The Mill
Colorist: Adam Scott

Staff Reductions at Havas New York

A Havas spokesperson confirmed today that the agency’s New York office laid off some of its staffers this week as part of a post-holiday restructuring that follows the September departure of CCO Darren Moran as includes this week’s hiring of Tom Goodwin as SVP of strategy and innovation.

Here’s the official statement:

Havas Worldwide NY made a slight reduction in staff, less than 2%. This decision came as part of a broader plan to improve internal efficiencies, and to realign our capabilities to better service our clients and streamline our operations.

That quote would place the total number of staffers no longer with the agency in the low two digits; no word on which departments were most affected.

Havas’ New York office continues to search for Moran’s successor.

McCann NY Enlists Lewis Family for Nikon

McCann New York enlisted gay couple Kordale and Kaleb Lewis — who became Instagram celebrities after posting this photo documenting their morning routine fixing their daughters’ hair before school — and family for a new spot for Nikon.

The two-minute plus video takes a closer look at Kordale Lewis, Kaleb and their children, as the couple discusses their morning routine, parenting and their unexpected rise to Internet stardom. It’s part of McCann’s “Generation Image” campaign for Nikon, which launched in November, celebrating the ubiquity and importance of images to millenials. In addition to rocking a Nikon camera in the spot, the couple also says that “A picture is worth so much more than a thousand words,” and given the Lewis’ success it’s hard to argue otherwise. Nikon may be the first brand to capitalize on the Lewis’ fame and endearing personalities, but it’s hard to imagine they’ll be the last.

Credits:

Client: Nikon

Agency: McCann NY
Tom Murphy, Co-Chief Creative Officer
Sean Bryan, Co-Chief Creative Officer
Larry Platt, Executive Creative Director
Thomas Sullivan, Group Creative Director
Cameron Fleming, Associate Creative Director
Calvin Lyte, Associate Creative Director
George Katz, Design Director
David Mashburn, Design Director
Kathy Love, Executive Producer
Jory Sutton and Chandler Simms, Integrated Producers
Ryan Fitzsimons, Production Coordinator
Eric David Johnson, Executive Music Producer
Mike Ladman, Music Producer

Account:
Kevin Scher, Group Managing Director; Dana McCullough; Account Director; Daniella Rey, Account Director; Danielle Jimenez, Assistant Account Executive

Strategy:
Steve Zaroff, Chief Strategy Officer; Julien Delatte, Group Strategy Director; Michele Kim, Strategist

Production
Director: Douglas Gautraud
Production Co: Coverdale, Inc.
DP: Luca Fantini

Editorial: The Whitehouse
Editor: Paul LaCalanra
Assistant Editor: David Rothstadt

Color Correction: Fergus McCall at The Mill
Sound Engineer/Mix: Tom Goldblatt @ Audio Engine

Music Company: South Music

GS&P Imagines ‘The Last Traffic Jam’ for Cisco

Goodby Silverstein & Partners launched a new campaign for Cisco Systems, touting the Internet of Everything, entitled “Building Tomorrow Today.”

In “The Last Traffic Jam,” the agency imagines a recreation of a traffic jam in a museum presented as the “scourge of 20th century city life.” Near the conclusion of the spot, the voiceover assures viewers, “…one day soon, we’ll see the last one ever,” since “Cisco is building The Internet of Everything for connected cities today that will confine the traffic jam to yesterday.”

It’s an intriguing approach. After all, who wouldn’t want to see the traffic jam turn into a museum relic? Other ads in the campaign will reportedly follow a similar approach, presenting “last” scenarios (including “the last product recall,” according to Campaign). It will be interesting to see where Goodby Silverstein & Partners takes the idea next.

Credits:

Client: Cisco Systems.

Agency: Goodby Silverstein & Partners
Partners: Jeff GoodbyRich Silverstein
Creative Directors: Nick KlinkertJustin Moore
Art Director: Sam Luchini
Copywriter: Roger Baran
Director of Broadcast Production: Tod Puckett
Executive Broadcast Producer: Hilary Coate
Broadcast Producer: Stephanie DeNatale
Worldwide Group Account Director: John Coyne
Account Director: Tanin Blumberg
Account Manager: Annalisa Dreese
Assistant Account Manager: Chelsea Bruzzone
Group Brand Strategy Director: Kelli Robertson
Brand Strategist: Graham North
Junior Brand Strategist: Marisa Perazzelli
Senior Business Affairs Manager: Mary Marhula

Production Company: Reset
Director: Johnny Green
Director of Photography: Lasse Frank
Producer: Laure Stevens
Executive Producer: Jeff McDougall

Editorial Company: Final Cut
Editor: Jeff Buchanan
Assistant Editor: Scott Butzer
Senior Producer: Suzy Ramirez
Executive Producer: Saima Awan
Telecine: MPC
Colorist: Mark Gethin
Color Producer: Summer McCloskey
Executive Producer, Color: Amanda Ornelas

VFX/Finishing: The Mill
Executive Producer: Sue Troyan
Senior VFX Producer: Kait Boehm
Shoot Supervisors: Tim Bird and Dan Williams
Creative Director: Tim Bird
2D Artists: Joy Tiernan, Ben Smith and Anthony Petitti
PreVis: Matt Neapolitan
VFX Coordinator: Daniel Midgley

Music: Barking Owl
Sound Design: Barking Owl
Sound Designer: Michael Anastassi
Creative Director: Kelly Bayett
Head of Production: Whitney Fromholtz
Mix: Eleven Sound
Mixer: Jeff Payne
Assistant Mixer: Ben Freer
Producer: Dawn Redmann
Executive Producer: Suzanne Hollingshead
Design Studio: Elastic

Tesco Names BBH London Creative Lead

TescoTesco, the UK’s largest retailer, named BBH London its new lead creative agency, Adweek reports. The chain spends almost $170 million annually on measured media.

BBH London takes over for W+K London, who had held the account since 2012, when they took over for Frank Lowe‘s startup The Red Brick Road. The agency said in a statement, that as a result of its new relationship with Tesco it had resigned competitor Waitrose.

As The Guardian pointed out, 2014 was a horrible year for Tesco, which faced “falling sales, five profit warnings and an accounting scandal.” Still, that publication predicted that the business could see a strong rebound in 2015 under new CEO Dave Lewis.

“A unique opportunity has presented itself with Tesco, and we are looking forward to working with Dave Lewis and his team,” said BBH CEO Neil Munn.

Walton Isaacson Makes Some Noise for Lexus

Agency Walton Isaacson (rather than the brand’s usual agency, Team One) crafted a 30-second Super Bowl spot promoting the Lexus NX, entitled “Make Some Noise.”

The spot employs a Stomp-like approach, building a soundtrack from sounds made by the vehicle, such as a beep from the car unlocking, the sunroof opening and the sound of the engine revving. Highly stylized shots of the vehicle, interspersed with dancers, accompany the sounds until a voiceover announces, “Go beyond utility: introducing the Lexus first-ever NX Turbo and Hybrid from Lexus. Be seen. Be heard. Make some noise.”

“Make Some Noise” will run during the first half of the Super Bowl, making Lexus one of only a few automakers advertising during this year’s game, along with Toyota, Nissan and Mercedes-Benz. General Motors, Volkswagen and Lincoln will be conspicuously absent. Lexus last ran a Super Bowl ad in 2012, promoting the 2013 Lexus GS.

Credits:

Agency: Walton Isaacson
VP, Group Account Director: Ayiko Broyard
Creative Director: Cenon Advincula
Copywriter: Colin Costello
Art Director: Cenon Advincula
Music Supervisor: Andrew Logan
Producer: Shauna Williams
Production Company: Radical Media
Director: Dave Meyers
Executive Producer: Jim Bouvet
Producer: Scott Cunningham
Director of Photography: Christopher Probst
Editorial Company: Rock Paper Scissors
Executive Producer: Angela Dorian and Dave Sellars
Editor: Adam Pertofsky
Producer: Shada Shariatzadeh
Assistant Editor: Majorie Sacks
Post Production: Method Studios
Lead Flame Artist: Claus Hansen
Executive Producer: Robert Owens
Producer: Stephanie Allis
Telecine: Company 3
Colorist: Dave Hussey
Voiceover: Blair Underwood
Music/Sound Design: Kismet Inc.
Composers: Andrew Logan and Pamela Reswick
Recording Studio: 48 Windows
Engineer: Eric Garcia

Verizon Adds Wieden+Kennedy to Agency Roster

verizon logo

A spokesperson for Verizon confirmed today that Wieden+Kennedy will be the latest member of its extensive agency roster.

Details unfortunately remain scant due to the company’s unwillingness to reveal too much of its marketing strategy to its competitors (who obviously read this blog), but we can confirm a few things:

  • Despite any claims to the contrary, mcgarrybowen will continue to serve as AOR for the company’s wireless business, a role it has held since winning the account from McCann in April 2010.
  • Similarly, McCann will retain the FiOS portion of Verizon’s business.

Here’s the official word from corporate:

“We are happy to say we recently added Wieden+Kennedy to our roster of agencies, which number about 40 at this point.”

The client refused to reveal which specific responsibilities it had assigned to W+K, and we cannot confirm which offices will handle the account (though Verizon’s headquarters is based in New York), but observers should expect to see some sort of creative attributed to Wieden+Kennedy within the next few months.

You may note that this news comes just over a week after a Bloomberg piece reported that the company recently approached AOL about a “takeover or joint venture.” That news, combined with November reports on a now-dead “native advertising” site produced by mcgarrybowen, imply that the client plans to dive deeply into the business of “content.”

Wieden+Kennedy offered no comment on the news, deferring to the client.

Shell Names POSSIBLE its Global Digital Agency

1105px-Shell_logoDigital agency POSSIBLE announced today that it has been named global digital agency for Shell, following a competitive review which included four other agencies. Efforts for Shell, beginning with corporate brand work, will be led by POSSIBLE’s London office. A “major launch” is expected from the agency some time in early 2015.

Shell is trying to present itself as an energy company with an “ongoing commitment to meet global energy demand in a responsible way,” despite a track record that suggests otherwise (to put it mildly). This past October, Lego ended its longtime partnership with Shell following a successful Greenpeace campaign. So repairing Shell’s image will be no small task. Still, in a press release POSSIBLE Global CEO Shane Atchison referred to the company as “the ideal client, both innovative in their approach to energy and global client reach and scale.”

“We selected POSSIBLE because they are a forward looking agency partner that can collaborate with us on new ways to reach our customer audience,” said Malena Cutuli, global dead of brand communications and capability at Shell. “They are uniquely positioned to help us engage in this fast moving, socially connected global world that we live in with offices worldwide and core strength in the digital space.”

Leo Burnett Change Aims to Shock with Cosmopolitan Cover

Cosmo_Karma Nirvana coverLeo Burnett Change, a specialist arm of Leo Burnett dedicated to social change, designed an attention-grabbing cover for Cosmopolitan as part of an awareness campaign for Karma Nirvana, a UK charity aiding victims of so-called “honour-based violence.”

The cover (pictured above) was inspired by the death of of Shafilea Ahmed, a 17-year-old British-Pakistani woman who was suffocated to death by her parents in front of her siblings after refusing to honor an arranged marriage. It depicts a woman who appears to be suffocating, and is encased in a plastic wraparound. A 7-second online video, also created by Leo Burnett, depicts the cover being ripped open as a symbolic representation of the release of women from such violence. The harrowing cover will run on limited editions of the February issue of Cosmopolitan in the UK, and the video will run on the magazine’s social channels, including Facebook, Twitter, Vine and Instagram.

Credits:

Creative Agency: Leo Burnett Change

Executive Creative Director: Justin Tindall

Creatives: Darren Keff and Phillip Meyler

Account Director: Chris Jackson, Sofia Sarkar

Photographer: Erin Mulvehill

Design: Tim Fletcher

Producer: Mickey Voaks

Production Co.: Messrs Group

Matter Unlimited Adds New Account Managing Director, CD

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Strategic and creative agency Matter Unlimited announced the additions of Alexandra Gordon as account managing director and Jake Kahana as creative director, design.

Gordon will be responsible for leading management, developing client relationships and overseeing the internal account team. She joins Matter Unlimited from mcgarrybowen, where she spent approximately the last three years as an account managing director and led several integrated campaigns for Marriott International. Prior to mcgarrybowen, Gordon spent over two years serving as an account director at DDB Sydney, where she worked on the McDonald’s Australia account. Prior to that she served as an account manager for M&C Saatchi.

As creative director, Kahana will manage creative output for all client work, acting as creative lead. He joins Matter Unlimited following over a decade as a freelance art director and designer. During this time his clients included Microsoft, Nestle, Unicef, HBO and President Bill Clinton. He has also worked as an art director for Deutsch LA, a lead designer at 72andSunny and an instructor at Otis College of Art and Design.

“I couldn’t be more thrilled to have these two rock stars joining the Matter Unlimited team,” said Rob Holzer, founder and CEO, Matter Unlimited, in a statement. “They both bring just the right mix of experience and passion to use their skills for positive social impact that make them perfect for our mission and the important work ahead of us.”

R/GA Wins E*Trade TV Account

etrade logo

While we’ve yet to receive official word from agency PR, sources within the Ogilvy camp confirmed this morning that the agency has lost the TV portion of the E*Trade account to R/GA. No review was announced.

For context, Ogilvy won the business in July 2013, as evidenced by an internal memo from COO Lou Aversano; incumbent Grey New York, or the party responsible for the brand’s once-ubiquitous baby, resigned the account earlier that year.

In early 2014, the client signed a new CEO and dropped the baby for a new approach, with its CMO telling Fast Company that “the baby ate the brand.” Ogilvy’s following “Type-E” campaign starred Kevin Spacey and others.

A recent AdAge profile piece noted that R/GA, which has worked on E*Trade digital for some time, planned “a new emphasis on TV work” for 2015; this win marks a major step in that direction.

Sources say that, while Ogilvy may retain parts of the E*Trade business, R/GA will be behind all upcoming TV campaigns.

UPDATE: R/GA has no official comment on the news. Sources close to the matter also claim that the client didn’t just change agencies — it also dumped CMO Liza Landsmen, the very executive who discussed its new creative direction with Fast Company last year.

Icaro Doria Heads to DDB NY as CCO

-28DDB Worldwide announced today that Icaro Doria has been named chief creative officer of its New York office, effective as of March. Doria will report directly to Chris Brown, who assumed the role of president and chief executive officer of DDB New York in September. He will be responsible for overseeing the entire creative department and maintaining the agency’s overall creative direction.

Most recently, Doria was a founding executive creative director at W+K São Paulo, spending the last four years with the agency and working with clients such as Coca-Cola, Nike, Heineken and Smirnoff. Before returning to his native Brazil, Doria served as creative director with Saatchi & Saatchi New York, global creative director for Dell and Bacardi at Young & Rubicam and group creative director at Goodby Silverstein & Partners, working on Hewlett Packard and Sprint. In 2007, while Doria was still with Saatchi & Saatchi New York, Creativity named him “Most Awarded Copywriter in the World.”

“DDB New York is on a mission to blaze new trails and therefore finding the right creative partner and leader was really key. I’ve been describing DDB New York as the ‘original boutique’ agency and that is why I am so excited about Icaro joining,” said Chris Brown in a statement. “His appointment helps solidify our singular mission to create game-changing work and business ideas for our clients, and I’m confident he will be the perfect partner to help lead DDB New York into the future,” he added.

Virgin Atlantic Hands Figliulo & Partners North American Creative Duties

va_twitter_p_r3d_rgbLVirgin Atlantic has awarded North American creative duties to Figliulo & Partners, following the conclusion of a review run through Creativebrief, Campaign reports.The agency succeeds incumbent Y&R New York, who did not defend in the review.

Figliulo & Partners will work with Virgin Atlantic’s lead global agency, Adam & Eve/DDB, and has already been tasked with developing a strategy to bring the Virgin’s “Let It Fly” campaign to the US, with “a heavy focus on digital.” Virgin named Adam & Eve/DDB its lead global agency back in August, ending a 20 year relationship with Rainey Kelly Campbell Roalfe/Y&R, following a five month review process. New work from Figliulo & Partners is expected within the next couple of months.

In a statement, Simon Bradley, vice president of marketing, North America, Virgin Atlantic, cited Figliulo & Partners’ “exemplary strategic thinking” as a key factor in the decision. He added, “F&P is uniquely positioned in the industry, having big creative experience coupled with the entrepreneurial spirit of a boutique. We feel confident that their collaborative, agile, and data-driven approach is exactly what we need to drive our brand forward.”

We Are Social Lands Old Navy, Opens San Francisco Office

Leila_ThabetSocial media agency We Are Social announced the addition of Old Navy to its client roster, and the subsequent opening of a San Francisco office to accommodate current and prospective West Coast clients.

Leila Thabet, We Are Social’s US managing director, will initially lead the new office, splitting her time between New York and San Francisco until the agency can assemble a senior leadership team for West Coast operations. Jenn Bader, group account director, will also relocate to the San Francisco office from New York.

“We’ve experienced strong demand for social strategy and creative from leading brands, and opening the office in San Francisco is the next step in helping us meet client needs,” Thabet said in a release. “This expansion demonstrates how our approach to putting social thinking at the center of marketing resonates with brands, and why We Are Social has been successful both here and throughout our growing network of offices around the world.”