VML Expands Chicago Office, Hires ‘Ship My Pants’ Creative Sean Burns

VML is expanding its Chicago office with a series of new hires including executive creative director Sean BurnsNorth American director of optimization and acquisition Erik Peterson and strategic technology lead Rob McCutcheon. The agency also promoted Hilary Murdock to group director, head of strategy.

This series of moves follows VML consolidating its Chicago offices into one large space located at 233 North Michigan Avenue.

In recent months, the WPP shop also won the Wendy’s account (which had been with Publicis), promoted the creatives who helped with the pitch, opened a new San Francisco office and hired two new group directors in New York.

In his new role, Burns will work closely with managing director, executive director Jeremy Schutte as a principal team lead. He joins the agency from FCB Chicago, where he has served as SVP/creative director for over four years. During that time he’s worked with clients including MillerCoors, Hillshire, Cox Cable and Kmart, most prominently on the “Ship My Pants” campaign. Before joining FCB Chicago, Burns spent over 20 years with Grey New York, working as a creative director for brands including Starburst, Aquafresh, UPMC and America’s Natural Gas Alliance.

Peterson joins the agency with over 20 years consulting in the digital marketing industry, with both applied marketing and UX experience.

McCutheon will work across VML’s Gatorade business as strategic technology lead. He has previously served in senior strategy roles for Team Detroit and Razorfish. 

Murdock joined VML in June of 2014, after spending nearly two and half years with FCB Chicago as vice president, strategic planning director, leading strategic planning on the agency’s KFC account. Prior to that, she spent almost three years as a strategy director for Rauxa.

DigitasLBi Detroit and Leo Burnett Detroit Will Merge to Form ‘Engage M-1’

Publicis agencies Leo Burnett Detroit and DigitasLBi Detroit will soon merge, creating a new unit called Engage M-1 that will be dedicated to serving their shared General Motors accounts.

From a Publicis spokesperson:

“After years working together on General Motors in Southeast Michigan, DigitasLBi and Leo Burnett will come together as a united  partnership—Engage M-1 (reflecting the central roadway of Detroit)—serving our General Motors clients including Buick and GMC.”

The spokesperson told us that, while the soon-to-be-united team “shares a mission of providing world class work to our clients,” both agencies will retain their separate brands and office spaces.

This shift follows an April Adweek report in which sources speculated that a “blind RFP” making its way around Detroit-area agency circles amounted to the launch of a creative review for the Buick and GM accounts. General Motors declined to confirm the news at the time, telling Adweek that Leo Burnett and DigitasLBi remained its agencies of record and stating, “We don’t comment on rumors and speculation or on the particulars of our agency projects.”

That said, the client did move its Chevy Silverado truck line business from Leo Burnett to Commonwealth//McCann last year in a shift that led to a round of downsizing at the latter’s Detroit office.

The Publicis spokesperson did not provide more information regarding any staffing changes that might accompany the merger or clarify when any related operational changes will take place.

Gary Vee Will Disrupt Sports Marketing with Some Help from Darren Rovell

When last we heard from one Gary Vaynerchuk, everyone’s favorite digital thought leader had hired his very first chief creative officer before winning the Noosa yogurt account and, more significantly, picking up social media duties for a certain JPMorgan Chase.

Now Vayner is branching off into an entirely new vertical: sports! More specifically, that would be athletes who double as influencers and the many, many brands that would love to score their (well-paid) endorsements.

To explain further, here’s some dude who gets paid to talk about sports and Twitter, unlike all us amateurs. You can just skip the first 30 seconds or so.

We like the part where Gary tells Darren to do whatever he wants before taking control of the whole thing.

Anyway, this goes on for quite a while. But we get the key details: Gary and his brother have partnered with a guy named Brian and his partner Mook(?) to relaunch a sports marketing operation.

According to the Vaynersports home page, this unit will “[guide] players through a variety of issues involving their professional career” by “improving the level of service beyond what any athlete has experienced in the industry thus far, one client at a time.”

The main conclusion we draw from the video is that Vee legitimately enjoys talking about himself and Rovell is cool with that.

Multiple Colorado Publications Claim That Factory Design Labs Failed to Properly Pay Them for Ad Placements

Factory Design Labs of Denver has been through a few major changes in recent years, most prominent among them the departure of former CEO Scott Mellin, who was demoted to chief brand officer and replaced by predecessor and agency founder Jonas Tempel.

The company also recently pivoted from being a design agency to also providing media services to both clients and advertisers. But according to a story that ran in the Denver Post over the weekend, “the agency has left several magazines with unpaid bills and raised the ire of media outlets and at least one company that paid Factory to place ads.”

Staff reporter Jason Blevins writes that Factory told multiple outdoor sports publications that it would be unable to pay for ads it had placed on behalf of its media clients, many of which are area ski resorts or producers of outdoor sports equipment. An ad sales executive from an unnamed national magazine said:

“They have a lot of outstanding balances and delinquent payments with us for all my clients that had media managed through Factory … I was flabbergasted when (a client) shared with me that they had indeed paid Factory and Factory was not paying us for those bills.”

The accusation, then, is that the agency accepted full payment from its clients before telling the media companies that ran the ads that it would be unable to fulfill its part of the agreement and attempting to negotiate alternate deals that paid as little as 8 cents on the dollar, according to Snow Magazine publisher Barbara Sanders. As one anonymous media executive put it, “Where did the money go?”

Blevins contacted various media executives who declined to comment on the record. Agency president Bob Reimer also did not say anything for the Denver Post story, citing unspecified “confidentiality and non-defamation agreements.”

We recently spoke to a source with direct knowledge of the matter who claimed that Factory Design Labs made repeated attempts to spin the story told by these media partners as one for which the agency is not to blame.

According to additional sources who spoke to The Denver Post on condition of anonymity, Factory blames its inability to honor business agreements on the loss of The North Face account. It’s true that the shop had been AOR on that business since 2007, but rumors of a split began circulating almost two years ago when Mekanism took over responsibility for the outdoor gear company’s TV campaigns. The first such effort launched in November 2014, and Mekanism officially became the client’s lead creative agency partner with the “Never Stop ____” campaign less than a year later.

Regarding the alleged non-payment, Sanders told the Denver Post, “…no one is talking about it in public. It’s like it didn’t happen.”

Rivet Rebrands as FCB/SIX, Expands to Montreal

Following last week’s changes to the Toronto-based agency’s leadership team, Rivet is rebranding as FCB/SIX and will be expanding with a second office in Montreal.

“To best reflect its iconic and creative FCB heritage, Rivet is rebranding as FCB/SIX and being transformed into a unique and leading Canadian-based data-first creative group,” said FCB Canada CEO Tim Bowen. “FCB/SIX will augment the existing roster of FCB companies in Canada and beyond by providing specialized, highly effective data, technology and 1:1 creative ideas that drive ROI for a wide range of clients.”

Andrea Cook, who was named president of Rivet back in January, will continue to serve as president of FCB/SIX. Rachelle Claveau will continue to lead FCB Montreal as president, with FCB/SIX operating independently, with separate structures, clients, locations and teams. 

“Importantly, the name change better represents the agency’s approach to mashing data and technology to deliver creative ideas that execute at the individual level and generate exceptional, behaviour-changing work for clients at scale,” said Cook. 

Following Cook’s arrival in January, the agency brought on 22 new hires in anticipation of the impending rebrand and expansion, hires which the agency says “ have been fostered by growth, culture shift and the evolution of the team under Cook’s new vision.” Filling out the leadership team at FCB/SIX are the recent arrivals of executive creative director Ian Mackenzie, senior vice president, strategy Kim Farwell and vice president of data and technology Jacob Ciesielski.

Publicis No Longer Interested in Owning a Portion of Cheil Worldwide

Publicis Groupe officially updated the long-rumored talks between itself and Samsung regarding ownership of the latter’s agency network Cheil Worldwide…by stating that it is no longer involved in those discussions.

This morning, spokespeople for Maurice Levy’s holding company told Reuters and other outlets that talks regarding a “possible investment” in the network, which owns some or all of McKinney, The Barbarian Group and London’s BMB, have collapsed.

Samsung remains a Publicis Groupe client, however, and the latter’s statement aims to dispel any rumors about that pairing:

“The strategic relationship with Samsung is as strong as ever and we will continue to work daily with Samsung and Cheil Worldwide to make the brand even more successful.”

When reading that statement, remember that Samsung concluded its late 2014 global review by sticking with Publicis and adding Rosetta to its agency roster.

The Publicis/Cheil talks were first reported in January–a time when the holding company was in better financial shape prior to losing the P&G media review. As recently as February, rumors held that Samsung would soon accept Publicis’ offer to become Cheil’s largest shareholder with a 30 percent stake. (Samsung Electronics and its engineering wing C&T currently own approximately 25 percent.)

It’s unclear why the talks broke down at this time, because The Korea Times reported yesterday that Samsung still very much wants to sell the Cheil organization to someone. From that report’s anonymous source:

“At least three investors including one Chinese real estate company showed keen interest in acquiring the stake in Cheil. Working-level discussions are underway. The key issue is price.”

Note the last line and the fact that both of Samsung’s U.S.-based agencies have struggled in recent months. McKinney lost its biggest account, Nationwide, to Ogilvy in February and went through a significant round of downsizing afterward. Still, the North Carolina shop has been producing a steady stream of work: it recently won headlines for a stunt based on North Carolina’s infamous “bathroom bill” and picked up the TuneIn account without a review.

The Barbarian Group is also in the midst of a significant restructuring following the departures of its CEO, founder, owner, chief creative officer, head of talent, head of accounts and more under the leadership of former Cheil executive Peter Kim.

In barely related news, we are sad to report that Mr. Levy has yet to make any public jokes about the “colossal” size of Sir Martin Sorrell’s (pay) package.

New York Commercial Content Studio Napoleon Group Opened ‘The Best Eyelash Extension Studio in Town’

Independent agency Kastner & Partners may own a barbership in Madrid, but New York commercial content studio Napoleon Group has “the best eyelash extension studio in town.”

Napoleon Group founder Marty Napoleon and Chief Operating Officer Spiro Kafarakis opened eyelash salon Lashes on 5th last year and have since offered agency and brand clients eyelash, manicure and pedicure sessions while waiting for everything from rendering and color correction to audio correction and other time-consuming post-production processes. Napoleon and Kafarakis also see the business as a perk for employees. 

“What can we do as a company to make our clients, partners, vendors and employees feel better in their day-to-day?” said Kafarakis. “If Lashes does it, then we have succeeded.”

“What is the difference between a $200.00 bottle of single malt scotch that I would share with a male creative director and $150.00 spa treatment that I would offer a female creative director?” Kafarakis asked. “Am I sexist to think that way? I don’t feel sexist, I strongly believe that the appeal of varied benefits meet the needs of that specific individual. I’m proud of the lashes salon, I am also proud that we are confident as a company to celebrate femininity. Maybe it’s because I grew up in a family that taught me that a woman is to be celebrated and pampered in a different fashion than a man.”

Kafarakis says he plans to offer discounted sessions at Lashes on 5th to attendees of the Three Percent conference in New York this fall. 

72andSunny Lays Off Two Percent of L.A. Office

72andSunny has confirmed tips we’ve been receiving regarding a round of layoffs at its Los Angeles office. According to the agency’s statement, the L.A. office will be the only one impacted and the cuts don’t appear to be connected with any account changes but rather allow the agency “to continue to focus on…overall, long term health as a robust, modern agency moving forward.”

Here’s the statement from 72andSunny:

“Today we are parting ways with 2% of the staff in our LA office. No other office will be affected and we don’t foresee any additional adjustments. This is something that we take very seriously and saying goodbye to friends and family is extremely hard. We are deeply committed to everyone here at 72andSunny and this adjustment allows us to continue to focus on our overall, long term health as a robust, modern agency moving forward.”

Fetch Opens L.A. Office with Ruairi McGuckin as Managing Partner

Dentsu Aegis Network’s “global mobile-first agency” Fetch is opening a new office in Los Angeles, led by Ruairi McGuckin as managing partner, West Coast.

The expansion follows recent business growth for the agency’s New York and San Francisco offices, including the additions of Travelocity, GSN Games and Yelp to its client roster. McGuckin will be responsible for overseeing accounts for the Los Angeles based client roster, including the recent addition of Hulu, while reporting directly to executive vice president, U.S. managing director Guillaume Lelait

“LA is a natural progression for Fetch. We have several clients in this market and it offers a wealth of access to talent and technology innovation – a critical component to continuing to grow our US presence,” said Lelait. “Our expansion into LA also speaks [to] our move towards delivering mobile-first strategies to the growing entertainment economy coming out of that region and we believe Ruairi’s experience will allow us to tap into this and many other facets of the market to further enhance overall North American offering.”

McGuckin arrives at Fetch from Criteo, where he has served as head of account strategy, mobile since October of 2013, following under a year as director of marketing, customer acquisition with Kabam. Before that he spent two and half years with Fox Mobile Group as vice president, digital marketing and a year with SGN Games as vice president, marketing.

“Fetch’s expertise is strategically aligned with the challenges and opportunities mobile advertisers face in today’s increasingly fragmented marketplace,” said McGuckin. “LA is ripe with brands who take a mobile-first approach, but may need help figuring out the best place to invest time and resources. I am thrilled to be leading Fetch’s brand expansion into this market and look forward to where we are headed as an industry.”

Additionally, Fetch announced a series of senior hires, including U.S. executive creative director Octavio Maron, account director Natalie Robinson and head of programmatic Joshua Niederriter

Maron will be responsible for the “overall direction, strength, profile, output, and distinction of the agency’s creative brand.” He joins Fetch from Pontomobi (part of Dentsu Aegis Network Brazil), where he has served as CCO since July of 2013. Before that he spent four years as executive creative director with AG2 Publicis Modem.

Robinson will serve as the regional lead for Hotels.com North America, AOL and upcoming new business wins. She  joins the agency from Essence, where she has served as an associate account director in New York since last April, following around a year and a half as a senior account manager in London. Prior to that she spent a year and a half as a digital account manager with Neo@Ogilvy.

Niederriter arrives at Fetch from AKQA, where he has served as associate director, media technology since July of 2014, following stints as a campaign manager and technical supervisor with the agency.

 

Erin Johnson’s Legal Team Files Memorandum in Opposition to Motion for Dismissal

Several weeks ago, the legal teams of JWT, WPP and former CEO/chairman Gustavo Martinez each filed a motion to dismiss Erin Johnson‘s lawsuit against Martinez. Unsurprisingly, Johnson’s lawyers responded today by filing a memorandum in opposition to Martinez’s motion to dismiss the complaint, contending that JWT and WPP’s response to Johnson’s complaints show that “if you complain of discrimination, you will be attacked publicly, be branded as a liar and ostracized.”

The 23-page memorandum attempts to refute the various arguments made in the aforementioned motion to dismiss the case. Among the arguments in that motion for dismissal, Martinez’s lawyers contended that a text sent by Johnson to Martinez ten days before her legal team let WPP and JWT know that they would be filing a suit was evidence that Martinez’s behavior did not create a hostile work environment. In the message, Johnson told Martinez she had turned down a job offer, choosing instead to stay loyal to him and JWT. Johnson’s lawyers reject the “snippets of a text” as invalidating her argument that Martinez created a hostile work environment.

There is no question that “going along to get along” is common in these cases,” they wrote in the memorandum. “Plaintiffs decision not to quit in reaction to a dispute with a more than decade-long employer is neither unusual, nor relevant to this motion.”

Regarding the text in question, the memorandum adds, “Discovery will show the full texts, emails, and the like among many relevant individuals and a jury can decide the significance of this text at that time, with a full record.”

The document also objects to the notion that there weren’t enough instances of offending behavior on Martinez’s part to constitute a case against him. “Corporate defendants list six such incidents [of offensive comments by Martinez],” the document states. “That behavior, without more, could state a claim for a hostile environment. In addition, however, defendants ignore that those allegations are far from describing isolated incidents, but instead are examples of sexist, humiliating and threatening behavior that was typical of Martinez.”

Johnson’s legal team also alleges, contrary to Martinez’s claims, that “despite Johnson’s repeatedly following ‘her employer’s well-established discrimination prevention policies,’ the discrimination continued, escalated and provoked retaliation and defendants’ ridicule.” (In the motion for dismissal, Martinez’s team claimed to find it “‘fascinating’ that Johnson did not use “her employer’s well-established discrimination prevention policies.”)

The memorandum also addresses the claims made by Martinez’s legal team that Martinez’s behavior didn’t amount to sexual harassment which created a hostile work environment by stating his comments, including retaliatory remarks made when Johnson objected to his previous behavior by stating “The sex-based nature of Martinez’s offensive comments and conduct frequently was explicit.”

“For example, when Johnson told Martinez that his comments about rape were not acceptable in the workplace, he responded by telling her that ‘American women are too sensitive,’” the document goes on. “Shortly thereafter, he grabbed Johnson around the neck with his arm, telling her to come to him so that he could rape her in the bathroom.” 

Additionally, Johnson’s lawyers address the claim that “all of the ‘complained of adverse actions occurred in 2015’ before plaintiffs first protected activity in February 2016.”

“Of course, just because Martinez says something does not make it so,” the document states, alleging that there were “multiple instances of protected activity in both 2015 and 2016, and many examples of adverse actions thereafter.”

For more on the most recent filing in the case, see Adweek’s coverage, which includes the document in full.

Ogilvy Veterans Launch ‘Something Different’ in Brooklyn

Former Ogilvy & Mather executive creative director Tommy Henvey and executive producer Patti McConnell launched Something Different, a creative marketing boutique in Brooklyn that “will leverage a lean and flexible business structure to provide brands with the thing that agencies do well—produce great creative—while avoiding pitfalls that cause work to bog down and cost too much.”

The pair plan to avoid overstaffing and attendant layers of bureaucracy with an agency model that assembles creative, production and planning teams on an assignment basis to work directly and intimately with clients. In that respect it somewhat resembles recent project-based entities like San Francisco’s Partners in Crime while maintaining the same sort of small permanent staff as Erich & Kallman and Joan, the new shop launched by Jamie Robinson and Lisa Clunie

“We’ll bring in the right people at the right time,” Henvey explained. “If we need a planner, we’ll pull in a great planner. If we need a designer, we’ll hire a designer who has the right head for what the project needs.”

Before launching Something Else, Henvey spent around eight years as an executive creative director with Ogilvy & Mather, working with clients such as  Time Warner Cable, Kraft, NASCAR and Citizens Bank. He previously served as an ECD with mcgarrybowen and a GCD at Y&R after nine years in BBDO’s creative department.

McConnell joined Ogilvy & Mather in 2001 and served in a variety of executive producer and senior partner positions, most recently as senior partner/executive producer for North America. She also held the partner/executive producer title at JWT New York and worked as an executive producer at BBDO.

“Clients are looking for a different way to get things done, that’s why there are a billion new places popping up, trying to figure out the best way to do it. We figured a billion and one might be the magic number,” Henvey said. “The process of making things today can be tedious. Our plan is to make it smoother, more efficient and more fun.”

“Clients want to sit across the table from people they like and feel comfortable collaborating with,” added McConnell. “They want to work with people who allow them to have a voice in their advertising and branding, and who respect their voice.”

Pending ANA Report Claims That Agencies and Media Partners Make All the Best Kickback Deals

Several people who rightly chose to remain anonymous talked to The Wall Street Journal about the Association of National Advertisers’ eight-month probe of the relationships between ad agencies and their media partners. The piece just went live, and it is a mess.

Seems that quite a few agencies receive “rebates” or kickbacks from certain unnamed media companies as long as they spend a given amount to place ads in those publications. According to the sources mentioned above, “The group found that the practice was widespread within the sample it studied.”

That sample was approximately 150 people interviewed by the investigative firm K2 Intelligence.

The ANA declined to discuss the report with the WSJ prior to its release, and a spokesperson for the 4A’s told us today: “We cannot at this time comment on anonymous sources… we have not seen the study , have always preached full transparency to our members and will act accordingly when the details are released.”

For context, this sort of scheme is common and essentially accepted in Europe and Latin America…or so we hear. Some of the specific behaviors aren’t necessarily in violation of existing contracts–they’re just completely lacking in transparency. And it’s not just digital, either.

As for the reasoning behind the trend, unnamed “ad executives and marketers” blamed the “enormous pricing pressure that marketers have placed on their agencies,” a la the ongoing McDonald’s creative review.

Despite the fact that this sort of thing is accepted throughout most of the world and that the legal implications of the behaviors documented in the forthcoming report are not clear, spokespeople for Havas, Dentsu, Omnicom, IPG and WPP’s GroupM gave some variation of “we do not participate in kickbacks” statements to the WSJ. Publicis Groupe declined to do so.

Unfortunately, the report ultimately will not name names or organizations. For that reason, it’s not at all clear whether it will lead to “jail time,” as sources told Business Insider last month. But at the very least, this sort of development is all but guaranteed to damage relationships between agencies and clients who may believe that the former are driven primarily by their own self-interests.

Get ready for some audits.

Mondelez Wants All of Its Agencies to Collaborate with BuzzFeed Now

Yesterday you almost certainly learned that one of the world’s biggest advertisers had announced a definitive move away from that thing we call “traditional advertising.”

Unlike Sprint, Mondelez didn’t hire a PR veteran to launch its own in-house studio and take work away from its agencies of record. It will turn instead to media companies–namely, BuzzFeed and Fox to date–to help produce more non-ad stuff in the way of apps, games and sponsored content.

So what does that mean for the company’s many agency partners? They’ll be collaborating with the BuzzFeed team.

Today we spoke to the client’s global head of content and media monetization Laura Henderson and BuzzFeed’s global CRO Lee Brown.

Regarding the new model, Henderson said:

“This new approach will see us forming new models to build muscle memory and allow us to future-proof against the changing landscape. We are pushing our agency partners; creative and media, to think differently about how we develop content that engages our consumers, and ultimately how we rethink the advertising model to create more value for everyone.”

In other words, agency partners will be spending less time on their own ads. Brown said, “”Our global partnership with Mondelez fits into two major buckets: branded content as well as the co-creation of unbranded content.” The example cited was this February Facebook video explaining how to use Triscuits to make cheddar and sour cream bites. It won’t win anything at Cannes this month, but it got more than 23 million views…which is more than any recent case study we’ve seen.

“The goal is for our agencies to collaborate in new ways with these partners,” said Henderson.

You may remember that Mondelez ended its relationship with Mother New York back in January after the agency had run creative on its Sour Patch Kids brand for several years. A rep told us, “We do not have plans for new TV at this time so they don’t currently have an assignment with us for this year.”

Seems like they were already moving toward the new model. Expect to hear this refrain more often in the coming months and years.

Anomaly Will Open an L.A. Office to Handle Beats by Dre

Two weeks ago, we reported that MDC Partners’ Anomaly had won the global Beats by Dre creative review.

Today AdAge published a piece announcing the same development. Interestingly, this story does not include any sort of official confirmation as Anomaly, Beats and R/GA representatives declined to comment just as they did for our earlier coverage.

The most interesting part of the piece is the revelation that Anomaly will open an L.A. office to handle the Beats work and “several” other, unnamed clients. CEO and co-founder Carl Johnson will run the new operation.

R/GA was not involved in the review and sources close to the matter told us that Anomaly’s win will not affect its relationship with the client, but the development is notable in that both that agency and Anomaly have now opened offices specifically to handle the work related to this account. (R/GA L.A. and London led creative on previous campaigns.)

As reported in earlier coverage, marketing VP Jason White (formerly with W+K) led this search for a new agency partner to help the premium headphone brand expand overseas. CMO Omar Johnson will also reportedly play a larger role in the brand’s creative efforts moving forward.

The big question now is what sort of work Anomaly will be producing and how the account will be divided between R/GA and the MDC shop, especially in terms of international and domestic campaigns. AdAge’s sources claim that Anomaly could be working on everything from TV spots to experiential executions.

R/GA and MDC Partners again declined to comment for this post. The Beats organization never responded to our earlier emails.

Campbell Ewald Cut 10 Percent of Its Total Workforce This Month

Two weeks after we posted on Campbell Ewald downsizing in its Detroit office, another round of layoffs hit the network this week.

An agency spokesperson clarified that C-E’s New York and Los Angeles offices were not affected but acknowledged that, “As earlier noted there have been layoffs this month in the Detroit and San Antonio offices. These layoffs represent about 10% of the total Campbell Ewald workforce.”

The downsizing move is directly tied to the loss of multiple accounts including–to our knowledge–USAA, U.S. Navy, Edward Jones and Henry Ford Health Center. Three of those four losses came about specifically because of the “Ghetto Day” email controversy while Y&R recently began working on the U.S. Navy business last month after a review and nearly a year’s worth of legal challenges.

We hear that the total let go in Detroit this week was in the mid-two digit range and that the creative department was particularly affected. Campbell Ewald currently lists 500-1000 employees, which indicates that the number let go over the last month totals somewhere between 50 and 100 based on the statement above. The agency named a new CEO and CCO last month.

MullenLowe has not responded to multiple email queries regarding the launch of its San Antonio office, which was created to take over the USAA account from C-E. We continue to hear that a small number of staffers who worked on that business at Campbell Ewald are now on the account at MullenLowe.

It’s unclear whether the Campbell Ewald San Antonio operation will stay open moving forward as it was a dedicated office serving USAA.

Dallas’ Greenlight Celebrates Its 10th Anniversary with Some Almost-Nudity

What did your agency do for its 10th anniversary? Do you even remember it clearly?

You probably don’t. But employees of Dallas-based Greenlight (which has Gold’s Gym, La Quinta Inn & Suites and other clients) will, because the agency is documenting the date in a video series that will live forever and ever on YouTube, amen.

The little mini-profiles have been debuting today at a one-per hour clip as part of a project called “10 for 10”: 12 10-second videos celebrating 10 years, released by the hour throughout the day.

We don’t know a whole lot about the agency, but the first effort shows us that they do sometimes rely on the most traditional forms of communication.

The next entry is probably why you clicked on this post.

That was not as provocative as you’d hoped, but the agency seems to have a sense of humor about it. They also love spit takes.

The most impressive entry to us so far is this one, which involves an inhuman amount of Big League Chew. Remember that stuff from when you were 8 or so?

Here’s one in which light bulbs ponder fate as they plummet toward their kind-of deaths.

We do hope, for Greenlight’s employees’ sakes, that they don’t really have to work in corners posing as cubicles.

All in good fun.

The press release tells us this project is better than a press release, which is true. “Agency Celebrates Its 10th Anniversary” is about as exciting as “Agency Recognized By Local Organization” if we’re talking potential headlines.

VCCP and MUH-TAY-ZIK | HOF-FER Form a Creative Partnership

London-based VCCP signed a “don’t call it M&A” deal with San Francisco’s MUH-TAY-ZIK | HOF-FER in order for the two agencies to form an international creative partnership, Adweek reports.

The newly formed network will include VCCP’s London, Berlin, Madrid, Sydney and Prague offices and MUH-TAY-ZIK | HOF-FER’s San Francisco headquarters, with plans for MUH-TAY-ZIK | HOF-FER to open a New York office in the coming months. In the long term, the agencies hope to collectively expand to expand to markets in South America and Asia. 

While VCCP has been looking for a creative partner on this side of the Atlantic for some time, MUH-TAY-ZIK | HOF-FER has dismissed offers from holding companies to form such partnerships in the past.

“We never gave it much thought. It wasn’t something we needed or were looking for,” MUH-TAY-ZIK | HOF-FER executive creative director John Matejczyk told Adweek. 

But VCCP, he said, is “ambitious in the same way that we are. They’re trying to help clients, look for business opportunities, and look for creative ways to figure out solutions. We thought we could go further together. It feels like the start of something cool.”

“We wanted to find a partner in the U.S. who had the same focus on creative work, the same challenger mentality. We spent two years looking for that agency, and when I met these guys, I thought, I wasted two years of my life,” said VCCP CEO Adrian Coleman. “It’s the coming together of two agencies that can help grow each other.”

“From a client perspective, on a global level, it’s giving the market an alternative from typical holding companies,” he added.

None of the details regarding the financial structure of this deal have been made public, so feel free to be confused.

We Hear: DigitasLBi And SapientNitro Boston Will Soon Share an Office Building

This week we hear that Publicis Groupe’s DigitasLBi and SapientNitro or Publicis.Sapient will soon share a space in Boston.

One source with direct knowledge of the matter tells us that the rumor is “absolutely true.” The location of this future shared space is unclear, though another source says that the DigitasLBi Boston team will be moving into SapientNitro’s office, which is less than a mile away.

The reasons behind the move are also unclear at the moment. The larger DigitasLBi organization has parted ways with several high-ranking members of various departments in recent months including GCD Kenny Rennard, chief media officer Baba Shetty, SVP/creative Greg Kaplan, Chicago-based GCD Bill Matznick, president Norman de Greve and EVP/ECD Rob Rizzo.

This reads like a standard round of agency revolving door, though we hear that other creatives have left DigitasLBi Boston and none of the executives mentioned have been replaced to date with the exception of Rizzo (Doug Schiff now leads creative across the agency’s Boston and Detroit offices).

A Digitas spokesperson declined to comment for this post.

Agency Vets Jaime Robinson and Lisa Clunie Launch a New Shop Called Joan

Former Wieden + Kennedy ECD Jamie Robinson has partnered with Lisa Clunie of lifestyle site Refinery29 to launch a creative agency in New York.

The new shop is called Joan, and it officially opens today with General Mills as its first client.

According to the release, Joan will offer clients “big brand thinking and high end creative with a modern understanding of culture, distribution and content creation.”

This is familiar territory for Clunie, who is herself an agency veteran. Last March, she stepped down as senior partner and director of creative management at Ogilvy, allowing CCO Steve Simpson to joke about “assaults upon her optimism” in the internal memo. She spent just over a year as COO at Refinery29, which is often cited as a new media success story earning an outsize share of coverage for its approach to that thing we call “sponsored content.”

“This is an exciting yet challenging time for brands to connect with their audiences. Speed and agility are key ingredients, but brands need more,” said Clunie in a statement. “Jaime and I are excited to combine audience development, distribution planning and content strategy with big, game changing brand ideas. Our process of co-developing content with clients, testing and learning will make working with us more effective and frankly, more fun.”

This is indeed a challenging market, but W+K’s Mark Fitzloff thinks Joan will be OK. The pair have already begun working on unspecified yogurt, snack and meal-focused projects for General Mills–and the client’s chief creative officer Michael Fanuele called them “what the industry has been waiting for,” adding, “They’re ten tons of talent in a nine ton bag of joy.”

joan creative

Regarding the inspiration behind this new agency’s name, Robinson said:

“Our name was inspired by all of the Joans throughout history who have brought big changes to the world–from reshaping rock and roll, transforming comedy, putting a new face on protests in the 60’s and, of course, the Joan who triumphed on the French battlefield. Lisa and I want to commit all of our positive energy to creating a different kind of client relationship–one of listening, understanding, collaborating and making the best work possible, together.”

Joan will also focus on select causes, establishing a Foundation of Diversity that will dedicate a portion of total profits to select groups and providing each employee with an unspecified financial stake in the company. (The release calls that approach “the smartest way to deeply connect people with the work and its outcomes.”)

Prior to joining Ogilvy in 2011, Clunie held various accounts and management positions at Fallon, BBH and Saatchi & Saatchi New York, where she was managing director.

Robinson left W+K last October after approximately eight months along with fellow ECD David Kolbusz, who now leads Droga5 London. She previously spent six years in the creative department of San Francisco’s Pereira & O’Dell.

Campbell Ewald Detroit Downsizes After USAA Moves to MullenLowe San Antonio

In what looks like the last chapter of the fallout over the “Ghetto Day” email controversy, the Detroit offices of Campbell Ewald went through a round of downsizing earlier this month and last month.

The move was directly related to the losses of U.S. Navy and USAA, which cancelled its contract with Campbell Ewald right before parent company IPG fired C-E chief executive officerJim Palmer. At the time, USAA told us that it would be “searching for a new agency that aligns with USAA’s culture and core values.”

That agency was MullenLowe, which opened a new San Antonio office to handle the business.

The official statement from a Campbell Ewald spokesperson:

“As part of a restructuring, we have had to lay off some of our staff. Though we worked to minimize layoffs we sadly could not forestall all. While headcount at the Los Angeles and New York offices has grown, the USAA dedicated office in San Antonio was obviously affected and the loss of the Navy account has contributed to some layoffs in Detroit.”

The Navy loss occurred almost exactly one year ago when the account went to Y&R, but the winning agency only recently began working on the business due to an ongoing series of appeals filed by Campbell Ewald lawyers. Last month Y&R announced plans to open a 50-person office in Memphis to handle the account after the dispute was resolved by the court system.

It’s unclear at this time exactly how many staffers were let go, though we hear that the layoffs began in April and continued through last week. We also hear that a few members of the team that handled USAA for Campbell Ewald have moved to MullenLowe to work on the business; according to our sources, the total number is in the single digits.

Very little information about MullenLowe San Antonio exists online, though the group’s website does currently include a blank listing under the URL “lowe-campbell-ewald-san-antonio.

The news follows the April promotions of Kevin Wertz to replace Palmer as CEO and Jo Shoesmith to replace outgoing chief creative officer Mark Simon as Campbell Ewald’s first-ever female CCO. In an internal memo, Wertz called the promotions “a new chapter in Campbell Ewald’s history.”

We reached out to MullenLowe for more information on USAA and the San Antonio office but have yet to receive a response.