Porsche transforma ronco de motores em música

Para quem curte carros esportivos, o ronco dos motores muitas vezes soa como música. A Porsche resolveu aplicar essa ideia na prática em Birthday Roar, site que marca os 50 anos do lançamento do modelo 911. Nele, as notas musicais são representados por sete gerações deste clássico, desde a primeira, de 1963-1973, até a última, de 2011-2013.

Para “fazer música” com os motores, os usuários são convidados a participar de um jogo no estilo arcade, que exige um teclado. Ao ver uma barra colorida se aproximando da nota/carro, basta segurar a tecla com o número correspondente, até que a barra desapareça – mecânica que lembra bastante a Guitar Hero.

Para acessar o conteúdo e a fase seguinte, é preciso atingir um número mínimo de pontos, mas uma modalidade Free Play já está sendo providenciada. Ainda bem.

porsche

Brainstorm9Post originalmente publicado no Brainstorm #9
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See the New York City Ballet’s Remarkable Film That Quietly and Beautifully Honors 9/11

Most of the brand talk around 9/11 this year was about marketers doing it wrong. But DDB New York and the New York City Ballet quietly did it right with a wonderful tribute called "New Beginnings," intended as a testament to the resilience of the human spirit and a tribute to the future of the city.

The video shows NYCB principal dancers Maria Kowroski and Ask la Cour performing on the 57th-floor terrace of Four World Trade Center in lower Manhattan. The backdrop, of course, is One World Trade Center. The dancers perform an excerpt from choreographer Christopher Wheeldon's poignant "After the Rain" pas de deux—signifying new beginnings in New York City. 

The film, directed by Davi Russo and produced by Radical Media, was posted at sunrise (6:34 a.m. EST) on Sept. 12 to NYCB's social channels, with the hashtag #NewBeginnings. "Our hope is that 9/12 can now be rebranded as a day of optimism and new beginnings," says Matt Eastwood, chief creative officer of DDB N.Y.

Check out the film, and full credits, below.

CREDITS
Client: New York City Ballet
Project: "New Beginnings"

Agency: DDB, New York
Chief Creative Officer: Matt Eastwood
Executive Creative Directors: Menno Kluin, Andrew McKechnie
Art Director: Joao Unzer
Copywriter: Rodrigo de Castro
Management Supervisor: Lauren Neuman
Account Executive: Cindy Nguyen
Head of Production: Ed Zazzera
Executive Producer: Teri Altman
Producers: Nina Horowitz, Zamile Vilakazi
Teaser Editor: Alec Helm
Head of Design: Juan Carlos Pagan
Designers: Brian Gartside, Aaron Stephenson
Illustrator: Steven Wilson

New York City Ballet
Ballet Master in Chief: Peter Martins
Executive Director: Katherine Brown
Choreographer (After the Rain): Christopher Wheeldon
Principal Dancers: Maria Kowroski, Ask la Cour
Managing Director, Communications and Special Projects: Robert Daniels
Senior Director, Marketing and Media: Karen Girty
Director, Media Projects: Ellen Bar

Production Company: Radical Media
Director: Davi Russo
Editor: Tim Zeigler
Executive Producers: Gregg Carlesimo, Maya Brewster
Producer: Logan Luchsinger


    

AT&T Apologizes for 9/11 Image Showing Phone Framing the Tribute in Light

UPDATE: AT&T's CEO has added his own apology. Scroll down to see it.

After getting bombarded with hate tweets for about an hour this afternoon, AT&T removed an image from Twitter that had been meant as a 9/11 tribute—a photo showing a hand holding a phone up in front of the Tribute in Light searchlights. "We apologize to anyone who felt our post was in poor taste. The image was solely meant to pay respect to those affected by the 9/11 tragedy," the company wrote in a follow-up tweet. (As of this writing, the photo remained up on AT&T's Facebook page. UPDATE: The photo was removed from Facebook as well, about another hour after the tweet came down.) An AT&T spokesman later reiterated that same statement when reached by Adweek.

The episode highlights yet again the difficult task of doing any corporate messaging around 9/11. For AT&T, Wednesday's reaction on Twitter was an especially stinging rebuke, considering the company posted quite a similar style of photo last year on 9/11—and got much better feedback.

The difference? Last year's image showed the Freedom Tower, and the headline read, "Standing tall." It was simply a more forward-looking, patriotic execution. The Tribute in Light is a more sacred image, and this year's headline, "Never forget," is incompatible with any hint of a sales message, even one as simple as the image of a phone.

In the end, 9/11 may not be totally off limits to brands—American Express and many others posted well-received tweets today. But you'd better be careful, especially if you want to throw a product in there, too.

UPDATE: AT&T's chairman and CEO, Randall Stephenson, has now posted his own apology on the company's blog. It reads:

We're big believers that social media is a great way to engage with our customers because the conversation is constant, personal and dynamic.
     Yesterday, we did a post on social media intended to honor those impacted by the events of 9/11. Unfortunately, the image used in the post fell woefully short of honoring the lives lost on that tragic day.
     I want to personally express to our customers, employees, and all those impacted by the events of 9/11 my heartfelt apologies. I consider that date a solemn occasion each year, a time when I reach out to those I was with on that awful day, share a moment of reflection for the lives lost and express my love of country. It is a day that should never be forgotten and never, ever commercialized. I commit AT&T to this standard as we move forward.
     —Randall Stephenson, AT&T Chairman and CEO


    

Ad for the 9/11 Memorial Encourages You to ‘Take a Day to Remember’

Robert De Niro narrates this new spot for the National September 11 Memorial & Museum, encouraging viewers to "take a day to remember" that morning 12 years ago, when thousands of men and women died in the heart of New York City—and "to honor the best in humanity that overcame the worst." The spot, created pro bono by BBDO, New York, will air on donated media throughout the week. The campaign also includes print, outdoor, digital and video advertising and points to 911memorial.org to learn more. Credits below.

CREDITS
Client: The National September 11 Memorial & Museum
Spot: "Day to Remember"

Agency: BBDO, New York
Chief Creative Officer: David Lubars
Executive Creative Directors: Greg Hahn, Mike Smith
Associate Creative Director, Art Director: Marcel Yunes
Associate Creative Director, Copywriter: Rick Williams

Group Executive Producer: Julian Katz
Senior Integrated Producer: Neely Lisk
Executive Music Producer: Rani Vaz

Account Director: Neil Onsdorff
Account Executive: Jennifer Sullivan

Production Company: Brand New School
Executive Creative Director: Jonathan Notaro
Managing Partner: Devin Brook
Head of Production: Julie Shevach
Art Director: Kris Wong
Animators: Morten Christensen, Peter Harp, Jim Forster
Flame Artist: Mark French
Producer: Joe Balint

Music: AKM Productions
Recording Studio: The Kitchen
Mixing Engineer: Corey Bauman


    

Golf Course Finds Itself in the Rough Over Crass 9/11 Newspaper Ad

A Wisconsin golf course posted an apology on Facebook late Monday for a newspaper ad pledging to commemorate 9/11 with an offer of "9 holes with cart for only $9.11." The ad for Tumbledown Trails Golf Course, which reportedly ran in Monday's Wisconsin State Journal, offered the $9.11 rate (or $19.11 for 18 holes) only on Wednesday, Sept. 11, to honor the 12th anniversary of the terror attacks on New York and Washington.

As the ad spread online, critics came out in droves, sparking two apologies from the business on Facebook. First, the course said it would raise the rate back to normal and donate the difference to the National September 11 Memorial. A follow-up comment pleaded, "We are a family owned business & proudly support all local charities and have always gave 20% off everyday to all Police, Fire, Emergency, Military, etc. Please accept our apology." Finally, in a third Facebook update, the course said it might simply close on Wednesday because "we are now worried about what people will do/say to our staff & do not want anything to happen or get out of control."

Hat tip to Josh Orton on Twitter, via Scott Stratten.