Mini Electric appoints Droga5 London for global ad launch
Posted in: UncategorizedDroga5 London has been appointed to handle the global launch advertising for Mini Electric, following a competitive pitch.
Droga5 London has been appointed to handle the global launch advertising for Mini Electric, following a competitive pitch.
Anya Hindmarch, the luxury fashion label, has suspended giant red heart-shaped balloons over London landmarks.
Team WPP won creative and media duties for Office Depot, following a review which did not include incumbent Zimmerman Advertising.
Adweek identified Y&R and Mediacom as among the agencies who won the assignment but noted that a source identified it as part of a larger WPP pitch in line with the kind of dedicated units the holding company has formed for clients such as Ford, Target and Bose.
Office Depot moved its creative and media accounts to Zimmerman without a review about a year ago. The chain had worked with IPG agencies McCann New York and UM since 2014. Zimmerman formerly handled the brand’s creative account, beginning in 2011. Last summer Zimmerman launched a campaign for Office Depot reviving the 1974 Bachman-Turner Overdrive song “Takin’ Care of Business” as the brand’s theme song.
Office Depot spent over $62 million on measured media in 2016 and $47 million in the first nine months of last year, according to Kantar Media. That’s down significantly from the over $100 million the chain is estimated to have spent yearly when McCann won the account in 2014.
Ally Financial is stepping back from Vice Media, the Brooklyn-based media outlet that was recently the subject of sexual misconduct allegations. While the digital bank is the first to say it is freezing the company out of potential new assignments, other brands say they are closely monitoring the situation.
“We believe it’s in Ally’s best interest to pause the relationship,” says Andrea Brimmer, chief marketing officer for the Detroit-based bank, which had used Vice on a project basis for over a year on Gen Z-and millennial-focused marketing content series. “We could pick it back up in the future if it makes sense, but right now we’re not comfortable proceeding.”
Brimmer met with Vice last month to discuss concerns over the recent allegations “and make a decision based upon what we learn,” she said ahead of that meeting.
In a CNBC appearance on Monday, New York Times Co. CEO Mark Thompson discussed the company’s recent positive financial resultsand also, when pressed, addressed the inevitable moment in the future when the paper discontinues its print edition.
“I believe it’s many years in the future,” he said. “And by the way … we think our print product is a wonderful product. We’d love it to survive and thrive as long as it can. I believe that at least 10 years is what we can see in the U.S. for our print product. And we’ll decide that … simply on the economics, when, you know, the print platform continues to make sense. As I say, though, the key thing for us is we’re pivoting, so we’re not reliant on the print product, and in 2017, we grew the company’s total revenue, we grew its profitability, even though the print side of the business is still somewhat challenged.”
What do you do when all anyone wants to talk about is the Winter Olympicsbut the Winter Olympics are on another network? You improvise. On ABC’s “Jimmy Kimmel Live” last night, Kimmel bemoaned the fact that he can’t show highlights from PyeongChang because, well, NBC paid for the exclusive broadcast rights to the Games. “But,” he noted, “we are allowed to show footage from YouTube and pretend it’s from the Olympics”something he’s calling the Youlympics. First up, footage of Canadian Sophie Greene, a toddler who delivers a breathtaking performance on ice as part of the women’s freestyle event. Stay tuned (hopefully) for Greene’s media tour and announcements regarding her endorsement deals.
It’s that time of year again: TV networks and digital publishers will begin making their annual pitches to media buyers and marketers in an arms race to snag dollars for next season.
Viacom-owned Nickelodeon will kick things off in March, followed by Hallmark Channel parent Crown Media. Traditional TV behemoths will continue to emphasize their growing ability to more precisely target audiences, the better to resemble their digital rivals, while touting their premium and brand-safe content, which they’ll argue sets them above digital.
Non-traditional upfront players like Twitter and Conde Nast will continue to try to steal market share from TV stalwarts during the Interactive Advertising Bureau’s annual Digital Content NewFronts. But time the two-week pitchfest in New York City has been cut to just a week, complemented by a new West Coast version planned for a week in the fourth quarter.
Super Bowl campaigns dominated branded online video in the week through Sunday, as you’d expect in the week following the gamewith three exceptions. See the chart below, courtesy of Visible Measures. As always it reflects both paid views and organic unpaid views.
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Oprah Winfrey and the National Football League sizzled on Facebook in January, while holidays were on the brains of Instagram users, specifically Martin Luther King Jr. Day and Valentine’s Day, according to Facebook IQ’s lists of Hot Topics for the month. Winfrey and Kevin Gates dominated discussion about people on Facebook, while Instagram users discussed…
Godiva has made waves in Japan this month by questioning a Valentine’s Day tradition in which women are expected to buy giri choco, or “obligation chocolate,” for male coworkers as a thank-you for their support and cooperation throughout the year. The Belgian chocolatier ran a full-page ad on Feb. 1 in the Nihon Keizaki Shimbun…
According to the World Health Organization, each minute, 683 people in the world become infected with an STD. Sadly, many of them die. To raise awareness during Valentine’s week about this alarming fact, we used the international symbol of mourning of lowering the flag at half staff and created a mobile pole that lowered the flag at half staff automatically every minute.
Women are increasingly questioning the traditional roles that have been assigned to them in the society, but on the other hand, there are still some things that are considered a taboo for men.
Our Pure love challenge attempts to question one of those “taboos”. By challenging men to wash the under garments of their lovers during the valentine season, we further deepen Hypo’s narrative as a brand that keeps questioning conventions.
Women are increasingly questioning the traditional roles that have been assigned to them in the society, but on the other hand, there are still some things that are considered a taboo for men.
Our Pure love challenge attempts to question one of those “taboos”. By challenging men to wash the under garments of their lovers during the valentine season, we further deepen Hypo’s narrative as a brand that keeps questioning conventions.
Women are increasingly questioning the traditional roles that have been assigned to them in the society, but on the other hand, there are still some things that are considered a taboo for men.
Our Pure love challenge attempts to question one of those “taboos”. By challenging men to wash the under garments of their lovers during the valentine season, we further deepen Hypo’s narrative as a brand that keeps questioning conventions.
It’s that time of year again: TV networks and digital publishers will begin making their annual pitches to media buyers and marketers in an arms race to snag dollars for next season.
Viacom-owned Nickelodeon will kick things off in March, followed by Hallmark Channel parent Crown Media. Traditional TV behemoths will continue to emphasize their growing ability to more precisely target audiences, the better to resemble their digital rivals, while touting their premium and brand-safe content, which they’ll argue sets them above digital.
Non-traditional upfront players like Twitter and Conde Nast will continue to try to steal market share from TV stalwarts during the Interactive Advertising Bureau’s annual Digital Content NewFronts. But time the two-week pitchfest in New York City has been cut to just a week, complemented by a new West Coast version planned for a week in the fourth quarter.
Women are increasingly questioning the traditional roles that have been assigned to them in the society, but on the other hand, there are still some things that are considered a taboo for men.
Our Pure love challenge attempts to question one of those “taboos”. By challenging men to wash the under garments of their lovers during the valentine season, we further deepen Hypo’s narrative as a brand that keeps questioning conventions.
Cyberbullying is increasingly a major problem for our society, this film was created for the Young Lions Argentina 2017 festival and the goal was to create in 48 hours and just with an iPhone a piece that would raise awareness about the cause of cyberbullying to parents and relatives. It was silver at the contest.
Stand for Rights is an iconic slogan for more than 50 years but it was time to update those values and do it in a way that left a mark on what the brand represents. Creating an exclusive collection with different patterns in its sole.
The Royal British Legion steps into augmented reality [AR} to bring to life powerful stories from Passchendaele to connect with young audiences.
The idea expands the success of the ‘Every Pin Tells a Tale’ campaign created by Geometry UK. To commemorate the 60,083 soldiers who made the ultimate sacrifice at the Battle of Passchendaele, one of the First World War’s bloodiest offensives, the Legion commissioned limited-edition Passchendaele 100 poppy lapel pins. British artillery shell fuses and earth samples collected from Passchendaele battlefields were melted down to create 60,083 poppy pins to honour and remember every British soldier who fell during battle.
With global Augmented Reality [AR] partner Blippar, Geometry now brings the human stories behind the pins to life in AR. Each pin comes in a commemorative box – when scanned with the Blippar app, transforms into a muddy trench giving a glimpse into Passchendaele as you hear the personal stories of soldiers, pilots and nurses: their personal triumphs, families and friends left at home.
By blending sharp human behaviour insight and popular technology, stories from a century ago are brought to today’s audience.