Subway's Clean Slate: Eating Even Fresher and Using a New Logo


Subway, whose former spokesman Jared Fogle last year was convicted of child pornography, on Friday introduced a campaign focused on how it it wiping its slate clean with “fresh locally grown produce” that is “free of artificial preservatives.”

The company is also recasting its logo with a design it said “stands up tall, bold and confident, capturing the essence of the brand in a fresh, contemporary look.”

Interestingly, the commercial was not created by BBDO, which took over as agency of record last August, but by MMB, the shop it replaced. “BBDO is our agency of record and they are working on a number of projects for us,” Subway said today in an email. “We also maintain a relationship with MMB, as well as other agencies, and often use them for creative projects as well.”

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Amy Schumer Isn't All That Great With Kids in Old Navy's Back-to-School Ad

Amy Schumer may be the world’s worst babysitter, but she will take her nephew and niece back-to-school shopping at Old Navy.

A new 60-second ad marks the star’s debut for the clothing chain as its spokescomic. In it, she demonstrates her total ineptitude at looking after children, like feeding her charges by slopping milk into a box of cereal, and handing them each a fork.

Luckily, she knows enough to call some cool kid and get his advice on where to take them to buy clothes. Unluckily, she sweeps them out of the house without finding them shoes to wear—and knows too little to avoid making a total fool out of herself.

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Ikea Finally Agrees to Collaborate With Kanye West, but Not the Way He Wanted

You know how sometimes people fish on Twitter in hopes that a brand will give them free stuff? For the last few months, Kanye West’s been doing that with Ikea. And Ikea Australia finally gave him an answer—one so packed with lulz you could use it as a throw pillow. 

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Elegant Split Screens Balance On-Board With On-Shore in This Cruise-Line Ad

Figliulo & Partners doubles your pleasure through elegant use of split-screen technique in the agency’s first major push for Carnival’s ultra-luxury Seabourn Cruise Line.

Targeting affluent millennials, a playful, visually arresting anthem spot titled “Extraordinary Worlds” presents a series of complementary images on opposite sides of the screen. One panel shows on-board amenities, while the other displays highlights from exotic cruising destinations such as New Zealand and Iceland. Throughout the minute-long commercial, the frames work together to create an optical feast of color, flow and composition.

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Artistic Maze Lofts – This Quirky Loft Apartment Features Secret Nooks and Long Tunnels (GALLERY)

(TrendHunter.com) This quirky loft apartment in Los Angeles is extremely unconventional in its design.

While loft apartments are often on the smaller side, this one takes up approximately 4,000 square feet. This is…

100 Aquatic-Based Inspirations – From Serene Underwater Ads to Upcycled Ocean Trash Sneakers (TOPLIST)

(TrendHunter.com) The mystery of the ocean and bodies of water can be seen in a plethora of aquatic-based concepts. For example, ‘Tribord,’ the makers of an innovative snorkeling mask called ‘…

The Best Ads You Will See During Tonight's Olympics Opening Ceremony (So Far)


It seems the Olympics Opening Ceremony may reach Super Bowl proportions when it comes to the advertising, from what we’ve seen so far. Nike, Gillette, Samsung, Powerade, Apple and more have come out with powerful, engaging stories that will likely keep viewers entertained when the camera takes a break from the first-day festivities.

Below, get a preview of some of the best work you’ll see tonight.

Nike goes even beyond Nike in the spectacular “Unlimited You” ad, which shatters the brand’s famous “Just Do It” tagline and shows athletes from all walks of life reaching new (and unbelievable) heights. Wieden & Kennedy Portland was behind the spot, directed by The Daniels of Prettybird.

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R/GA Hires Jonathan Woytek as ECD in Its Austin Office

R/GA Austin appointed Jonathan Woytek as executive creative director. In the role, Woytek will be creative lead of R/GA Austin, tasked with growing the office and shaping its direction while partnering with R/GA Austin vice president, managing director Candice Hahn and reporting to R/GA U.S. executive vice president, executive creative directors Chloe Gottlieb and Taras Wayner

“We are thrilled to welcome Jonathan’s creative genius and masterful knowledge of UX to our creative team here at R/GA,”  Wayner said in a statement.

“His impressive work speaks for itself, and we look forward to working alongside him to continue to create more world-class work in the Austin office,” added Gottlieb.

Woytek joins R/GA from Pereira & O’Dell, where he served as executive creative director. He originally joined Pereira & O’Dell as a creative director in September of 2010, and has worked with clients including Skype, LEGO, Hyatt, Godiva, and Corona while with the agency. Before joining Pereira & O’Dell he spent three years with MRM//McCann San Francisco, serving as vice president and then senior vice president, director of user experience, establishing and leading the agency’s UX practice and working with clients including Microsoft, Intel, HP, Tom’s Shoes, and The Boys and Girls Clubs of America. That followed stints at Razorfish and Publicis, working with clients such as Adidas, AT&T, Hewlett-Packard, Mattel, Oracle, Red Bull, Samsung, Sony, and Visa during the five-year period.

He was promoted to ECD last February following the departure of Jaime Robinson, who left Pereira to go to Wieden + Kennedy and later launched her own agency Joan along with former Ogilvy/BBH/Saatchi account lead Lisa Clunie.

“I am excited to join the team at R/GA, a company that has a life-long history of groundbreaking techniques and unparalleled storytelling through media,” said Woytek. “As a Texas native, it will be great to return to Austin and collaborate with the impressive roster of clients to create work that changes the way we see and experience stories.”

Flo? Whoa! Progressive's Icon Swaps Her Apron for Attitude in Motorcycle Insurance Ads

Like a true nature’s child, Flo was born to be wild. Or something.

Progressive’s iconic ad character, played by Stephanie Courtney, revs up the va-va-vroom in this tongue-in-cheek motorcycle-themed print campaign created by Arnold Worldwide with Buffalo Art Co. and custom bike builder Chase Stopnik. (The work marks another departure for Flo from her familiar white-and-blue aproned commercial appearances, following her ectoplasmic turn in spots touting the insurer’s sponsorship of the Ghostbusters reboot.)

Now, Flo goes the sexy/rebel biker-chick route—which, of course, yields some high-octane kitsch, as she poses on custom-built “Chrome Thrones” made from motorcycle parts designed to represent different rigs.

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Could Trump's Terrible Week Get Any Worse? Yes. (And It Just Did)


The conventional wisdom was that Hillary Clinton would get a post-Democratic National Convention bounce in the polls. And indeed, that’s happened. Bad news for Donald Trump was basically predestined — built into the normal rhythms of the presidential campaign cycle.

What nobody could predict, though, is the way that Trump would spin so spectactularly out of control, exacerbating the expected poll results and prompting the most epic media pile-on of his campaign. Including a social media pile-on (see our Wednesday post, “Donald Trump Has Become Twitter’s New Favorite Chew Toy”), in which every bit of bad (sad!) news about Mr. Trump gets seized upon, gleefully amplied and turned into a meme.

Major GOP fundraiser Meg Whitman’s Monday condemnation of Trump and endorsement of Clinton was bad enough (see: “#DumpTrump Roars Back to Life”). But this morning The New York Times is out with an op-ed by Michael J. Morell headlined “I Ran the C.I.A. Now I’m Endorsing Hillary Clinton.” Mr. Morell notes that he’s served presidents of both parties (three Republicans and three Democrats) during his 33-year career at the Central Intelligence Agency, and is neither a registered Democrat nor Republican. He says good things about Hillary Clinton, but when he gets to Donald, he goes ballistic:

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50 Disney Business Inspirations – From Cartoon Dumplings to Movie Inspired Airplanes (TOPLIST)

(TrendHunter.com) Disney business inspirations can be seen across many industries and services. Consumer brand awareness and connection to Disney is strong, long-lasting, and international. It’s no wonder…

Facebook Tests Snapchat-Inspired Selfie Filters


Facebook’s next Snapchat-inspired innovation is here: Filters for people’s selfies. The social network is offering users in Canada and Brazil a first look at camera features that resemble Snapchat’s camera, according to USA Today.

Facebook users in those markets today will start seeing filters they can use to dress up their photos, which is a style made popular by Snapchat. On Snapchat, there are daily updates to the camera with new filters and animated lenses, which transform people’s selfies into cartoonish characters.

Snapchat also turns lenses and filters into sponsorship opportunities; brands such as Gatorade, Taco Bell and movies like “X-Mex: Apocalypse” have bought them, sometimes for millions of dollars, according to advertising insiders, depending on how many lenses.

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W+K Portland Goes Off the Rails for Nike

With the 2016 Rio Olympics opening today, W+K Portland launched a new spot for Nike as the latest in its “Unlimited” campaign for the brand.

The spot, entitled “Unlimited You” starts out familiarly enough, with a voiceover introducing a baby who will “win a state championship one day.” Things get unusual fairly quickly, however, as the voiceover’s next subject asks, “Who will? Me?” when he hears that he’ll run a marathon. “All of these athletes are terrible now,” he continues, over footage of a father lifting a young toddler to slam dunk a basket, “but they’ll all do great things one day.” Aside from the voiceover interacting with its subjects, this is still a pretty standard message for a sports brand. But things take an unexpected turn when the voiceover’s subjects ambition’s eclipse what he’s comfortable with. While the voiceover keeps trying to wrap things up, athletes keep pushing boundaries.

Directed by The Daniels (Daniel Kwan and Daniel Scheinert), the spot features celebrity athletes including Kevin Durant, Neymar Jr.Mo Farah, Aaron GordonNyjah Huston, Serena Williams and Giancarlo Stanton. Williams and Stanton can be seen swatting tennis balls back and forth at ridiculous speeds with their chosen equipment (racket and baseball bat) as the voiceover asks “What kind of training is that!?” as he’s in the middle of losing composure over the various ridiculous stunts athletes are pulling off.

Clearly the idea is to illustrate the “Unlimited” possibilities of both professional and amateur athletes, with the spot taking the idea to comic extremes. In addition to the full-length online spot (above), “Unlimited You” will also run as a 60-second broadcast spot, debuting during NBC’s coverage of the Rio 2016 Opening Ceremonies tonight. 

Credits:
Client: Nike
Agency: Wieden + Kennedy, Portland, Ore.
Global Creative Directors: Alberto Ponte, Ryan O’Rourke
Interactive Director: Dan Viens
Copywriter: Edward Harrison
Art Director: Susan Land
Global Executive Producer: Matt Hunnicutt
Senior Agency Producer: Ross Plummer
Agency Post Producer: Shelley Eisner
Agency Production Assistant: Emily Knight
Digital Producer: Keith Rice
Art Production: Amy Berriochoa, Krystle Mortimore, Jennifer Spillers
Project Management: Christina Kim
Studio Design Manager: Alicia Kuna
Studio Designer: Edgar Morales
Retoucher: Frazer Goodbody
Motion Production, Design: Tori Herbst, Carlos Enciso
Strategic Planning: Andy Lindblade, Nathan Goldberg, Brandon Thornton, Reid Schilperoort
Media, Communications Planning: Danny Sheniak, John Furnari, Brian Goldstein, Jocelyn Reist
Account Team: Chris Willingham, Alyssa Ramsey, Corey Woodson, Anna Boteva, Carly Williamson
Production Company: Prettybird
Director: The Daniels
Executive Producers: Ali Brown, Suzanne Hargrove
Line Producer: Jonathan Wang
Director of Photography: Larkin Seiple
Production Designer: Mark Snelgrove
Editing Company: Rock Paper Scissors
Editor: Angus Wall
Assistant Editor: Lauren Dellara
Post Producer: Chris Noviello
Executive Post Producer: Helena Lee
Visual Effects, Color: Mill, Los Angeles
2-D Lead Artist: John Leonti
2-D Artists: Brad Scott, Alex Candish, Peter Sidoriak, Rob Winfield, Joseph Zaki, Tommy Smith, Daniel Thurreson, Glyn Tebbutt, Greg VanZyl, Tim Bird, Jake Albers, Sam Evenson, Don Kim, Jake Albers, Adam Lambert
Matte Painting: Andy Wheater, Jie Zhou
Art Support: Dylan Streiff, Gary Marschka
Visual Effects Supervisor: Will Lemmon
Colorists: Greg Reese, Adam Scott
Color Producer: Thatcher Peterson
Music
Artist: FNDTY
Track Title: “Never Die”
Music, Sound, Mix: Lime Studios
Audio Mixers: Rohan Young, Jeff Malen
Audio Assistants: Ben Tomastik, Lisa Mermelstein
Executive Producer: Susie Boyajan

Fiction: In Colson Whitehead’s Latest, the Underground Railroad Is More Than a Metaphor

In “The Underground Railroad,” his new novel about American slavery, Colson Whitehead courageously opens his eyes where the rest of us would rather look away.

FTC Cracking Down on Social Influencers' Labeling of Paid Promotions


Snapchat star DJ Khaled raves about Ciroc vodka. Fashion lifestyle blogger Cara Loren Van Brocklin posts a selfie with PCA Skin sunscreen. Internet personality iJustine posts Instagrams from an Intel event. Missing from their messages: any indication about whether they’ve been paid.

This uptick in celebrities peddling brand messages on their personal accounts, light on explicit disclosure, has not gone unnoticed by the U.S. government. The Federal Trade Commission is planning to get tougher: Users need to be clear when they’re getting paid to promote something, and hashtags like #ad, #sp, #sponsored — common forms of identification — are not always enough. The agency will be putting the onus on the advertisers to make sure they comply, according to Michael Ostheimer, a deputy in the FTC’s Ad Practices Division. It’s a move that could make the posts seem less authentic, reducing their impact.

“We’ve been interested in deceptive endorsements for decades and this is a new way in which they are appearing,” he said. “We believe consumers put stock in endorsements and we want to make sure they are not being deceived.”

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DETRAN-GO: Don't capture

Don’t capture and drive.

Eastman's Drone-Shot VR Campaign Takes Viewers Up Mountains, Through Canyons


Eastman Chemical Company is making use of the latest technology to introduce its own latest technology — avra, an ultra-thin fiber that can be woven into unprecedentedly breathable, silky fabric that could be a breakthrough development in athletic apparel.

The “Never Before” campaign developed by Mekanism includes two virtual reality experiences captured with a drone carrying a Nokia Ozo, a 360 camera rig. Mekanism’s executive creative director Ian Kovalik said the shop has been using drones to capture 360 degree film for two years.

Whereas many VR experiences position the user as a stationary onlooker, using drone-captured footage allows users to move through the environment and “follow” the athletes featured on their journeys. “The idea was to create something that was as innovative as the fabric itself,” Mr. Kovalik said of the spots.

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CB12: Fireman, Lifeguard, Perfect date


Radio
CB12

Advertising Agency:Soho Square, Athens, Greece
Creative Director:Yorgos Garefalakis
Copywriters:Kostas Brit Haliotis, Nasia Ntinopoulou
Sound Design:Dimitris Babadouk Barboutis
Narration:Dimitris Sionis
Account Director:Christina Lazarikou

Emirates NBD DirectRemit: The Emoji Stories


Film
Emirates NBD

DirectRemit is an innovative and effective money remittance product by Emirates NBD, one of the leading banks in the UAE. Through DirectRemit, customers can send money to their country, within 60 seconds, for free, at the best exchange rates, from the convenience of a smartphone or a personal computer, wherever and whenever. 

It is currently operational in India, Pakistan, Sri Lanka, Philippines and Egypt. Given the high percentage of expatriates in the UAE, this product is very relevant. After data analytics by the agency into money remittance habits to India, Pakistan, Sri Lanka, Philippines and Egypt and ascertaining reasons why each nationality sent money home, 5 unique real-life stories were crafted to share the convenience benefit of the product. 

And to highlight the truth that sending money with Emirates NBD DirectRemit was as easy and instant as sending instant messages, the vehicle chosen was that of ‘Emojis’ – a common ‘language’ in instant messaging across the 5 different nationalities – creating a purposeful role for emojis in the story and a relevant connection to the product. 

The campaign is currently being scaled out through 5 films, on-ground and Facebook activations (emoji story competitions) as well as other social content formats that are being promoted through nationality and behavior-based targeting on Facebook, Instagram, Twitter, Snapchat, Vine and other web platforms relevant to the 5 nationalities.

Advertising Agency:FP7, Dubai, United Arab Emirates

Batelco Connected Vehicles Solutions: The Smart Buses


Media, Online
Batelco

School buses are supposed to be joyful and safe rides for children. Every day thousands of children in Bahrain travel on buses to schools and back. But unfortunately, in many cases, school buses in the country have turned into carriers of tragic news. The situation has become a legitimate problem in the country. And it has even led to Bahrain’s Prime Minister demanding that safety standards in all school buses need to be enhanced. 

Batelco, Bahrain’s leading telecommunications brand and an innovative digital solutions provider, wanted to take on the responsibility to keep children safe in buses. And created The Smart Buses – a cutting edge IoT (Internet of Things) connected vehicle solution – making school buses safe environments for children. This smart vehicle solution marks a new era in the transportation sector, as it helps address security challenges like safety, mobility, monitoring and the weather (which is hot in a country like Bahrain for most months of the year). 

Powered by a solar power system, each bus has a 4G connector providing WiFi on the go, connecting the bus to schools and to parents. Driven by a smart monitoring system that registers number of students, each bus is equipped to count the number of children boarding and alighting from it. The system is also equipped with movement sensors and alarms and notifies the school and parents of missing children or of those children who are left behind. 

Additionally, the school and parents can monitor the location of their respective bus via GPS and know the arrival time at school and also, at home. And if any bus is delayed, the respective school and parents are updated. This allows the parents to stay in touch with their school on changes in schedules. 

With driver identification built into the system, the solution also ensures the drivers abide by traffic rules and regulations by allowing parents and the school to monitor the speed of their bus. Equipped with two-way audio systems, the solution enables the school and parents to speak with those in the bus and listening to what’s happening inside. A camera with network video recording (NVR) helps keep a record of all movements in the journey including monitoring each bus from the inside. And a sound sensor detects signs of distress among the children. 

Temperature control systems keep the children safe and protected, especially during hot summers, by raising an alarm via the internet if the temperature rises higher than the normal/safety limit for children. With this idea, Batelco has leveraged its advanced digital network combined with a wide portfolio of ICT products to design and deliver an effective solution for the safety of our future generations in the Kingdom of Bahrain. 

According to Batelco Bahrain CEO Muna Al Hashemi, this connected vehicle solution is in big demand from school authorities who are very eager to ensure the safety of their students travelling to school by school buses. From a brand that seeks to improve lives through innovation, this idea has also set the blueprint for other telecommunication brands to create similar solutions across the Middle East and the world to ensure school buses remain joyful and safe places – and don’t become the last rides for more children.

Advertising Agency:FP7/DXB, Dubai, United Arab Emirates
Advertising Agency:FP7, Bahrain