Ao som de “Unstopabble”, anúncio da Gillette para Rio 2016 diz “perfeição não é bonito”

gillette-rio2016

A Gillette publicou esta semana sua primeira propaganda para as Olimpíadas do Rio 2016. O anúncio usa o mote “Perfect isn’t pretty” e mostra que os atletas sofrem para serem o melhor que podem antes de competirem pra valer. Aqui no Brasil a campanha será lançada oficialmente amanhã com o mote “precisão não vem fácil”. […]

> LEIA MAIS: Ao som de “Unstopabble”, anúncio da Gillette para Rio 2016 diz “perfeição não é bonito”

Brainstorm9Post originalmente publicado no B9
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Air Jordans Banned in 1985 Make a Defiant Return


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

Among the new releases, Serena Williams shows her unlimited drive, concluding her spot for Nike with “there’s no day that goes by that I feel like losing”; Samuel L. Jackson sets off a domino effect with doors in Capital One’s ad; two brothers fulfill their childhood dream of racing each other in Monaco in Toyota’s latest; and T-Mobile promotes its doubled LTE coverage.

Finally, the Air Jordans that were banned in 1985 by the NBA make a defiant return to our screens and the streets.

Continue reading at AdAge.com

Tilting Electric Trikes – The EV4 Trike Offers Next-Level Cornering In Crowded Spaces (GALLERY)

(TrendHunter.com) A Polish innovator by the name of Jack Skopinski has gone ahead and constructed a wonderfully functional tilting electric trike, dubbed the EV4, that is fitted with a unique exposed tilting setup…

'Mr. Robot' Can't Hack Its Way to Higher Ratings


USA Network’s critically acclaimed hacker drama “Mr. Robot” put up unspectacular ratings in its season two opener, averaging just 1.04 million viewers over the course of its 90-minute Wednesday night run, down 41% from the 1.75 million who tuned in for the year-ago series premiere.

While the overall audience took a big hit, the all-important demo results were much more stable. According to Nielsen live-plus-same-day data, the two-part “Mr. Robot” premiere delivered a 0.43 rating in USA’s target demo, which works out to about 545,283 adults ages 18 to 49. That marks a 7% decline from the 583,326 demographically relevant viewers who tuned in for the June 2015 series opener.

Given the outsized presence “Mr. Robot” enjoys on social media and all the critical accolades it has garnered over its lifespan — the show was nominated Thursday for six Emmy Awards, including nods for outstanding drama series and outstanding lead actor in a Drama Series — the premiere deliveries were somewhat disappointing. That said, “Mr. Robot” should win back a good deal of commercial impressions in playback; in its first season, it established itself as USA’s top-rated show by averaging a 0.7 rating in the C3 currency spanning a three-day period, up from a 0.5 in live-same-day.

Continue reading at AdAge.com

Droga5 (Unofficially) Plays It Straight in New Anti-Trump Hillary Clinton Spot

Hillary Clinton released a new attack ad against prospective GOP presidential nominee Donald Trump today after receiving an endorsement from her progressive primary challenger Bernie Sanders earlier this week. The spot was presumably created by Droga5, the agency the neoliberal Democratic candidate’s campaign hired back in November. While Droga5 would not confirm to Adweek that it created the ad, David Droga tweeted about it–and come on, it was definitely them.* 

The ad, entitled “Role Models,” focuses on how Trump–and the outlandishly sexist/racist/xenophobic/ablist/etc. shit that comes out of his mouth–makes him a bad role model for children. Well, duh.

The spot employs a similar tactic to its predecessor, an attack ad released in May that relied on members of Trump’s own party describing him as a “bully,” “con artist,” “phony,” “utterly amoral” and “The most vulgar person ever to aspire to the presidency.”

This time around, the spot uses Trump’s own words against him. Children bask in their TV’s warm glowing warming glow and take in some of Trump’s more outlandish statements, including attributing Megyn Kelly‘s questions to her menstral cycle, longing for the days when protesters were beaten and carried out on a stretcher, mocking a disabled reporter and, of course, making as many racist statements about Mexican immigrants as he could in less than a minute.

The spot ends with the message “Our children are watching. What example will we set for them?” before presenting a clip of Clinton talking about the need to make sure our children and grandchildren are proud of the choices we make.

The attack ad will run in key battleground states like Ohio, Iowa, Colorado, New Hampshire, Virginia, Florida, Nevada and North Carolina as part of a $10.5 million ad deal announced in June.

We’re not sure where all the politically minded children glued to the presidential race are — We imagine a concerned parent saying, “Honey, turn off the Republican debate, you know I don’t like you watching that garbage.” Such a strained conceit does hamper the ad’s impact.

This effort will almost certainly not convince any of Trump’s followers to second guess their preferred candidate, as they’re already familiar and seemingly okay with his most controversial statements, but that’s clearly not the point. Instead, it seems to target those voters who are less than enthusiastic about Clinton but have a very unfavorable view of Trump, particularly young parents. It’s all about highlighting the importance of voting to keep Trump out of office (a key component, if not the key component, of Clinton’s campaign lately) It’s all for the sake of their children, and their children’s children, and some future generations as well.

*Good luck trying to get ahold of Clinton’s PR team or that of any other presidential candidate. We get why they don’t answer phones: can you imagine how many crazy people leave voicemails on Hillary’s official media line??

'Gotta Catch 'Em All': Clinton Campaign Targets Pokmon Go PokStop


“I don’t know who created Pokmon Go,” Hillary Clinton said on the campaign trail Thursday, “but I’m trying to figure out how we get them to have Pokmon go to the polls.” You can watch her deliver that bit — and grin at her own joke — courtesy of CNBC:

Turns out Team Clinton has been thinking about Pokmon, because the events section of HillaryClinton.com currently lists a voter registration event at, yes, a PokStop:

Sat, Jul 16, 2016, 1:00pm 2:00pm

Continue reading at AdAge.com

Minimalist Guest Cabins – These Small Guest Houses are Arranged in Groups of Three (GALLERY)

(TrendHunter.com) These guest cabins feature floor to ceiling windows that take full advantage of the surrounding views.

Located in Penobscot Bar in the U.S., these minimalist guest cabins come in a trio and sit…

Wil Boudreau Goes to The&Partnership as North American Chief Creative Officer

wil boudreau 2Yesterday we posted on chief creative officer Wil Boudreau leaving BBDO after spending a quarter of a century with the Omnicom shop in Atlanta and Manhattan.

Now we can report that he is returning to New York to serve as North American chief creative officer at WPP’s The&Partnership. His hire coincides with that of Richard Welch, former global head of strategy at fashion-focused design house Spring Studios, who will be chief strategy officer.

The two assume their new roles effective immediately, working to help drive the expansion of the WPP shop’s New York office and handling work for its clients, which currently include Pernod Ricard, Credit Suisse, Alcoa and The Wall Street Journal.richard welch

“This is the beginning of an exciting new chapter for The&Partnership,” said The&Partnership North America CEO Andrew Bailey in a statement. “Wil and Richard are two brilliantly talented individuals, and each has a track record for creating inspiring, groundbreaking work which is as impressive as the other’s. I’m very proud they have chosen us as the agency to take their careers forward – and together I know we can take the agency to great places, from work to wins to culture.”

The&Partnership has flown under our radar, relatively speaking–but its larger network includes CHI&Partners, m/Six, and several other operations, employing some 1,500 in offices across North America, Europe and Asia. These units joined together under The&Partnership banner in late 2013 as a holding company with WPP as a minority owner (it had purchased a stake in CHI&Partners several years before) and Bailey, who previously served as CEO of Proximity BBDO North America, as chief executive officer. CHI&Partners co-founder Johnny Hornby currently serves as global chairman and CEO.

As you know, Boudreau spent two and a half decades with BBDO, most recently running creative for Atlanta clients Toys “R” Us and Norwegian Cruise Lines and working on such projects as Lowe’s award-winning “Fix in Six” Vine project. His best-known work with BBDO includes the Guinness wheelchair basketball spot from 2013, and he helped lead winning pitches for Arby’s and Red Stripe.

Regarding his new job, he said, “The&Partnership is a brilliantly entrepreneurial group with an unrivalled grasp of what the future of advertising looks like. I look forward to helping this unique agency go from strength to strength, drawing on my new business experience to help bring in new clients as well as creating famous work across multiple channels.”

Welch spent more than two years in Spring Studios’ strategy department, working on the Diesel, Target, Unilever and Tom Ford accounts. He previously held planning roles at Ogilvy and Lowe in addition to a client-side stint as global director of marketing strategy and insights at Gap.

“I joined The&Partnership for two reasons,” Welch said. “Firstly, its model allows me to be part of a nimble, creative shop that can simultaneously provide reach and scale, setting us apart and fast-tracking us for continued growth and success. Secondly, I’m joining because of the people.”

BBDO declined to elaborate on Boudreau’s departure beyond the statement from David Lubars that we received yesterday, but we’re told that he left primarily in order to return to his longtime home state of New York. We also understand that the agency will name his successor within the next week.

Assista aos 8 primeiros minutos de “Stranger Things”, nova série da Netflix

Stranger Than Things

Todos os episódios serão liberados amanhã, 15 de julho

> LEIA MAIS: Assista aos 8 primeiros minutos de “Stranger Things”, nova série da Netflix

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Com um emocionante musical de super-humanos, Channel 4 promove os Jogos Parali?mpicos Rio 2016

ch2

É o quarto filme da série premiada “Meet the Superhumans”

> LEIA MAIS: Com um emocionante musical de super-humanos, Channel 4 promove os Jogos Parali?mpicos Rio 2016

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AACD: The fantastic problem solving machine

Quartz Said to Near $30 Million in Revenue, Without Clickbait or Standard Ad Units


Many digital media businesses chase readers on the largest scale possible, all the better to attract advertisers that want to spread their messages widely. But big reach comes at a cost — in quality, in resources — that isn’t always justified by the ad rates online.

Unfortunately the niche game isn’t much easier, just as rife with competition and demands on limited resources. So it’s good news for smaller publishers that Quartz, the Atlantic Media brand primarily dedicated to covering the global economy, seems to be on the cusp of making it work, at least according to a person familiar with the business.

Quartz is on pace to bring in more than $30 million in revenue this year, having already booked $25 million, the person said. It is selling high-polish display ads for a CPM, or cost per thousand impressions, above $60 range, as well as content marketing services and sponsorships of editorial products, according to the person, who was not authorized to speak publicly about the brand’s finances.

Continue reading at AdAge.com

HBO Leads Emmy Nominations With 23 for 'Game of Thrones'


“Game of Thrones,” HBO’s epic fantasy series, was nominated for 23 Emmy awards, including best TV drama, propelling Time Warner’s premium cable network to the front of the pack in the annual race for television’s top honors.

Last year’s winner for best drama, “Game of Thrones” will compete for the Emmy with “The Americans,” “Better Call Saul,” “Downton Abbey,” “House of Cards,” “Mr. Robot” and “Homeland,” the Academy of Television Arts & Sciences said Thursday in Los Angeles.

HBO led with 94 nominations, FX scored 56, Netflix nabbed 54 and NBC netted 41, while ABC and CBS are each up for 35.

Continue reading at AdAge.com

Naked Restaurant Events – The Black Cat Eatery in Berlin Offered Discounts to Nude Patrons (GALLERY)

(TrendHunter.com) The ‘Black Cat’ eatery prompted its patrons to strip down for a one-day naked restaurant experience as as part of the ‘Venus’ festival in Berlin.

The staff of the Black Cat…

The Unlikely TV Network on Everyone's Lips During Upfronts


There’s one often forgotten TV network that’s been on the lips of media buyers during the annual upfront ad haggle, further showing the unusualness of this year’s marketplace. That network is ION.

Typically an after-thought on advertisers’ TV plans, the channel, which airs reruns of shows like “Law & Order: SVU,” “Criminal Minds” and “Blue Bloods,” is gaining some attention as media buyers look for outlets to place ad dollars as bigger cable channels command double-digit price hikes and turn away those who don’t want to pay.

Perpetuating ratings declines meant there was less inventory for top tier cable networks such as NBC Universal’s USA Network, FX Networks and Turner’s TBS and TNT to sell. This tightening in supply, and relatively strong demand from the buy side, allowed these networks to have an upper-hand in negotiations.

Continue reading at AdAge.com

VB+P, Ronda Rousey Address Perfection for Reebok

Eight months ago, Ronda Rousey lost her UFC World Bantamweight Championship title and perfect MMA record when she was knocked out by Holly Holm. Now Rousey appears in Venables Bell & Partners’ new spot for Reebok, entitled “#PerfectNever” as part of the brand’s “Be More Human” campaign. 

“Here’s the thing about being perfect,” says a glamed-up Rousey, via voiceover at the beginning of the spot, while slowly walking off the set of a shoot, “Perfect never gets truly tested.” She continues, “Perfect never gets to silence its critics” after removing her false eyelashes and hair extensions, and then pins her hair up and wipes off her lipstick. The spot switches from full color to black and white as Rousey appears in her fighting gear, ready for her shot at redemption, concluding, “So yeah, I’m fine not being perfect.”

For Rousey’s fans, the spot will be welcomed as a likely sign of an impending comeback (she hasn’t fought since her loss to Holm), but it’s meant to have a wider appeal than just the MMA fighter’s faithful. There’s a very clear femvertising element to Rousey’s symbolic shedding of the trappings of typical glamour and beauty perfectionism, intended to echo the everyday pressures placed on women everywhere to look as close to “perfect” as possible. The message fits the overall theme of the “Be More Human” campaign, as Rousey rejects ideals of perfection, both in terms of beauty/glamour and her fighting career, while implying that her loss has helped her build character and ultimately will make her a better person. Cynics may opine that the philosophy is just a way to rationalize her loss, but Rousey’s fans will likely love her all the more for it.

Coke Weighs in on Racial Relations Debate With Unity Ad


Coca-Cola today took a stab at joining America’s rising conversation on race relations with an ad that sought to link the brand with optimism and inclusion.

A full-page ad running in USA Today stated: “We live as many. We stand as one,” against the brand’s familiar red backdrop and white ribbon. Coke is also running the spot across its national network of digital billboards, including in Times Square. The marketer also put the ad across its own social channels, including its Facebook page, where it generated the usual fierce debate that comes whenever brands tackle social issues. The ad was done in-house and will run today through Sunday, a Coke spokeswoman confirmed. She also confirmed that it was made in response to the racial relations debate that is occurring in the wake of the high-profile killings of two black men by law enforcement and the deadly attack on police officers in Dallas.

“Throughout the history of Coca-Cola, we have stood for optimism, diversity and inclusion. Deep in our heritage is a commitment to bringing people and communities together to find common ground,” she said in an email. “Today, we shared a message of unity on our digital and social networks: ‘We live as many. We stand as one.’ This represents an idea we hope everyone can embrace.”

Continue reading at AdAge.com

Creature Seattle Closes After Filing for Bankruptcy

Creature Seattle, the indie shop named AdAge’s Small Agency of the Year, Northwest in 2014, has closed after filing for bankruptcy six weeks ago. W+K veteran Matt Peterson and Jim Haven of GS&P founded the agency, which lasted 14 years and was for a time the largest agency in the Puget Sound area, reporting $32 million in revenue for 2013.

One week ago, Seattle’s Puget Sound Business Journal published an exclusive regarding the bankruptcy filing, which happened on May 31st after Creature partner Time, Inc. sued the agency over unpaid bills for ads placed within its properties. The filing was an attempt to let the organization reorganize while preparing to pay its various debts.

In the initial filing, Peterson and Haven listed their company’s assets as $500,000 to $1 million and its total liabilities as $2.6 million. Its creditors include AOL Advertising, Clear Channel, A&E, ESPN, NBC, iHeartMedia and Vox Media (among others), with individual unsecured claims ranging from $42,000 to $283,000.

The agency, which still had active contracts with clients including Amazon, Apple, and others at the time of the initial filing, got sued on May 6th. On that date, lawyers for Time, Inc. alleged that the company had failed to pay more than $110,000 after placing an ad campaign. According to the Puget Sound Business Journal article, Haven also recently left Creature to join Heyou Media, a content production company started by Tom Skerritt (and yes, he is the actor you remember from Alien, Top Gun and Picket Fences). That firm’s homepage currently lists Haven as co-founder and chief promotional officer. Nick Gesualdi, who served as director of client management and new business at Creature, also left to join Amazon as a senior campaign manager this month.

It’s unclear at this time exactly why the agency had been unable to pay so many of its bills. Creature’s lawyers and those of its creditors have made various filings related to the case throughout June and July, many of which concerned payment deadlines and the use of cash collateral. The most recent, which was filed yesterday, concerned Creature client Ricoh’s request to be added to “the official mailing matrix and service lists in this case.”

We last heard about Creature in February, when Dickie’s ended its relationship with the agency after four years. We also posted more than a year ago about the departure of former Creature CEO and Seattle-area politician James Keblas, who left after approximately one year to launch City Inspired, which appears to be a public policy consultancy.

Tipsters claimed earlier this week that Creature will officially go out of business on August 1, but a Google search tells us the shop is already “permanently closed.” We did not receive a response to email queries this week, and our phone calls went directly to an automated “To speak to a representative, press 0” recording.

Creature opened a London office in 2011. That operation has been a separate company since 2013, and it was not affected by this development. Managing partner/co-founder Dan Shute writes, “Jim & Matt are brilliant folk, and we wish them all the best with their next endeavour, but we’re two businesses that share a name, and nothing more–and have been for a number of years now.”

The U.K. Creature currently employs more than 50 people and works with such clients as Adidas, Uber and Truvia.

It’s unclear at this time how many jobs have been lost in Seattle. Creature’s LinkedIn page claims 50-200 employees, but based on past news about the shop we believe the number of affected staffers to be significantly lower.

Colle+McVoy Hires a New Senior Strategist

Colle+McVoy of Minneapolis appointed Maria Pazos as senior strategist, reporting to director of insight Katie Anderson.

“Maria brings an international mindset to key global accounts, which is crucial as we expand our work internationally,” said Anderson in the release. “She has already proven herself to be a valuable addition to our team and the agency’s strategic capabilities.”

Pazos joins Colle+McVoy from GLUE, an independent agency in Bogotá, Colombia that was acquired by JWT Worldwide. She originally joined GLUE as a creative designer in 2007, was named brand planner the following year and director of strategic planning in 2011, helping to triple the size of the agency’s strategic planning department during her tenure. While with GLUE she worked with clients including Coca-Cola, Nike, Energizer, Mazda, Kellogg’s, Nokia and Clorox.

Pazos’ appointment follows the arrival of executive creative director Laura Fegley last week, as well as a pair of design promotions at the beginning of the year.

O trailer desse filme chinês é mais empolgante do que muita coisa que você assistiu esse ano

LoG

“League of Gods” é o “X-Men” da mitologia chinesa

> LEIA MAIS: O trailer desse filme chinês é mais empolgante do que muita coisa que você assistiu esse ano

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