Nickelodeon inclui casal gay em desenho e a família tradicional brasileira nem liga

nickelodeon-casalgay

Nesta semana vai ao ar nos EUA um episódio histórico de um desenho da Nickelodeon, que mostra pela primeira vez um casal de pais gays e casados. No episódio do desenho, chamado “The Loud House“, é mostrado o personagem Clyde indo dormir na casa de um amigo e sendo entregue pelo casal de pais, que […]

> LEIA MAIS: Nickelodeon inclui casal gay em desenho e a família tradicional brasileira nem liga

Brainstorm9Post originalmente publicado no B9
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Life Before #FamousMelaniaTrumpQuotes: RNC Diary, Day 1


The Republican National Convention taking place this week at Cleveland’s Quicken Loans Arena is a world apart from the rest of Cleveland, even though it’s right downtown. Protesters have been instructed (via a permitting process) to use designated areas for their marches many blocks away from the Q, as locals call it, which means that protests aren’t falling on the deaf ears of the protestees (RNC delegates) — they just literally can’t be heard by the intended targets.

An exception for a good portion of Monday afternoon: a lone pro-Jesus, anti-Trump street preacher just outside the heavily secured entrance area of the Q on East 4th Street, aka Media Row — a one-block stretch where media organizations including MSBNC and The Washington Post have set up temporary outposts. The guy had a megaphone, which made him impossible to ignore, hard as everyone tried; he had disapproving things to say about the evils of homosexuality, Donald Trump’s pursuit of filthy lucre, and I’m not kidding, “fornication.” I suppose that since he was just one guy — not part of a potentially intimidating group of marchers — police let him be.

Lest visitors get the wrong idea about Cleveland, another guy silently standing behind the street preacher held up a sign that read “THIS HATE IS FROM OUT OF TOWN. CLEVELAND [HEART SYMBOL]’s.”

Continue reading at AdAge.com

Colorized War Photography – The 'Railroad Women' Series Shows Women Contributing to the War Effort (GALLERY)

(TrendHunter.com) During World War II, war photography was far less common than photojournalism today. Nonetheless, for the sake of both propaganda and documentation, there were photographs taken that give today’…

Roger Ailes and 21st Century Fox Said to Be Negotiating His Departure

The company has been investigating allegations of sexual harassment accusations against him.

Havas London’s Celebrates a Child’s First Flight in Heathrow Airport’s Debut Broadcast Ad

Havas London launched the first ever broadcast campaign for Heathrow Airport with the 90-second spot “The First Flight.”

“The First Flight” tells the undeniably story of a 5-year-old girl named Harriett’s first trip to Heathrow Airport. Set to the David Bowie song “When I Live My Dream” (from his 1967 debut), the spot follows Harriett through the airport, owl-shaped bag in tow, aviator hat and swimming goggles on her head. Unlike W+K New York’s “No Bag Left Behind,” for Delta in 2014, which similarly features a young girl’s animal shaped bag, the focus isn’t entirely on the luggage bag, although it’s certainly a scene stealer. 

The spot does an admirable job of communicating the childlike wonder of flight that adults take for granted, with more than a little help from the inspired music choice. Outsider’s Dom and Nic directed the spot, giving the mood and pace the right touch to capture Harriett’s excitement and wonder at her first trip to the airport — even if you could argue that it could have been accomplished in 60, rather than 90, seconds.

The spot rolled out on social media today and will make its U.K. broadcast on Thursday. Supporting the effort is a contest with Qantas asking participants to share Heathrow Airport memories for the chance to win one of 70 trips to Australia.

Credits:

Client: Heathrow Airport
Agency: Havas London
Executive Creative Director: Ben Mooge
Creatives: Barnaby Packham, Daniel Bolton
Group Business Director: Caroline Saunders
Senior Account Director: Julia Mahoney
Agency Producer: Kiri Carch
Assistant Producer: Femi Ladi
Production Company: Outsider
Directors: Dom and Nic
Producer: John Madsen
Director of Photography: Alex Barber
Editing: Ed Cheesman, Final Cut
Post: The Mill
Sound: Antony Moore, Factory

JWT London Will Ignore Your Resume in the Interest of Diversity

When Tamara Ingram took over for the outgoing Gustavo Martinez as global CEO/chairman of JWT, she wasted no time in stating, “diversity and inclusion will be at the top of my agenda.”

We had a chance to interview her at Cannes, and she was very straightforward about her belief that this problem will persist within the agency world for some time. When discussing potential approaches (not to use the misleading word “solutions”), she mentioned blind hiring.

Today Campaign ran a piece by Omar Oakes detailing what that means, at least for would-be employees of JWT’s London office participating in a recruitment program called JWT Pioneers. The program previously targeted new graduates but has now expanded to target all with an interest in working at JWT as account managers, planners or producers.

In short, don’t worry about your resume.

“Applicants will be still be asked to submit a CV, but the agency said this will no longer be looked at until the candidates are whittled down to a much later stage. Instead, applicants will now be asked to answer six questions which will be used to assess them for interview selection. JWT said submitting a CV limits diversity of opportunity to enter the advertising industry.”

The nature of those six questions is not clear, nor are the stages that will facilitate that whittling down. The office’s co-director of talent Kate Bruges told Campaign, “We really don’t mind what your background is and whether your interest is in analytics, PR or film – what matters to us is that you are curious, courageous, capable and collaborative.”

Will this work? We should know by January, when the new crop of JWT employees goes to work in London.

Tinder vai virar filme, cortesia da Warner Bros

tinder-filme

Nós já vimos no passado que filmes podem ser criados envolvendo qualquer propriedade intelectual existente no mundo. E essa mania dos estúdios de Hollywood está virando tendência, se as fontes do The Hollywood Reporter estiverem corretas. Segundo o site, a Warner Bros deu luz verde a um filme envolvendo o aplicativo para encontros Tinder. O […]

> LEIA MAIS: Tinder vai virar filme, cortesia da Warner Bros

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VW Done With Diesel Push in U.S., Exec Says


Volkswagen will take a step back from the diesel powertrains that defined its U.S. vehicle lineup for the better part of a decade amid a repositioning of the brand in the aftermath of the automaker’s emissions scandal, VW’s top U.S. official says.

Hinrich Woebcken, CEO of Volkswagen Group of America, told Automotive News this week that VW won’t relaunch “clean diesels” as a core element of its brand identity in the U.S., where VW dominated diesel passenger car sales before being consumed by its emissions cheating scandal.

Diesels are in VW’s plans for 2017 through 2019, assuming regulatory approval, Mr. Woebcken said, but the company is re-evaluating the role of the powertrain in its U.S. lineup further in the future.

Continue reading at AdAge.com

Urban Anime Illustrations – Nss Magazine Portrayed Pokémon Sporting Fashionable Streetwear Brands (GALLERY)

(TrendHunter.com) Marcello Pisano, the graphic designer of Nss magazine, celebrated the recent rise of Pokémon Go’s popularity by reimagining the iconic creatures wearing some of the best in streetwear brands….

Was Bud Light's 'Caucus' Joke Lewd? No, Says Trade Group


The complaint directed at Anheuser-Busch InBev is by a man identified as Robert Westcott. “This is a ‘cock’ ad plain and simple. It degrades the brand and the industry,” he argued, according to the Beer Institute’s published summary of the case. The Beer Institute allows members of the general public to raise complaints about beer ads. The group did not release biographical information about Mr. Westcott, citing privacy policies.

Reached for comment on Tuesday, an A-B InBev spokeswoman stated in an email: “We are pleased that the CCRB ruled in Bud Light’s favor after a comprehensive review of this complaint. At Anheuser-Busch, we take our role as a responsible marketer seriously and have rigorous processes in place to ensure our advertising complies fully with all guidelines and principles of the Code.”

The Beer Institute maintains a lengthy ad and marketing code for its member brewers. It includes a section stating that advertising and marketing materials “should not contain language or images that are lewd or indecent in the context presented and the medium in which the material appears.” Under self-regulatory rules, members of the general public can make complaints directly to brewers. If left unresolved, complaints can be taken to the Beer Institute’s code compliance review board.

Continue reading at AdAge.com

We Hear: McDonald’s Might Wait Another 2 Months to Pick Its New Agency of Record

When last we heard from McDonald’s, the fast food giant had hired former top Ogilvy planner Colin Mitchell to serve as its brand VP.

This news came less than two months after WPP dropped out of the ongoing McDonald’s creative review. And while the holding company declined to elaborate on why it no longer wanted to participate, we feel like it may have had something to do with rumors regarding McD’s demands on its agencies.

Not to rehash, but the claims held that McD’s contracts insisted that its future agency partners had to operate at cost without making any sort of profits until they achieved certain unspecified performance goals. A later AdAge article claimed that the agencies had also been asked to create ideas based on multiple briefs and that the client’s conflict clause was stricter than usual.

The deadline for the two-month pitch was June 30. We know that Leo Burnett made its final presentation on that day (a Thursday), and so far we’ve heard nothing from McDonald’s.

According to one tipster, this is because the company has delayed the conclusion of the review, extending its decision period to two months. Given the 60-day turnaround, that would mean that the client now has the same amount of time to make its decision as it gave its competing agencies to pitch the business and that the news will come at the end of August/beginning of September.

Today a McDonald’s spokesperson told us that there was no news to share because the review is ongoing and did not indicate a potential date for the announcement. Again, we can’t definitively say that our sources are correct. But McDonald’s has not specifically denied any of the information we have published so far regarding the review.

Updates to come, of course.

RPA and Honda Fall in Love for the Summer

RPA launched a new, music-fueled campaign for Honda, promoting the Honda Summer Clearance Event.

In “Red,” a man falls in love with a 2016 Accord LX Sedan (which is not red, surprisingly) to the tune of Beyoncé‘s “Crazy in Love,” as performed by a doo-wop style vocal group. When asked if he likes it by a sales representative he tries to play it casual, but has a terrible poker face. Also, the dashboard caress is a tad creepy. 

The rest of the spots in the campaign all follow the same basic approach, albeit with different music and car models. Other love songs turned vehicular infatuation songs are “Head Over Heels” in “Float” and “Take My Breath Away” in “Angels.” Kelly Clarkson gets some love in spot “Dress” as well. We’re not sure the dramatic and cheesy approach does a lot to sell the cars in question but the spots are at least different enough to stand out from the summer clearance sale pack.

“Ultimately, our goal is to break through the car sales-event clutter and remind people that summer is the best time to get a great deal on a Honda,” Honda assistant vice president of marketing Susie Rossick told Adweek.

R&R Partners Defends Its Work Supporting the Government of South Sudan

Last year R&R Partners–the agency best known for the “What Happens in Vegas” tagline–picked up a less conventional client: the government of South Sudan.

R&R, which was founded by former Ronald Reagan and George H.W. Bush advisor/ad man/U.S. ambassador to Iceland Sig Rogich, provides a range of services to its various partners. As noted in this January 2015 post from PR trade blog O’Dwyer’s, the very new country of South Sudan hired the agency to do work related to “development of a message platform, influencer outreach, editorial services, crisis communications, [and] media training.”

The purpose of the one-year, $900,000 deal was to help the world’s youngest democracy better interact with the United States after its democratically elected government (created in 2011 after a U.S.-supported referendum on independence) signed a truce of sorts with a rebel group that had officially waged war against that government since 2013 in a conflict that has killed tens of thousands of people, most of them civilians.

One more visible aspect of the contract involved running this Twitter account, which last tweeted one year ago.

R&R’s work for South Sudan has reappeared in the news this month thanks to both an increase in violence and the release of this Center for Public Integrity report questioning whether South Sudan’s agency partners had properly complied with a law requiring U.S. companies to announce their plans to act on behalf of a foreign government. Those partners include R&R along with Podesta Group, which was founded by longtime Democratic Party fundraiser Tony Podesta. (His brother John is currently Hillary Clinton’s campaign chairman.)

South Sudan ranks second on a respected list of the world’s most fragile states, and violence has increased there in recent months after a period of (very relative) stability, with the United Nations and the African Union now making plans to put more peacekeeping forces in the country. 5 million people in South Sudan are currently in need of humanitarian assistance in the form of food or basic medical supplies.

The controversy central to the Center for Publicity Integrity piece is the fact that the South Sudan government, which now claims to be broke, managed to spend $2.1 million on these agency partners between late 2014 and the end of 2015. It’s fairly standard practice for struggling governments to hire U.S. PR firms that specialize in international diplomacy and crisis communications in order to improve their relationships with the United States, but it’s less common for an ad agency to join the mix.

The piece itself is a long read, but it notes that various congressmen in both major parties have encouraged the federal government to continue or strengthen an ongoing arms embargo, thereby preventing the South Sudanese government from using U.S. aid money to buy weapons. John Kerry and various spokespeople for the current administration claim that the U.S. continues to fully support the government of South Sudan, noting that various sanctions have been in place for several years.

This is the sort of interminable, endlessly complex situation that frustrates even those most experienced in international relations. The CPI report states: “Those advocating a more vigorous stance contend that the lobbying and PR created a misleading narrative that contributes to the current paralysis.”

The issue is debatable, but for this post the point is that R&R chose to work with the government of South Sudan and that the agency now defends the work it did.

“R&R Partners was engaged by the democratically-elected government of the Republic of South Sudan, a new country that pursued its independence under United States guidance,” a spokesperson writes in response to our query about the nature of the now-completed relationship between the two parties.

The statement continues: “We were engaged during the internationally-led peace talks with rebel forces, with the goal of encouraging lasting peace at a time when both sides were working toward that end. We were hopeful that an end to the civil war would come in time to redirect aid to address growing famine and a looming financial crisis, and encouraged policymakers to avoid sanctions as the tenuous peace process progressed. Sadly, we have seen a return to conflict, and the predicted humanitarian disaster. We stand behind our work and our intentions, and continue to hope for peace in the Republic of South Sudan.”

Various parties told the Center for Public Integrity’s Erin Quinn that they see all U.S. entities doing business with the South Sudanese government as “[beneficiaries] of a war situation” and accused them of making “blatantly, patently false” statements regarding the country.

The central purpose of R&R’s work was to minimize the effects of sanctions that might limit the country’s ability to do business with the United States–arms business included. “The firm’s consultants contacted dozens of members of Congress, congressional staff, State Department officials, think tanks and nonprofits to discuss the issues of sanctions and the peace process, disclosures show,” but their efforts ultimately did not succeed as the Obama administration has repeatedly renewed and/or extended those sanctions.

The CPI piece notes that former Colorado governor Bill Owens was among those who worked on the account and that he made $50,000 in doing so. The government also worked with Watts Partners, a lobbying firm founded by former football player and Republican house member J.C. Watts, along with D.C.-based consultancy KRL International.

R&R had the biggest single contract among the aforementioned agencies. The company, which does not list all of its clients on its website, has worked with Los Vegas’ Animal Foundation, data storage giant WD and Boeing in addition to the Las Vegas Convention and Visitors Authority.

Zambezi Names Justice Erolin as Its First Executive Director of Technology

Los Angeles independent agency Zambezi appointed Justice Erolin as partner, executive director of technology, a newly-created position at the agency.

Erolin joins Zambezi following almost five years at the Los Angeles offices of Deutsch, where he most recently served as SVP, creative technology director. Previous titles included senior creative developer; associate technology director; and vice president, creative technology director. While with Deutsch, he managed all technology efforts for the VW.com platform and worked with other clients including Dr Pepper Snapple Group, Playstation, Avvo and Anthem. Prior to joining Deutsch in August of 2011, he worked as a programmer and web developer for companies including AIG SunAmerica, Stamps.com and ASP.net. 

Erolin’s appointment follows the arrivals of group strategy director Ryan Richards and account director Gordon Gray in March and executive director, marketing and business development Josie Brown in May, as well as the agency’s expansion to a new Culver City headquarters.

Communities for Development Bulambuli Valley : 9367 miles from Silicon Valley


PR
Communities for Development

Chicken™, the first 3D Egg Printer and Tomato, the 100% solar powered food revolution, are just some of the amazing “start-ups” you can find in the Bulambuly Valley, Uganda. We launched a groundbreaking crowdfunding campaign to support a small rural community in eastern Africa via Indiegogo. To do it, we took a lesson from Silicon Valley and brought the language of tech crowdfunding into the heart of Uganda. Check out the indiegogo campaign: http://igg.me/at/bulambuli

Advertising Agency:Dude, Milan, Italy
Creative Director:Livio Basoli, Lorenzo Picchiotti, Curro Piqueras

Rescue Dog Photography – These Photos of a Puppy and Baby Sleeping Show the Soft Side of Rescues (GALLERY)

(TrendHunter.com) While Elizabeth Spence did not take this rescue dog photography with the intention of being an activist, the series of photos send a heart-warming message about adoption.

The photos depict Spence&#…

Books of The Times: Review: Terry McDonell’s ‘The Accidental Life,’ an Editor’s Rollicking Magazine Memoir

Mr. McDonell recounts a career editing writers like Hunter S. Thompson, Peter Matthiessen and Thomas McGuane.

In Death, Qandeel Baloch, Pakistani Social Media Star, Is Celebrated as a Feminist Hero

Authorities arrested Ms. Baloch’s brother, who said he killed her because of “shameful” pictures she had posted to Facebook.

Watch Stephen Colbert Bring Back 'Stephen Colbert' to Define 'Trumpiness'


On Monday night’s “The Late Show With Stephen Colbert,” Stephen Colbert brought back “Stephen Colbert,” the conservative blowhard he used to play on Comedy Central’s “The Colbert Report.” In what was surely one of the most meta moments ever seen on CBS, “Stephen Colbert,” the character, arrived on the “Late Show” set on a wheeled chariot pulled by two shirtless hunks wearing Uncle Sam beards, then sat in the chair normally occupied by Stephen Colbert. “Colbert” was on hand to revive “The Word” segment from “The Colbert Report” and the word of the day was an update on “truthiness”: “Trumpiness.” A excerpt of what “Colbert” had to say, followed by the full segment, just below:

Truthiness has to feel true. But Trumpiness doesn’t even need to do that. … Truthiness was from the gut, but Trumpiness clearly comes from much further down the gastrointestinal tract. … These legitimately angry voters don’t need a leader to say things that are true or feel true. They need a leader to feel things that feel feels. And that is why I think Donald Trump is a leader for our times: An emotional megaphone for voters full of rage at a government that achieves nothing, an economic system that leaves them behind, and politics that elects people unfit for the job.

Simon Dumenco, aka Media Guy, is an Ad Age editor-at-large. He’s reporting from both the Republican National Convention in Cleveland and the Democratic National Convention in Philadelphia.

Continue reading at AdAge.com

Dove's #MyBeautyMySay Campaign Rises to Top of the Viral Video Chart


Dove’s latest video arguing against opressive beauty norms is No. 1 on this week’s Viral Video Chart by Visible Measures, which tracks organic and paid plays each week to see which marketers are reaching consumers most with digital video. The Dove campaign ascended to the top spot from No. 9 last week, replacing a prank video campaign by hard cider brand Smith & Forge.

Continue reading at AdAge.com