Samsung Pay – Everywhere you love / K-pop (2016) :30 (USA)
Posted in: UncategorizedCome back classical K-pop girls, I need you to erase this tune from my head.
Após a política dominar nossos últimos episódios, é hora de ir para o território místico! Dizem que religião não se discute mas aqui nesse podcast a gente quebra tabu! Sempre com respeito, mente e coração abertos. Nessa semana o assunto especial é profissões de fé. Nove pessoas compartilham suas visões de mundo, de fé e […]
> LEIA MAIS: Mamilos 67 – Profissão de Fé
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For three minutes ten seconds we took over a full ad break, showing an ordinary guy in an ordinary garden, using Ronseal One Coat Fencelife to paint his garden fence.
On the eve of the biggest DIY Bank Holiday of the year, the #RonsealAdBreak reminds viewers of the full realities of DIY. Demonstrating that when you just want to get it over and done with, your first port of call should be Ronseal. After all their famous strapline is, ‘it does exactly what it says on the tin’.
As his predecessors did, New York’s mayor will hold a weekly on-air conversation with his constituents, signaling a shift in his communications strategy.
The agency said on Friday that it approved the deals for Time Warner Cable and Bright House Networks this week with conditions.
Queen was a pretty good band and this is an EOD Friday post.
Heineken sponsors a lot of musical events around the world, in case you didn’t know. It’s kind of like Camel cigarettes in targeting the young folks that way, except it’s less cancerous and ethically questionable.
#LiveYourMusic is a new global campaign that involves some challenges for the beer because–as its global brand communication director Anuraag Trikha told Marketing Week–“people come to see the artist and not the brand.”
The first ad in that effort comes to us from Publicis Italy on the 40th(!) anniversary of “Bohemian Rhapsody” and the 24th anniversary of the movie that made it big again. The point of this spot is that everyone loves a good jam and some people get a little too into it.
Yeah, it was a bit long, but you kind of just have to go with it. Here’s an interesting quote from Trikha:
“Music is a very difficult beast for brands and it’s challenging for brands to create salience. … If you don’t put a brand lens on it at all, it becomes just another promotion.
We’ll be doing more experiential activity inside festivals. We are also looking at partnering with festival owners to produce musical experiences that touch all your senses and then use technology to enable that.”
Heineken and Publicis picked this particular song because it’s 40 years old and because “for all these years it’s been the song everyone wished they could sing.” And we like how nobody in the ad even bothered to try singing in key.
The campaign also includes new packaging, bottle designs and the requisite social media push, but the most interesting fact we learned about it is that the neighbors of Publicis’ team in Italy got a little tired of hearing them sing Queen in the shower every day for three months.
It’s still a little more inspired than the one where Doogie Howser tried to sound…Scottish??
Company Name: Publicis Italy
Client: Heineken
Title: The Chorus
Production Company: Partizan Midi Minuit
Media Agency: Starcom
Pr Agency: Edelman
Creative Directors: Bruno Bertelli, Cristiana Boccassini, Marco Venturelli, Luca Cinquepalmi
Associate Creative Directors: Polina Zabrodskaya, Michele Picci
Art Director: Simone Di Laus
Strategic Planners: James Moore, Moritz Goede
International Group Account Director: Lorenza Montorfano
International Account Supervisor: Jana Uhlarikova
International Account Executive: Dalila Salhi
Agency Executive Producer: Silvia Cattaneo
Senior Director Global Heineken Brand: Gianluca di Tondo
Global Heineken Brand Director Communication & Digital: Anuraag Trikha
Heineken Brand Communication Manager Global Marketing: Agnieszka Gorecki
Director: Antoine Bardout-Jaquet
Executive Producer: Robin Accard
Line Producer: Khalid Tahhar
Editor: Bill Smedley
DOP Glynn Speeckaert
MUSIC Bohemian Rhapsody by Queen
Gap’s been running ads celebrating “iconic Americana moments” and playing up the chain’s founding in 1969. But one of its retro choices left NASA fans flummoxed.
A tweet from the recent campaign, posted on March 1, featured a photo of a space shuttle liftoff, emblazoned with the text “1969.” As any fan of space history knows, that was the year Apollo 11 went to the moon on a Saturn V rocket, more than a decade before the space shuttle made its debut.
Celebrating 36 years of partnership with the Cannes Film Festival, Air France is offering its customers the opportunity to watch or finish watching their film, from the”Cannes Film Festival” selection, after their flight on tablet,smartphone or PC with a gift code offered by the company.
FCB promoted Chris Shumaker from North American CMO to global CMO following the agency’s recent win in Clorox’s creative review.
Shumaker joined FCB as North American CMO in September of 2013 and this past year helped the agency add new accounts such as A-B InBev, Samsung, Fiat Chrysler, Humana and Lincoln Financial Group, in addition to the recent Clorox win. Before joining FCB, Schumaker spent nearly six and a half years as U.S. CMO with Publicis. He actually previously held the global CMO role at FCB for about a year before leaving for his position at Publicis. Prior to that, he served as executive vice president, business development for Grey Group for nearly a year and a half. That followed over nine years as senior vice president, director of development for The Martin Group.
This is the second time Shumaker has been in the top marketing position at FCB. He led new business there prior to the Draft merger in 2006.
“Chris understands new business better than anyone I know,” FCB worldwide CEO Carter Murray said n a statement. “He has helped build a best-in-class new business team and infrastructure that have generated significant momentum for FCB. With recent wins, especially Clorox, the time felt right to expand his responsibilities.”
As you all know, Mother’s Day is less than 48 hours away, and we’ve seen a few related stunts from various shops. There was MullenLowe’s “get people to enjoy it when babies cry on a plane” work for JetBlue, Humanaut’s rude card project, and StrawberryFrog’s “come work for us, moms” effort.
Mother probably got the most attention for playing on its own name with an outdoor campaign and a pitch that involved sending us an apple, two cookies and a hand-written note that is probably the nicest piece of writing we’ve received from an agency PR team in quite a while. (Just kidding, we love all of you guys.)
DDB wasn’t having any of that. The agency kept things simple and nostalgic with a Bring Your Mom to Work Day in its Chicago office this week.
“There’s a Barton in there somewhere, I think,” LOL.
See, that was fun. We especially liked the Q&A and the fake sleeve tattoos.
An agency spokesperson tells us that DDB hadn’t planned to promote this video or push it out to media, but someone wanted us to see it because we’ve been getting related tips all day. Here’s the teaser as well.
CREDITS
Chief Creative Officer: John Maxham
Chief Production Officer: Diane Jackson
Group Creative Director: Travis Parr
Creative Director: Candace Keene
Director/Editor: Dan Svoboda
Videographer: Jake Bailey, Nathan Iseminger
Studio Manager: Yvette Doud
Audio Engineer: Bobby Lord
Photographer: Noel Gonzalez
Art Director/Intern: Jenna Candusso
Art Director/Intern: Rosa Chu
Copywriter/Intern: Corey Leifker
Copywriter/Intern: Vincent Marocco