Downside Up: One Word
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We are children of our age,
it’s a political age.
All day long, all through the night,
all affairs—yours, ours, theirs—
are political affairs.
Whether you like it or not,
your genes have a political past,
your skin, a political cast,
your eyes, a political slant.
Whatever you say reverberates,
whatever you don’t say speaks for itself.
So either way you’re talking politics.
Even when you take to the woods,
you’re taking political steps
on political grounds.
Apolitical poems are also political,
and above us shines a moon
no longer purely lunar.
To be or not to be, that is the question.
And though it troubles the digestion
it’s a question, as always, of politics.
To acquire a political meaning
you don’t even have to be human.
Raw material will do,
or protein feed, or crude oil,
or a conference table whose shape
was quarreled over for months;
Should we arbitrate life and death
at a round table or a square one?
Meanwhile, people perished,
animals died,
houses burned,
and the fields ran wild
just as in times immemorial
and less political.
— Wis?awa Szymborska
The post A political age appeared first on Adbusters | Journal of the mental environment.
The nephew and cousin of presidents will enter the morning program arena, joining Chris Cuomo, the son and brother of New York governors.
Back in March, AdAge reported that Beats by Dre–the premium headphone brand started by one Andre Young and sold to Apple in 2014 for the super cheap price of $3 billion–would be reaching out to various agencies as it continues its international expansion under the leadership of marketing VP Jason White.
Today, reliable sources tell us that New York’s Anomaly has won the subsequent review.
According to sources for the initial story, the client’s agency outreach is related to its plans to sell more premium headphones overseas. White, who previously ran the global Nike account for Wieden+Kennedy and managed its Shanghai office, will reportedly see his role at the company expand moving forward as well. Sources tell us that CMO Omar Johnson, who according to AdAge will become more involved in promoting Apple Music in conjunction with the Beats brand, has actively worked to help guide the creative direction of its past and present campaigns.
Beats has a longstanding relationship with R/GA, which was not involved in this review. We also hear that 72andSunny was among the agencies in the initial group considered by Beats before it eventually went with Anomaly.
Late last year we learned of a series of departures within the creative department at Hustle, the L.A. unit of the IPG network that handled some aspects of the Beats work. This time, however, we hear that the addition of another agency to the Beats roster will not affect its relationship with R/GA, whose London office has driven creative on most of the brand’s biggest efforts to date aside from those produced by its own in-house team.
An R/GA spokesperson declined to comment for this post. Anomaly and the Beats organization itself have not yet responded to our queries.
Advertising awards have reached peak honesty with the Handys, a new (fake) show that isn’t a show at all—it’s an app where you get a prize just for shaking your phone up and down like a real wanker. (Really: Pull up handyawards.org on your phone, and go to town.)
This is for the tree-climbers.
France’s GMF is the leading insurer of public sector workers. But, typical of the modest sector it serves, it’s spent the past 80 years of its existence running ads that the brand itself has acknowledged are “cautious” and not too screamy.
Well, the world has changed and everyone’s screaming. So, it teamed up with TBWA Paris to assert its position in a way that feels loyal to who the brand is—it’s a quieter competitor, but therein lies its power.
Here’s a quick one for review in case you guys weren’t aware of the many brilliant options the market has provided to fill your clients’ advertising needs.
This depressing message comes to us via a PR agency that obviously can’t tell the difference between “advertising” and “ad tech” but works with clients offering a “sharing economy” solution to your clients’ most pressing needs.
“Many of today’s most profitable companies aren’t producing or selling anything. They’re simply connecting and streamlining resources. Take Uber and Airbnb for example, which own no cars or real estate.
The shared economy is growing. Its next stop? The advertising industry.
xxxxx is the world’s first ad development creative platform that uses a pay for performance model with a community of more than 10,000 designers worldwide. It taps into a global creative production industry worth $20 billion by combining human design with machine learning.
xxxxx uses Facebook and Instagram API’s with advanced AI and machine learning algorithms. They analyze image data faster and more accurately that way their designers can understand the clients brand and audience.
How does it work? Advertisers submit a brief. Designers from xxxxx’s community appear within 48 hours. Advertisers choose as many as they like, and assemble the ads in xxxxx. Then advertisers have the chance to swop underperforming creatives or let the platform automatically do this.”
Sure, you may ask who would be dumb, poor or desperate enough to sign up for this. We don’t really want to know the answer.
OTOH, given how generous the Uber business model has been to struggling car owners and how remarkably human-like AI capabilities can be, this sounds like a great opportunity for skilled designers everywhere!!
Hundreds of years from now, a new bionic race of human beings will look back on this moment—among other vestiges of our time—and conclude we all shared a god after all. (It’s happened before.)
Remember Glimpse, the socially conscious agency that wants to fill a London subway station with nothing but billboards of cats? With just three days left on their Kickstarter campaign, they’ve found a way to sweeten the deal.
Battersea, the animal rescue center and one of the U.K.’s biggest charities, has agreed to partner with Glimpse to put stray cats on the posters—so, in addition to thinking fewer ad-cluttered thoughts on their commute, Londoners may actually be able to take a furry friend home with them.
But that’s not all. The agency could still use help getting this off the ground.
Cheil Spain and Samsung Electronics have developed a swimming cap incorporating the latest technology to help blind Paralympic swimmers detect when to flip turn at the end of a lane in the pool. ‘Blind Cap’, which has been developed in collaboration with the Spanish Paralympic Committee, is the first swimming cap equipped with a vibrating sensor and Bluetooth technology to alert blind swimmers at the precise moment they need to do a turn.
The university is teaming up with the John S. and James L. Knight Foundation on a $60-million institute dedicated to the freedoms of speech and the press.