Nike Celebrates the 'Real Girls of Moscow' With Empowering Ads, Murals and GIFs

Back in April, Nike Women launched its popular “Better for It” motivational campaign in the U.S. Now, the sportswear giant is expanding the tagline in Russia.

A half-dozen new spots from Wieden + Kennedy Amsterdam feature the same playful attitude and general message—that the benefits of exercise outweigh the challenge—but take a slightly different tone, as you might expect from ads that feature professional athletes instead of the average exercisers represented in the U.S. work.

The camera work, from director Carlos Serrao, is a little more dramatic in its attention to detail, with scenes like yogi Olga Markes holding a particularly brutal pose while dripping sweat and boxer Kate Izotova getting punched in the face while sparring (a moment featured, naturally, in slow motion).

The copy, meanwhile, comes across as less overtly vulnerable than in the U.S. ads, where women explicitly tolerated their own misery (largely manifest as insecurity) for the promise of self-improvement in the end. Instead, the Russian athletes seem to be a bit more defiant in their vanity—embracing pain in pursuit of perfection or glory.

“What are you doing here?” says Izotova’s voiceover. “You could have stayed at home, been someone’s trophy…. Screw that. I’ll earn my own trophy.”

In other words, the ads hew more closely to traditional endorser-driven sports marketing (even if they’re not celebrities with wide global name recognition)—a strategy that speaks more of a “Be like this” inspirational strategy than a “We know it’s hard but we’re with you” motivational one.

In addition to the pro athlete ads, Nike also turned Instagram posts of real girls working out into street posters around Moscow. Indeed, the campaign’s title is “Real Girls of Moscow,” and it aims to capture the spirit of what Nike describes as a growing sports movement in Russia, featuring women who are “free-thinking and free-spirited,” and “are more comfortable in sneakers than heels, preferring exercise to fad diets.”

Whether drawing that kind of line—or calling a bunch of accomplished women, at least four of whom are in their 20s and 30s, “girls”—is a smart or deliberately provocative move isn’t clear. But it is at least understandable, given the brand sells selling running shoes that also tend to double as fashion statements—and not stilettos.

Regardless, Nike is also touting a 25,000-person turnout for a 10-day sporting event at Gorky Park in Moscow. And the new campaign features top athletes in a broad range of disciplines (ballet, choreography, long-jumping, skateboarding and sprinting) showing up variously on giant outdoor murals, and in nifty GIFs for online distribution—probably because if you really want to do that sweet kickflip, you’re going to have to get used to doing it over and over again, stuck on infinite loop, for the rest of time.

CREDITS
Client: Nike

Agency: Wieden + Kennedy Amsterdam
Executive Creative Director: Mark Bernath, Eric Quennoy
Creative Director: David Smith, Alvaro Sotomayor, Craig Williams
Art Director: Ignasi Tudela
Copywriter: Zoe Hawkins
Head of Content : Joe Togneri
Planner: Danny Feeney, Michelle Arrazcaeta
Communications Planner: Josh Chang
Group Account Director: Kirk Johnsen
Account Director: Kathryn Addo
Senior Account Manager: Jorge Fesser
Broadcast production / Head of Art Buying : Maud Klarenbeek
Art buying / broadcast production: Javier Perroud
Head of Studio: Jackie Barbour
Retoucher: Dario Fusnecher
Project Manager: Janna Harrington
Business Affairs: Michael Graves

Production Company: Terrie Tanaka Management
Director/Photographer: Carlos Serrao
Director of Photography: Monica May
Producer: Amy Lynne
Executive Producer: Terrie Tanaka
Vogue Shoot Make-up: Mark Williamson at artist-management using Mac
Vogue Shoot hair: Hanjee at Jed Root for Hanjee Hair Gallery

Editing Company: Whitehouse Post
Editor: Sam Gunn

Audio Post: Wave Amsterdam
Sound Designer/Mixer: Alex Nicholls-Lee

Music: Glintshake / MassiveMusic
Katya Izotova: Glintshake
Olga Markes: Glintshake
Adelina Sotnikova: MassiveMusic
Diana Vishneva: MassiveMusic
Darya Klishina: MassiveMusic

Postproduction: Glassworks
Flame: Morten Vinther
Telecine: Scott Harris
Producer: Jane Bakx

Media Buy: Mindshare Russia

Digital Production + Social Activation: Instinct BBDO Moscow

Bartkira Trailer

Alors que ce projet n’a rien d’officiel, des amateurs du film d’animation culte Akira – adapté du manga de Katsuhiro ?tomo – et des Simpsons nous proposent de découvrir un trailer très bien fait et assez insolite de Bartkira, mettant en scène dans un Springfield méconnaissable un Bart en Kaneda & un Milhouse en Tetsuo. Effet garanti.

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Everyday Art by Beeple

Basé dans le Wisconsin, Mike Winkelmann, davantage connu sous le pseudonyme Beeple, s’est donné comme défi de concevoir chaque jour une image en utilisant ses talents pour la retouche photographique et la création 3D. Des visuels impressionnants, dévoilant au quotidien les paysages futuristes et improbables de cet artiste talentueux.

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Top 100 Food Products in July – From Anti-Aging Chocolates to Intergalactic Meal Replacements (TOPLIST)

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Top 50 Shoe Trends in July – From Polka Dot Performance Sneakers to Genderless Summer Sandals (TOPLIST)

(TrendHunter.com) These July 2015 shoes range from genderless sandal collections to performance sneakers that are accented with a stylish, polka dot print. In addition to fusing style with performance, the season&#…

Save Game 3 – Ori and the Blind Forest

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Projeto é do designer Francesco Vittorioso

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GoPro lança Hero4 Session, uma câmera no formato de cubo

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Já faz algum tempo que a GoPro apresentou novas câmeras no mercado – o seu último lançamento foi em setembro do ano passado. Hoje a empresa renovou sua linha de câmeras novamente e pela primeira vez lançou um modelo de câmera que foge do formato retangular que virou sua marca registrada. Ela se chama Hero4 […]

> LEIA MAIS: GoPro lança Hero4 Session, uma câmera no formato de cubo

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No Dia Internacional do Beijo, um beijinho no ombro para o preconceito

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Conheça a incrível história de Helena e Szczepan Wojtak

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Toyota Auris Hybrid: Sensitive

Advertising Agency: Saatchi & Saatchi, London, UK
Executive Creative Directors: Andy Jex, Rob Potts
Copywriter: Mike Whiteside
Art director: Ben Robinson
Planner: Paulo Carvajal
Account handlers: Theresa Risdon, Paul McHugh
Agency producer: Marie Hughes
Media buying agency: ZenithOptimedia
Media planner: Ben Lukawski
Production company: Moxie
Director: Martin Granger
Editor: David Webb
Producer: Adam Saward
Post-production: Electric Theatre Collective
Audio post production: Factory

Toyota Auris Hybrid: The Truth

Advertising Agency: Saatchi & Saatchi, London, UK
Executive Creative Directors: Andy Jex, Rob Potts
Copywriter: Mike Whiteside
Art director: Ben Robinson
Planner: Paulo Carvajal
Account handlers: Theresa Risdon, Paul McHugh
Agency producer: Marie Hughes
Media buying agency: ZenithOptimedia
Media planner: Ben Lukawski
Production company: Moxie
Director: Martin Granger
Editor: David Webb
Producer: Adam Saward
Post-production: Electric Theatre Collective
Audio post production: Factory

Samsung: Shakespeare reimagined

Samsung Electronics UK has teamed up with the Royal Shakespeare Company to launch a new app starring famous actors, a rapper and a beatboxer to bring Shakespeare to life for 11-18 year olds. The Android app, called RE:Shakespeare, features interactive games and videos and is hosted by RSC ambassador, David Tennant. It also stars the renowned actress, Tamsin Greig, beatboxing artist Shlomo, rapper and poet Akala, and acclaimed director, Iqbal Khan.
These charismatic mentors break up long scenes from Shakespeare plays into bite-size chunks and transform difficult lines into fun lyrical challenges, helping students to re-interpret, re-mix and perform Shakespeare like never before.

Advertising Agency: Cheil, UK

CBC: Abla Fahita

Advertising Agency: JWT, Cairo, Egypt

FNB: The ATM switch

Advertising Agency: Gloo@Ogilvy, Johannesburg, South Africa
Chief Creative Officer: Pete Case
Executive Creative Director: Adam Brandt
Creative Director: Gregory King
Art Director: Carla Nel
Copywriters: Gregory King, Gillian Read, Dylan Balkind

Ubisoft / Tom Clancy's Ghost Recon Widlands:

Advertising Agency: Havas 360, France
Co-CEO: Vincent Mayet?
Executive Creative Director: Thomas Derouault
Deputy General Manager: David Mingeon
Associate Director: Nicolas Pierron
?Art Director: Rémi Arnaud?
Copywriter: Edouard Dorbais
Creative Manager & Direction: Jean Marc Geoffroy / Ubisoft
Creative Director & Music: Eric Couzian
Senior Producer & Conception: Nouredine Abboud
Global Brand Director & Conception: Romain Foucher de Brandois
Art Director: Vincent Delassus
Gameplay Film Directors: Emmanuel Gorinstein, Olivier Fleurette
Video Editor: Damien Poncelin
Narrative Designer & voices: Sam Strachman
Associate Producer: Timothée Nitsas
Audio Director: Ghislain Soufflet
Sound Designer: Jasper Yang 
Production Manager: Sophie Penziki
Managing Director Ubisoft France: Xavier Poix
CGI Film Directors: Léon Berelle, Dominique Boidin, Rémi Kozyra, Maxime Luère / Unit Image
Sound Editing: Alexis Jung, Olivier Ranquet / Yellow Cab Studios
Audio Supervision & Mixing: Olivier Ranquet 
Sound Effects: Grégory Vincent 
Original Music: David Imbault 
Sound Assistant: Clément Faure Brac 

AdLand and the U.S. Gun Culture: A GOODvertising Proposal

Category: Beyond Madison Avenue
Summary: America has some issues. That much is clear.

As America spends money to better its image abroad as a tourist destination, we would like to look at how we can use our creative resources to better America’s image as a living destination.

Still a young nation, America is facing some larger growing pains.

4A's Survey Finds Drop in Billing Rates For Senior-Level Ad Execs


The 4A’s released its Labor Billing Rate Survey Report today that benchmarks hourly rates for roles in the ad industry, and the short take is this: It’s a great time for those in web, social and analytics. For top dogs, on the other hand, things have been better.

The survey, which was previously released in 2012 and reflected 2011 hourly rates, includes 125 pages on 2014 hourly rates for positions including creative, account management, digital, media services, analytics and others. This year’s report reflects a few changes in data collection, particularly a bigger census size (the 4A’s used to ask for one weight average rate per position, but this time asked for three actual rates, yielding about three times the responses — 32,000 rates instead of 2011’s 9,700 rates).

The findings show billing rates for senior execs took a hit: comparing the reports from 2011 and 2015, hourly rates decreased from $784 to $660 for director of client service; $1,000 to $861 for chief creative officer; and $626 to $605 for exec director of account planning.

Continue reading at AdAge.com

Televisions Are No Longer the Screen of Choice for Kids


A new study that examines media consumption among the footie-pajama set may provide a clue to the root cause of an ongoing ratings drought wreaking havoc on kids’ cable ratings.

According to a research report from Miner & Co. Studio, televisions are no longer the screen of choice for kids who have ready access to tablets and smartphones. More than half (57%) of parents surveyed said their children now prefer to watch video on a handheld device rather than on TV.

Mobile devices are so popular with kids that nearly half of the 800 parents quizzed by Miner & Co. reported that they confiscate their kids’ tablets when they act up and make them watch TV instead, thereby fostering a sort of Pavlovian response that equates TV with punishment. (That these parents simply don’t restrict their kids’ access to video altogether when they misbehave suggests that they’re raising a generation of spoiled content junkies, but that’s another story.)

Continue reading at AdAge.com