DigitasLBi Tours ‘Factory’ With Maytag Man

Mistress Jumps Around for VH1’s Dating Naked

Pluto Finally Gets Its Picture Taken, and Some Brands Do Their Own Flybys

On Tuesday morning, NASA showed the world that it’s finally gotten around to visiting our solar system’s favorite not-a-planet-anymore, Pluto. On Instagram, the once-blurry dot in space was featured in glorious high-res for all humankind to behold.

And brands, of course, wanted in.

Some inevitably made interstellar puns and ridiculous associations to their products, mostly phoning it in from far across the universe. Because really, no one is entirely sure how important Pluto is, since its demotion to dwarf planet.

Disney, which owns the rights to both Pluto the dog and Star Wars, didn’t tweet anything (though Disney Channel’s PR department did). And many of the usual real-time Twitter suspects, like DiGiorno, Oreo and Charmin, have been silent so far as well. (The latter has more of a thing for Uranus.)

Other brands did boldly go there, however. Check out a sampling of their voyages below.
 

Começou o B9 Grand Prix 2015

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Inscrições para o novo grande prêmio da publicidade nacional já estão abertas

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Meet The Bovines Behind Chick-Fil-A's 20-Year Campaign


Just about everyone knows Chick-fil-A’s “Eat Mor Chikin” campaign, but what you probably haven’t seen is where the cows in these ads grew up. In celebration of Cow Appreciation Day and the 20th year of the ad campaign, customers can now meet the crew, by watching behind-the-scene footage of Freedom, Freckles, Molly and Cat in their natural habitat.

The chicken chain today released a video telling the story behind the celebrity cows and their caretaker Cowboy Phil. Launched in 1995, the marketing campaign has become a hallmark for the brand, earning a place on the Madison Avenue Advertising Walk of Fame and in an exhibit at the Smithsonian National Museum of American History.

To celebrate the 11th annual Cow Appreciation Day, cow (or Chick-fil-A) lovers can earn a free meal today by donning a head-to-toe cow costume.

Continue reading at AdAge.com

Verizon's Streaming Vice Network Will Beat A&E's Vice Channel to Market


Vice is getting more than one TV channel after all, except the one it announced on Tuesday won’t be available through people’s cable-TV boxes. It will also arrive first.

Before Vice realizes its reported deal to take over A&E Networks’ H2 cable-TV channel next year, Vice will debut a channel on Verizon’s upcoming internet-delivered TV service, which the telecom giant has said it plans to introduce later this summer. The channel is expected to skew toward Vice’s cultural content such as food and travel programs, as opposed to news, and will feature original programs produced exclusively for the service, starting with Vice’s upcoming interview series “Autobiographies.”

Verizon’s internet TV offering is another effort by pay-TV providers to serve consumers who don’t pay for traditional, and traditionally expensive, services. TV into customers. Dish Network has already rolled out an internet TV service, and Comcast said earlier this week that it plans to follow suit.

Continue reading at AdAge.com

How to Use Media Creativity to Achieve Business Results (and Win Awards)


It’s popular to think that advertising industry is still stuck in the old ways of communication. The dynamic world of organic media being an uncharted territory, foreign and feared.

But when I looked back at my six days of judging over 3,000 Cannes media entries from all around the world this year, I discovered the inconceivable. My view about the advertising industry has shifted, for the better. It’s less cynical and more optimistic.

It’s easy to attribute this change to the sunny Cannes climate and unlimited quantities of ros. But something else’s at play here.

Continue reading at AdAge.com

Geico Brings Back Classic Game Operation … by Way of 'Saw'


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

The latest spot from State Farm tells us you won’t always need roommates, not even mom and dad. Mazda’s “Bringing Baby Home” comes pretty close to preying on new parents’ fears to sell a safe Mazda CX-5. And Geico rather chillingly imagines what it would be like to be the guy in the Operation game.

People seem to like that thought, though: Geico’s “Operation” commercial is also the most digitally-engaging TV ad on the air right now.

Continue reading at AdAge.com

Twitter Shares Jump After Fake Bloomberg Report

Shares of the social media company briefly spiked after an article claimed that Twitter had received a takeover offer.


TBWA, Airbnb Think You Should Trust Other People

VH1's New Ad for Dating Naked Is All About Jumping Naked (in Super Slow Motion)

Coming up with fun ad ideas for a show like Dating Naked isn’t exactly Pluto-level rocket science. You think of fun things naked people can do besides dating, and you film them doing it. Then you blur their privates and watch the YouTube count rise.

Last year, VH1 got Los Angeles agency Mistress to make a Dating Naked ad with people dancing naked. Now, agency and client have followed that up with an ad showing people jumping naked. The twist: It was filmed in super slow motion at 1,000 frames per second.

Check out the spot below, which the agency describes as “a graphic visualization of the insight that it is all about our true selves, finding true love—without all the bullshit.”

CREDITS
Client: VH1
Agency: Mistress
Production Company: Bastard
Director: Bob Hope
Editorial: Bastard
Editors: Kyle Stebbins and Ian Kalmbaugh
VFX: Kyle Stebbins
Sound Design: Lime Studios
Engineer: Sam Casas
Partner/CD: Damien
Art Director: Rachel Guest
Copywriter: Celine Faledam
Producer: Kay Lynn Dutcher
Brand Director: Tor Edwards
Brand Manager: Kylie Wu
Project Manager: Alex Clewell 

Floating Shoe Racks – This Clever Storage Solution Allows You to Put Your Shoes on Display (GALLERY)

(TrendHunter.com) The ‘Staeckler’ shoe rack not only helps you organize your kicks, but it also helps you put your favorite shoes on display. While there are a number of other shoes racks available, the…

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Vice Gets a Channel on Verizon's Internet TV Service


Vice is getting more than one TV channel after all, except the one it announced on Tuesday won’t be available through people’s cable-TV boxes. It will also arrive first.

Before Vice realizes its reported deal to take over A&E Networks’ H2 cable-TV channel next year, Vice will debut a channel on Verizon’s upcoming internet-delivered TV service, which the telecom giant has said it plans to introduce later this summer. The channel is expected to skew toward Vice’s cultural content such as food and travel programs, as opposed to news, and will feature original programs produced exclusively for the service, starting with Vice’s upcoming interview series “Autobiographies.”

Verizon’s internet TV offering is another effort by pay-TV providers to serve consumers who don’t pay for traditional, and traditionally expensive, services. TV into customers. Dish Network has already rolled out an internet TV service, and Comcast said earlier this week that it plans to follow suit.

Continue reading at AdAge.com

Nike – Short a Guy #TakeonTJ – (2015) :90 (USA)

Nike -  Short a Guy #TakeonTJ  - (2015) :90 (USA)
As fast-paced and playful as Nike Tag from long ago, this ad shows a young man who is expected to be “the one guy short” in practically every team and every sport, ever. Famous athletes like Mike Trout, Garrett Richards, Misty May-Treanor, Miles and Lyle Thompson playing lacrosse, Mia Hamm, Andrew Luck, and Anthony Davis are all “one guy short” on their team, and the kid who responds to “hey kid” is more than willing to change gear and jump right in to pickup the slack. From basketball to running a 10K, from baseball to … Sumo wrestling? No, Nike does not sponsor any sumo wrestlers, instead he’ll play beach volleyball, lacrosse, soccer and even rugby. That could get hairy for a scrawny kid so he wisely runs away and ends up right back where he started – but now his old basketball buddy is Anthony Davis.

The soundtrack “Surfin’ Bird” by the American surf rock band The Trashmen from 1963 carries the quick cuts and repeated changing into new Nike gear very well, it’s infectious and fun. However, the song has been used as a running joke on Family Guy, so to the ears of the target market it may sound more like a joke than cool, which is slightly off-Nike tone of voice. Usually Nike has the perfect song for every ad, and more contemporary than old-school. Nike wants this ad to carry a social media effort with it, #TakeonTJ where “TJ” is that guy in any sport you want to beat.

Carbon VFX Signs Design Director Leo Nguyen

Creative studio Carbon VFX is proud to announce the addition of award-winning Design Director Leo Nguyen. Nguyen joins the company with an impressive skillset that spans across art direction, illustration, 3D, motion graphics and editing. Prior to Carbon VFX, Nguyen spent two years at Light of Day as Design Director and, eventually, Creative Director. During his time at the creative studio, he led the company’s massive rebrand creating a new logo, website and identity.

Nguyen’s considerable talents have proved invaluable in everything from branding to commercials, short films, music videos and broadcast promos. Recently he completed a manifesto for Royal Canin pet food and the animated Christmas short Window Washer for DDB NY, as well as The Big Picture, a collection of shorts scored by acclaimed jazz musician David Krakauer. Nguyen also directed a series of memorable broadcast promos for the 54th and 55th Grammys and Australia’s Next Top Model.

“We are excited to have Leo join us as design director,” comments New York Executive Producer/Partner Frank Devlin. “We know he will bring a dynamic and fresh perspective to our creative team, clients, and work.”

Over his design career, Nguyen has been honored with an impressive five PromaxBDA Awards: one International Rocket Award for Best Up-and-Coming Broadcast Designer and four for his design work on hit Australian TV shows Cricket Superstar and Slide. A skilled director, Nguyen’s short film Paper Boats & Paper Planes was also an official selection at the Sydney International Film Festival in 2010.

About Carbon VFX:

Carbon is a full-service creative studio specializing in visual effects, motion graphics, and design. We are big enough to handle complex projects, yet small enough to provide personalized attention. We have the experience to collaborate at every level, from supervision and workflow to design and finish. Most importantly, we are driven by a desire to create, and to get our name on really great work.

5 Ways to Improve Your Influencer Marketing

influencer_marketing.jpg

Influencer marketing is becoming a standard in brand marketing strategies as more brands are beginning to see it as a viable consumer acquisition channel with low costs and strong returns. Brands are also realizing how influencer marketing improves campaign reach by allowing marketers to target niche consumer groups with native ad content that resonates more deeply and drives quicker conversions.

However, with all of the fanfare around influencer marketing, many brands still struggle to measure return and qualify the results in order to justify the ad spend. This will change as the industry building around influencer marketing is becoming more tech driven.

I look at the phenomenon of influencer marketing as a three-wave evolution that began with the birth of the social media influencer. This first wave was sparked by consumers, who first- and perhaps coincidentally- demonstrated the viability of native advertising on social media by sharing new products, trends and brands with their friends and fans, thus introducing these brands to new audiences.

The second wave was marked by a grand awakening where brands realized this marketing potential and began flooding to social media with intent to leverage new found influencers and engage and convert new consumers.

Now, with influencer marketing on the rise and all hands (i.e. brands, consumers and influencers) on deck, we’re entering into the third wave where brands, consumers and influencers are all looking for more measurable return on their investment into social media. Brands want more consumer conversions and measurable results, consumers want more deals in return for giving brands attention and influencers want more money and opportunities for extending their networks.

In this next wave, automated technology and intelligence will play a bigger role than ever, supercharging influencer marketing strategies to meet this growing demand for results.

Here are a few benefits of integrating more smart technology in influencer marketing:

Identifying Consumer Behaviors

Understanding consumer behaviors is one of the main objectives of analyzing advertising. Where traditional advertising was limited in identifying consumer behaviors, today’s tech platforms are better equipped to make sense of data to address consumer concerns and target them with relevant advertising. In fact, companies that use marketing automation are three times more likely than companies without automation to track and attribute their content-marketing efforts to multiple touchpoints.

Social media tech platforms can identify what photos generate the most likes or comments, what time of day is best to post and which influencers are driving the most engagement. In essence, what would take months of research and analysis at the hands of an internal marketing team can be outsourced to a single technology platform almost instantaneously.

Matchmaking Brands with Influencers

When venturing into the world of influencer marketing, a key concern for brands is understanding which influencers to partner with and what kind of campaigns work best. Facilitating this process manually can be very labor-intensive as some influencers are difficult to reach through the flood of inbound inquiries- that is once you’ve sifted through the tons of influencers accessible on social media.

Digitizing this process helps both influencers and brands identify who to work with on what campaign, making it easier to vet opportunities to find the best fit. In fact, roughly 70 percent of influencers recommend working with a network. Key reasons are that results can be broken down according to followers, reach, geographic location, vertical, price and more, enabling brands and influencers to clearly understand the budget, skillset and expectations before entering into an agreement.

Decreasing Workload

Managing influencer marketing campaigns can also drain resources and be very time-consuming. Everything from crafting the campaign to organizing content into distribution channels to evaluating performance requires a lot time and effort. We now have the technological means to automate every step of this process, thus decreasing the workload of campaign managers and freeing them up for more opportunities.

A 2015 study analyzing the benefits of automated marketing platforms revealed that automating the marketing process reduced human error and took repetitive tasks out of marketers hands, allowing them to focus on new and more exciting projects. They were able to direct their attention to monitoring the overall results in line with campaign initiatives versus facilitating and managing each task.

As technology improves and results become more consistent and transparent, brands will become more comfortable with the idea of relinquishing these heavy duty tasks to a programmatic system.

Producing Monetary Returns

There are a lot of ways to measure ROI, but arguably the most important is tracking revenue. Brands and influencers are in the influencer marketing business for the same reasons anyone is in the ad business- to make money, regardless of whether or not that is the key motivation or the end game. Technology platforms using intelligence to automate influencer marketing increase monetary ROI for marketers as the manual workload is decreased.

A study analyzing lead generation of general marketing effectiveness revealed that 78 percent of successful marketers credited automation systems as most responsible for improving revenue. Another revealed that companies using some sort of marketing automation see 53 percent higher conversion rates than non-users, and an annualized revenue growth rate of 3.1 percent higher than non-users.

Ideally, more advanced programmatic technology would be able to quickly identify what each consumer responds to, select the most relevant influencer and type of content and then immediately push that content out to the appropriate channels to maximize return. I believe we’re on the cusp of this.

Finding New Deals

Finally, it’s all about the new deal. According to a marketing automation trend report, the #1 benefit of marketing automation among B2B marketers, is generating more and better leads. However, brokering deals the traditional way is cumbersome. It requires extensive research, legal expertise to facilitate contract negotiations as well as administrative and support teams just to get the ball rolling. In an industry where things are moving at light speed, there’s little time to waste structuring the next opportunity.

It’s not that our current string of tech platforms aren’t equipped to handle every phase of marketing, but rather that marketing teams aren’t quite ready to put such responsibilities in the hands of automated systems. Nevertheless, we’re certainly moving to a space where as the technology becomes more efficient, reliable, transparent and continues to produce desired results, we’ll rely more on automated technology to do the heavy duty work of much of our in-house operations.

We’ve outlined the benefits, have done the research and have current working examples of how a future with automated marketing will play out. All that’s left to do is support and trust the technology we’re building and keep track of its performance.

This guest article was written by Francis Trapp, CEO of Berlin-bred influencer network Brandnew IO, an influencer marketplace which connects influencers with brands like Coca-Cola, ESpirit, L’Oreal, Nissan, Ford, Asos, Guess and others.

Joel McHale Chooses Wisely for T-Mobile

50 Unisex Fashion Products – From Graphic Unisex Undies to Gender-Neutral Kids Clothing (TOPLIST)

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