Land Rover: Don't text and drive

Advertising Agency: Y&R South Africa, Johannesburg, South Africa
Chief Creative Officer: Graham Lang
Creative Director: Nkanyezi Masango
Art Directors: Gareth Cohen, Michael van der Meer
Photographer: Bryan Traylor
Creative Group Head: Gareth Cohen
Published: April 2015

LG: Tuvalu

Advertising Agency: Grey Argentina
Executive Creative Director: Diego Medvedocky
Creative Directors: Lisandro Cardozo, Hernán Kritzer, Alejandro Devoto
Copywriter: Juan Manuel Quintero
Art Director: Javier García
General Account Director: Florencia Pereyra
Account Director: Jorge Villar
Account Supervisor: Giselle Ezeiza
Digital Project Manager: Ayelen Privato
Agency Producers: Juan Carlos Barrios, Patricio Browne
Production Company: Nunchaku
Directors: Roi Ricci, Clara Aranovich
General Productcer: Juan Pablo Colombo
Executive Producer: Juan Manuel Menvielle
Photography Direction: Diego Robaldo
Music Company: Papa Music

Urbi et Orbi: Coordinates, 1

We take you exactly where you want to go.

Advertising Agency: Agência3, Rio de Janeiro, Brazil
Creative Director: Paulo Castro
Head of Art: Rodrigo de Lamare
Art Director: Lucas Queiroz
Copywriter: Daniel Bensusan
Published: April 2015

Urbi et Orbi: Coordinates, 2

We take you exactly where you want to go.

Advertising Agency: Agência3, Rio de Janeiro, Brazil
Creative Director: Paulo Castro
Head of Art: Rodrigo de Lamare
Art Director: Lucas Queiroz
Copywriter: Daniel Bensusan
Published: April 2015

Urbi et Orbi: Coordinates, 3

We take you exactly where you want to go.

Advertising Agency: Agência3, Rio de Janeiro, Brazil
Creative Director: Paulo Castro
Head of Art: Rodrigo de Lamare
Art Director: Lucas Queiroz
Copywriter: Daniel Bensusan
Published: April 2015

Jane Lynch to Fleas: 'Don't Mess With My Pets'


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

Among the new releases, the “Coneheads” crew is back for another State Farm spot, and this time, Laraine Newman reprises her role as Laarta. “Commence the jingle!” she shouts as the group sings the State Farm melody with “French” accents — totally not monotone alien voices. And Neil Patrick Harris suits up to say Heineken Light is the best tasting beer.

Meanwhile, in a PetSmart spot, Jane Lynch threatens fleas who dare to mess with her dog, William, or cat, Monty.

Continue reading at AdAge.com

Internal Memo: CCO Susan Credle Leaves Leo Burnett for FCB

A few minutes ago, Interpublic broke the news that Susan Credle, who joined Publicis’ Leo Burnett in Chicago back in 2009, would be leaving her CCO position there to join the FCB organization.

She won’t officially begin her new job until January, but when she does she will relocate to New York to serve as global CCO; she replaces Jonathan Harries, who was promoted to the global CCO role in 2013 following rumors that he planned to leave the agency entirely.

The Wall Street Journal notes that Harries will now be FCB’s chairman and calls the Credle hire “a major win for FCB Worldwide Chief Executive Carter Murray” after “a long list of client losses.”

In the FCB press release, Credle offers this quote:

“I believe what we do in the advertising industry makes a difference. And, I have learned that for us to make a difference, three elements must be present. People, place and purpose. These are the three reasons I am now joining FCB as part of the global leadership team.”

FCB recently won a few pieces of new business, most prominently Michelob Ultra, Vonage and whatever the hell this is. Credle’s hire caps a string of creative poachings: FCB Garfinkel recently signed Eric Coster of Untitled Worldwide as ECD and the agency’s Western office named Karin Onsager-Birch of London’s Blue Hive as its CCO.

Here, via one of our many tipsters, is the internal memo from head Burnetter Rich Stoddart:

All,

Sometimes big agencies lose those larger-than-life people. Today is one of those days for Leo Burnett. After more than five years as our Chief Creative Officer, Susan Credle is leaving the agency to take on a new global job at FCB and return to her beloved New York City.

We are sad to see her go. Her strategic smarts, relentless push for that “final four percent” and talent for driving big platform ideas have helped nurture and embolden our agency. She’s worked tirelessly to strengthen our creative product, our client relationships, our reputation and our talent. And she helped us develop important new entrepreneurial offerings including DoD, Greenhouse, HKX and LBi.

For all of these reasons and so many more, Susan will be greatly missed.

But she leaves us at a time of tremendous momentum and possibility. On the heels of winning Marshalls and launching important, creative business campaigns for Allstate, Esurance, McDonald’s, UHC and more, we are well positioned for further positive growth. Part of Susan’s legacy is an energized, solid group of strong creative leaders who she helped groom to drive great product and business change for our clients. I have every faith in them to continue what we have built.

We will work quickly and aggressively to identify a new creative chief. We will consider both internal and external candidates and are supremely confident in our ability to attract great talent, thanks to the work you do and the way you do it.

We will get together to celebrate Susan prior to her last day, which is June 30. In the meantime, I know you’ll join me in thanking Susan for the imprint she left on us as people and as an agency. To us, she’ll always be a Burnetter.

Rich

Target Celebrates Pride Month with ‘Take Pride’

Target launched a new in-house campaign in celebration of Pride Month, entitled “Take Pride.”

The 80-second spot communicates the message, “We’re not born with pride. We take pride. Pride in celebrating who we were born to be.” That sentiment is shown to apply both to individuals and society, as the ad highlights steps taken toward equality over the years, from the 1978 Gay Freedom Day parade in San Francisco to modern footage of gay marriage and gay couples with children. While McGann Zhang took a personal approach to highlight the importance of Pride Month, Target does the opposite, offering a broad view celebrating progress made over the years. Target’s effort comes across as genuine and inspiring, avoiding any explicit branding until the logo appears at the end of the spot. As Adweek points out, the campaign follows Target coming out publicly in favor of gay marriage last August.

“Target proudly stands with the LGBT community, both as a team member and team player through all that we do—from our volunteer efforts to our long-standing partnerships with groups like Family Equality Council and Gay, Lesbian & Straight Education Network, to the very products we carry in our stores and online,” Laysha Ward, Target’s social responsibility officer said in a blog post yesterday.

Inspiring though it may be, the message is not entirely altruistic, as Target will be selling various Pride Month items. Still, “Take Pride” avoids seeming opportunistic or shallow-minded and further cements the brand’s dedication to equality.

Everest Trailer

Le long-métrage du réalisateur islandais Baltasar Kormákur intitulé « Everest », sortira à l’automne 2015. Il nous embarquera dans l’ascension du plus haut sommet de la planète. Le premier trailer nous offre un aperçu efficace de cette aventure qui sera basée sous le signe du courage, de la peur, du suspense et de l’adrénaline. Au casting seront présents Josh Brolin, dont la voix est celle de Thanos dans Avengers, Jake Gyllenhaal ou encore Keira Knightley.

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McDonald's Names Silvia Lagnado Global Chief Marketing Officer


McDonald’s has named former Bacardi executive Silvia Lagnado as its new global chief marketing officer.

The move follows former Global Brand Officer Steve Easterbrook’s elevation to McDonald’s CEO effective March 1. It also comes as McDonald’s is working to reverse a prolonged sales decline not just in the U.S., but globally.

McDonald’s has not had a global chief marketing officer since Mary Dillon, who left the company in 2010, although a spokeswoman for the chain said many of its global marketing responsibilities were fulfilled by Dean Barrett. The senior VP-global marketing recently announced his retirement after more than 40 years at McDonald’s.

Continue reading at AdAge.com

Cornerstone Promotes Jeff Tammes to CCO

Creative agency Cornerstone announced the promotion of Jeff Tammes to the role of chief creative officer.

Tammes joined Cornerstone 15 years ago as one of the agency’s original members in its flagship New York office. He was responsible for launching and continues to lead the agency’s “Create” division, which is now a part of all four of the agency’s offices in New York, Los Angeles, London and Sao Paulo. Tammes has also played an important role in the agency’s “Amplify” division, which supplements the agency’s creative work with digital, experiential, social, and public relations. He led recent new business wins, including work for Budweiser, the Milwaukee Bucks and Bluepoint Brewery and has worked with clients including Bushmills, Converse and Johnnie Walker.

TBWA/MAL Chronicles Journey of Sound to Hype Apple’s Music Service

In the wake of keynote presentations and exaltation from the likes of Drake, Interscope/Beats man Jimmy Iovine and Trent Reznor (who provides VO on this product demo video) at its Worldwide Developers Conference this week, Apple unveiled this spot to further hype its newest product: a streaming music service.

Created by longtime agency partner TBWA/Media Arts Lab, the :60 film aptly titled “History of Sound” takes us on a 127-year journey beginning with the days of the gramophone and veering into the era of turntables, 8-track tapes and ultimately digital downloading. Thankfully, the Apple Music branding is merely an afterthought in this spot, which is buoyed by hypnotic percussion as it leads viewers through various moments in pop music history including everyone from hippies to punk-rockers to beatheads.

The “History of Sound” sound spot seems to echo earlier WWDC proclamations that Apple Music is something revolutionary, though critics were quick to bring up Spotify and even Tidal comparisons after the announcement. Regardless, Apple Music is launching on June 30 and it will run $9.99/month (or $14.99 for the family pack). You can get the full rundown of the service here or pretty much anywhere else on the internet.

W+K Amsterdam Gives Insider Tour for Heineken

W+K Amsterdam celebrates its (and Heineken’s) home turf in its latest spot for the brand, “The Insider.”

The spot follows a young local as he hijacks a city tour, giving them an insider’s look at the city rather than the bland boat tour they signed up for. His tour includes all sorts of hijinks, such as a secret underground party complete with masks, live music and (of course) Heineken. “The Insider” follows pretty much the same formula as last year’s “The City,” tying the brand to wild times enjoying the urban landscape. Its premise of a hijacked city tour works well as a rationale for the ensuing frantically paced look at Amsterdam and W+K manages to work in shots of Heineken throughout without making it seem too over the top, but you have to wonder how many times W+K and Heineken can recycle the concept (even if there’s a good deal more to it than what the brand is doing stateside).

Target Takes the Long View in This Beautifully Eloquent Ad for Pride Month

“We’re not born with pride. We take pride. Pride in celebrating who we were born to be.”

That’s the message of Target’s #TakePride campaign for Pride Month, shared across the retailer’s social channels this week, and led by an 80-second spot that mixes animation, live action and documentary footage to create a message about awareness and equality.

“We’re not born knowing where our life will lead, the obstacles we’ll face, the joy we’ll find,” the voiceover says. “We’re not born knowing that these milestones are also stepping stones in helping us find our footing in what we stand for, and who we’ll stand by.”

The spot speaks to an evolving understanding of one’s true self and respect for one’s place in the world. And it does so in forthright fashion, noting that “heartbreaks” and adversity shape human experience and character. Its imagery acknowledges the long, complex, often rough road to enlightenment, mixing shots of San Francisco’s 1978 Gay Freedom Day parade with contemporary footage of two dads and their new baby.

So, the ad’s about a journey of discovery—for those in the LGBT community and, ultimately, for all of us.

In a way, that theme reflects Target’s—and in a broader sense, society’s—history with such issues. (Though it has positively portrayed LGBT people in ads for several years, some had questioned Target’s stance on progressive issues before its very public move last September in support of gay marriage.)

In a blog post on Monday, Laysha Ward, Target’s social responsibility officer, unequivocally stated the chain’s position: “Target proudly stands with the LGBT community, both as a team member and team player through all that we do—from our volunteer efforts to our long-standing partnerships with groups like Family Equality Council and Gay, Lesbian & Straight Education Network, to the very products we carry in our stores and online.”

A gallery of rainbow- and “Love Is Love”-themed T-shirts, bow-ties, shorts, flip-flops and assorted paraphernalia follows.

Target is, after all, a for-profit venture seeking to sell stuff to as many consumer segments as possible. Yet its LGBT pitch is in step with the times, and in some ways transcendent, rather than opportunistic or cynical.

Just a decade ago, many mainstream marketers would have shunned such an appeal, fearing a backlash and boycotts from the right. Now, these pitches are becoming commonplace, part of the increasingly rich and inclusive lingua franca of modern life.

That’s a shift we can all be proud of.



Young Women Intimate Portraits

Avec ces images, l’artiste Américain Mark Harless alias Bleeblu nous emmène dans un monde où les influences des films Lolita, Virgin Suicides et Somewhere se mélangent subtilement. À travers l’objectif, il réussi à extraire tout le charme et la sensibilité de ces jeunes filles en fleurs photographiées dans l’intimité.

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Futuristic Grocer Concepts – Carlo Ratti Associati Imagines the Future of Supermarkets as Digital (GALLERY)

(TrendHunter.com) In partnership with supermarket chain COOP Italia, design firm Carlo Ratti Associati imagines that the future of supermarkets will look like its ‘Future Food District concept.

While self-…

Artista se inspira em personagens de “Batman” para criar releituras de grandes pinturas

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Vartan Garnikyan homenageia seus ídolos em série de telas

> LEIA MAIS: Artista se inspira em personagens de “Batman” para criar releituras de grandes pinturas

Brainstorm9Post originalmente publicado no B9
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Act Responsible: The Shredder, 1

Advertising Agency: Windsor Paris, Paris, France
Executive Creative Director: Ivan Pierens
Art Director: Christophe Provost
Copywriter: Fabien Moussart
Photographer: Marc Da Cunha Lopes
Photography Production: Continental productions
Executive Producers: Manuel Morales, Nicolas Billon
Published: June 2015

Act Responsible: The Shredder, 2

Advertising Agency: Windsor Paris, Paris, France
Executive Creative Director: Ivan Pierens
Art Director: Christophe Provost
Copywriter: Fabien Moussart
Photographer: Marc Da Cunha Lopes
Photography Production: Continental productions
Executive Producers: Manuel Morales, Nicolas Billon
Published: June 2015

Act Responsible: The Shredder, 3

Advertising Agency: Windsor Paris, Paris, France
Executive Creative Director: Ivan Pierens
Art Director: Christophe Provost
Copywriter: Fabien Moussart
Photographer: Marc Da Cunha Lopes
Photography Production: Continental productions
Executive Producers: Manuel Morales, Nicolas Billon
Published: June 2015