Kate Spade Brings Back Anna Kendrick for Another ‘#missadventure’

Last November, Kate Spade teamed up with production company Helo for an online spot starring Anna Kendrick called “The Waiting Game,” billed as “#missadventure episode 1.” Now, the brand has brought back Kendrick for the second episode in the series, with additional star power courtesy of Lily Tomlin.

In “The Great Escape,” Kendrick has barely arrived in Los Angeles when she’s mistaken for “the best personal meditation instructor in Los Angeles.” After initially appearing flummoxed, Kendrick has a “what the hell” moment and decides to go with it. Since she doesn’t actually know anything about meditation, she turns to the items around her for inspiration, including a necklace and a pink skirt (a sly way to sneak in Kate Spade products) to bullshit her way through the session. Kendrick manages to be convincing enough that at the end of the session Tomlin says, “Thank you, really.” The spot very much keeps in the same tone as its predecessor, leaning on Kendrick’s awkward humor to help give voice to the brand.

“Adventure and spontaneity are at the core of both videos,” Mary Beech, Kate Spade’s CMO, told Adweek. “You will continue to see this celebration of one-of-a-kind, thought-provoking women throughout the year and beyond.”

ECD Kim Out at Rauxa

This week we learned that Nobbie Kim — whose name might be familiar to some of our longtime readers — is no longer with Costa Mesa agency Rauxa.

He’s best known in these quarters for producing what we called “the agency version of a blood oath” back in 2011: a promise to produce “one piece of iconic work within the next six months.”

At the time, he’d just begun his second stint at TBWAChiatDay LA, where he served as creative director. While we cannot confirm whether or not Kim did produce said iconic work, his manifesto did earn a good bit of attention within the ad industry, much of it negative.

Shocking, we know.

After leaving TBWA in 2013, Kim was hired by Rauxa for an ECD position in which he answered to CSO/CCO and Barbarian/Chiel/Deutsch/TBWA veteran Ian Baer. That gig lasted one year and five months.

In addition to his time with Chiat, Kim also worked for DDB, Suissa Miller, Innocean, and more; his freelance resume includes campaigns for FCB, Spark 44, Saatchi & Saatchi, et cetera.

We do not at the moment have any details regarding the reasons for/conditions surrounding his departure or his future plans. Our most recent interaction with Kim involved him pitching us Rauxa’s unusual campaign for client Dentegra in a move he described as “hater-baiting.”

The agency told us that it would release a statement on his departure but has yet to do so. Kim did not comment at this time.

Polaroid-Zip Smartphone Printer

L’impression instantanée de photographies, comme la coque Prynt a fait son entrée sur le marché du smartphone. C’est au tour de Polaroid, la marque historique de la photographie instantanée, de s’y implanter en lançant son imprimante pour téléphone, baptisée Polaroid-Zip, ne nécessitant aucune cartouche d’encre.

Il est donc possible d’imprimer instantanément les clichés de son smartphone via une connexion Bluetooth.

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Twitter da polícia de Baltimore pede que pais sigam exemplo de mãe do viral e busquem filhos nos protestos

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Sucesso do vídeo pode ter influenciado posicionamento oficial, mas a mãe estava mesmo com medo do filho ser agredido pelos policiais (!)

> LEIA MAIS: Twitter da polícia de Baltimore pede que pais sigam exemplo de mãe do viral e busquem filhos nos protestos

Brainstorm9Post originalmente publicado no B9
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CAA Marketing and Macy's Win 2015 Daytime Emmys


At the 2015 Daytime Emmy Awards in Los Angeles this weekend, CAA Marketing nabbed a pair of Emmys for its work on the Dolby-sponsored short film “Silent.”

The film, about father-daughter street performers who encounter a magical machine that allows them to merge sound, picture and adventure, earned the nod for Outstanding Special Class Animated Program and Outstanding Directing in an Animated Program. It was directed by Limbert Fabian and Brandon Oldenburg of Moonbot Studios, who had previously worked with the agency on Chipotle’s “Scarecrow” campaign. The latter had earned CAA Marketing its first two Emmy wins last year, for Outstanding New Approaches–Original Daytime Program or Series and Outstanding Directing in an Animated Program.

CAA this year earned a total of six Emmy nominations, split between the Dolby film and the agency’s “Unlimited” high school musical for Old Navy.

Continue reading at AdAge.com

Lowe Cape Town Celebrates Consistency for Prudential

Lowe Cape Town and production company 0307 Films took to Nosy Iranja, a remote island village off of Madagascar with only 300 inhabitants, to film “The Fishermen” for Prudential.

The beautifully shot, 1:45 ad, was directed by Kim Geldenhuys and cast entirely with villagers from Nosy Iranja. It shows a boy and his grandfather going out on their boat fishing everyday, despite disappointing results. After weathering an intense storm, they finally hit the payload and bring back a boat full of fish to the village. At this point, the connection to the brand is finally made with the line, “Success comes from being consistent. Day after day, month after month.” This is followed by the brand’s tagline, “Consistency is the only currency that matters.” Somehow Lowe Cape Town managed to make the subject of consistency interesting, and they didn’t even need dialogue to do it.

“It’s a very simple analogy which conveys Prudential’s message in a humble and poignant manner,” Lowe executive creative director Kirk Gainsford told Adweek. “We wanted to steer clear of all the clichés of showing aspirational people getting ahead in life and so on.”

Credits:

Agency: Lowe Cape Town
Producer: Riska Emeran
Executive Creative Director: Kirk Gainsford
Creative Director: Alistair Morgan
Art Director: Bruce Harris
Account Manager: Sarah Hall
Sound Design: Stephen Webster, TheWorkRoom
Music Production: Pulse
Editor: Kobus Loots
Edit Company: Upstairs Post
Postproduction House: Black Ginger
Production Company: 0307 Films
Producer: Tess Tambourlas
DOP: Alard De Smidt
Director: Kim Geldenhuys
AD: Craig Brorson

Ad Council Works to Aid Nepal Earthquake Relief Efforts

As the death toll sadly continues to rise to well over 4,000 in the wake of this past weekend’s devastating earthquake in Nepal, The Ad Council is doing its part to help relief efforts with a PSA campaign that includes both TV and print components created by Oakland/D.C.-based production company Free Range Studios.

For this effort, the Ad Council teamed up with existing partner the U.S. Agency for International Development’s Center for International Disaster Information (USAID CIDI) to not only direct people to participating non-governmental organizations–there are thankfully many–but encourage cash donations.

Regarding the PSA push, USAID CIDI director Juanita Rilling says in a statement:

“The most substantial, expeditious, and effective way to help those affected by  disaster is to give a monetary donation to a relief organization that is already working to provide aid to those in need. USAID CIDI is proud to be working with the Ad Council to ensure this important message reaches all Americans who want to help.”

Check out the full print ad below and go here for more information.

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3 Women Who Are Blind Say What Beauty Means to Them in Dove's Latest Ad

Dove has released another ad beauty, this time in Sweden and from the perspective of three women who are blind. From their perspective, beauty is a feeling brought on by actions and circumstances rather than aesthetics. Though they share some personal criticisms about their own appearances, all three equate beauty with feeling strong and energetic, with having fun, with being in love.

We’ve covered the “Real Beauty” campaign in depth, and many of the familiar criticisms apply. Even putting aside how being owned by Unilever complicates things, so many of Dove’s ads reinforce the idea that women are dominated by insecurity about their looks and need to be corrected by someone else (say, a company trying to sell them something).

There’s less of that here, though, and overall I think Dove is slowly listening and adapting to criticisms of its approach. Diversity is still a problem, and beauty as an aspirational value remains a thorny issue (albeit an unavoidable one for any beauty products brand). But promoting beauty as an internally generated feeling is a step in the right direction.



Creative Typography by Yippie Hey

Jacob Eisinger, connu sous le nom de Yippie Hey est un designer et illustrateur allemand spécialisé dans la création 3D. Sa passion pour la typographie lui vaut de s’essayer à plusieurs types de lettrage. D’une manière très réaliste et avec beaucoup de goût, il réussit à reproduire des effets de matière inattendus.

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Youthful Spring Fashion – The Latest H & M Divided Lookbook Features Model Frida Aasen (GALLERY)

(TrendHunter.com) Frida Aasen stars in the latest catalog for H & M’s Divided collection. Known for its youthful aesthetic, the range returns with a blend of sporty and edgy staples. These include vintage-…

Spoilers Talk Show 7 – A tecnologia na TV

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Cultura pop, seriados, televisão e entretenimento

> LEIA MAIS: Spoilers Talk Show 7 – A tecnologia na TV

Brainstorm9Post originalmente publicado no B9
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Sinosphere Blog: ‘Furious 7’ Becomes China’s Most Successful Movie Ever

The latest installment in the “Fast and Furious” series brought in more money at the box office in China than in the United States.

Nancy Aresu Joins Cramer-Krasselt NY as EVP, General Manager

Cramer-Krasselt announced the hiring of Nancy Aresu as executive vice president and general manager of the agency’s New York office, Adweek reports. Aresu will replace the retiring Jeff Johnson, who will remain at the agency through the summer to allow for a smooth transition.

Aresu arrives at Cramer-Krasselt from Young & Rubicam, where she has served as director of client services since September of 2012. Prior to Y&R, she served a short stint as director, development at Rally Marketing Group. That followed terms as executive vice president, managing director at Lowe Worldwide (2005-2010) and Deutsch (2010-2011). Before accepting the position at Lowe Worldwide, Aresu spent fourteen years at Margeotes Fertitta + Partners as a partner and director of client services.

Cramer-Krasselt CEO Peter Krivkovich cited Aresu’s “very outgoing personality, lots of drive” as a key factor in the decision. In the new role, she will partner with chief creative officer Craig Marcus and director of brand planning Jasmine Dadlani to expand the agency’s account base.

Pereira & O’Dell Tackles Friendship, Rumors for Coca Cola Latin America

Pereira & O’Dell released two online spots as part of its campaign for Coca-Cola Latin America dealing with issues of friendship, dating, rumors and embarrassment among teens.

The two lengthy online ads (a third has yet to be released) tackle easily relatable issues for teens in an effort to show that sharing a moment can lead to understanding. In “The Rumor,” a girl breaks up with her boyfriend on the last day of summer and then calls in sick for the first day of school. While she’s absent, a scandalous rumor spreads like wildfire and she and her friend wonder how to handle it. The teen melodrama is more watchable than you might expect, even if its story could have been told with more economy (the run time approaches seven minutes). It ends with Pereira & O’Dell’s symbol of friendship for the brand’s campaign: the fistbump. The similarly moralistic “Something Unexpected” examines dating and embarrassment in a high school setting. A 60-second broadcast spot for the campaign, meanwhile, features One Direction.

Credits:

Client: Coca-Cola

Coca-Cola Latin America
IMC Director LATAM: Marta Fontcuberta
IMC Director: Ismael Pascual
Content Excellence Director: Diego Bracamontes
Coca–Cola IMC Sr. Manager: Eduardo Ruiz
Coca–Cola IMC Manager: Layla del Razo
Coca–Cola IMC Jr. Manager: Adriana Sahagun

Coca-Cola Design Team
Global Design Director: Rapha Abreu
Vice President Design: James Sommerville
Senior Global Design Director: Tom Farrel
Global Design Project Manager: Craig Stroud
Global Designer: Chrsitine M Lee
Global Designer: Megan Libby
Sr. Design Manager: Aidee Rodriguez

Agency: Pereira & O’Dell
Chief Creative Officer: P.J. Pereira
Executive Creative Director: Jaime Robinson
Creative Directors: Rob Lambrechts, Rafael Rizuto
Senior Art Director: Luke Acret
Senior Copywriter: Omid Amid
Senior Designer: Moses Kelany
Chief Strategy Officer: Ana Cortat
Strategist: Sara Lezama
Senior Film Producer: Victoria Whitlow
Co-Director, Client Services: Henry Arlander
Account Director: Mona Gonzalez
Account Executive: Rose Valderrama
Trailer, Interactive Editor: Collin Kriner
Vice President, Distribution: Josh Brandau
Project Manager: Lauren Parker
Business Affairs Director: Russ Nadler

Visual Effects: Laundry!
Editing: Umlaut Films
Editor: Alex Rodríguez
Poster Designer: Erik Buckham
Illustrator, Retoucher: Adhemas Batista
Theme Music: One Direction, “Clouds”

Music Supervisor: Aminé Ramer
Original Score Composer: Grayson Sanders for Music Dealers

Here's the Story Behind Those Idiotic 'Plastique' High-End Plastic Pants

Maybe you saw the billboard, or the documentary about Frank La Rant, or the lookbook. If so, you were probably disappointed to learn that Plastique, the high-end plastic pants supposedly designed by La Rant, aren’t real. And that the whole thing was a spoof by Fruit of the Loom.

The spoof by Crispin Porter + Bogusky originally came from the brand’s TV ad in which Fruit of the Loom purportedly tested its boxer briefs by having people wear transparent plastic pants. (If anything would make underwear ride up, it would presumably be that.)

From there, CP+B launched a full-scale high-fashion parody—poking fun at underwear brands like H&M that pretend to be all glamorous in selling the most basic attire out there. The campaign included fashion ads, outdoor, digital, a web experience, social media accounts, and even men in Plastique parading around SoHo and Rodeo Drive.

“Throughout the campaign, Fruit of the Loom held the position that they didn’t really get how you could call plastic pants fashion,” the agency says. “But it was very clear that they were behind (and underneath) this entire story, giving this long time underwear maker the innovation and style cred they deserved.”

See more from the campaign below.



Portraits of Dogs with Garlands

La photographe Sophie Gamand, passionnée par les chiens, a imaginé la série « Flower Power: Pit Bulls of the Revolution » : des portraits de chiens portant des couronnes de fleurs. Ces adorables pitbulls, petits et grands, posent comme des idoles. Vous pouvez commander des prints sur son shop.

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A Brand's Promise

Category: Beyond Madison Avenue
Summary: We can agree that a brand promise is the commitment the brand makes to the consumer to provide the good or service the consumer expects to receive. Nothing there is unusual. We also can agree that it takes competent planning for the good and services as well as a coordinated marketing campaign…

Oncoclínica do Recife World Day To Combat Cancer: Fashion Prevention


Media, Outdoor, Direct Marketing
Oncoclínica do Recife

Advertising Agency:Martpet Comunicação, Recife, Brazil
Creative Director:Diego Curvêlo, Edison Martins
Head Of Art:Glaustemberg Carvalho
Art Director:Berg Freire
Copywriter:Vallécia Carvalho
Final Art:Kiara Carneiro
Account Supervisors:Alexandre Oliveira, Renata Menezes
Account Executive:Fabíola Mendes
Translation:Caio Peppe

Bud Light Says BBDO Wrote Controversial Bottle Tagline

In case you missed it, Bud Light found itself in a bit of hot water yesterday after a reddit post first noted by Consumerist and then covered by every single news organization out there (including The New York Times and, yes, even TODAY) heaped criticism on a single line that appeared on some of its bottles:

“The perfect beer for removing ‘no’ from your vocabulary for the night”

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Pic via reddit

Of course the company did not in any way mean to encourage sexual misbehavior with this copy, but once the story hit BuzzFeed it was damage control time.

After an initial period of silence, our sister site PRNewser got parent company AB InBev’s communications chief to respond via Twitter:

Bud Light not responding to calls about “remove ‘no’ from your vocabulary” tagline http://t.co/oltWllARAD pic.twitter.com/RfeLRmcVCG

— PRNewser (@PRNewser) April 28, 2015

@PRNewser Nope. We’re responding.

— Lisa Weser (@LisaWeser) April 28, 2015

@Adweek It’s clear that this message missed the mark, and we regret it. We would never condone disrespectful or irresponsible behavior. — Lisa Weser (@LisaWeser) April 28, 2015

This was part of a longer statement issued to various media outlets:

“The Bud Light Up for Whatever campaign, now in its second year, has inspired millions of consumers to engage with our brand in a positive and light-hearted way. In this spirit, we created more than 140 different scroll messages intended to encourage spontaneous fun. It’s clear that this message missed the mark, and we regret it. We would never condone disrespectful or irresponsible behavior.”

For context, the client announced back in February that it planned to run “a variety of messages on 12-ounce bottles to inspire consumers to try new experiences” as part of its ongoing #UpForWhatever campaign. This line was one of those messages.

Initially, we were told that Bud Light’s creative AOR BBDO was not involved because it does not work on packaging for the client. However, AB InBev later released this statement:

“BBDO is the creative agency for this UFW campaign, including all bottle scroll messages. We have an extensive review process and this label should not have made it through. It’s regrettable. This particular scroll will no longer be produced.”

So the client effectively blamed its own internal review process for allowing the message to receive approval but did note that BBDO worked on the creative behind the project.

Recalling all the bottles that feature this particular message will be impossible, and AB InBev is still in damage control mode: it has not been active on social media for the past two days.

GSD&M Gets the Band Back Together for Southwest

GSD&M launched a new spot for Southwest Airlines entitled “Garage Band,” promoting the airlines sale campaign.

The spot sees a group of former high school buddies rocking out in the garage to “The Boy’s Are Back in Town,” with pretty limited musical chops. “Southwest is having a sale,” explains the voiceover. “So you can put the old garage band back together, even if it never made it out of the garage.” At this point the music changes from the Thin Lizzy version of the track to the garage band hammering away at it, poorly. Maybe it’s just that it comes on the heels of the funny follow-up to the successful “Wedding Season” spot from last year, but the premise and execution fall a little flat — particularly with this musical transition. The third of four spots promoting Southwest’s sale campaign, the ad is running in local markets including Boston, Atlanta, Chicago, Dallas and Denver.

Credits:

Agency: GSD&M
Client: Southwest Airlines
Title: Garage Band
Launch Date: 4/28/15
President: Marianne Malina
Chief Creative Officer: Jay Russell
Sr. VP/Group Creative Director: Brent Ladd
Group Creative Director: Lara Bridger
Creative Director/AD: Nikki Baker, Kate Griffiths
Creative Director/Writer: Leslie Shaffer
SVP Production: Jack Epsteen
Executive Producer: Marianne Newton
Senior Producer: Natalie Lum Freedman
Business Affairs: J.J. Gaines
Account Leadership: Adrienne Walpole, Amy Lyon, Kate Rutkowski
Project Management: Elizabeth Stelling
Experience and Insights: Jennifer Billiot
Production Company: Smuggler
Director: Jun Diaz
Producer: Alex Waite
Editorial Company: Beast Editorial
Editor: Ben Ellis
Graphics: Beast
VFX Supervisor:  NA
VFX/Online: Jim Reed
Audio: Pony Sound
Engineer: Corey Roberts
Music Supervision:  Hum Music
Music: Thin Lizzy’s “Boys Are Back in Town” licensed from Universal Music Group