Havas Worldwide Chicago Hires Creative Director of Design

Chicago-based artist, designer, photographer and NoPattern Studio founder Chuck Anderson has joined Havas Worldwide Chicago as creative director of design. He will be responsible for setting the overall design vision for the agency, “infusing a sense of craft into client work,” and mentoring young talent.

Anderson founded NoPattern Studio when he was just 18 and, despite no formal training and the decision to forego college, he has worked with clients such as ESPN, Nike, Absolut, Burton, McDonald’s Google and Microsoft. He was also named a Design Icon by Computer Arts Magazine in 2010. Andserson will continue heading NoPattern Studio in addition to his role at Havas.

“Individual creativity is not only allowed, but encouraged here at Havas. We are a better agency because of the unique talent and perspectives people bring to the table,” said Jason Peterson, chief creative officer, Chicago and North America, in a statement. “Chuck isn’t a ‘cookie-cutter’ creative—he brings a strong vision along with incredible experience honing his craft while running his own design studio. He embodies the perfect mix of talent and passion for design, and I think he’ll raise the bar and inspire all of us at the agency to do amazing work, whether for clients or our own individual passion projects.”

“I have been fiercely independent for 11 years doing my own thing, but feel ready to take the leap into a team role,” Anderson added. “…my approach to creativity has always been about adding excitement in new places. I feel that same sense of creative energy at Havas. It’s like the stars have aligned and I’m really excited to collaborate with the teams and mentor young designers who are just learning the ropes.”

Anderson also seems quite taken with the Havas office and has already begun promoting the agency’s lifestyle to his Twitter followers.

Data Backup Company Gets Over 650% ROI with 'Atari' Campaign


Intronis, which provides cloud-based data protection services to small businesses, got dramatic results with a direct-mail campaign in which it sent its target audience Atari game players.

The campaign was created in-house at the 12-year-old company, which competes with larger players such as Google Cloud and EMC’s Mozy data backup and protection services.

Intronis currently serves about 50,000 small-business customers, and it sells to these end customers through a network of about 2,000 managed IT service providers.

Continue reading at AdAge.com

McDonald's CEO: We Didn't Create a Future Pipeline of Growth


It’s no secret that McDonald’s is in the midst of a protracted sales decline. The chain hasn’t seen positive quarterly same-store sales in the U.S. since the third quarter of 2013. But while McDonald’s has been more vocal about its struggles recently, it has not offered much detail or insight into why the decline happened in the first place.

Until today, when during his first earnings call as CEO, Steve Easterbrook shed some light on where he thinks the chain faltered. An analyst asked Mr. Easterbrook: “Steven, as you have seen all of the research that McDonald’s has had, [were] there maybe one or two big things that consumers were telling you about three or four years ago that you needed to change, and you could have prevented the decline in the sales?”

Mr. Easterbrook’s candid response was that although there were a number of initiatives executed a few years back, including the long-term project of reimaging the restaurants and the overhaul of the chain’s coffee program, one initiative the company didn’t take seriously enough or forsee was “to create that future pipeline of growth platforms.”

Continue reading at AdAge.com

Sagmeister & Walsh robbery hoax was created by Achos Barcelona

You’re a cynical lot, you know that? I posted Sagmeister & Walsh NYC studio was robbed & robbers caught on camera and all I got was “hmmm…” from Tom Megginson in the comments and “oRLy” style replies on twitter. Like, none of you wanted to entertain the story even for a minute. It was suspected at once to be a stunt, which I kept deflecting by saying nobody was naked, which as we all know is Sagmeister & Walsh’s trademark stunt-move by now.

But that just means it wasn’t Sagmeister & Walsh’s stunt. Aye?

Either way, with Sagmeister & Walsh themselves tweeting this, it was easy for some people to overlook the .info ending of the domain and read the story about their “work” getting stolen by brazen thieves. Even if the first reply to Sagmeister’s tweet is “Riiiiight”.
We are deeply saddened by this loss. Next time take the printer. http://t.co/g3J5gY7odt— Sagmeister & Walsh (@sagmeisterwalsh) April 16, 2015

Adweek posted don’t call NYPD just yet (oh c’mon, play it straight, man) but basically the cynical adgrunt consensus out there was that they weren’t falling for it.

Now, Jessica Walsh from Sagmeister & Walsh has tweeted the real Creative Review story link of the stunt, which was actually created by Barcelona-based creative studio achos.
The story behind the guys who stole our work 🙂 @achosbarcelona http://t.co/RF6drvr2QZ— jessicawalsh (@jessicawalsh) April 21, 2015

Achos tells Creative Review that this stunt grew out of the concept of Creative Thieves: “a concept that sums up our ways of thinking and doing. We are the generation of the future. There’s no shortage of new and eager creative people coming out with new ideas, new things to talk about. Sooner or later, this younger generation will end up ‘stealing’ the work, so to speak, of the industry giants of today.”

So how successful was their little hoax? Industry reactions range from eye-rolling to calling them “irritating” or “Brilliant” – but a quick glance around the headlines shows a slight disadvantage to this type of tactic….. The name Sagmeister & Walsh is repeated more often than Achos. While it’s nice to see Achos next to Sagmeister & Walsh, hopefully getting a little borrowed interest glory here, Achos now really has their work cut out for them in order to separate themselves from Sagmeister & Walsh and this stunt in the mind of their clients and peers.

One thing that is really impressive about this, is the attention to detail. Achos looked for a space with similar proportion as Sagmeister & Walsh’s studio and recreated it so that they could make the robbery images. Attention to tiny details, like which terrible printer is in the studio, is a must in this business. Little things, like which topic this is posted under, matter.

More news on the stunt: Booooooom “How to get noticed: Steal from Sagmeister & Walsh” and Agencyspy: Sagmeister & Walsh robbery was a stunt.

The Mythical Affiliate Manager: Why An Agency Is A Better Fit For An Online Merchant

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When a brand decides it wants to properly attack its marketing, it seeks out experts to help them do so. Sure, they may have a marketing manager in-house to oversee the marketing process but when they need heavy lifting in the form of an integrated advertising strategy that plays out across multiple media in multiple markets, they turn to an advertising agency.

It’s no different when a brand decides to enter the affiliate marketing channel.
Many merchants entering the affiliate channel believe a workable solution is to delegate all affiliate marketing responsibilities to an in-house affiliate manager and/or hook up with an affiliate network’s managed services offering. But an affiliate manager is just one person and an affiliate network is just a platform, a technology provider and not a marketing expert. Much in the same way Google Search is a platform for search engine marketing and does not offer search marketing expertise.

Neither solution is the best solution for a merchant who truly wants to maximize returns through the affiliate channel. Let’s take a look at several reasons why a merchant should consider an affiliate marketing agency for its affiliate marketing program.

Turnover – An affiliate marketing agency is stable in the sense that it is a corporation that consists of many people who work as a team to accomplish effective affiliate channel management for merchants. Yes, people come and people go but the team stays in place. While a great affiliate manager aims to do the same great things as an agency, they are just one person, not a team. And when they leave, and they will, the merchant, effectively, has to go back to square one.

On average, affiliate managers — like any one in any marketing professions — last about 14 months before they move on to their next gig. And when they do, most of the processes, procedures, practices and amassed knowledge disappear with the exiting affiliate manager.

Continuity — Akin to the aforementioned turnover, continuity, as it relates to merchant revenue, can be lost. When an affiliate manager leaves a merchant, it’s a dramatic revenue disruption. Processes, procedures, practices and knowledge leave when the affiliate manager leaves and a new affiliate manager must get up to speed of be trained.
While that is happening, the merchant’s affiliate program is not running at 100% and that can lead to a disruption in revenue. Existing relationships with affiliate networks that have been built up over time with the in-house affiliate manager walk out the door along with the exiting affiliate manager and the merchant has to build those relationships all over again.

Expertise — With an affiliate manager, you get a warm body in a chair who is lucky if they can keep up with anything more than the very mechanical aspects of managing a merchant’s affiliate channel. This is not meant as a disrespectful jab, simply an observation that an affiliate manager is one person, not a team. An agency gives you a team of experts who are adept at optimizing campaigns, customizing creative, building and maintaining relationships with affiliates and networks.

Clout — If an affiliate can have a phone call with an agency and bang out a program with 200 retailers at the same time versus have a phone call with one affiliate manager at one retailer, who do you think that affiliate is most likely to answer the call from. This is a serious stumbling block with the in-house affiliate manager model.

Agencies have clout. Just like any large entity in any segment of marketing or the broader business world, they can get stuff done because they have a much bigger reach and a larger command of the affiliate channel. An in-house affiliate manager simply lacks the bandwidth to do everything necessary to run a full blown affiliate program.

Cost Effectiveness — When a merchant hires an individual affiliate manager, they are taking a risk in that they don’t always know what they are getting. When an agency is hired, it’s a simple fee. With an in-house employee, there’s benefits, vacation, sick days, bonuses, training costs and other unforeseen costs.

In addition, agencies are on 24/7. Certainly an individual affiliate manager can work their ass off but, again, they are just one person, not a team like an agency.

And then there’s cost-related risks. Is the affiliate manager exceptional? Are they just OK? Or are they terrible and will need to be replaced in 6 months? With an agency the proof is in the portfolio and tenure of clients. Sure, an agency can suck too but there are more solid metrics on which to judge that agency.

Experience — A single affiliate manager has a limited set of experience. That just comes with being a single person. An agency brings to the table a stable of experience, an overlapping army of expertise spanning many years working with many different merchants, networks and affiliates. Yes, people can come and go from an agency just like affiliate managers come and go from merchants but an agency team can retain the collective knowledge much more effectively than an individual person. With an agency, a merchant gets continuity of experience.

What about Network Managed Services? — Yes, networks can bring scale to a merchant’s affiliate program but there are limitations. Chiefly, the merchant only has access to the affiliates in its network. That’s limiting if the merchant wants to explore all options.

And then there’s the question of strategy. If a network offers strategic advice to a merchant, it’s questionable at best. Why? Because any advice that network gives is going to involve pointing the merchants money right back at the network whether or not the network’s solution is best for the merchant. The network has no motivation to seek out and discover options outside its network that might be a better strategic direction for the merchant.

As a merchant, you want the best possible return for the affiliate channel. To get the best possible return, a merchant has to be able to get an unbiased, 50,000 foot view of the affiliate channel and, in addition, reliable, consistent expertise that will never walk out the door and sap affiliate channel revenue.

This guest article was written by Greg Shepard, CEO of affiliate agency AffiliateTraction.

Sagmeister & Walsh ‘Robbery’ Was a Stunt

Oh look, another studio desperate for attention.

You may have noticed a story in Creative Review last Thursday about a “robbery” at Sagmeister & Walsh’s Manhattan offices. As Stefan himself would say, “bullshit.

It was an elaborate stunt conducted by the dudes at Achos, a “communication and design agency” based in Barcelona. The post linked above was fake, and they even “launched” the hashtag #creathieves, which has yet to catch on.

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As Achos told the REAL Creative Review:

“We’ve been huge admirers of the work of Sagmeister & Walsh since we were students…We wanted to demonstrate that we’re young, we’re hungry, and we’re coming to take the work that’s currently going to the top agencies in the world. We thought going into their studio and stealing their work was a good declaration of our intentions. So we went into their studio and stole their work.”

More accurately, they recreated the studio based on the S&W home page’s 24-hour webcam. Then they bought a domain and recreated the Creative Review site for the purposes of the stunt.

They worried about the reaction, but S&W was glad to play along:

We are deeply saddened by this loss. Next time take the printer. http://t.co/g3J5gY7odt

— Sagmeister & Walsh (@sagmeisterwalsh) April 16, 2015

Jessica Walsh herself promoted the story after meeting with the Achos people at a conference near Barcelona:

The story behind the guys who stole our work :) @achosbarcelonahttp://t.co/RF6drvr2QZ

— jessicawalsh (@jessicawalsh) April 21, 2015

It was an elaborate stunt, but these guys might be mistaken if they think they are going to “take” the work currently with “the top agencies in the world.”

Batman V Superman Posters

Après la bande-annonce, focus sur les posters officiels du film « Batman V Superman : Dawn of Justice » réalisé par Zack Snyder et produit par Christopher Nolan. La Warner Bros a sorti deux portraits des superhéros montrant leurs emblèmes qui cachent leurs visages. Le film est prévu pour le 25 mars 2016, avec à l’affiche Henry Cavill, Ben Affleck et Gal Gadot.

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Airbnb Promotes a Sense of Community and Friendship


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

Among the new releases, Airbnb’s new global campaign sends a message that staying in a stranger’s home is not a concern but a way to be part of a community and make new friends. Lowe’s encourages husbands to take advantage of a 20 % discount on all Miracle-Gro products to grow flowers for anniversaries. And J.K. Simmons educates a man on fire safety and advises him to have valuable insurance.

Continue reading at AdAge.com

Fox Sports, NBC Universal Reject Verizon's New Slimmed-Down TV Packages


Fox Sports and NBC Universal are rejecting Verizon Communications’ plans to offer their networks as part of smaller, cheaper pay-TV packages, claiming the service violates contract agreements.

“We reject Verizon’s view that it can pursue the new packaging scheme it announced yet still comply with our agreements,” the sports unit of 21st Century Fox said Tuesday in a statement. “That said, we prefer to keep our commercial discussions confidential, and we will continue to address our concerns directly and privately with Verizon.”

Verizon began selling smaller bundles of channels on Sunday in a break with the industry’s longstanding strategy of forcing customers to pay more than $80 monthly fees for hundreds of channels, many consumer watch.

Continue reading at AdAge.com

Frito-Lay CMO: 'Experience is Overrated'


Frito-Lay North America CMO Ram Krishnan must balance the need to be consistent globally with a social media strategy that is far from one size fits all.

For Doritos marketing, for example, the company relies on audience consistencies to guide its global campaigns. Instead of altering messaging in every country, the brand keeps a steady focus on intense, bold experiences and uses the same logo in the 34 countries it’s sold. “Technology has been a great unifier,” said Ram Krishnan, CMO at Frito-Lay North America.

On the other hand, social media strategy isn’t one size fits all. Frito-Lay relies on local marketing teams to determine content relevant to particular cultures. And if customers don’t like something, the company will hear about it. Frito-Lay customers are interacting with the company in real-time via social media, offering a wealth of data. “It’s no longer a one-sided conversation,” Mr. Krishnan said.

Continue reading at AdAge.com

Craig Leffel Joins Filmworkers for Color Projects

Veteran colorist will pursue color work through Filmworkers while continuing as executive producer of his boutique creative studio Big Spoon Industries.

CHICAGO—Filmworkers today announces that it has reached an agreement with veteran colorist Craig Leffel to represent him for color correction projects in the Midwest. Leffel will continue to serve as executive producer of Big Spoon Industries, the creative production studio he formed last fall, while handling color correction assignments through Filmworkers.

Leffel has been practicing the craft of color correction in Chicago for more than 20 years. He has worked with all of the city’s top advertising agencies for accounts including Coors Lite, American Family Insurance, Kraft, Coca-Cola, the Illinois Board of Tourism, Chicago Blackhawks and many others.
“Craig is a longtime friend and a pillar of the Chicago advertising community,” said Filmworkers president Reid Brody. “We’re very excited to provide him with a venue to service his customers through Filmworkers.”

Leffel’s background includes a 15-year run as senior colorist at Optimus and three years as director of production of its production arm, ONE at Optimus. He also was a partner in the company. He left Optimus last fall to launch Big Spoon Industries, a collective of directors, artists and designers focused on producing work directly for brands, digital agencies, marketing firms and others.

Leffel said that his agreement with Filmworkers allows him to continue to pursue his passion for production and storytelling, while meeting demand for his skill as a colorist. “It’s a great opportunity,” he observed. “I’ve had a long relationship with Reid, and we share a similar respect for color correction. I like the people at Filmworkers and the support they give to their artists. They are a perfect ally.”

“Color correction, for me, is a very iterative process,” he said. “It’s about interpreting the thinking of the creative team and interpreting what was captured on the set, and turning it into something people want to see on screen. In the best scenario, it goes beyond what anyone hoped or imagined.”

Leffel complements a well-rounded color correction staff at Filmworkers that includes senior colorists Michael Mazur and Fred Keller, and colorists Matt Harger and Jeff Altman, who recently located to Chicago from New York.

Filmworkers is located at 232 E. Ohio St. Penthouse, Chicago, IL 60611. For more information, call (312) 664-9333 or visit www.filmworkers.com.

View Craig Leffel’s reel here: http://wdrv.it/1aQtlpY

Grey NY Celebrates ‘The Unique Connection’ for Pandora Jewelry

Grey New York launched a new Mother’s Day-themed spot for Pandora Jewelry, entitled “The Unique Connection.”

The spot celebrates the connection between mothers and their children by blindfolding children and asking them to identify their mothers by touch alone. It certainly doesn’t come as a surprise when each child is able to identify their mother, but we’re guessing moms won’t be able to look away anyway. The tear-jerker ad ends with the message “All women are unique. Celebrate the one in your heart.” While the spot contains little overt branding (one of the moms does appear to be wearing Pandora Jewelry, but it’s a quick shot), it ties the brand to the emotional sentiment while encouraging viewers to purchase Pandora Jewelry for mothers day. A message also pops up midway through the ad, prompting viewers to “Click and find a perfect gift for a unique woman in your life.” While Mother’s Day is still several weeks off, the brand is betting on getting a head start on the competition by being early to the party, and the video, uploaded about a week ago, has already scored over 8 million views.

Megalizer II Animation

Vic Chhun et Mohamed Fadera appartiennent à une équipe d’animateurs numériques constituée d’une quinzaine de membres. Ensemble, ils ont produit une animation haute en couleurs intitulée « Megalizer II » mettant en scène des personnages, tous produits par au moins un membre de l’équipe. Leurs apparitions s’enchaînent de manière effrénée au rythme d’une bande sonore qui l’est tout autant.

Et pour vous rafraîchir la mémoire, voici le premier petit film d’animation de la série :

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25 Jenner Sister Editorials – From Celeb Sibling Covers to Bohemian Socialite Lookbooks (TOPLIST)

(TrendHunter.com) The Jenner sisters may be best known as Kim Kardashian’s younger siblings but have built an empire of their own in recent years. While Kendall is no stranger to the world of high fashion—…

An Enduring Slogan Is More Powerful Than a Fresh Batch of 'Likes'


Back in 1999, Advertising Age selected the top 100 advertising campaigns of the 20th century. Out of the top 100, how many do you think are still being used today? Just the 11 campaigns listed below.

Marlboro: The Marlboro cowboy.

Nike: “Just do it.”

Continue reading at AdAge.com

DDB NY Talks Favorites for Cotton Inc.

DDB New York launched a new spot for Cotton, Incorporated entitled “It’s Time to Talk Favorites.”

The ad follows several individuals as they discuss their favorite clothing item (spoiler: each of them is cotton). They place value and importance on the item ranging from the practical to the nostalgic to the superstitious. “We all have one,” text reads at the beginning of the ad, as each individual introduces their favorite. The “favorites” approach is relatable and makes a lot of sense for the brand, highlighting the material as a favorite for many and establishing an emotional connection beyond mere product benefits. Some of the choices are far more believable than others, such as the woman whose significant other was wowed when he saw her in her favorite pants or the girl who loves her favorite pair of jeans so much she said she was going to get married in them. Less believable is the young writer who puts on her grandmother’s shirt for inspiration or the woman who thinks her “lucky shirt” clears up her lane in traffic. The ad ends with the tagline, “Cotton. It’s Your Favorite For a Reason.” That line has a double meaning, highlighting cotton as the reason your favorite is your favorite while also touting cotton as a favorite material.

Credits:

Brand: Cotton Incorporated
Title: It’s Time to Talk Favorites

Agency: DDB, New York
Chief Creative Officer: Icaro Doria
Creative Director: Cassandra Anderson
Associate Creative Director: Marilyn Kam
Additional Credits: Head of Broadcast Production: Ed Zazzera
Executive Producer: Teri Altman
Manager, Art Buying Group: Jane Piampiano
Account Director: Debbie Broda
Management Supervisor: Lauren Solomon
Assistant Account Executive: Kaine Cahill
Brand Planning Director: Jennifer Fox

Production Company: Serial Pictures Los Angeles
Director: Chiara Clemente
Executive Producer: Violaine Etienne
Head of Production: Peter Fitzgerald
Producer: Terri Shafirov
Production Supervisor: Matthew Ayriss

Editorial: Arcade NY
Editor: Jen Dean
Assistant Editor: Laurel Smoliar
Post Producer: Cecilia Melton
Executive Producer: Sila Soyer
Still Photography: Hello Artists
Photographer: Brigitte Sire
Producer: William Carducci

Tiny Billboards for Ant-Man Are Popping Up That Ants Are Really Going to Love

There’s something irresistible about tiny billboards.

We’ve seen them before, of course—for example, there was this LittleBigPlanet campaign from 2008 and this Lego stunt from 2012. And now, the upcoming superhero film Ant-Man is joining the parade, with ant-size billboards popping up in several Australian cities ahead of that country’s July 16 release of the movie.

There’s even an ant-size bus shelter with an ad on the side.

Check out more images below, via Screencrush and This Is Film.

For its next stunt, the studio might want to enlist the World Wildlife Fund’s horde of leaf-cutter ants to parade the film’s tagline around.



NYC Agency Sagmeister & Walsh Says It Was Robbed, but It's Strange What Got Stolen

Sagmeister & Walsh says a brazen robbery has occurred at its New York offices, with three men making off with its most valuable property—and the whole thing caught on tape by the ceiling camera that normally streams live footage of the studio to the agency’s website.

Except … wait just a minute.

Creative Review reported on the robbery, and the agency tweeted a link to the story.

But it’s soon clear that something is fishy. The pantyhose over the head seems a bit clichéd. And then, the kicker—the Creative Review story says the thieves took the agency’s work. And apparently nothing else.

Asked today about the supposed crime, the receptionist at the agency laughed out loud and confirmed the gag. An agency so good that robbers come and steal the work? Well played.



50 000 Books at the Sonia Rykiel Store in Paris

La boutique Sonia Rykiel, située sur le boulevard Saint-Germain à Paris, vient d’être transformée en librairie géante, par l’artiste André Saraïva et le directeur artistique de la marque Thomas Lenthal. Dans le cadre d’un pop-up concept conçu par Julie de Libran, ils ont pensé à rénover l’espace sur plusieurs niveaux et avec des bibliothèques murales comprenant plus de 50 000 livres.

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Toyota Rolls Out Hydrogen Fuel-Cell Car With Campaign Calling 'Bullsh*t' on Critics


“The ongoing joke is that fuel-cell vehicles are 15 years away and always will be,” said Doug Coleman, national vehicle marketing manager-Prius family, electric and fuel cell vehicles at Toyota Motor sales.

Unfortunately for Toyota, which plans to introduce its Mirai fuel cell vehicle in California this October, the joke is only familiar to those in automotive and fuel-technology circles.

“The Mirai is not just a new model, but a whole new category, a whole new fuel source,” Mr. Coleman said. “There are a lot of misperceptions of what hydrogen is, where it comes from and does it make sense to use.”

Continue reading at AdAge.com