Your clothes miss you.
Advertising Agency: Danza, Vitoria, Brazil
Creative Directors: Luiz Carlos Silva, Fernando Laranja
Art Director: Guilherme Borgo
Copywriter: Brenda Gomes
Illustrator: Guilherme Borgo
Published: April 2015
Your clothes miss you.
Advertising Agency: Danza, Vitoria, Brazil
Creative Directors: Luiz Carlos Silva, Fernando Laranja
Art Director: Guilherme Borgo
Copywriter: Brenda Gomes
Illustrator: Guilherme Borgo
Published: April 2015
Your clothes miss you.
Advertising Agency: Danza, Vitoria, Brazil
Creative Directors: Luiz Carlos Silva, Fernando Laranja
Art Director: Guilherme Borgo
Copywriter: Brenda Gomes
Illustrator: Guilherme Borgo
Published: April 2015
Your clothes miss you.
Advertising Agency: Danza, Vitoria, Brazil
Creative Directors: Luiz Carlos Silva, Fernando Laranja
Art Director: Guilherme Borgo
Copywriter: Brenda Gomes
Illustrator: Guilherme Borgo
Published: April 2015
Anton Charushin est un photographe russe basé à Moscou. A travers le compte instagram Stolbyshkin, il s’amuse à poster des photos de lui en poirier sans les mains au milieu de paysages absolument incroyables. Anciennement breakdancer, il a lancé le projet il y a près d’un an et demi lors de l’un de ses voyages et c’est maintenant devenu un véritable concept.
Advertising Agency: Luquire George Andrews, Charlotte, USA
Executive Creative Director: Steve Dunkley
Group Creative Director: Jennifer Jones
Art Director: Ellen Huffman
Copywriter: Margaret Bond
Photographer: William Huber
Account Team: Jane Duncan, Brooks Luquire, Scott Gilmore
Published: February 2015
Advertising Agency: Luquire George Andrews, Charlotte, USA
Executive Creative Director: Steve Dunkley
Group Creative Director: Jennifer Jones
Art Director: Ellen Huffman
Copywriter: Margaret Bond
Photographer: William Huber
Account Team: Jane Duncan, Brooks Luquire, Scott Gilmore
Published: February 2015
Advertising Agency: Luquire George Andrews, Charlotte, USA
Executive Creative Director: Steve Dunkley
Group Creative Director: Jennifer Jones
Art Director: Ellen Huffman
Copywriter: Margaret Bond
Photographer: William Huber
Account Team: Jane Duncan, Brooks Luquire, Scott Gilmore
Published: February 2015
L’artiste HAROW a conçu une énorme sculpture de tête de mort avec 862 balles de pistolet. Intitulée « 9mm » et faite à la main avec du bois, du plexiglass et de l’acier, cette oeuvre interroge le spectateur sur la relation entre la mort, la violence et l’esthétisme. L’artiste a voulu rendre les armes et leurs conséquences, « esthétiques et immortelles ».
To say that the TV industry is undergoing a massive shift is a ridiculous understatement.
Watching your favorite TV show in a commercial-free binge is now the norm. And Forrester Research’s latest projection? U.S. advertisers’ spending on digital advertising will outstrip spending on TV by 2016. The halcyon days of the TV business are now behind us.
The battle for eyeballs — and advertising dollars — is a drama worthy of “Game of Thrones.” The powerful, entrenched dynasties of TV’s past are fighting desperately to keep what was theirs. It’s an environment where allegiances are always shifting, and the line between friend and enemy is never clearly marked. The future is uncertain, except that the winners will be handsomely rewarded. The losers, on the other hand, don’t fare so well.
Shot in Shanghai and in the Yangshoa Hills, the film follows photo journalist Tom Carter getting closer to the local action and unlocking the magic of real time spoken word conversation with his friend – despite his own limited mandarin skills. Impressive.
(TrendHunter.com) Looking at the packaging of this nutritious soup, you can actually get an immediate idea of how healthy it is. This is rare for consumer packaged foods, which generally present the shopper with…
(TrendHunter.com) Urban placemaking, like that of city accessibility projects, is a term that describes an approach to the planning of public spaces that seeks to take advantage of community assets while serving as a…
Red Tettemer O’Connell + Partners launched a new campaign for the California Association of Realtors entitled “Long Story.”
The campaign title refers to the long stories individuals in the pair of ads tell when asked questions about the origins of a dog “Biker” and a shirt “Cool Shirt” — each beginning with a California realtor. In “Biker” (above), which gains lots of points for a bulldog wearing biker goggles (although he should probably also be wearing a helmet), two women ask a biker where he got the dog. “Well, I met this nice fellow Dan, he’s a realtor,” the biker begins. The realtor snagged them a house with a large garage and from there a string of circumstances led to adopting the dog.
“Cool Shirt” follows a similar formula, continuing the approach of last year’s “Ripple Effect” effort highlighting California realtors’ role in the state’s economic growth. Both spots end with the line, “What starts with one California realtor benefits all of California.” Social and digital campaign elements will roll out throughout the rest of the year.
Credits:
Chief Creative Officer: Steve Red
Executive Creative Director: Steve O’Connell
Group Creative Director: Ryan Scott
Creative Director: Todd Taylor
Art Director: Matthew Gould-Lucht, Michelle Maben
Copywriter: Chase Doutre, Tedd Wood
Producers: Joe Mosca, Meg Dibley
Interactive Creative Director: Derek Little
Interactive Designer: Hannah Dillon
Social Strategy: Annie Heckenberger, Allison Hartman
Account Team: Carla Mote, Susan Baraczek, Gillian Darr, Bergan Foley
Production Company: Wild Plum
Director: Vince Malone
Director of Photography: Marc Greenfield
Executive Producer: Shelby Sexton
Producer: Mike Garcia
Color Correction: Alkemy X
Colorist: Janet Falcon
Radio Production: Alkemy X
Engineer: Bob Schachner
Editing House: Red Alert (RTO+P)
Editor: Chip Schofield
Music House: APM
Sound Design: Alkemy X
Sound Designer: Bob Schachner
Audio Mix: Alkemy X
Mixer: Bob Schachner
Wieden+Kennedy added to its recent winning streak (Verizon, Yoplait, KFC) by picking up creative duties for Coca-Cola’s Sprite brand this week.
Someone told AdAge that the review (which was not announced) came down to W+K and R/GA and that the choice was natural given the fact that W+K has worked on Coca-Cola and Powerade for years.
Sprite is a fickle client: 18 months after signing with Leo Burnett, Coca-Cola gave the brand to Translation less than 18 months ago. That agency’s work for the client had one thing in common with W+K’s Nike campaigns: LeBron James.
That agency’s latest campaign, launched last October, was all about LeBron’s return to Cleveland. While creative directions for future work is unclear, the brand will definitely stick with LeBron: three weeks ago, Coca-Cola launched his new “mix” with cherry and orange flavors, which just happen to correspond to his new team’s colors.
(A corresponding mix tape by rapper Future may not have been an officially sanctioned product).
Wieden hasn’t responded to our query about the new account.
Production Company: Process
Director: Mary Harron
Executive Producer: Tim Perell
Producer: Hannah Shore
Director of Photography: Luca Del Puppo
Editing Company: Final Cut
Editor: Ashley Kreamer
Executive Producer: Lauren Bleiweiss
Head of Production: Viet-An Nguyen
Post Facility: Significant Others/Final Cut
Audio Mix: T. Terressa Tate
Color: Sixteen19
Colorist: Andrew Francis
Senior Producer: Brian Reali
Editors: Charles Leighton, Michael Roush
Music: Alistair Paxton
History is just waiting for you.
Puy du Fou is a historical theme park in Les Epesses in the heart of the Vendée region of Western France. This campaign draws on great pictorial frescoes combining all the eras at Puy du Fou where visitors travel through time.
Advertising Agency: Les Gros Mots, Paris, France
Creative Director: Ghislain Lesec
Art Director: Damien Real
Copywriter: Nicolas Moreau
Photographer: Finlay MacKay
Published: April 2015
History is just waiting for you.
Puy du Fou is a historical theme park in Les Epesses in the heart of the Vendée region of Western France. This campaign draws on great pictorial frescoes combining all the eras at Puy du Fou where visitors travel through time.
Advertising Agency: Les Gros Mots, Paris, France
Creative Director: Ghislain Lesec
Art Director: Damien Real
Copywriter: Nicolas Moreau
Photographer: Finlay MacKay
Published: April 2015
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