SXSW Reporters' Diary: 10 Secrets, Rumors and Random Observations


Two Ad Age reporters embedded themselves at SXSW this weekend. (One reporter is still there — pray for him.) They scribbled notes during their stay. Here are some of their dispatches from the front.

Apple appears. The quiet Cupertino company usually eschews tech conferences, but not this one. The company held a small event. And later, a couple of Apple employees floated around The Barbarian Group party. Musa Tariq, the digital director of Apple’s retail division, who joined from Nike in August, reportedly held court at the Four Seasons, and tweeted frequently from the festival. But the Apple Watch did not appear; one employee let slip that the company, unsurprisingly, is not doling them out.

A libertarian meets the libertines. Spotted outside the raucous Pandora party on Saturday night: Sen. Rand Paul from Kentucky. In the few minutes Ad Age ogled him, exactly one person shook his hand. He did turn some heads though.

Continue reading at AdAge.com

30 On-The-Go Lunch Recipes – From Garden Grilled Cheese Sandwiches to Strawberry Summer Salads (TOPLIST)

(TrendHunter.com) These on-the-go lunch recipes range from garden grilled cheese sandwiches to fruity summer salads that are infused with berry and arugula ingredients. Fans of classic subs will fall in love with…

JWT Launches ‘Home of the Brave’ for the US Marine Corps

JWT Atlanta launched a new integrated recruitment campaign for the US Marine Corps entitled “Home of the Brave.”

Two new spots attempt to target young people, emphasizing the Marine Corps as inclusive and diverse (despite the practice of gender segregation during recruit training) and presenting the division as defending the ideals of freedom and democracy. In “Wall,” the narrator rails on about how walls “divide, separate, segregate” while the camera settles on a brick wall in the desert. Then a bunch of Marines blow the wall to shit and storm through. So if you love unity and want to blow the hell out of walls, maybe the Marines are right for you. Another spot, “The Land We Love” is shot first person, with a man on a Subway asking, “So why the Marines?” and the remainder of the ad giving an impassioned answer via a montage. In addition, the campaign is supported by digital and social elements.

“The new work is the culmination of extensive research into today’s youth market, which underscored the importance of reflecting a more contemporary view of the country,” explained Sean McNeeley, group account director, J. Walter Thompson Atlanta, in a statement. “”Young people from all walks of life see America differently, but its enduring values anchor them in their call to serve.”

Las Vegas Sands Corp. / Sands China Ltd.: Never settle – The Venetian Macao

Advertising Agency: AR New York, USA
Executive Creative Director: Paul Eustace
Executive Producer: Brooke Kaylor
Senior Copywriter: Beryl Meyer
Art Director: David Shifren
Associate Art Director: Difan Wu
Director of Account Management: Mark Lemerise
Account Director: Stephanie Sills
Account Supervisor: Amanda Fabian
Production Company: Believe Media
Director: Anthony Mandler
Executive Producer: Liz Silver
Cinematographer: Dave Devlin
Editorial Company: WildChild Post
Editor: Jarrett Fijal
Assistant Editors: Josiah Spencer, Christian Oreste
Post Producer: Andrew Cravotta
Finishing: WildChild Post
Creative Director / Lead Flame: Peter Oliver
Flame Assist: Andrew Hale
Colorist: Tom Poole / Co3
Music House: Hyperballad Music
Sound Design: One Thousand Birds
Wardrobe Stylist: Cathy Kasterine / CLM
Makeup Artist: Miranda Joyce / Streeters London
Hair Stylist: Alain Pinchon / Streeters London

Las Vegas Sands Corp. / Sands China Ltd.: Never settle – Marina Bay Sands Singapore

Advertising Agency: AR New York, USA
Executive Creative Director: Paul Eustace
Executive Producer: Brooke Kaylor
Senior Copywriter: Beryl Meyer
Art Director: David Shifren
Associate Art Director: Difan Wu
Director of Account Management: Mark Lemerise
Account Director: Stephanie Sills
Account Supervisor: Amanda Fabian
Production Company: Believe Media
Director: Anthony Mandler
Executive Producer: Liz Silver
Cinematographer: Dave Devlin
Editorial Company: WildChild Post
Editor: Jarrett Fijal
Assistant Editors: Josiah Spencer, Christian Oreste
Post Producer: Andrew Cravotta
Finishing: WildChild Post
Creative Director / Lead Flame: Peter Oliver
Flame Assist: Andrew Hale
Colorist: Tom Poole / Co3
Music House: Hyperballad Music
Sound Design: One Thousand Birds
Wardrobe Stylist: Cathy Kasterine / CLM
Makeup Artist: Miranda Joyce / Streeters London
Hair Stylist: Alain Pinchon / Streeters London

Beko Home Appliances: Beko Global Fan Wave

Advertising Agency: McCann Istanbul, Turkey
Chief Creative Officer: U?ur Çak?r
Chief Innovation Officer: Kaan Ayce
Art Directors: Serdar Bilginer, Elvan Deniz
Copywriters: Kerem Çeteci, Deniz Agah
Video: Blah Video Production
Published: March 2015

Volvo: Swedish air

Advertising Agency: Grey, London, UK
Chief Creative Officer: Nils Leonard
Creative Director: Hollie Newton
Creatives: Hollie Newton, Jonas Roth, Rasmus Smith Bech
Account team: Cristyn Bevan, Sophie Critchley, Alex Nixon
Planner: Wiktor Skoog
Producer: Marcus Eley
Editor: Louis Tristram / GreyWorks
Product Design & Fabrication: Off Centre
Designer/Typographer: Chris Chapman
Sound design: String & Tins
Post Production: Gramercy Park Studios / GreyWorks

Visa CMO: We're a Tech Company, and We're Hiring Like One


Visa wasn’t an official sponsor at this year’s South by Southwest, but it sure wanted to make a splash. The financial brand launched its “Everywhere Initiative,” a marketing platform aimed at roping in startups to promote its payments products and broaden its appeal with millennials. It renewed its NFL sponsorship too, packing venues with a trio of league stars and, later, a surprise John Legend concert.

Visa is also sticking around once the festival ends.

The company plans to hire 500 engineers in Austin this year, Antonio Lucio, global CMO of Visa, told Ad Age. It will add to the chunk of its workforce the company characterizes as tech — roughly 64% now, per Mr. Lucio — and help it brandish credentials in the sector that’s bleeding into its turf.

Continue reading at AdAge.com

Starbucks To Launch Hiring Effort Focused on 'Disenfranchised and Disconnected' Youth


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Kirk Baxter Launches Edit Studio Exile, Epoch Signs Bernstein


Academy Award-winning editor Kirk Baxter has teamed up with executive producer CL Weaver and editors Eric Zumbrunnen and Matt Murphy to launch Exile, a Santa Monica-based editorial boutique. Its roster will also include “Foxcatcher” editor Conor O’Neill and editor Paul Kumpata. Baxter, who won Oscars for “The Social Network” and “The Girl with the Dragon Tattoo” alongside editor Angus Wall, is a longtime collaborator of director David Fincher, and recently worked on “Gone Girl.”

Continue reading at AdAge.com

London International Awards announce Matt Eastwood & John Mescall as 2015 Jury Presidents

London International Awards (LIA) have named Matt Eastwood, Worldwide Chief Creative Officer of JWT, and John Mescall, Global Executive Creative Director of McCann Worldwide, as 2015 Jury Presidents. Eastwood will preside over the Print, Poster and Billboard jury whilst Mescall will head up the jury for the TV/Cinema/Online Film category.

Adland: 

L.A. Agency "Pitch" hosts SheSays Global Creative Network for Women event March 25

Pitch, the full-service creative advertising agency based in Los Angeles, will host “Top Guns,” a recurring mentorship event sponsored by SheSays, the only global creative network for women. Profiling women in leadership positions in creative industries, “Top Guns” events include forums in which leaders discuss how they made it where they are today and outline strategies for those who want to climb to C-level positions.

Adland: 

Febelfin- Children’s truth about banking (2015) :90 (Belgium)

Febelfin- Children’s truth about banking (2015) :90 (Belgium)

What do children want to be when they grow up? Everything! Police men, professors, ballerina dancers, bakers, and radiologists. Anything! They’ll be a brown couch

if they can. What do they not want to be?

Country:

Commercials:

Air France – Safety Regulations (Dance) – (2015)

Attention, please. Attention, se il vous plaît. This is the New Air France safety demonstration video. Nouvelle vide?o de?monstration de se?curite? Air France

Country: 

Commercials: 

Video: Advertising From a Consumer-First Perspective


When it comes to interactive marketing and social media, Ian Schafer has a lot to say. The CEO and founder of Deep Focus is one of the industry’s most influential voices on technology and advertising.

As a Digital Trailblazer, he lives and breathes technology, focusing on what it means, or will mean, to people at work and in their personal lives.

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More Data Brings More Risk: CMOs Must Embrace 'Risk Marketing'


The most important skill for a CMO today is risk marketing. Risk marketing is the application of proven risk-management practices in marketing, and is predicated on the understanding of the risk of action — and the risk of inaction. This calibration of risk and reward is now a real-time practice given the sophistication of social, search and CRM data. These data sets serve as canaries in the coal mine for understanding the interconnectivity of risks.

The average tenure of a CMO has nearly doubled over the last 10 years, signaling that CMOs are improving how they’re managing complex risk. In the era of social media, seemingly unrelated events in supply-chain management, cyber security and corporate governance directly impact sales, purchase consideration and investor relations — traditional domains of the CMO.

This new complexity is illustrated through recent crises at Sony, Target, and the NFL. Issues such as cyber security quickly dominate the marketing agenda through the impact of declining brand reputation or falling sales. Every business issue potentially becomes a marketing issue today, especially when the tenets of risk management are not followed.

Continue reading at AdAge.com

Problems in the Bedroom? Ikea Shows You Exactly What to Do With Your Junk

Ikea does a ton of marketing worldwide, but its looniest ads come from one agency—BBH Asia Pacific. Just in the past year, it made the hilarious “Bookbook” ad, imaging the Ikea catalog as a futuristic gadget, and the parody of The Shining for Halloween.

Now, BBH and Ikea take you inside the bedroom, promising to “improve your private life” in this latest spot—which is quite suggestive, pun filled and faux-retro in parts.

Between Ikea and Durex, advertising is certainly bringing couples closer this week.

CREDITS
Client: Ikea
Agency: BBH Asia Pacific
Executive Creative Director: Scott McClelland
Creative Directors: Tinus Strydom & Maurice Wee
Senior Art Director: Janson Choo
Senior Copywriter: Khairul Mondzi
Business Director: Tim Cullinane
Associate Account Director: Manavi Sharma
Project Director: Lesley Chelvan
Producer: Wendi Chong
Head of Film: Daphne Ng
Social Strategist: Josie Khng
Director: Carlos Canal
Production House: Freeflow Productions
Editor: Jason Denning
Post Production House: BlackSheep Live
Audio Production: Fuse Audio
Executive Creative Director: Scott McClelland
Creative Directors: Tinus Strydom & Maurice Wee
Senior Art Director: Janson Choo



Electoral Commission: You can't

Advertising Agency: DLKW Lowe, London, UK
Production Assistant: Lucy Jay
Location Manager: Barry Peters
1st Assistant Director: Ed Bellamy
2nd Assistant Director: Steve Wingrove
Lighting Cameraman: Philipp Blaubach
Camera Operator: Matt Fisher
Camera Operator: Rob McGregor
Sound Technician: Howie Nichol
Make Up: Lou Hilton
Art Director: Grace Bailey
Director: Paul Gay / RSA Films
Executive Producer: Caspar Delaney
Production Manager: Michelle Kirkman
Editor: Bill Smedley

Open University: Life-changing learning

Creative Agency: AMV BBDO, London, UK
Creative Director: Tim Riley
Copywriter: Phil Martin
Art Director: Colin Jones
Agency Planner: Will Whalley
Agency Account Man: Rebecca Tickle, Emily Atkinson, Rob Ronayne, Nora Lorincz
Agency Producer: Suzy Macgregor
Media Agency: Mediacom
Media Planner: Guy Walding
Production Company: Pulse
Director: Nicolas Jack Davies
Production Co. Producer: Lucy Kelly
Voice Over: Helen McCrory
Music track: Tom Odell “Can’t pretend”

EA Games / Battlefield Hardline: 360 Interactive Experience

See the work at http://www.battlefield.com/hardline/live-action-360

Advertising Agency: FCB West, USA
Group Creative Director: Colin McRae
Creative Director: Jason Elm
Senior Copywriter: Elaine Cox
Senior Art Director: Chase Madrid
Executive Producer: Frank Brooks
Senior Producer: Rob Lee
Digital Producer: Mark Shiner
Technologist: Chris Klink
SVP of Product Marketing: Todd Sitrin
VP, Global Creative Team: Dana Marineau
VP of Product Marketing: Lincoln Hershberger
Director of Creative Strategy: Eddie Garabedian
Production Company: MJZ
Director: Nicolai Fuglsig
Director of Photography: Claudio Miranda
Stunt Coordinator: Wade Allen
Executive Producer: Emma Wilcockson
Production Supervisor: Adriana Cebada Mora
Production Designer: James Chinlund
Visual FX: Method
VFX Supervisor: Benjamin Walsh
Comp Supervisor: Patrick Ferguson
Producer: Jennie Burnett
Sound: Stimmung
Executive Producer: Ceinwyn Clark
Composer: Ian Hultquist
Sound Designer: Gus
Editor: Exile
Executive Producer: Carol Lynn Weaver
Editor: Eric Zumbrunnen
Editorial Technologist: Ben Insler
Digital: Wildlife LA
Executive Producer: Brandon Del Nero
Creative Directors: Jake Friedman, Scott Friedman