Here's the Cover of Wired's First-Ever Sex Issue


Wired’s March edition is its first-ever Sex Issue — “40 pages on how we do it, in a time of constantly evolving technology,” according to the magazine. Here’s a whiff of said methodology, from an article about virtual-reality porn in the issue:

“The first thing I think of when I hear of new technology,” she says, “is ‘How can I fuck with it?’ or ‘How can I let people watch me fucking on it?'”

And here’s the not so sexy — but pretty clever — cover of the Sex Issue:

Continue reading at AdAge.com

Haberman Signs Target’s Group Creative Director

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Jeff Berg — director of art and taker of amusing headshots — has joined Minneapolis agency Haberman as its newest creative director.

You may remember Berg’s name as one of those responsible for “Sweat Up in My Crease,” a rap that various Minneapolis-based creatives wrote to help them make it through the winter of 2011 in one piece.

Berg joins Haberman from an unusual place: he most recently served as associate group creative director at Target corporate.

Berg landed that gig after spending nearly a decade with ICF’s Olson, where he was creative director. Prior to Olson, Berg was a designer at Minneapolis-based, retail-focused brand marketing agency Fame; he began his career as an art director at Nickelodeon (the very same) in New York.

In explaining why he went back into the agency world, Berg writes:

“It’s not often your personal and professional missions can align — but at Haberman, I work with people who are making a difference in the world every day. How could I say no to that?”

Haberman’s client list leans toward organic food companies and others in the health and tech spaces; no word on which accounts Berg will run.

What is Branding ?

Ce motion design a été écrit, raconté et réalisé par le designer américain David Brier. L’idée ? Revenir sur les principes de base de l’image de marque pour répondre à cette question fondamentale « What is Branding ? ». Une création ingénieuse à découvrir en vidéo dans la suite.

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Watch the Newest Ads on TV From Booking.com, Reebok and More


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

Among the new releases, a late-night, rain-soaked Frisbee game is no match for Reebok Zigtech sneakers, while Target pushes its “ballin” spring styles. And Booking.com shows how one man propelled his life forward by getting it “booking right.”

As always, you can find out more about the best commercials on TV at Ad Age’s Creativity.

Continue reading at AdAge.com

1one Releases ‘Jesus’ Self-Promo Video

Montreal-based creative production company 1one released a self-promo video called “Jesus,” created in collaboration with agency lg2.

The tongue-in-cheek promo imagines the marketing meeting that led to Jesus walking on the water, at the behest of 1one. Its humor comes from the ridiculousness of the idea of Jesus with amodern-day marketing team, complete with terms liked “earned media” being tossed around. While it drags a bit during its almost three minutes, it’s also not without its charm. Unfortunately, most of the more humorous bits are near the beginning (“Reasearch shows we’ve not only increased awareness of the Jesus brand among urban Jews 25-35…”) making sticking around for the whole thing a bit of a chore.

“With the evolution of media, and the viewer becoming more intelligent (and cynical) towards traditional advertising, we need to create stunts that can’t look like anything short of amazing,” said Jean-René Parenteau, executive producer and associate, 1one, in a statement. “When it comes to doing that, you want an expert, not someone who’s just hoping they can pull it off. This has been our focus for the past five years. Stunts aren’t a new trend for us. It’s what we’ve always done and focused our expertise towards.”

Credits:

Client: 1one Production

Agency: lg2

Copywriter: Philippe Comeau

Director: Pierre Dalpé

DOP: Barry Russell

Producer: Jean-René Parenteau

Production House: 1one Production

Music and Sound Design: 1one Production

This Pizza Brand's Outdoor Ads Are Hard to Notice, and That's the Point

Making out-of-home ads that are hard for people to see sounds like a terrible idea. But Daiya Foods does just that with clever ad placements in a new campaign that plays off the line, “It’s easier to notice this ad than notice our pizza is dairy-free.”

Some ads are running where few people look (like on top of a bus), while others are almost too small to see (tiny stickers on benches, crosswalk lights, elevator panels, phone kiosks and more) or go by too fast to read (taxi tops).

The campaign, by TDA_Boulder, extends to digital and print, including full-page ads with tiny 2¼-by-¼-inch headlines in magazines such as Cooking Light, Every Day with Rachel Ray, Fitness, Health and Food Network Magazine.

CREDITS
Client: Daiya Foods
Agency: TDA_Boulder
AD: Austin O’Connor
CW: Dan Colburn
CD: Jeremy Seibold
ECD: Jonathan Schoenberg



1000 Frames Slow Motion

Voici le clip de “Unconditional Rebel” de l’artiste Siska. Cette vidéo de plusieurs minutes est en réalité un plan unique de 5 secondes qui a été ralenti en post-production. Pour ce faire, le réalisateur français Guillaume Panariello a utilisé une caméra Phantom 4K filmant à 1000 images par seconde. A découvrir.

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Media Frenemy LinkedIn Raids Fortune, Wall Street Journal for Editors


LinkedIn is extending its streak of poaching journalists from the same traditional news organizations that usually enjoy their relationship with the social network — and the traffic it drives their way. This time LinkedIn has reached into the newsrooms of The Wall Street Journal and Fortune magazine for editors to help marshal the site’s army of contributing writers.

Caroline Fairchild, a Fortune reporter and creator of the email newsletter “Broadsheet,” will be a San Francisco-based editor for LinkedIn, the company said. She is joining LinkedIn shortly after it raided the Journal to hire the paper’s social media and analytics editor, Maya Pope-Chappell, who will be an editor in New York.

Ramya Venugopal, a veteran journalist, is also joining LinkedIn as its first editor in India.

Continue reading at AdAge.com

Van Toffler Steps Down as MTV Boss


Van Toffler, one of the last of the old guard at MTV and the driving force behind the network’s most enduring franchises, said Tuesday that he is stepping down to hang up his own shingle.

A 28-year MTV veteran, Mr. Toffler plans to open Under the Radar, a content creation and acquisitions company. He has served as president of the MTV Networks Music & Logo Group, a collective that includes MTV, VH1 and CMT, since March 2008.

Mr. Toffler is expected to remain in his current role until some time in April, and he will continue to executive produce a number of MTV Networks events, including the 2015 Video Music Awards on Aug. 30. Introduced way back in 1984, the VMAs have served as MTV’s most visible connection to the zeitgeist, as every show seems to feature at least one genuine WTF moment from the likes of Madonna, Michael Jackson, Nirvana, Britney Spears and, more recently, Kanye West and Taylor Swift.

Continue reading at AdAge.com

Apple Returns to 'Modern Family' — for Free, Again


Five years after debuting the iPad on ‘Modern Family,’ Apple is back on the popular ABC show. This time with star billing.

An upcoming episode of the sitcom takes place entirely online, with the hijinks unfolding through instant messages, mobile-apps and Apple’s video chatting service, FaceTime. The full episode, save some post-production rendering, was shot on Apple’s iPad tablet and its new iPhone 6.

ABC and Twentieth Century Fox Television announced the project.

Continue reading at AdAge.com

Cartoon Character Boots – These Adventure Time Dr. Martens Boots are Geeky Chic (GALLERY)

(TrendHunter.com) If you ever wanted to own a pair of Dr. Marten boots designed to look like your favorite cartoon character, now is your chance thanks to a recent collaboration between Dr. Martens and the popular…

72andSunny Brings Back ‘If Carlsberg Did…’

72andSunny Amsterdam revived Danish lager brand Carlsberg’s “If Carlsberg did…” strapline following a four-year hiatus, with a new spot called “If Carsberg did Supermarkets…”

The 40-second broadcast spot imagines (as you might have guessed) what it would look like if Carlsberg did a supermarket. The result, of course, is “probably the best in the world.” Carlsberg’s version of the supermarket includes a lot of powertools and musical instruments, along with an entire row dedicated to the beer. A man peruses the aisles with a shopping list that includes only two items: eggs and beer (the essentials). The spot will also run in 30, 60 and 80-second versions and will be supported by print, digital and social elements. Something about the goofy tone and accompanying strapline still work really well for the brand, so much so that you have to wonder why they retired it in the first place.

“If Carlsberg did… was a meme before meme’s existed and has remained as key internet parlance,” Nic Owen, managing director, 72andSunny Amsterdam, told The Drum. “We’re super excited about making the most of it in a day and age it’s perfectly suited for.”

 

Company Makes Offensive Ad, Then Shows You Exactly How Not to Deal With the Backlash

It’s getting hard to keep track of brands’ social media fails of late, but the latest comes from Seasalt and Co., a Florida-based graphic design company that sells Photoshop tools. And this one was a multi-part mess.

First, Seasalt posted a truly bizarre ad on Facebook, showing an ominous looking tree with a noose tied to it. This was somehow meant to advertise a new set of Photoshop tools. But to many, it looked disturbingly like a reference to lynching.

And that’s where things got even worse.

Instead of removing the ad, or offering a reasonable explanation for it, the company first got into full defensive mode—defending the ad, both on Facebook and Twitter, and threatening legal action against those who complained about it.

 
Eventually Seasalt did remove the ad. In fact, it took its whole Facebook page down for a while today. When the page returned, it was wiped clean of the whole interaction—and in its place was a half-defense, half-apology for the ad.

“It has nothing to do with any race at all,” the company says. “Our collection is about rising above and refusing to let the world run us and hang us by any mistakes we have made or didn’t make. … We are tired of the hate, judgement and injustice. Seeing the noose wasn’t meant to think of a certain race being hung. It was left empty to represent that we refuse to be judged and hung in a non literally sense. … We apologize for any hurt feelings, we are taking means to remedy this issue.”

Read the full statement here.

Hopefully the company learned something from the whole fiasco. And perhaps they could make room in the budget for a proofreader, too.



Flying Houses Part II

Depuis notre premier focus sur son travail, le photographe Laurent Chéhère a continué sa série Flying Houses. On peut voir un chapiteau, une caravane, un immeuble rempli d’animaux sauvages et des bâtiments typiquement parisiens en apesanteur dans les airs. Chacune de ses maisons flottantes et surréalistes semblent raconter une histoire.

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Parallels by Jenny Jacobsson

La photographe Jenny Jacobsson est une ex-neuro-biologiste qui a cessé de s’intéresser aux limites de l’homme pour commencer à créer de nouveaux mondes où tout est possible. Sa série « Parallels » révèle des univers parallèles et alternatifs où le paysage, les faits et l’imaginaire humain sont liés. Des clichés surréalistes à découvrir.

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David Carr, Times Reporter, Is Eulogized

People he had covered and people he had worked with filed into the Church of St. Ignatius Loyola on Tuesday to remember Mr. Carr, who died from complications of lung cancer.



100 Interactive Light Installations – Artistic Light Installations Grab the Attention of Consumers (TOPLIST)

(TrendHunter.com) It only makes sense that in an ever increasingly digital age, artists will be influenced by technological innovations and integrate such inspirations into their works. A variety of media is usually…

Iconic Rapper Sportswear Couture – The Adidas Original x Kanye West is Inspired by Political Unrest (GALLERY)

(TrendHunter.com) The Adidas Original x Kanye West project has been the rapper’s main project since the release of his 2013 album, Yeezus. The collection launched at New York Fashion Week during the Fall/…

Owen Wilson Takes on Voiceover Duties for TrueCar

Actor-writer Owen Wilson — the man you know from Wes Anderson’s catalog, Wedding Crashers and other, less notable films — bring his laid-back drawl to the commercial world in a couple of new spots for mobile marketplace TrueCar.

In the first ad above, “True Love,” which debuted during day one of the 139th Annual Westminster Dog Show, Wilson’s voiceover work takes a backseat to man’s best friend as a variety of breeds do what they love best in a car: sticking their heads out the window.

Wilson’s vocal work is limited in “True Love” as the dogs are the rightful stars of the show, but his VO plays a more prevalent role in the campaign’s more brand-focused second spot, “True Thrill” (below).

Regarding Wilson’s hiring and the concept behind the ads themselves (which were created by TrueCar’s Santa Monica-based creative agency Tiny Rebellion), the shop’s CEO/CMO Lucas Donat writes:

“Owen Wilson is the voice of this campaign because he is beloved by a generation that TrueCar is dedicated to serving. The ads are meant to connect the joy of car ownership to the ease of how we can now buy them through TrueCar.  The ‘True Love’ spot has a simple premise, dogs love cars as much as we do.”

Along with the TV campaign, TrueCar has also launched a social extension with the hashtag #DogsInCars. Its goal is to encourage donations to related animal charities.

StrawberryFrog Plots ‘Cultural Revolution’

Here’s a bit of catnip for our regulars: we recently posted on StrawberryFrog’s plans to advertise European (eyebrow) waxing in a campaign tied very, very tightly to the blockbuster softcore film 50 Shades of Grey.

Here’s the ad viewers saw over the long weekend:

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Yesterday, however, the ‘frog’s new MD Chris Perkins told MediaPost that the agency’s new direction isn’t just about promoting nice eyebrows via pop culture touchstones…it’s about fomenting a “cultural revolution.

“The agency is “rebooting” itself. The problem, as Perkins explains it, is that most agencies “see what works from the past and then they just continue it.”

“You develop the creative brief, work against it for six months, and doing round after round of work. At StrawberryFrog we have a better way to do it, a new way of looking at it.”

What is this new way?

“We look in society, into insights that strike a nerve, that are highly relevant, that are passions…Then we connect these powerful forces to the brand benefit, purpose, and value set — and BANG.”

Perkins elaborates, telling MediaPost that the agency’s responsibilities moving forward are more about turning “big cultural movement ideas into sustainable activation” that drive sales…while winning as many industry awards as possible.

In an effort to more effectively sell itself, StrawberryFrog will soon launch a new website; Perkins has more in the MediaPost story, but here’s one topic on which he will almost certainly agree with our readers:

“Right now, Pharma ads are so awful. And they really don’t need to be.”

New, revolutionary work to come.