Twitter unveils native video feature
Posted in: UncategorizedTwitter has unveiled its first native video application, which allows users to shoot, edit and share videos from within its mobile app.
Twitter has unveiled its first native video application, which allows users to shoot, edit and share videos from within its mobile app.
Attention is an increasingly popular word among publishers and advertisers. It’s a finite resource — perhaps the only finite resource — amid the digital infinity, where content is churned out constantly. To capture and hold someone’s attention is becoming simultaneously more important and more difficult than ever.
Yet most digital advertising campaigns are bought and sold on impressions — the number of people whose screens load a page with the ad — regardless of time spent on the ad or if people even noticed it. There have been rumblings about charging advertisers based on the amount of time spent viewing an ad online. A few publishers, most notably the Financial Times, have tested it, but the practice is far from widespread.
This month, the burgeoning idea got a powerful ally in Ev Williams, the co-founder of Twitter and the blogging platform Medium. In a post on Medium, he argued in favor of the practice and criticized the idea of measuring a site’s worth by the number of users.
Advertising Agency: Merkley + Partners, USA
Executive Creative Director: Andy Hirsch
Group Creative Director / Copywriter: Chris Landi
Associate Creative Director / Art Director: Kirk Mosel
Director, Broadcast Production: Gary Grossman
Senior Producer: Alex Kobak
Production Company: RSA
Director: Robert Stromberg
Director of Photography: Paul Cameron
Executive Producer: Tracie Norfleet
Line Producer: Alejandra Quesada
Production Designer: Jan Roelfs
Editorial: Cut & Run/ NY
Editor: Steve Gandolfi
Assistant Editor: Stacy Peterson
Producer: Ellese Jobin
Executive Producer: Raná Martin
Post Production/Animation/VFX: MPC / NY
Creative Director, VFX: Alex Lovejoy
3D VFX: Supervisor: Chris Bernier
Lead Animator: Graeme Revell
Managing Director: Justin Burkman
Executive Producer: Camila De Biaggi
Producer: Vic Lovejoy
Music: Woodwork Music
Sound Design: Bill Chesley / Henry Boy
Mix: Philip Loeb / Heard City
Grade: MPC NY
Colorist: James Tillett
Kia has released an extended version of its 60-second Super Bowl ad, and it’s a really fun spot with Pierce Brosnan that manages to have its cake and eat it, too—by both celebrating and poking fun at over-the-top Super Bowl spots.
In the spot, the former James Bond is getting briefed by his agent on his role for the ad, which he assumes will be standard action-movie fare. Instead, the agent keeps comically lowering his expectations. It’s not a Bond-esque escapade, he explains—just a normal car-driving-through-the-mountain ad.
Along the way, we see each scene play out the way Pierce thinks it should, and then how it actually does. This, of course, makes it a Bond-esque escapade after all—as well as a sly critique of such spectacles (at which Kia, of course, has excelled in the past on game day).
The on-screen text at the end really caps it off. Nice work by David & Goliath.
For ages, when a dire weather prediction came up lacking, there was little the average person could do beyond shaking a fist at the TV. But now we have Twitter, an outlet not just for bitching, but also for atonement.
Late last night, after New York City and nearby areas went into full disaster-prep mode in expectation of several feet of snow, National Weather Service meteorologist Gary Szatkowski took to Twitter to apologize when it became clear the region would receive only a scant few inches.
For most New Yorkers, the rather extreme weather warnings simply resulted in an early (if frustrating) dismissal from work and a bonus snow day. But there was also a tremendous economic and logistical impact on the communities involved. Recognizing this, Szatkowski, lead meteorologist for the NWS office in Mt. Holly, New Jersey, was effusive in his apologies.
Here’s a chronological recap of how Szatkowski’s messaging and tone changed from Sunday night to early this morning:
On Sunday, Szatkowski was sharing National Weather Service predictions that anticipated around 2 feet of snow for the New York area.
Here’s regional view of ‘reasonable worst case scenario’ guidance from @NWSWPC This is for main storm, not clipper. pic.twitter.com/UJfZen2Sxm
— Gary Szatkowski (@GarySzatkowski) January 25, 2015
Looking at latest SREF ensemble, threat of snowfall rates 2 inches per hour (very heavy snow) escalates after 400 PM Monday.
— Gary Szatkowski (@GarySzatkowski) January 25, 2015
Here the new QPF forecast for the next 72 hours. This is a precipitation forecast, as though everything fell as rain. pic.twitter.com/8ZNPPbwTmi
— Gary Szatkowski (@GarySzatkowski) January 25, 2015
But we know everything will not fall as rain. Much of that deeper purple area over land will fall as snow.
— Gary Szatkowski (@GarySzatkowski) January 25, 2015
A rough rule of thumb is 10 inches of snow for every one inch of liquid. So areas with 2+ inches on that map suggest 20+ inches of snow.
— Gary Szatkowski (@GarySzatkowski) January 25, 2015
Sunday afternoon, the National Weather Service released a blizzard warning that largely set the tone for the next 24 hours by calling the storm “a crippling and potentially historic blizzard.”
Wow. pic.twitter.com/0mK4c8WYgC
— Dennis Mersereau (@wxdam) January 25, 2015
Here’s that updated snow total graphic from @NWS_MountHolly Trended higher (but you’re not surprised) pic.twitter.com/KLpvA2g69L
— Gary Szatkowski (@GarySzatkowski) January 25, 2015
Well, it looks like what needed to be done has been done. I believe we are at the part of the recipe where it says: “Just add snow.”
— Gary Szatkowski (@GarySzatkowski) January 25, 2015
Another snow forecast map, showing totals across the region. Includes tonight’s clipper. We maxed out the scale. pic.twitter.com/1AwByN8zlg
— Gary Szatkowski (@GarySzatkowski) January 25, 2015
By early Monday, though, Szatkowski was beginning to express concerns that earlier predictions might not come to pass, at least not on the level of 30 inches.
OK, to cut to the chase. Some of the more extreme solutions for the storm in this region have ebbed. So, snowfall amounts have been lowered.
— Gary Szatkowski (@GarySzatkowski) January 26, 2015
Here is the snowfall forecast from @NWS_MountHolly issued earlier this morning. pic.twitter.com/Maseg7NsFQ
— Gary Szatkowski (@GarySzatkowski) January 26, 2015
Ever throw a party and then wait for the guests to show up?
— Gary Szatkowski (@GarySzatkowski) January 27, 2015
Let’s see how far west the bands of snow rotate & how well they maintain their intensity. Dice have been rolled. We’ll see see what happens
— Gary Szatkowski (@GarySzatkowski) January 27, 2015
New snowfall forecast map from @NWS_MountHolly. Amounts have trended lower, but lots of double digit snow on the map. pic.twitter.com/vBTjuArd9n
— Gary Szatkowski (@GarySzatkowski) January 27, 2015
Shortly before midnight, Szatkowski’s tone shifted considerably as he and the rest of the National Weather Service realized conditions would not be incredibly severe for New York and New Jersey. By then, government officials had issued road travel bans and suspended mass transit, essentially bringing one of the world’s largest cities to a halt.
OK, no sense postponing the inevitable. Snow amounts have been sharply curtailed. New products coming out now from @NWS_MountHolly
— Gary Szatkowski (@GarySzatkowski) January 27, 2015
My deepest apologies to many key decision makers and so many members of the general public.
— Gary Szatkowski (@GarySzatkowski) January 27, 2015
You made a lot of tough decisions expecting us to get it right, and we didn’t. Once again, I’m sorry.
— Gary Szatkowski (@GarySzatkowski) January 27, 2015
This is a big storm further off to our northeast. New York City will see good amounts of snow, and for portions of New England it will…
— Gary Szatkowski (@GarySzatkowski) January 27, 2015
…be very high impact. But for much of New Jersey, and for the Philadelphia Metropolitan area, this is a big forecast miss.
— Gary Szatkowski (@GarySzatkowski) January 27, 2015
As you might expect, he received a few rather pointed criticisms.
.@GarySzatkowski @teelehman do us all a favor and resign!
— Juliet Locke (@JulietLocke) January 27, 2015
@JulietLocke No. But thanks for caring.
— Gary Szatkowski (@GarySzatkowski) January 27, 2015
But overwhelmingly, Szatkowski’s openness and transparency on Twitter generated vocal support and appreciation from those following his updates.
@GarySzatkowski You guys did a great job in a difficult situation–ignore the haters! I’m a big fan of your honest and direct approach.
— John Huntington (@jhuntington) January 27, 2015
@GarySzatkowski People forget that you all predict, not dictate the weather. You all will only continue to improve! Thanks for what you do
— Cory Foy (@cory_foy) January 27, 2015
@AlexSilverman @GarySzatkowski @joshtpm Gary has endeared himself to many new people.
— Greg Dworkin (@DemFromCT) January 27, 2015
@GarySzatkowski This is why I trust you. Thanks for your honesty. It’s refreshing. Better safe than sorry
— Hannah Waters (@hannahjwaters) January 27, 2015
Thank you to the many folks who have been very gracious on social media this morning. Much appreciated.
— Gary Szatkowski (@GarySzatkowski) January 27, 2015
Marshawn Lynch continues to parlay his media unavailability into brand gigs. The Seattle Seahawks star is appearing in a Progressive video released on Tuesday that comes just a few hours after Skittles released a similar online spot playing on his notorious press shyness.
Both brands are seeking to exploit the fact that today is the Super Bowl media day and questions have lingered on how much Mr. Lynch will cooperate. The Progressive ad (above) also stars ESPN reporter/comedian Kenny Mayne. The insurer plans to convert the video into a 30-second TV ad that will run during programs such as ESPN’s “SportsCenter” and NBC’s “Today” show.
We earlier reported on the Skittles ad and here it is again below. Which do you like better? Let us know on Facebook or Twitter at @adage.
In an epic adventure, one of Noah’s sons rushes to find the unicorns as the biblical flood is imminent. Dodging meteors and sliding down soaked hillsides, his heroic effort pays off.
Every day 864 million people around the world check Facebook. Those people probably see a lot of ads. They probably don’t click on many of them. But Facebook has been making the case for years that those ad impressions still count and is expanding its effort to prove to advertisers that the social network deserves more credit for pushing sales.
Starting on Tuesday, Facebook is going to tell more advertisers when someone who saw their ad on Facebook ended up buying something from the brand online or in stores and how that compares with the people who bought something without seeing the ad.
Facebook started testing this so-called “conversion lift measurement” with a small number of advertisers over a year ago, but is now making it available to any advertiser in any country, assuming that advertiser has a Facebook sales rep and can track its own sales. There are no formal budget requirements.
The discussion on Capitol Hill around data privacy has pivoted to focus on data security, which arguably has a better chance of resulting in federal legislation. The House Subcommittee on Commerce, Manufacturing and Trade met this morning for a hearing on data breach legislation.
“This committee is calling for action,” said Rep. Michael Burgess (R-TX), committee chairman. “Federal legislation should include a single but flexible data security requirement,” he said, reiterating industry calls for a blanket national rule to replace the 47 state laws applying to data breach notification. Mr. Burgess, along with other committee members, stressed that data breach notification laws applying to financial services and healthcare industry firms should be separate and dealt with by authorities that directly oversee those industries.
Democratic members of the committee including Rep. Jan Schakowsky of Illinois indicated that they want to ensure a federal law does not weaken the ability of state attorneys general to enforce notification laws. Hearing witness Woodrow Hartzog, associate professor at Cumberland School of Law, said he would like to see minimal pre-emption of state rules and would like the FTC to be given rulemaking authority in association with legislation.
Havas Worldwide London has created a formal partnership with Work Club, the digital hotshop it acquired in May 2014, and quickly installed new leadership, in a bid to boost both digital capabilities and a poor new business record.
Russ Lidstone, the CEO of Havas Worldwide London, has left the agency and been replaced by two co-managing partners, Daniel Floyed and Martin Brooks. Mr. Floyed has been promoted from global brand director at the agency, and Mr. Brooks, a founder of Work Club, will retain his title there as joint-CEO.
Kate Robertson, chairman of Havas Worldwide U.K. and co-global president of Havas Worldwide, said, “We have tried to build digital services of scale inside the agency, but when we won Chivas and Credit Suisse digital accounts globally, we couldn’t deliver. Work Club can do some things Havas Worldwide London can’t, and vice versa. The need to work together is pressing. The times demand it.”
In what cannot possibly be a sign of the times, Rudi Anggono — veteran of several of the industry’s biggest shops — has joined the creative team at Google.
Anggono made headlines on this blog in 2012 when he moved from AKQA San Francisco to Paris for a “Pan-European ECD” gig at TBWA; for just over two years, he ran creative for Nissan Europe and, in some cases, worked on the global account (here’s a 2013 ad for the Nissan-sponsored smartwatch Nismo).
His previous experience includes stints as an art director at BSSP, CP+B, GS&P, where he created work for clients like IKEA, Burger King, GE, Anheuser Busch, and his own now-current employer; he also spent time freelancing at various agencies in the Bay Area (FCB, DDB, etc.) before leaving for Europe.
Earlier this month, however, Anggono followed expats like GS&P/W+K creative recruiter Zach Canfield and Team Detroit EVP/ECD Scott Lange in joining the “Don’t Be Evil” company that currently dominates every agency everywhere.
Like Lange, Anggono’s title is creative lead at The Zoo, which effectively serves as Google’s in-house agency. A recent posting for the same job tells us that the team’s leaders will “consult with advertisers and their agencies on every aspect of the creative process” and that the larger operation seeks to “[transform] advertising sales opportunities.”
Since Google highlights “experience as a Senior Creative/Creative Director in an agency environment” in advertising such leadership roles, we expect the parade of high-profile creatives who turn tech to continue apace.
Kim Kardashian — err, Kim Kardashian West — stars in Publicis Seattle’s Super Bowl spot for T-Mobile, entitled “#KimsDataStash.”
The 30-second ad, which premiered last night on Conan, is presented as a mock PSA with Kardashian billed as “Kim Kardashian West, Famous Person.” She laments how “each month millions of gigs of unused data are taken back by wireless companies.” That’s data that could be used to look at her selfies, “sadly, all lost.” The spot ends with the line, “It’s Your Data, Keep It,” and introduces “Data Stash,” which lets users keep unused data for up to a year.
The self-skewering satire of the ad is sure to go over well with Kardashian’s fans, and while others will be as annoyed with “Kim Kardashian West, Famous Person” as ever, the spot does a good job of introducing the selling point of T-Mobile’s “Data Stash.” And between the celebrity star power and its Super Bowl airing, this one is sure to reach a lot of eyes.
Budweiser melted hearts with its “Puppy Love” commercial on last year’s Super Bowl, and is prepping a sequel, “Lost Dog,” that’s expected to break Wednesday online. But a day early, here is Go Daddy—amusingly deflating Bud’s balls a little bit with a spoof that even somewhat matches the plot of the sequel.
Yes, Go Daddy has its own adorable yellow Labrador puppy. And like the one in this year’s Bud spot, it’s gotten lost—after falling out of a pickup truck when it went over a bump. The little guy runs home as fast as his little legs can carry him … but it’s not exactly a sappy ending that awaits him there.
The spot was made by Barton F. Graf 9000. Check out our Q&A with Gerry Graf here, where he talks Go Daddy’s approach this year, and the ups and downs of making Super Bowl spots.
We would still have unicorns around today, were it not for an epic screw-up by Noah’s son during the loading of the Ark all those years ago.
That’s the premise of this amusingly overblown Canal+ ad from BETC Paris and director Matthijs Van Heijningen, who so memorably directed “The Bear” for the same agency and client back in 2011.
It’s hard to describe the ad without spoiling it, so just watch it first.
As you can see, the film celebrates—in a roundabout way—the broadcaster’s screenwriters and its showcase of original programming. And yes, it certainly shows a different side of unicorns than we’re used to seeing.
“We had some rather surreal discussions on what unicorns’ balls actually look like,” Stéphane Xiberras, agency president and chief creative officer, tells AdFreak. “We thought about doing something a bit … unexpected. There was talk of little furry balls with twinkling stars. But in the end we opted for a pair of ‘classic’ horse balls. I know, it’s a bit bizarre.”
And the balls were the easy part of this production. “Imagine a gigantic studio reproducing the inside of the Ark, filled with hundreds of animals,” Xiberras says. “Now imagine the smell. Now imagine that the animals couldn’t stand being under the same roof together.”
Asked about the actor who plays Noah’s son, Xiberras replied: “We fell for him straight away. We were looking for a guy capable of incarnating Noah’s son as well as a modern-day ladies’ man and screenwriter. He managed to show loads of emotions without any dialogue, expect the phrase at the end. He goes from embarrassment to anxiety to victory and then shock in seconds. It’s a great performance.”
CREDITS
Client: Canal+
Brand Management: Alice Holzman, Aurélie Stock-Poeuf, Coline André
Agency: BETC
Agency Management: Bertille Toledano, Guillaume Espinet, Elsa Magadoux
Executive Creative Director: Stéphane Xiberras
Creative Director: Olivier Apers
Art Director: Aurélie Scalabre
Copywriter: Patrice Dumas
Traffic: Coralie Chasset
Tv Producer: Isabelle Ménard
Production House: Soixante Quinze
Sound Production: Kouz
Director: Matthijs Van Heijningen
Media Plan: Cinema, TV, Web
Available Formats: :40 :45 :50 :70
You’re sitting in a brand-agency meeting and someone starts talking about their 3 billion data points or their real-time Hadoop big-data capabilities. The agency lead is thinking, “Ooh, this is going to be good.” The client has other thoughts. After all, what is the client supposed to do with all that information?
If I’ve learned one thing in 2014, it’s that size does not matter — insights do. Brands don’t care how big your data is; instead, they want to know if you know how to use it and what they need to do next.
2014 was really the year where everybody — myself included — threw giant amounts of analysis and dashboards at their clients. Like pulling a rabbit out of a hat, I would pull a by-city engagement report against population data from our shiny database to show the client’s brand affinity by region. I brought our clients massive data dumps that gave them every detail from media impressions by hour of day to different user behavior patterns by device type and screen size. The response usually did not carry the same enthusiasm I had about it.
Pendant le tournage d’un spot TV en Nouvelle-Zélande, le réalisateur australien Mark Toia a gardé des prises de vue aériennes impressionnantes des paysages qu’il a pu admirer depuis l’hélicoptère. Capturées avec une caméra RED EPIC 5k ayant un bon système de stabilisateur d’images et un objectif 24-290 Angenieux, ces images vertigineuses sont à découvrir en vidéo.
The Call of Duty®: Advanced Warfare Havoc trailer is at least 45 seconds too long for my tastes, but the idea of having a live cameraman being the Killcameraman operator is hilariously clever way of showing off what is essentially just 4 new maps, a zombie enemy, and a gun,