Sony Xperia Z2: Football Cancellation


Online, Mobile
Sony

Advertising Agency:CP+B, Stokholm, Sweden
Executive Creative Director:Bjorn Hoglund
Creative Directors:Tobias Carlson, Jonas Wittenmark
Art Directors:Tobias Carlson, Jonas Wittenmark
Copywriters:Tobias Carlson, Jonas Wittenmark
Art Director:Jakob Eriksson
Copywriter:Jimmy Hellkvist

TV Sports: World Series Is Over, but Fox Crew Still Has a Ways to Go

Fox’s three-man booth had plenty of voices, but sometimes struggled to say the right thing.

Family of Washington Post Reporter Calls on Iran to Free Him

Relatives of Jason Rezaian, held without explanation for more than two months, said “it’s time for Iran to concede Jason’s innocence and release him.”

Coming Out in Businessweek, Tim Cook Chooses to Play It Low Key

Under a headline that did not directly address the issue, Mr. Cook chose to write a sober, conscientious essay for Bloomberg Businessweek that repeatedly used the word “privacy.”



Advertising: For Veterans Day, a TV Special That Will Span 6 Cable Networks

The media giant Scripps Networks Interactive is preparing an hourlong special, centered on the celebration of the Hawaiian homecoming of a wounded serviceman.



As Game 7’s Ratings Surge, World Series Avoids a Record Low

The Giants-Royals finale was seen by an average of 23.5 million viewers, raising the average for the World Series to 13.8 million, an audience larger than 2012’s record-low 12.7 million.



Now That Starbucks Iced Pumpkin Spice Latte Will Come to You


Starbucks will not only allow customers to order and pick up their food and drinks without waiting in line — some people won’t even have to leave their chairs to get their coffee and scone.

Starbucks in December will roll out its new mobile-payment and ordering app in Portland, Ore. that allows customers to walk in a Starbucks store and pick up their order without waiting in line. A national rollout is planned for 2015. Starbucks in the latter half of the year will also begin to make food-and-beverage delivery available in select markets. Delivery will be available to loyalty-program members as part of the new app.

The move comes as the coffee giant seeks to adapt to what CEO Howard Schultz called changing consumer behaviors. During the company’s quarterly earnings call Thursday afternoon, Mr. Schultz called the mobile app “the single most important technology innovation” the company will make this year. The company did not detail the markets in which delivery would be available, whether it will eventually be offered nationwide, or how the logistics of it would work — but Chief Strategy Officer Matthew Ryan noted the chain is moving “full speed ahead.”

Continue reading at AdAge.com

NETFLIX – GIF Campaign (20140 1:25 (France)

For Netflix’s French launch, Ogilvy Paris created a reactive outdoor campaign featuring GIFs that would react to news. They used the gifs to promote both Netflix Original series as well as the stuff most of us want to watch. Fun!

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Nike – Together

Nike Basketball et l’agence Wieden Kennnedy, viennent de dévoiler la campagne « Together ». Elle montre des supporters se rassembler autour des joueurs à l’occasion du retour du sportif LeBron James à Cleveland. Entièrement en noir et blanc, le film sera diffusé dès ce jeudi en télévision. A découvrir en images ci-dessous.

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Chrysler 200: Japanese quality

Advertising Agency: Wieden + Kennedy, Portland, USA
Creative Directors: Aaron Allen, Kevin Jones, Michael Tabtabai
Copywriters: Smith Henderson
Art Director: James Moslander
Producer: Bob Wendt
Production Assistant: Julie Gursha
Interactive, Social Strategy: Sarah Biedak
Strategic Planning: Andy Lindblade
Media, Communications Planning: Alex Barwick
Account Team: Cheryl Markley, Lani Reichenbach, Jourdan Merkow
Business Affairs: Dusty Slowik
Project Management: Jane Monaghan
Executive Creative Directors: Joe Staples, Mark Fitzloff
Head of Production: Ben Grylewicz
Production Company: Reset
Director: Andrew Douglas
Executive Producer: Jeff McDougall
Line Producer: Betsy Oliver
Director of Photography: Alwin Küchler
Editing Company: Joint

Chrysler 200: German performance – autobahn

Advertising Agency: Wieden + Kennedy, Portland, USA
Creative Directors: Aaron Allen, Kevin Jones, Michael Tabtabai
Copywriters: Smith Henderson
Art Director: James Moslander
Producer: Bob Wendt
Production Assistant: Julie Gursha
Interactive, Social Strategy: Sarah Biedak
Strategic Planning: Andy Lindblade
Media, Communications Planning: Alex Barwick
Account Team: Cheryl Markley, Lani Reichenbach, Jourdan Merkow
Business Affairs: Dusty Slowik
Project Management: Jane Monaghan
Executive Creative Directors: Joe Staples, Mark Fitzloff
Head of Production: Ben Grylewicz
Production Company: Reset
Director: Andrew Douglas
Executive Producer: Jeff McDougall
Line Producer: Betsy Oliver
Director of Photography: Alwin Küchler
Editing Company: Joint

Chrysler 200: German performance – three times

Advertising Agency: Wieden + Kennedy, Portland, USA
Creative Directors: Aaron Allen, Kevin Jones, Michael Tabtabai
Copywriters: Smith Henderson, Brandon Davis
Art Director: James Moslander
Producer: Bob Wendt
Production Assistant: Julie Gursha
Interactive, Social Strategy: Sarah Biedak
Strategic Planning: Andy Lindblade
Media, Communications Planning: Alex Barwick
Account Team: Cheryl Markley, Lani Reichenbach, Jourdan Merkow
Business Affairs: Dusty Slowik
Project Management: Jane Monaghan
Executive Creative Directors: Joe Staples, Mark Fitzloff
Head of Production: Ben Grylewicz
Production Company: Reset
Director: Andrew Douglas
Executive Producer: Jeff McDougall
Line Producer: Betsy Oliver
Director of Photography: Alwin Küchler
Editing Company: Joint

LinkedIn Ad Revenue Soars on Strength of Sponsored Content


LinkedIn continued its tear in the third quarter, with revenue climbing 45% compared to last year to $568 million. That beats analysts’ expectations of $557.5 million.

Advertising revenue reached $109 million during the third quarter — which is the period from July through September — marking a 45% increase over last year. Ad sales, which LinkedIn calls “marketing solutions,” accounted for 19% of overall revenue, the company said.

The increase was led by sponsored updates, a content-marketing product LinkedIn introduced last year. It allows advertisers to reach members who don’t follow their company. LinkedIn CEO Jeff Weiner told Ad Age in September that sponsored updates represent the “fastest growing business in LinkedIn’s history.”

Continue reading at AdAge.com

Surfing at 1000 Frames Per Second

Réalisée et produite par Chris Bryan, ce manifeste dévoile des surfeurs en pleine action. Rouleaux, déferlantes incroyables, sauts et rotations à 360°, les scènes sont filmées au ralenti donnant la possibilité de décortiquer les mouvements précis de ces surfeurs, rendant ainsi compte de leur maîtrise et de l’intensité de ce sport. À découvrir en vidéo.

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Real Beauty? Nah, Victoria's Secret Would Rather Celebrate the 'Perfect Body'

Victoria’s Secret is under fire for its newest bra campaign featuring the tagline “The Perfect ‘Body’,” suggesting on first glance that these women have it, and you probably don’t.

More than 10,000 people have signed a U.K. petition calling for Victoria’s Secret to  “apologise for and amend the irresponsible marketing of your new bra range ‘Body’.”

“Victoria’s Secret’s new advertisements play on women’s insecurities and send out a damaging message by positioning the words ‘The Perfect Body’ across models who have exactly the same, very slim body type,” the petition notes. “This marketing campaign is harmful. It fails to celebrate the amazing diversity of women’s bodies by choosing to call only one body type ‘perfect’.”

Of course, the brand isn’t literally saying its models have the perfect body. It’s a play on words with the popular “Body” line of bras, and the ad copy clarifies: “Perfect fit. Perfect comfort. Perfectly soft.”

But at a time when unrealistic body images are such a controversial topic, this tagline has understandably sparked some fires in social media:

This year we’ve seen quite a few female-focused brands toss aside the whole idea of perfection. Aerie refused to Photoshop models, ModCloth pledged to be transparent about retouching, Dear Kate focused its underwear campaigns on “real women”), so one has to wonder if Victoria’s Secret just made a tone-deaf misstep or actively decided to troll the competition.



Sony Xperia Z2: Xperia Football Cancellation

Advertising Agency: CP+B, Sweden
Executive Creative Director: Björn Höglund
Creative Directors / Art Directors / Copywriters: Tobias Carlson, Jonas Wittenmark
Art Director: Jakob Eriksson
Copywriter: Jimmy Hellkvist
Agency Executive Producer: Karin Branmark
Agency Producer: Line Eriksson

BMW Park Assist: Elevator

Park where you couldn’t park before.

Advertising Agency: Publicis, Mexico
Chief Creative Officer: Erik Vervroegen
Creative Directors: Agustin Esteban, Héctor Fernández Maldonado
Art Directors: Bastien Grisolet, Agustin Esteban
Copywriter: Angel Rodriguez
Photographer: Julia Fullerton Batten
Post Production: d-Factory

BMW Park Assist: Sauna

Park where you couldn’t park before.

Advertising Agency: Publicis, Mexico
Chief Creative Officer: Erik Vervroegen
Creative Directors: Agustin Esteban, Héctor Fernández Maldonado
Art Directors: Bastien Grisolet, Agustin Esteban
Copywriter: Angel Rodriguez
Photographer: Julia Fullerton Batten
Post Production: d-Factory

Acid Colors Street Art by Felipe Pantone

Basé à Valence, l’artiste Felipe Pantone profite de ses voyages pour illustrer les murs des quatre coins du monde. En utilisant des couleurs acidulées, des dégradés, des graphismes déstructurés et des ombres portées, ses oeuvres hypnotiques paraissent en lévitation sur leur support. Un travail très personnel à découvrir dans la galerie.

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Commonwealth McCann, Chevy Know You Want a Truck

Commonwealth McCann has debuted a new campaign for the Chevy Colorado entitled “You Know You Want a Truck.”

In the “Focus Groups” spot above, they polled groups including “guys with bears,” “single women,” “rich housewives,” children and the elderly. The results? Truck guys are 85% more handsome, 76% more resourceful and 100 percent more likely to have an awesome pet. Other spots include the creation of “Truck Guy” deodorant and a “Trucked Out” dating profile. Each spot presents itself in a documentary style (and claims to use “real people, not actors”) but also features a playful tone that shows the brand isn’t taking things too seriously.

“The films are centered around the idea that there is an inner truck guy in everyone,” said Paul Edwards, U.S. vice president, Chevrolet marketing. “The game-changing Chevrolet Colorado will enable people to unleash their inner truckness.” (more…)

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