Audi Q3: Tight parking

Advertising Agency: Zulu Alpha Kilo, Canada
Chief Creative Officer: Zak Mroueh
Creative Director: Ari Elkouby
Art Director: Shawn James
Copywriter: Sean Atkinson
Agency Producers: Tara Handley, Clair Galea
Account Director: Dic Dickerson, Nevena Djordjevic
Account Supervisor: Alexandra Potter
Strategy: Ebrahim El Kalza, Emma Brooks, Jamie Cuthbertson
Media Agency: MediaCom
Production Company: Descendants
Director: José Avelino Gilles Corbett Lourenço
Line Producer: Luke Bryant
Executive Producer: Tasha Litt
Editing, Online, Transfer: Crush, Kevin Hobbs
Sound Design: Michael Headford
Stuntman: Blair Johannes
Stunt Coordinator: Randy Butcher
Engineering Company: Performance Solutions

Dissolve: Advertising Insider

Creative director: Sheldon Popiel
Art director: Nikki Stephens
Copywriter: Jon Parker

Diet Coke: Millions of one of a kind bottles

Advertising Agency: Dahaf, Israel
Creative: Gefen
Production: Q Digital
Print Technology: HP Indigo

Pictionary: Athlete

Win with your drawings.

Advertising School: Brother Ad School, Santo Domingo, Dominican Republic
Art Director: Carlos Vialet
Copywriter: Diana Orbe
Published: February 2014

Pictionary: Beauty queen

Win with your drawings.

Advertising School: Brother Ad School, Santo Domingo, Dominican Republic
Art Director: Carlos Vialet
Copywriter: Diana Orbe
Published: February 2014

Itens do McDonald’s passam como ‘iguarias orgânicas’ em piadinha na web

Oferecendo o que seria uma ‘alternativa nova e orgânica ao fast food’, a equipe do LifeHunter, especializada na produção de vídeos virais, se esmerou em trollar uma feira de produtos orgânicos.

Eles ofereceram itens tradicionais do McDonald’s, como Big Macs e Mc Nuggets, com uma apresentação diferente, perguntando a quem experimentava o que estavam achando da novidade.

md

Sem nenhum outro esforço de propaganda ou convencimento, a dupla conseguiu que muitas pessoas alegassem que tratava-se de um produto orgânico muito mais saboroso, destacando o frescor e a textura dos alimentos (!)

A conclusão da produção foi clássica: se você disser às pessoas que uma coisa é orgânica, elas vão automaticamente acreditar que isso é uma verdade. Mas isso, bem, isso a publicidade já sabe há muito tempo.

Brainstorm9Post originalmente publicado no Brainstorm #9
Twitter | Facebook | Contato | Anuncie

Chrysler Takes on the World With Ads for 200


The Chrysler brand is expanding the evolution of its “Imported from Detroit” theme with four TV commercials touting the 2015 Chrysler 200.

Each of the spots, called “Ready to take on the world,” features a sleek, silver sedan driving on roads in what appears to be Germany, Japan or Sweden.

Actually, the roads are in Detroit, San Francisco or Seattle, and the car is the 200.

Continue reading at AdAge.com

Audi to Retain WPP's AKQA for Digital, Conducts Separate Social Search


WPP’s AKQA is set to retain its Audi digital business after a lengthy agency review, according to people familiar with the matter.

Meanwhile, Audi is in the midst of a separate agency search focused on social media.

AKQA’s scope of work for Audi, which is part of Volkswagen, has spanned digital marketing and web development. The shop was responsible for the introduction of AudiUSA.com, which went live last June, and has since worked on a number of mobile and app development initiatives.

Continue reading at AdAge.com

'L'Eggo My Eggo' Tagline Makes Comeback


Just because you shared a photo on Instragram of the trendy omelet souffl you ate at brunch doesn’t mean you’d want to share it in real life.

That’s the message Kellogg brand Eggo is getting at with its own breakfast food as it brings back its famous “L’Eggo My Eggo” campaign this week with a modern spin even though we “share” nearly everything today, Eggo waffles are the one thing you still want to keep for yourself.

“What is really different about this campaign is that we’re taking a tagline from the 1970’s and making it relevant today,” said Anne Marie Suarez-Davis, VP-frozen foods marketing and innovation at Kellogg Co.

Continue reading at AdAge.com

Frozen Light

Conçu pour être accroché à la branche d’un arbre en hiver, ce lustre expérimental est doté d’une résille tissée qui recueille l’eau naturelle telle que la rosée du matin et la pluie pour la cristalliser progressivement et former des stalactites. Le soir, les rayons lumineux se réfléchissent dans la glace et créent une lumière enchanteresse. Un projet initié par l’artiste Arturo Erbsman, à découvrir en images.

Frozen Light-8
Frozen Light-7
Frozen Light-6
Frozen Light-5
Frozen Light-4
Frozen Light-3
Frozen Light-2
Frozen Light-1

Strawberry Frog PSA Raises Awareness of Need for Medical Supplies to Fight Ebola

Strawberry Frog teamed up with New York-based humanitarian aid organization Afya Foundation for a new PSA raising awareness of the need for medical supplies to fight Ebola in West Africa.

The PSA uses the fact that five children were exposed to the Ebola virus in Texas as a way to deliver the message that medical supplies, hospital equipment and other humanitarian aid is desperately needed to stop the spread of the disease in West Africa. “I don’t want to be a statistic” a number of children say, before mentioning that they have more important things to do, like studying for a geography test or catching a basketball game. “What are you going to do to prevent me from becoming another statistic?” asks a child near the conclusion of the spot, right before viewers are prompted to donate to Afya’s Ebola relief effort.

Interestingly, the PSA doesn’t provide information on the dire state of West Africa except for in relation to the possibility of the disease spreading in the U.S. Strawberry Frog and Afya seemingly decided fear of the disease spreading domestically is a more powerful motivator than compassion for the devastation faced in West Africa (which is both sad and rather telling). Indeed, the spot ends with the message, “Please donate to Afya’s Ebola relief effort today. Before it stops us here in the United States.” (more…)

New Career Opportunities Daily: The best jobs in media.

Jim Carrey Mercilessly Spoofs Matthew McConaughey's Lincoln Ads on SNL

If you’re the type of person who thinks Saturday Night Live’s best years are behind it, you can stop reading now, because nothing I can write will convince you otherwise. Yeah, I know, you grew up watching the most brilliant comedians of all time, and, well, the new players are terrible. It’s like hanging on to your glory days on the high school football field. 

But it was interesting to watch the rerun of a 1990s Tom Hanks episode that ran before this week’s show. There were some hilarious gems, including a Wayne’s World episode featuring Aerosmith—so good. But “Tales of Ribaldry: Wench, Wife, Boot”? What a dud. The point is, you only remember the classic moments. 

You might feel the same way about Jim Carrey. Some would say his best days are behind him. And I certainly thought so when watching his super odd and awkward “Helvis” monologue that opened Saturday’s SNL.

But then we were treated to this virtual noogie of a parody where Mr. Carrey took on Matthew McConaughey’s pseudo-philosophical Lincoln ads. The vignettes were peppered throughout the show, but NBC has combined them for us in the clip below. So, SNL haters, sit back and enjoy some of the best ad spoofs the show has done in a while.



Full Tilt: The Call

Advertising Agency: Simply Zesty, Dublin, Ireland
Head of Creative: Marty Busch
Creative Director: Aaron Goodliffe
Art Director: Peggy O’Neill
Copywriter: Eoin O’Brien
Head of Client Services: Conor Byrne
Account Exec: Grainne Kehoe
Production: Antidote
Director: Jonathan Irwin
Producer: Tess Bunworth
Agency Producer: Conor McGuinness
DOP: Piers McGrail
A/D: Gail Munnelly
Post: MPC
Sound: Scramble
Score: Ross McCormick

Newest Entrant in Tablet Wars: AARP (Yes, AARP)


AARP wants to go go toe-to-toe with Apple and Samsung.

After being snubbed by mainstream tablet makers (AARP wouldn’t say which) “not interested” in its aged 50-and-older core demographic, the nonprofit decided to tackle the void it sees in the market. So the organization partnered with Intel for technology advice and Walmart for retail distribution and developed the RealPad, a tablet designed with its baby boomer and older audience in mind.

Today, AARP begins an aggressive marketing effort for the custom tablet, using national TV, print, digital and in-stores. The TV ads will run through December on network TV shows including NFL games, cable channels including USA, TNT and ESPN, and in syndication. Print ads will run in People magazine and The Washington Post.

Continue reading at AdAge.com

Full Tilt:The Bluff

Advertising Agency: Simply Zesty, Dublin, Ireland
Head of Creative: Marty Busch
Creative Director: Aaron Goodliffe
Art Director: Peggy O’Neill
Copywriter: Eoin O’Brien
Head of Client Services: Conor Byrne
Account Exec: Grainne Kehoe
Production: Antidote
Director: Jonathan Irwin
Producer: Tess Bunworth
Agency Producer: Conor McGuinness
DOP: Piers McGrail
A/D: Gail Munnelly
Post: MPC
Sound: Scramble
Score: Ross McCormick

Facebook and Airbnb sign up to D&AD New Bloods

Airbnb, Facebook and John Lewis are among the brands partnering with D&AD for its 2015 New Blood Awards.

Um cardápio de bebidas que se torna fantástico com dobraduras pop-up

Ao invés de uma imagem dos drinks disponíveis, o Beaufort Bar, do Hotel Savoy, em Londres, decidiu usar um menu diferente. Em cada página dupla, uma dobradura pop-up surge, mostrando o coquetel e alguns dos ingredientes que fazem parte dele.


dobraduras-pop-up-cardapio6
dobraduras-pop-up-cardapio2

Um texto no rodapé traz uma descrição mais detalhada, transformando o processo de escolha da bebida em uma experiência diferente e divertida.

dobraduras-pop-up-cardapio3 dobraduras-pop-up-cardapio4 dobraduras-pop-up-cardapio5

A criação é dos engenheiros do papel e ilustradores Helen Friel e Joe Wilson.

Brainstorm9Post originalmente publicado no Brainstorm #9
Twitter | Facebook | Contato | Anuncie

Outback Steakhouse Owner Bloomin Brands Reviews Media Agency Business


Outback Steakhouse parent Bloomin Brands is conducting a review for its media agency business, according to people familiar with the matter.

Bloomin, which owns Aussie-themed casual-dining chain Outback, Bonefish Grill, Carrabba’s Italian Grill, Fleming’s Prime Steakhouse and Roy’s, spent $149.6 million on measured media in the U.S. in 2013, according to Kantar Media. Outback accounted for the bulk of the spending.

The Tampa, Fla.-based company tapped incumbent Carat in late 2007. A year earlier, Bain Capital bought the company, then known as OSI Restaurant Partners, for over $3 billion. Bloomin Brands went public in 2012.

Continue reading at AdAge.com

Handmade Papercut Art

À l’occasion d’une exposition qui mettait son talent à l’honneur, l’artiste Maude White a présenté ses magnifiques oeuvres au public : des sculptures de papier découpés à la main, rappelant des dentelles minutieusement réalisées en forme d’oiseaux, de silhouettes et de paysages. Plus de détails en images.

Handmade Papercut Art-13
Handmade Papercut Art-12
Handmade Papercut Art-11
Handmade Papercut Art-10
Handmade Papercut Art-9
Handmade Papercut Art-8
Handmade Papercut Art-7
Handmade Papercut Art-6b
Handmade Papercut Art-5
Handmade Papercut Art-4
Handmade Papercut Art-3
Handmade Papercut Art-2
Handmade Papercut Art-1b

British Coast Guard Ad About Changing Weather Is Chilling Even Under Sunny Skies

This PSA by AMV BBDO for the British Coast Guard, titled “Every Second Counts,” pairs Hallmarky imagery of children playing on the beach with audio from a frantic 999 emergency call in which three children were being dragged into the water by a powerful undertow.

“Conditions on our coastline change in seconds,” the ad warns.

Many ads like this would have included footage of those changing conditions. But in some ways, keeping things quietly sunny and calm is even more jarring against the terror of the audio, and reinforce the point better than added drama would have.