We Hear: Kit Kat Planning Agency Review?

KitKat

Today in tips that are almost certainly not true, someone tells us that Kit Kat has begun a UK agency review that will “probably” go global.

Three reasons we don’t put much faith in this tip:

1) JWT has been Kit Kat’s AOR for some time (except in the US, where the candy is produced by Hershey rather than Nestle). In fact, just a week ago JWT Amsterdam released the “Give Holland a Break” campaign.

2) The agency’s spot “Break From Gravity,” which hit two years ago, got more attention than any other recent Kit Kat ad.

3) This is now officially the most popular “brand tweet” ever with more than twice as many favorites and nearly twice as many retweets as the 360i Oreo one that you still hear about all the time. And JWT London did it.

That work alone made us devote more of our attention to Kit Kat than we have in years, so there wouldn’t be much reason for the brand to review its creative agency at this point, would there? Sounds like someone might be jealous.

New Career Opportunities Daily: The best jobs in media.

David&Goliath, LeBron Tout Kia as ‘Fit for a King’

David&Goliath teamed up with NBA superstar LeBron James in its latest effort for Kia, which recently extended its contract as “official automotive partner of the NBA.”

In the spot, James emerges from the Kia’s new K900 luxury sedan at some type of glitzy red carpet event. The star struck valet stumbles over his words as LeBron tosses him the keys and says “Keep it close,” followed by the taglne “Fit for a King.” Entitled “Valet,” the ad is perfectly timed, breaking today on the opening day of the NBA season. It arrives as James rides a wave of publicity for his much-discusses return to Cleveland, which was celebrated in a recent Beats campaign. At any rate, the spot aims for a stylish simplicity, letting the ride — and LeBron’s endorsement of it — mostly speak for itself. (more…)

New Career Opportunities Daily: The best jobs in media.

Destiny: Mars

Advertising Agency: Ant Farm, USA

Destiny: Venus

Advertising Agency: Ant Farm, USA

Destiny: Launch

Advertising Agency: Ant Farm, USA

Trigger: Monster Playground

see the work at http://www.monsterplayground.ca

Advertising Agency: Trigger, Canada
Digital Strategist: Dean Rud
Animation: Teresa Leung, Liz Gatapia / Atif
Illustrator: Brian Allen
Copywriter: Jordon Lawson
Creative Director: Johnny Talisman

Forevermark: As One

Advertising Agency: JWT, London, UK
Executive Creative Director: Russell Ramsey
Art Director: Claudia Southgate
Copywriter: Verity Fenner
TV Producer: Rebecca Hunter
Planner: Courtney Sikes
Global Director in Charge: Louise Whitaker
Account Director: Rebeca Hernandez
Project Manager: Verity De Courcy Norman
Director: Benjamin Millepied
Production Company: Rattling Stick
Edit: Work / NineteenTwenty
Sound: Jungle
Published: October 2014

Sotheby's: Piero Manzoni

Advertising Agency: TBWA, London, UK
Chief International Strategy Officer: Adam Stagliano
Global Brand Leader: Peter Knowland
Creative Director / Copywriter: Sean Doyle
Creative Director / Art Director: Walter Campbell
Designer: Daniel Todd

Sotheby's: Mark Rothko

Advertising Agency: TBWA, London, UK
Chief International Strategy Officer: Adam Stagliano
Global Brand Leader: Peter Knowland
Creative Director / Copywriter: Sean Doyle
Creative Director / Art Director: Walter Campbell
Designer: Daniel Todd

Sotheby's: Andy Warhol

Advertising Agency: TBWA, London, UK
Chief International Strategy Officer: Adam Stagliano
Global Brand Leader: Peter Knowland
Creative Director / Copywriter: Sean Doyle
Creative Director / Art Director: Walter Campbell
Designer: Daniel Todd

Organ Donor Foundation: You are invited to Jenna's 21st Birthday Party

Campaign website: getmeto21.com

Advertising Agency: LOWE, Cape Town, South Africa
Creative Director: Kirk Gainsford
Art Directors: Dane Alexander, Melissa Raath
Copywriter: Erik Salamon
Additional credits:Producer: Riska Emeran
Client Service: Grayson Rainier
Production House: Egg Films
Director: Dani Hynes
Production House Producer: Kerry Hosford
Digital Company: GSDH
Digital Creative Director: Sascha Rupert
Designer: Sophie van Duivenboden
Front-end developers: Sophie van Duivenboden, Richard Korebrits
Back-end technical implementation: Lasse Manson
Published: October 2014

Donna Wilson Knitwear A/W 14: ‘Jumpers and Ice Cream’

For the launch of her first women’s knitwear collection Donna Wilson commissioned Oliver’s Island to produce a film. Together they came up with the idea of spinning the model , Megan Turner Jones, on a wheel. ‘Jumpers and Ice Cream’ is a family of five exquisitely soft woolly jumpers inspired by rainy Sundays, mittened bike […]

Victoria's Secret's 'Body' Bra Line Comes In Many Sizes But You'd Never Know It From This 'Perfect Body' Ad Campiagn

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Pity the poor woman who doesn’t live up to Victoria Secret’s definition of perfection which probably hovers somewhere around 5’8″, 34C-22-34. If you don’t come close to those measurements, it appears you should should shop elsewhere.

A new campaign for the brand is touting a line of bras they call Body by Victoria. The ads carry the headline, “The Perfect Body,” along with images of, well, women with “perfect” bodies.

Certainly there’s an aspect of every advertising campaign which aims to be aspirational, motivational, uplifting in a way that, ideally, cause a person to respond, “I want to be like that. I want to be better. I’ll have what she’s having. I want to be better. Etc.” And a nice motivational kick in the ass is a good thing every once in a while.

But when woman are subjected to this onslaught of “this is how you should look” messaging from advertisers that, let’s be honest, isn’t attainable in every case, it’s a recipe for depression.

Yes, Victoria’s Secret, and many other advertisers have long sent this message. But they usually dance around things. This campaign doesn’t. The words “the perfect body” over a line up of women with perfect bodies is hardly dancing around the message.

Over in the UK, a petition posted on Change.org by 22-year-old Frances Black against the campaign has amassed over 775 signatures.

Of the campaign, Black says, “A brand like Victoria’s Secret is hugely popular in America and in the UK, and they mainly market to young women. It’s really hurtful to women’s self-esteem. I’d like them to apologize and take accountability for choosing the wrong words for the campaign. I’d like them to amend the wording and pledge not to use such harmful language in the future.”

Note that she isn’t asking Victoria’s Secret to stop selling bras that help women look more perfect. Because most people do want to do whatever they can to look/be better. But they don’t want to have soul-crushing messaging and imagery thrust in their face on a daily basis.

Black petition reads, in part, “Every day women are bombarded with advertisements aimed at making them feel insecure about their bodies, in the hope that they will spend money on products that will supposedly make them happier and more beautiful. Victoria’s Secret’s new advertisements for their range of bras Body use this tactic, and send out a damaging message by positioning the words ‘The Perfect ‘Body” across models of exactly the same, very slim body type.”

And yes, we get that the way the headline is written, The Perfect “Body,” implies they are saying Victoria’s Secret has the perfectly sized bra for your body, it’s word smithing like this that just hides the fact there is too much focus on perfection.

OK Go – I Won’t Let You Down

Les quatre compères du groupe OK Go ont l’habitude de mettre leur musique en images avec des clips qui sortent toujours de l’ordinaire. Le dernier en date ne déroge évidemment pas à la règle. Le réalisateur Morihiro Harano, avec l’aide d’un drone met en scène une nuée de danseurs et leurs parapluies agités en les transformant en véritable pixels humains. A découvrir sans plus tarder.

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McCann Explores Awkward ‘Conversations’ for the Brady Center to Prevent Gun Violence

McCann New York teamed up with production company Private School Entertainment to create a gun safety PSA for the Brady Center to Prevent Gun Violence entitled “Conversations.”

The 30-second spot, directed by David Kerr, was first introduced in Pittsburgh as part of a pilot project but is just now being aired nationally. It examines the kinds of awkward conversations parents have with other parents. “My son…playing…you know…” one mother awkwardly fumbles to another at the opening of the spot. Rather than finish the sentence, the ad skips to the same women engaging in other unfinished awkward conversations such as “The boys got into some of Frank’s old…magazines.” At the end of the spot a voiceover delivers the message, “Awkward conversations come with being a parent, but one might save your child’s life. Ask if there’s an unlocked gun in the house before sending your child over to play.”

The ad functions as a sort of follow up to another gun safety PSA from McCann: the sex-toy battle of “Playthings.” Not only is the style of awkward humor reminiscent of that spot, the actresses used (Iris Almario and Anna Vocino) are also the same. Interestingly, that ad was initially created for the Brady Center to Prevent Gun Violence, and filmed at the same time as “Conversations,” but the group turned it down, fearing it was too provocative. Dan Gross, president of the Brady Center, told The New York Times that the Brady Center then offered it up to another gun-safety organization, Evolve. Evolve had great success with the video, which eventually racked up over 6 million views on YouTube.  (more…)

New Career Opportunities Daily: The best jobs in media.

McDonald's Gets Even More Supersized With a Pop-Up Store Shaped Like a Giant Lunchbox

Adorned with awesome characters, packed with a homemade lunch and a note from your mom or dad—there aren’t too many things that spark nostalgia quite like a lunchbox. It reminds you of when life was simple, when you just had to finish your homework and make sure your shoes were on the right feet.

Well, McDonald’s (that’s Macca’s to Australians) and DDB Australia wanted to remind us of that feeling—by assembling a pop-up restaurant in the shape of a giant lunchbox.

The store, built to celebrate the a new rump-steak wrap on the McDonald’s menu, will surely stand out in the crowd of plain old not-shaped-like-childlike-object restaurants. It’s touring major Australian cities, including Perth, Adelaide, Sydney, and Melbourne.

Have a closer look below at the store being built—and, if you’re into it, the wrap too.

Via Neatorama.



Pfizer Italia: Genealogical Tree

Advertising Agency: Saatchi & Saatchi, Italy
Executive Creative Director: Agostino Toscana
Art director: Alessandro Dante
Copywriter: David Conti
Account team: Raffaella Rosati, Giuseppe Colasurdo
Photography: FM Photographers
Published: October 2014

Polenghi: Emoticons

Advertising School: Miami Ad School, Sao Paulo, Brazil
Creative Director: Fabio Nunes
Art Directors: Eduardo Basque, Henrique Westin
Copywriter: Lucca Bopp
Illustrator: Eduardo Basque
Published: October 2014

Frank Content: The Slashies

With advertising awards show season at its peak, creatives across the world will win countless of prestigious awards. However, it’s not a big secret within the industry that many of those creatives really don’t contribute much to the campaign, if anything, to “earn” their award. It’s time to change the way the ad industry views awards shows by recognizing even the most tenuous contributions to an ad campaign. Presenting The Slashies.

Creatives: Ryan Chiasson, Jordan Dunlop
Production Company: FRANK Content Inc.
Director: Brad Dworkin
Executive Producers: Danielle Kappy, Michael Schwartz
Edit Hosue: Married To Giants
Editor: Paul Skinner
Audio House: Apollo

Gröna Lund Theme Park: The Haunted Poster

Advertising Agency: Pool, Stockholm, Sweden
Account executive: Arvid Axland
Account manager: Eva Inde
Art Director: Philip Arvidson
Copywriter: Björn Wigenius
Production company: Stopp
Director: Igor Zimmerman
Producer: Anna Adamson
Published: October 2014