PR Blitz Blankets Big Apple For .NYC Domain


Beginning today, New Yorkers can be masters of their own domain.

This is the first day that the .nyc domain is available to the public, and to get the five boroughs fired up about applying, PR events and campaigns are taking place around the city to generate buzz.

Neustar, the registry services company supporting the domain, along with the city itself, is hosting an event outside Madison Square Park in the Flatiron District this afternoon to promote the launch. Singer Bridget Kelly and the Musical Theatre Factory will be performing both of who were “founders” of the .nyc domain, meaning they received the .nyc domain this summer in exchange for having their sites up and running by early September.

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Idealized Facial Comparisons – The Original/Ideal Project Examines (GALLERY)

(TrendHunter.com) Scott Chasserot’s Original/Ideal project blends the worlds of art and science to examine how we respond to western beauty standards and, more importantly, our own faces.

Chasserot began by…

Dulux owner AkzoNobel nabs Danone's David Menko for global marketing role

AkzoNobel Decorative Paints, the owner of paint brand Dulux, has appointed David Menko to the role of director of marketing.

Interviews: reaction as BBC Good Food turns 25

MediaWeek visited the ‘Good Food’ test kitchen to speak to Good Food’s editorial director Gillian Carter and head of publishing Chris Kerwin about their secrets to success, the magazine’s birthday and their love of food.

360i Names Pierre Lipton CCO

16396df360i announced that it has named Pierre Lipton, a founding partner and chief creative officer at M&C Saatchi, as the agency’s new chief creative officer. He succeeds Adam Kerj, who first joined the agency in 2012 and will depart in the coming weeks. Lipton will be based out of 360i’s New York headquarters and will report to CEO Sarah Hofstetter.

While chief creative officer at M&C Saatchi, Lipton oversaw creative while working with brands such as Schiff Nutrition, Birchbox and Ballantine’s. Prior to M&C Saatchi, Kerj served as executive creative director at AKQA, overseeing the 125 person creative team at AKQA’s flagship San Francisco office where he worked with clients including Audi, Visa, Jordan and YouTube. Prior to joining AKQA in 2010, Lipton worked with Fallon, TBWA and BBDO. Some of his more recognizable work includes the launch campaign for Microsoft Xbox’s Halo 3 and “Everyone Has Something to Hide” for HBO‘s Big Love. He has worked with brands including Virgin Mobile, Absolut, Time Magazine, Best Buy, Red Bull, Target and The Economist, and his work has been recognized at major awards shows including Cannes, The One Show, The Art Director’s Club and the CLIOs. (more…)

New Career Opportunities Daily: The best jobs in media.

Bioluminescent Ambio Lamp

La lampe « Ambio » a été pensée par la designer hollandaise Teresa van Dongen. La lumière devient bleue grâce à des bactéries bioluminescentes plongées dans l’eau de mer qui s’allument à chaque secousse due aux roulements des vagues et à la présence d’oxygène. Une rencontre technologique entre design et biologie, à découvrir.

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J.C. Penney CEO Declares, 'We're Back'


“There is a fine line between love and hate,” J.C. Penney CMO Debra Berman told an audience of analysts and media on Wednesday.

Ms. Berman, referencing the state of the retailer when she joined 15 months ago, said consumers were “invested in that thing [they were] busy hating. … Now, we’ve been able to tap this passion and turn it in J.C. Penney’s favor. As a result, we’re moving on.”

Eighteen months after CEO Mike Ullman retook the helm of the flailing retailer from former CEO Ron Johnson, the company is seeking to communicate to Wall Street it’s once again a competitor in the retail space. The retailer hosted analysts and media in New York to address the state of its business.

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ABC Revamps YouTube Marketing to Better Reach Digital Viewers


ABC revamped its fall marketing strategy this year to better attract frequent YouTube viewers, working closely with YouTube parent Google to create ads for a new generation of TV watchers.

Ahead of the fall season that’s just begun, Google hosted workshops for ABC to formulate a digital strategy to reach YouTube viewers who are younger, often have a shorter attention span and are constantly on mobile devices.

The result was a more aggressive approach to customize content specifically for YouTube.

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Anytime Fitness Looks Past Body Image In National Campaign


Anytime Fitness CMO Stacy Anderson joined a gym for the first time because of a pair of jeans.

A mother of two, Ms. Anderson was so busy working on her career and her family that she found the sight of some of her most beloved clothes depressing. “For me it was, ‘Gosh, I am never going to fit into those jeans again,'” she said.

Ms. Anderson’s evolution into a gym-goer happened long ago, but her story perfectly encapsulates the strategy behind, “Get to a Healthier Place,” a multinational, multimedia campaign for Anytime Fitness, which has nearly two million members and 2,500 franchises spread across 15 countries around the world. Another 1,500 franchises are scheduled to open in the next five years.

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Seth Rogen and Evan Goldberg to Direct Ads Through Caviar and More


Caviar has signed Seth Rogen for commercial representation, along with writer/producer partner Evan Goldberg, who has often partnered with the actor, writer and comedian. The pair grew up together in Vancouver and reconnected in 2003 while writing for “Da Ali G Show.” In 2007, they co-wrote their first feature, “Superbad,” and followed up with movies including “50/50”, “Pineapple Express” and “Knocked Up.” Their directorial debut in 2013 was “This Is The End,” followed by “Neighbors,” in 2014. Their latest comedy, “The Interview,” starring James Franco, opens in December. They are also producing an animated movie titled “Sausage Party” that is set to be released in 2016.

Dapper, the comedy division of Believe Media, has signed director Damien Toogood to its roster. A Sydney native now living and working in Los Angeles, he has shot films for brands including Coca-Cola, Chevrolet, Renault, Pepsi, and Nescafe. Most recently, his V/Line “Guilt Trips” campaign for McCann Melbourne and Australia’s regional train operator won the 2014 Cannes Lions Grand Prix for Creative Effectiveness. His first work for Dapper includes a Hyundai campaign for Innocean Canada and a Dannon campaign for Y&R.

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Nasdaq Launches Rebranding Campaign, 'Ignite Your Ambition'


Nasdaq OMX Group, which operates the Nasdaq stock market and 19 European exchanges, this week is rolling out a rebranding campaign with the new tagline “Ignite Your Ambition.”

The campaign, created with Infinia Group and The Gate Worldwide, features a new brand identity, a redesigned website, online ads and a remodeled storefront on Times Square. The budget was undisclosed.

Nasdaq is dropping the OMX (a European exchange it acquired in 2008) from its brand name to communicate more clearly its business mission to the marketplace.

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Viacom to launch US factual channel Spike in the UK

Viacom International Media Networks (VIMN), a division of Viacom Inc. is expanding Spike, one of its most-watched US cable networks, to the UK.

What does it take to win a Newsworks Planning Award?

Hear from leading marketers, agencies and media owners involved in judging this year’s Newsworks Planning Awards about what makes a strong news brand campaign.

My Media Week: Guy Phillipson

This week, Guy Phillipson, chief executive, IAB UK, is in New York for the IAB MIXX Conference and IAB Global Summit, where AOL’s Tim Armstrong talks disruption in display and Kevin Spacey bids farewell to the water cooler moment.

What's the Next Big Thing in Advertising?


Sometimes classic movies remind me of the ad business. (For example, see Who Are Those Guys Anyway???) During Advertising Week I found myself thinking of a humorous part in the 1967 movie, “The Graduate.” Dustin Hoffman’s character, Benjamin Braddock, has been cornered at his graduation party by an older character named Mr. McGuire, who is intent on giving Benjamin some career advice:

Mr. McGuire: I want to say one word to you. Just one word.

Benjamin: Yes, sir.

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Volvo L350F Wheel Loader: Lego Technic


Online
Volvo Construction Equipment

You’ve seen on TV how they make mega factories and gigantic machines – now a new online film shows how LEGO Technic shrank a giant Volvo wheel loader into a miniature model. A new video from LEGO® Technic shows the lengths the world’s largest toy maker’s design team were prepared to go to in order to perfect their latest mini marvels.

With 1,600 individual pieces and the largest individual element ever created for the brand, the remote-control Volvo L350F wheel loader can lift more than 1kg in its bucket and drive over challenging terrain day in, day out – just like the real thing.

LEGO’s hands-on research The film talks to the development team behind LEGO Technic’s biggest machine for 2014 – from both LEGO and Volvo – charting their passion for getting their latest model as close a representation of the real machine as possible.

It also follows LEGO® Technic’s Niels Henrik Horsted, head of marketing and design manager Jeppe Juul Jensen as they conduct hands-on research, visiting the Volvo factory and a construction site and operating a L350F themselves. “We tried to make it as realistic as possible, so it drives, steers and lifts the load just like the real thing,” says Jensen.

“You can also remove the oil filters, the radiator-door swings out, pistons move and the engine is painted green, just like in the real thing.” The meticulously detailed and fully remote control Volvo model LEGO 42030 is available from LEGO Shop and all participating retailers.

Advertising Agency:LEGO Inhouse, Billund, Denmark
Executive Creative Director:Scott Neillands
Creatives:Allan Jensen
Creative Producer:Allan Jensen
Director:Allan Jensen
Editor:Brian Poulsen, Foto & Co, Allan Jensen
Producer:Allan Jensen
Colourist:Brian Poulsen, Foto & Co
Postproduction:Brian Poulsen, Foto & Co, Allan Jensen
Audio:Brian Poulsen, Foto & Co, Allan Jensen, Claus Haargaard, LAB2
Photographer:Brian Poulsen, Foto & Co, Allan Jensen
Music:Claus Haargaard, LAB2

The BBC Rolls Out a Galaxy of Stars (and a Tiger) in This Lavish Cover of 'God Only Knows'

Does Brian Wilson know who Lorde is? Or why there’s a tiger on his piano?

This lavish video boasts an array of stars performing Wilson’s 1966 Beach Boys classic “God Only Knows” to help launch BBC Music, described by the company as “an ambitious wave of new programs, innovative partnerships and ground-breaking music initiatives.”

Karmarama created the clip, which features luminaries representing various generations and styles. The Impossible Orchestra, as it’s called, features Wilson, Lorde, Elton John, Pharrell Williams, One Direction, Stevie Wonder, Dave Grohl, Jake Bugg, Emeli Sandé, Chris Martin and many more. Kylie Minogue floats in a soap bubble. Baaba Maal rides by in a balloon. Alison Balsom sits perched in a gilded cage.

The extravaganza debuted yesterday during a pan-channel BBC broadcast, and the video’s nearing 800,000 YouTube views already. The song also benefits BBC’s Children in Need charity, is available for download and streaming and was released as a physical CD single in the U.K.

“One of the things that interested me most about this project was the ideas of bringing together so many different styles of music,” says Ethan Johns, who produced the tune. “To make so much diversity work within one piece of music was quite a challenge.”

Naturally, the initiative’s been compared, favorably and otherwise, to other musical megastar team-ups, such as the 1997 Children in Need reboot of Lou Reed’s “Perfect Day,” which was a global smash. (Elton John is only star from that outing to appear in “God Only Knows,” by the way.)

One story in the Guardian brands the new effort as “not quite a perfect day,” noting “There’s something self-aggrandizing about this—but with the amount of music the BBC covers, perhaps it is deserved?” Coverage elsewhere on the site disdainfully notes that “God Only Knows” arrives just as “the corporation’s battle to retain the television license fee [is] getting almost tougher by the week.”

Tough crowd.

BBC Music director Bob Sherman explains the project, and the song choice, thusly: “Everybody gets the significance of ‘God Only Knows.’ And that’s what we’re trying to do with BBC Music. We’re trying to make it feel like it’s an all-encompassing brand for everybody.” That quote comes from the “making-of” clip, in which Queen guitarist Brian May—whose trademark fret runs on “God Only Knows” are a highlight—seems to offer a slightly different take, calling the song “quite enigmatic, really.”

Some view the CGI effects and costumed theatrics as overkill, but I’d say the grand scale fits the message, which is quietly captured in the closing bars of the performance. Wilson sits alone at the piano, sans tiger or bombast, just looking into the camera and singing his brilliant song.



What Facebook's Atlas Means for Brands and Agencies


When Facebook acquired Atlas from Microsoft for nearly $100 million in 2013, it was a head-scratcher for many industry observers. After all, what strategic value would a legacy ad server have for the world’s largest social network? Last week we learned the answer to that question when Facebook unveiled its Atlas relaunch.

Originally acquired by Microsoft as part of its $6.3 billion deal for aQuantive in 2007, Atlas served principally as an alternative to Google’s DART tracking system. Atlas was foremost about measurement, and it was used by advertisers and agencies for tracking display ad efficacy.

So what does Facebook intend to use it for now, and what does its relaunch mean? First, it’s important to understand that Atlas’ tracking and measurement DNA is what initially made it so appealing to Mr. Zuckerberg. Starting with Atlas’ DNA and then rewriting it from the ground up allows Facebook to use Atlas as part of its push to measure cross-device and cross-platform and to leverage display targeting capabilities powered by Facebook ID.

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It Looks Like China's Instagram Blockage Is Here To Stay


Viviandan and MiuMiu are fashion-obsessed twin sisters from China who document their glamorous lives on social media — trying on a gauzy Vera Wang wedding gown, or taking in a Dior runway show. They have a sizeable following on Facebook-owned Instagram, at 381,000. That’s nearly on par with big brands they’re tagging in posts, like Chloe (426,000 followers) or Vera Wang (515,000.)

But on Weibo, China’s Twitter, their fan base is a whopping 4.2 million. There are lots of bots on Weibo, granted, but the scale of China’s local social media is nonetheless massive. And Western platforms haven’t been able to match that, even in the rare cases when they weren’t blocked by China’s great firewall.

For years, Instagram was one of those exceptions, remaining accessible well after Facebook, YouTube and Twitter were blocked. It went dark in late September, presumably because users were sharing photos of pro-democracy protests in Hong Kong. (The Chinese government never explains changes to the firewall.)

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IPG's Michael Roth says industry should invest in creativity

Michael Roth, the chairman and chief executive of IPG, has said the industry has to invest in the big creative ideas and gets excited when marketers say they’ll take risks.