CoppaFeel!: Doughy
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When it comes to your boobs, there are hundreds of words you can use to desribe them. So get coppin’ and tell us #whatnormalfeelslike for you.
Advertising Agency: Karmarama, London, UK
When it comes to your boobs, there are hundreds of words you can use to desribe them. So get coppin’ and tell us #whatnormalfeelslike for you.
Advertising Agency: Karmarama, London, UK
Knowing #whatnormalfeelslike for you could save your life.
Advertising Agency: Karmarama, London, UK
Knowing #whatnormalfeelslike for you could save your life.
Advertising Agency: Karmarama, London, UK
When it comes to your boobs, there are hundreds of words you can use to desribe them. So get coppin’ and tell us #whatnormalfeelslike for you.
Advertising Agency: Karmarama, London, UK
When it comes to your boobs, there are hundreds of words you can use to desribe them. So get coppin’ and tell us #whatnormalfeelslike for you.
Advertising Agency: Karmarama, London, UK
Knowing #what normalfeelslike for you could save your life.
Advertising Agency: Karmarama, London, UK
Advertising Agency: Ogilvy, Gurgaon, India
Executive Creative Director: Ajay Gahlaut
Senior Creative Director / Copywriter: Jossy Raphael
Senior Creative Director: Gaurav Nautiyal
Associate Creative Director: Jonathan George
President / Branch Head: Kapil Arora
Client Services: Vishwajeet Rana, Kabir Baidwan
Account Director: Aditi Sobti
President / Planning: Neeraj Bassi
Vice President, Planning: Anirban Roy
Director: Lloyd Baptista
Producer: Ravneet Mahajan
Responsável pela marca de vodka Veev – que é feita de açaí e não de batata -, a agência Zambezi encontrou uma forma muito bem-humorada de incentivar as pessoas a experimentarem a bebida, ou melhor dizendo, a “traírem” a vodka tradicional.
Em Caught Cheating, um homem é flagrado pela vodka-esposa – representada por uma russa rodeada por batatas – e tem início uma D.R. em torno das qualidades de Veev e como a bebida à base de açaí é muito mais suave.
O filme é em inglês, sem legendas, e faltou uma opção com qualidade HD. Ainda assim, vale o play.
Post originalmente publicado no Brainstorm #9
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Time Warner is planning a marketing push for its premium cable channel HBO later this year in a bid to accelerate growth at its prized TV network, the home of series such as “Game of Thrones,” “Girls” and “Boardwalk Empire.”
The campaign will take place in the fourth quarter across broadcast, cable and digital platforms, Chief Financial Officer Howard Averill said yesterday at a Bank of America Merrill Lynch media conference in Beverly Hills, California.
The growth potential of HBO, whose library available to subscribers also includes shows from “The Wire” to “Sex and the City,” was a factor in Time Warner’s decision to reject a $75 billion takeover offer from Rupert Murdoch’s 21st Century Fox this summer. Time Warner’s standalone strategy includes an upgraded HBO Go mobile app and easier access to the channel for broadband internet users who don’t want to buy a full cable-TV package.
In, perhaps, the most baffling case of well, we’re not quite sure, an ad for the Vancouver Whitecaps soccer team was pulled because some felt the ad was sexist. We’re always up for a good controversy so we watched the 18 second ad waiting for some crazy, egregiously sexist moment.
After 18 seconds passed and the Whitecaps logo appeared, we scratched our head and thought, “Um…what?” The video is a candid capture of three women cheering on their team earlier in the season. It wasn’t staged. No actors where hired. Just three women enjoying the game.
Some say the video, produced in slow motion, is reminiscent of Pamela Anderson n the opening scene of Baywatch. And that was sexist how?
Emily Guedes, the woman on the left in the ad, has no idea either. But she is offended for another reason saying,”I am not offended by the video but I am adamantly offended by their removal of it.”
As to why the video, one of eight in a series highlighting fans, was pulled, Whitecaps President Bobby Lenarduzzi said,”It was never our intention to offend anybody. It was just one of a series of eight videos we are using to promote our upcoming season-ticket campaign. The fact that because there were people offended, we just thought the right thing to do was to pull it.”
A poll on VanCityBuzz finds 91.7% believe the ad is not sexist. Who the hell those other 8.3% are we have no idea.
Guedes added, “People need to lighten up. The only people who have a right to be offended by the video are me and my friends — and none of us are offended. I’m thinking about wearing an oversized turtleneck to the next game.”
Yea, maybe a potato sack. Afterall, WTF? It’s not like her boobs were falling out of a skimpy top. And, newsflash: WOMAN HAVE BREASTS! And in this case, it would seem some people would like us to believe that simply possessing a pair of breasts is somehow sexist.
Take a chill pill, people.
Here’s a long and unusual one from Wieden+Kennedy to promote client Old Spice.
The agency first introduced its “Mandroid” character in a couple of spots this summer, and he plays an even larger role in this one, which is ostensibly an “interview” on a retro sports talk show:
It’s nothing if not awkward; we do like the New Orleans-appropriate “jazz breakdown” that happens around the 4:00 mark.
The finale is also amusing, though you may note that Brees’ pass doesn’t quite hit its target.
New Career Opportunities Daily: The best jobs in media.
Advertising Agency: TDI Group Russia
Creative Director: Sergey Filazapovich
Copywriter: Miroslav Stroganov
Project Manager: Maria Gerlovskaya
Director: Florian Malak
Dop: Kamil P?ocki
Art director: Jakub Borkowski
Producer: Micha? Majewski / SHOOTME
Stylist & Set Design : Dorota Dobra Kobieta Boru?
Production manager: Anna Machon – Bartula, Bart?omiej Stawi?ski
Edit: Marta Michno
Grading: ?ukasz Hupty? @ Yakumama
Music: Elliphant “REVOLUSION”
Make up artist: Marianna Yurkiewicz
Twerk dancer: Shani Haynes
Cast: Zuzia ?mihrowska, Nina Kozieradzka, Magda Swat, Micha? Danny Nowak, Dharni Ng, Adam Kaszewski
Cropp team: Jakub Borkowski, Rafa? D?browski
Postpro: Juice
In a bold display of native advertising, a personal-injury firm that represents victims of faulty General Motors ignition switches sponsored two stories about ignition switch fails in the Daily Mail’s website, MailOnline, last week. The firm, Weitz & Luxenberg, also surrounded the posts with its banner ads, including one beginning with: “Does you GM car have a faulty ignition system?”
The ads look like typical Daily Mail stories except for a disclaimer above the byline that says, “Sponsored by Weitz & Luxenburg” (which is misspelled).
The first post, which ran on Sept. 10, called attention to the number of cars with faulty ignition switches that may still be on the road. The second, posted two days later, was about a lawsuit brought by the family of a nurse who was killed in an accident. The story did not say what firm represented the family.
Le Earth House Project est un projet proposé par l’entreprise Kosovarde Molos Group. Cette grande et moderne villa est comme construite sous terre. Grâce à une série de 3D très réalistes, on peut comprendre l’ampleur et la créativité du projet : imaginée dans les alentours de la capitale albanaise Tirana, la maison est comme imbriquée dans une colline et recouverte par de la végétation. Un projet à découvrir en images.
Você pode dar o brinquedo que quiser para algumas crianças, mas as chances de a caixa de papelão fazer muito mais sucesso são sempre enormes. Afinal, o brinquedo já está lá, pronto e definido, enquanto a caixa pode se transformar em absolutamente qualquer coisa, basta um pouco de imaginação. Mais ou menos como mostra a campanha Shoes that Move You, da rede de lojas Nordstrom, mais especificamente o filme Cardboard Box.
Com criação da DDB de Vancouver, o comercial nos lembra que, se na infância conseguimos enxergar tantas possibilidades contidas em uma caixa, isso também deveria valer na vida adulta – ainda que isso signifique sapatos.
A campanha conta ainda com um segundo filme, Cake, que também compara as alegrias da infância à idade adulta, como ficar com o maior pedaço do bolo em uma festa e finalmente usar aquele sapato novo.
É claro que essa coisa com sapatos só tem efeito na mulherada, mas está tudo bem, porque afinal, elas são o público alvo.
Post originalmente publicado no Brainstorm #9
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Netflix is tackling significant language and cultural barriers for the first time as it seeks to become a true global player. This week’s rollout in France, Germany, Austria, Switzerland, Belgium and Luxembourg presents the first major test, in the form of significant language and cultural barriers.
In the last two years, the streaming service has been a hit in the U.K., the Netherlands and the Nordic countries, where English is widely spoken, and U.S. films and TV have long been part of everyday life. But the latest round of European markets particularly France and Germany are likely to resist U.S. cultural hegemony. (In the U.K., research firm BARB estimates Netflix has three million subscribers, more than one in ten households, and twice as many as a year ago.)
In Germany, according to Christof Baron, joint CEO of Mindshare Europe, Middle East and Africa and chairman of Mindshare Germany, Netflix faces potentially its toughest challenge, because the country has 60 to 70 good-quality free TV channels. There are also streaming rivals including Maxdome and Watchever (part of Vivendi) to battle. However, Mr. Baron believes that there is a gap in the market for the sort of high-end drama and comedy that Netflix does well.
It’s the end of an era for the TV Guide brand as a TV channel. What is currently known as TVGN, formerly TV Guide Network, will change its name next year to Pop.
The rebranded channel will celebrate “fandom,” said Brad Schwartz, president, entertainment and media at Pop. Mr. Schwartz points to the growth in subcultures of fans for TV shows and bands, such as “Scandal” fans calling themselves “Gladiators.” The network will take a fun, enthusiastic and celebratory approach to fandom, and won’t be mean-spirited or snarky, he said.
Mr. Schwartz said the name Pop was selected to symbolize something that stands out and what everyone is talking about. “The idea of holding on to the TV Guide name didn’t make sense since we can’t own the name across platforms,” Mr. Schwartz said. TVGN is a separate entity from TV Guide magazine.