Ikea Takes on 'Life's Morning Madness' (Watch the Newest Ads on TV)


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

Among the new releases, Google serves up an aww moment with a sleeping koala bear (to show off how easy it is to use the Google app to find out things like “How long do koalas sleep each day?”), while Jennifer Garner appears in another Capital One ad to plug the Venture card. (Watch the first spot in the campaign here.) And Ikea, fresh off of the success of its wry, highly viral “Bookbook” video, is running commercials that emphasize the utility of its products in helping families cope with domestic chaos — like, in this case, “life’s morning madness.”

As always, you can find out more about the making of the best commercials on TV at Ad Age’s Creativity.

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Cap 48 usa GoPro para registrar o cotidiano de uma mãe de criança deficiente

Há momentos em que muitas mulheres acreditam que a maternidade poderia ser um esporte olímpico, tamanhos os desafios enfrentados no dia a dia. No caso das mães de crianças com deficiências, as ações do cotidiano estão mais próximas dos esportes radicais, como mostram estes comerciais que a agência Air Brussels criou para a Cap 48, uma iniciativa voltada para conscientizar as pessoas sobre como é viver com pessoas que têm limitações físicas.

Os filmes mostram três atividades corriqueiras – levar a criança à escola, vesti-la com uma camiseta ou ajudá-la a descer uma escada -, mas que neste caso em especial requer preparo de atleta da mãe. Tudo é registrado com uma GoPro – câmera tradicionalmente usada para filmar esportes radicais -, o que ajuda a gente a ter uma ideia mais clara das emoções vivenciadas pela pessoa em foco.

O site Osocio também destaca a escolha do diretor escolhido para transformar as 24 horas de filmagens da garota Johanna e sua mãe em três filmes. Mitch Bergsma é um atleta profissional e celebridade do YouTube com o uso da GoPro. E detalhe: ele é surdo de nascença.

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Apple unveils 'biggest advancement in the iPhone'

Apple has announced the launch of the iPhone 6 and iPhone 6 Plus, in what it believes is its ‘biggest advancement in the iPhone’.

First Date Photography – Kirra Cheers Becomes a Modern-Day Tinderella (GALLERY)

(TrendHunter.com) Photographer Kirra Cheers braved the shark-infested waters of the dating world for her latest series ‘Tinderella.’

Theoretically, dating in a digital age is supposed to be easier: you…

Qorvis Talks Transmissions for Aamco

Qorvis has a new campaign for Aamco, taking a more serious approach while touting the brand as the transmission experts.

The 90-second spot (which is also being released in 60 and 30-second versions), entitled “800 Pieces” highlights the transmission and its 800 parts. “That means there are 800 things can go wrong,” says an actor, while the camera focuses on a transmission coming apart in slow motion. “When the day comes when something goes wrong with one of those 800 pieces, there’s only one place to go: Aamco,” he says, before explaining that Aamco are the “transmission experts,” having fixed over 40 million of them.

While “800 pieces” takes a more serious tone, we can expect a more lighthearted effort to follow. “We are very excited about our two new campaigns. ’800 Pieces”’is serious with an educational tone and addresses the difficulty of understanding the transmission,” said Mike Ganjei, president of the National AAMCO Dealers Association and chairman of AAMCO National Creative. “At the same time, we will continue with our tradition of using humor in our creative, which our second campaign accomplishes.”

Aamco’s follow-up campaign is expected to debut before the end of the year. (more…)

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Brämhults: Freshly harvested

Advertising Agency: Bulldozer, Karlstad, Sweden
Art Director: Andreas Österlund
Copywriter: Jenny Eklund
Photographer: Anders Lipkin
Additional credits: Anette Åhlén
Published: August 2014

Nivel Insurance: When I drive fast

Advertising Agency: Saldeño Publicidad, Salta, Argentina
Creative Director: Nicolas Arnedo
Art Director / Illustrator: Diego Alderete
Copywriter: Lautaro Ledesma
Additional credits: Graciela Delgado, Luis Saldeño
Published: July 2014

Schneider Electric: Life is On

Advertising Agency: BETC, France
President BETC Digital: Olivier Vigneaux
Business Director: Genevieve Rauner
Account Director: Danièle Manasseh
Chief Strategic Officer: Marianne Hurstel
Head of Engagement Planning: Sebastien Houdusse
Kevin Hutchings: Strategic Planner
Creative Directors: Ivan Beczkowski, Stéphane Xiberras
Art Director: Francis De Ligt
Copywriter: Nathalie Dupont
Traffic: Agnès Rollin
TV Producer: Caroline Bouillet
Production House: Iconoclast
Post Production: Mikros
Sound production: Christophe Caurret / GUM
Director: Jim Hosking

Sushi Time: Sad Ninja

Advertising Agency: Kaspen / Jung von Matt, Bratislava, Slovakia
Creative Directors: Lester Tullett, Juraj Dvorecký
Art Director: Dušan ?ežek
Copywriter: Juraj Dvorecký
Published: January 2014

Pitcher: The agency matchmaker

Advertising Agency: Woedend!, Amsterdam, The Netherlands
Creative Directors: Merien Kunst, Paul van Uden, Max de Vries
Art Director: Paul van Uden
Copywriter: Merien Kunst
Illustrator: Mariska Rijnaarts
Additional credits: Jeroen Feenstra, Jos faber, Jan Guichelaar
Published: September 2014

Net Neutrality Awareness: Don't flush our rights down the toilet

Advertising Agency: Thinkmodo, New York, USA
Creative Directors / Producers: James Percelay, Michael Krivicka
Animation: Studio Nos
Published: September 2014

Kofola: Whatever

Advertising Agency: Triad Advertising, Prague, Czech Republic
Creative Director: Jaro Zacko
Art Directors: Martin Mareš, Eva Majerová
Copywriter: Radek Antl
Account managers: Salome Geregayová, Rado Jankovi?
Production: Jakub Tlapak / Playground13
Published: June 2014

Kailashka: From the time when, 1

From the time when men were dying for a cause rather than a pedicure.

Kailashka is a popular Bulgarian grape-brandy. The brand claims “Tradition in every drop”. Everything about it is old school – the recipe, the bottle, the label. To capture the spirit of the age when it was born we visited the National Archives to find pictures of times past, and the men who made the product what it is.

Advertising Agency: Graffiti BBDO, Sofia, Bulgaria
Creative Directors: Kiril Stoyanov, Lubomir Panayotov
Art Director: Nikolay Boyanov
Copywriters: Lubomir Panayotov, Maya Zlatkova
Additional credits: Petya Savova
Published: May 2014

Kailashka: From the time when, 2

From the time when men preferred to go on a hunt than on a diet.

Kailashka is a popular Bulgarian grape-brandy. The brand claims “Tradition in every drop”. Everything about it is old school – the recipe, the bottle, the label. To capture the spirit of the age when it was born we visited the National Archives to find pictures of times past, and the men who made the product what it is.

Advertising Agency: Graffiti BBDO, Sofia, Bulgaria
Creative Directors: Kiril Stoyanov, Lubomir Panayotov
Art Director: Nikolay Boyanov
Copywriters: Lubomir Panayotov, Maya Zlatkova
Additional credits: Petya Savova
Published: May 2014

Kailashka: From the time when, 3

From the time when your grandfather didn’t have time for depression.

Kailashka is a popular Bulgarian grape-brandy. The brand claims “Tradition in every drop”. Everything about it is old school – the recipe, the bottle, the label. To capture the spirit of the age when it was born we visited the National Archives to find pictures of times past, and the men who made the product what it is.

Advertising Agency: Graffiti BBDO, Sofia, Bulgaria
Creative Directors: Kiril Stoyanov, Lubomir Panayotov
Art Director: Nikolay Boyanov
Copywriters: Lubomir Panayotov, Maya Zlatkova
Additional credits: Petya Savova
Published: May 2014

Kailashka: From the time when, 4

From the time when it was more important to crop the land than your chest.

Kailashka is a popular Bulgarian grape-brandy. The brand claims “Tradition in every drop”. Everything about it is old school – the recipe, the bottle, the label. To capture the spirit of the age when it was born we visited the National Archives to find pictures of times past, and the men who made the product what it is.

Advertising Agency: Graffiti BBDO, Sofia, Bulgaria
Creative Directors: Kiril Stoyanov, Lubomir Panayotov
Art Director: Nikolay Boyanov
Copywriters: Lubomir Panayotov, Maya Zlatkova
Additional credits: Petya Savova
Published: May 2014

Volkswagen Polo: Tiger

Advertising Agency: DDB, Barcelona, Spain
General Creative Director: José Maria Roca de Vinyals
Creative Directors: Javier Melendez, Xavi de la Cruz
Producer: Vicky Moñino
Production: Canada
Director: Erik Morales
Producer: Julia Carrasco
DOP: Juanmi Azpiroz
Color: Marc Morató
Editor: Ramon Morejon
Flame Artist / Supervisor VFX: Xavi Bertran
3D: Nico Roig, Marcial Aparicio
Sound: BSO

Mountex: El Camino Tour Bible

Advertising Agency: ACG, Hungary

With Apple's New Products Looming, Ikea's Apple Send-up Goes Viral


Even though summer technically hasn’t ended yet, fall is in full swing on the Visible Measures Viral Video Chart, tracking views through the week that ended Sunday. The No. 1 spot goes to a Google Chromebook ad aimed at students returning to school.

As the world waits with bated breath for news about the latest Apple products, meanwhile, Ikea’s clever send-up of the fuss surrounding tech sits in third place this week. To date, that video’s been watched more than 7.7 million times.

And there are six sports-related spots in this week’s top ten, with four coming from sports mainstays Nike, Adidas and Gatorade. But watchmaker TAG Heuer and Spanish fashion label Paco Rabanne turned in powerful sports-themed spots that involve unlikely athlete pairings too.

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Why Brand Measurement Matters in a Programmatic World


The ad industry has always been consumed with the latest trends. This should be no surprise, given that marketers and their agencies spend the better part of their days trying to create them. But nothing in advertising has generated more buzz in recent months than programmatic buying. Buying ad inventory more efficiently by applying rules to technology-enabled, automated purchases has marketers salivating.

Amid all the euphoria, an important question has emerged: how to measure the effectiveness of programmatically bought brand advertising. This is fairly straightforward for direct-response advertising — the same activity-based measures employed for years (click-throughs, views, etc.) still apply, and programmatic platforms and trading desks have done a fantastic job of seamlessly integrating them into a marketer’s workflow.

But brand advertising is more complicated, as the traditional measures of effectiveness (campaign reach, resonance, and reaction) requires more manual involvement in establishing and interpreting the results — all of which can counteract the efficiencies that programmatic buying offers in the first place.

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