Advertising Agency: The Vault, New York, USA
Creatives: Jon Paley, Sally Kapsalis, Josh Weissglass, Stephanie Mueller
Editorial: Arcade Edit
Editor: Jeff Ferruzzo
Managing Partner: Damian Stevens
Executive Producer: Sila Soyer
Producer: Cecilia Melton
Advertising Agency: The Vault, New York, USA
Creatives: Jon Paley, Sally Kapsalis, Josh Weissglass, Stephanie Mueller
Editorial: Arcade Edit
Editor: Laurel Smoliar
Managing Partner: Damian Stevens
Executive Producer: Sila Soyer
Producer: Cecilia Melton
Advertising Agency: TDA_Boulder, Boulder, USA
Creative Director: Jeremy Seibold
Art Director: Austin O’Connor
Copywriter: Dan Colburn
Executive Creative Director: Jonathan Schoenberg
Agency Producer: Susan Fisher
Production Co.: MJZ
Directors: The Perlorian Brothers
D.P.: Marten Tedin
Executive Producer: Scott Howard
Line Producer: Brady Vant Hull
Editorial/Post: Cosmo Street Editorial
Editor: Katz
Asst. Editor: John Bradley
Post Producer: Jamie Perritt
Color Correct: Company 3
Telecine Operator: Mike Pethel
Mix/Sound Design: Lime Studios
Engineer: Zac Fisher
Published: July 2014
Advertising Agency: TDA_Boulder, Boulder, USA
Creative Director: Jeremy Seibold
Art Director: Austin O’Connor
Copywriter: Dan Colburn
Executive Creative Director: Jonathan Schoenberg
Agency Producer: Susan Fisher
Production Co.: MJZ
Directors: The Perlorian Brothers
D.P.: Marten Tedin
Executive Producer: Scott Howard
Line Producer: Brady Vant Hull
Editorial/Post: Cosmo Street Editorial
Editor: Katz
Asst. Editor: John Bradley
Post Producer: Jamie Perritt
Color Correct: Company 3
Telecine Operator: Mike Pethel
Mix/Sound Design: Lime Studios
Engineer: Zac Fisher
Published: July 2014
Advertising Agency: TDA_Boulder, Boulder, USA
Creative Director: Jeremy Seibold
Art Director: Austin O’Connor
Copywriter: Dan Colburn
Executive Creative Director: Jonathan Schoenberg
Agency Producer: Susan Fisher
Production Co.: MJZ
Directors: The Perlorian Brothers
D.P.: Marten Tedin
Executive Producer: Scott Howard
Line Producer: Brady Vant Hull
Editorial/Post: Cosmo Street Editorial
Editor: Katz
Asst. Editor: John Bradley
Post Producer: Jamie Perritt
Color Correct: Company 3
Telecine Operator: Mike Pethel
Mix/Sound Design: Lime Studios
Engineer: Zac Fisher
Published: July 2014
Brian Dunbar
David&Goliath’s founder and chief executive officer, David Angelo, has named Director for Client Services Brian Dunbar to the newly created role of president, and Executive Creative Director Colin Jeffery as the new chief creative officer. Angelo, meanwhile, will assume the newly created position of chairman while continuing to work with clients, AdAge reports.
“I’m still going to be hands-on and working with clients, but it’s a signal to the agency and everyone else that I have to share the responsibility of running an agency and its growth,” Angelo told AdAge, adding, “you can only do so much when you have growth like this. This move is less about taking a step back and more about dividing up responsibilities.” (more…)
New Career Opportunities Daily: The best jobs in media.
Most spec redesigns of classic brand logos aren’t that great, so I cringed when I saw that someone was putting a new spin on Coca-Cola cans. Turns out I underestimated Ryan Harc, whose colorless can with a convex logo pressed right into the aluminum is pretty snazzy.
This apparently might be more eco-friendly than painting the cans, as it could reduce energy use and pollution in both the production and recycling processes. Plus, it looks like it was dispensed from a vending machine in The Bourne Identity, which is a good thing.
Not that Coke is going to ditch its iconic red anytime soon, of course.
Via PSFK.
Studio Swine se déplace le long de la route du cheveu pour explorer ce commerce chinois et son potentiel en tant que ressource d’avenir. Les réalisateurs Alexander Groves & Azusa Murakami nous montrent ici une utilisation artistique des cheveux, donnant ainsi naissance à une veritable oeuvre d’art.
O ser humano é contraditório. Ao mesmo tempo em que quer estar presente em redes sociais, muitos vivem preocupados com sua privacidade. Com isso, muitos têm buscado alternativas que não arquivem as mensagens enviadas, apagando-as depois de alguns segundos – como é o caso, por exemplo, do Snapchat. A essa lista, podemos incluir agora o Voycee, uma rede social que permite que os usuários façam atualizações no estilo do Facebook, mas que apaga a anterior quando uma nova é criada.
O discurso do aplicativo, que por enquanto está disponível apenas para iOS, é a privacidade acima de tudo. A política de histórico zero lembra que o ser humano está sempre mudando, o que significa que seu “eu” de hoje pode não ser o mesmo de ontem ou do ano passado.
Textos, imagens, vídeos e áudios… tudo pode ser usado no Voycee, que também permite comentários e likes. Isso até a próxima atualização, claro. Será que vai pegar? 
Post originalmente publicado no Brainstorm #9
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As produções independentes da Netflix têm feito sucesso não apenas com o público, mas também com a crítica. Entre os indicados ao Emmy deste ano, tanto “Orange is the New Black” quanto “House of Cards” foram grandes destaques.
A primeira temporada da história de Piper Chapman arrematou 12 indicações, fazendo de “OITNB” a série de comédia mais indicada desse Emmy. Já a segunda temporada da trama política de Frank Underwood recebeu 13 indicações, com o casal Underwood (Robin Wright e Kevin Spacey) apontados para os prêmios de melhor atriz e melhor ator de série dramática.
Com a indicação de dois documentários originais e de uma sitcom, o Netflix comemora um total de 31 indicações ao Emmy, ficando no terceiro lugar entre as produtoras mais lembradas pela premiação, atrás apenas da HBO (99 indicações) e da FX (45).
Dentre as premiações oferecidas a programas de TV a cabo, não é nenhuma surpresa ver “Game of Thrones” como o grande destaque, com 19 indicações ao Emmy, inclusive a de melhor série dramática da TV.
A lista completa de indicados ao Emmy, que incluem outras séries como “Fargo”, “American Horror Story”, “Breaking Bad”, “Downton Abbey”, “True Detective”, “The Newsroom” e “Modern Family”, pode conferida no site oficial da premiação.
Post originalmente publicado no Brainstorm #9
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Nature is tricky. The all-new 2014 Jeep Grand Cherokee with Navigation System.
Advertising Agency: Leo Burnett Tailor Made, São Paulo, Brazil
Creative Directors: Marcelo Reis, Vinicius Stanzione, Alessandro Bernardo
Art Director: Henri Honda
Copywriter: Renato Ramalho
Published: April 2014
Nature is tricky. The all-new 2014 Jeep Grand Cherokee with Navigation System.
Advertising Agency: Leo Burnett Tailor Made, São Paulo, Brazil
Creative Directors: Marcelo Reis, Vinicius Stanzione, Alessandro Bernardo
Art Director: Henri Honda
Copywriter: Renato Ramalho
Published: April 2014
Nature is tricky. The all-new 2014 Jeep Grand Cherokee with Navigation System.
Advertising Agency: Leo Burnett Tailor Made, São Paulo, Brazil
Creative Directors: Marcelo Reis, Vinicius Stanzione, Alessandro Bernardo
Art Director: Henri Honda
Copywriter: Renato Ramalho
Published: April 2014
This morning we confirmed changes at the top of the Zimmerman organization. Over the past seven months, three C-level staffers have departed:
Zuckerman was the most recent party to leave the agency in June; we have no official statement from Zimmerman regarding the current status of these three or the search for their replacements.
A refresher: these changes come approximately one year after the last major reshuffling at the Tampa agency. In the first half of 2013, EVP Chris Apostle left after just a month to occupy the EVP/CSO position at Integrated Media Solutions while Patregnani went from President to CEO and Andrew Varga, former CMO at one-time Zimmerman client Papa John’s, assumed Patregnani’s old role.
A quick look at the shop’s site finds that the profiles in question have indeed been removed and that no one currently occupies the CEO or VP positions.
In other Zimmerman news, this week brought word that former client hhgregg is now current client hhgregg.
New Career Opportunities Daily: The best jobs in media.
The study by the Journalism Project at the Pew Research Center, which surveyed all 50 capitals, found a loss of 164 full-time statehouse reporters since 2003.
Unilever is wrapping up a procurement-driven exercise that will likely result in an updated digital agency roster and a new way of evaluating its digital agency selection process, according to people familiar with the matter.
The end goal is to create cost efficiencies by streamlining and centralizing the agency vetting process, previously spearheaded by brands.
The idea is for brands to turn to the list, controlled by Unilever, every time they want to invite agencies to pitch for a project. Agencies on the list might not be working on retainer, but they will have already been given an estimated base-level annual revenue mark, according to executives. Agency payment would ultimately come from a larger pot as opposed to an individual brand pot, with rates pre-negotiated by procurement.
Like most things in India, this mobile-ad story revolves around cricket.
Four years ago, in Bangalore, Valerie Wagoner and Amiya Pathak were toying with ways to try out their software, which generates ‘missed calls,’ a common Indian practice for circumventing photo data costs. They turned to the nation’s favorite pastime, creating a polling tool for a cricket tournament. Fans flooded the lines with calls, giving Ms. Wagoner and Mr. Pathak enough fuel to form their company, Zipdial.
Last week, Facebook introduced its newest ad product: a news-feed button that uses the same software trait. One of the ads baits fans of the Rajasthan Royals cricket squad, which is sponsored by Garnier Men. Garnier bought the ad from Facebook. But once the user taps the button, the campaign moves to Zipdial.
McCann Worldgroup has promoted Pablo Walker, the president of McCann Worldgroup Latin America and Caribbean, to president of McCann Worldgroup Europe.
(TrendHunter.com) Leave it to Buzzfeed to create a post titled ‘Heartbreaking pictures of Brazil Fans Before And After Their World Cup Loss.’ Yet the series is not so far-fetched considering the backing…
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