Glue-it: Jackson 5

Advertising Agency: Maruri Grey, Guayaquil, Ecuador
Creative Directors: Pipo Morano, Alejandro Peré, Luis Campoverde
Agency Producer: Ana Puig
Photographer: Mauricio Candela
Production: The Blur Office
Photographer Producer: Michelle Jayme

Glue-it: Armstrong

Advertising Agency: Maruri Grey, Guayaquil, Ecuador
Creative Directors: Pipo Morano, Alejandro Peré, Luis Campoverde
Agency Producer: Ana Puig
Photographer: Mauricio Candela
Production: The Blur Office
Photographer Producer: Michelle Jayme

Johnson & Johnson: Once upon a care

Advertising Agency: JWT, New York, USA
Executive Creative Director: Eric Weisberg
Creative Director: Dave Wasserman
Art Director: Jordan Young
Copywriter: Carl Mallia
Chief Creative Officer: Jeff Benjamin
Planners: Cathy Clift, Patrice Lamiral, Hanna Park
Head of Production: Lisa Setten
Directors of Brand Production: Bill Finnegan & Caroline Coleman
Senior Producer: George Roca
Producer: Andrea Rodriguez
Music Producer: Dan Burt
Director of Integrated Business Affairs: Julia Clark
Business Manager: Mary Rose Rossi
Director of Studio Operations: Russell Sharpe
Art Buyers: Sheri Rosenberg, Hugo Fitzgerald
Account Team: Amy Frisch, Maria Sweeney, Andres Tamayo, Remy Wainfeld
Director: Robert Gilbert
Production Company: Rooster
Post-Production: Cut & Run
Editing House: Cut & Run
Editor: Georgia Dodson
Media Agency: J3

JWT: The Business Road Trip

Advertising Agency: JWT Brazil
Chief Creative Officer: Ricardo John
Head of Art: Fabio Simões
Creative Directors: Hernán Rebaldería, Santiago Dulce
Copywriters: Gabriel Morais, Hernán Rebaldería
Art Director: João Unzer
Designer: Gabriel Guedelha
Retouchers: Julio Freitas, João Bola
Edition: Fabio Santos
Account Team: Kazuo Sugui, Fred Camargo, Rita Saito
Media: Aline Moda
Agency Producer: Marcia Lacaze
Art Buyer: Fafa Oliveira
Graphic Producer: Flavio Schaefer
Digital: Codify
Production Company: JWT
Directors: Santiago Dulce, João Unzer
Production: Diego Kobayashi
Animation: Paulo Stocker / Banzaii Studio
Finishing: Emerson Jardim
Music: Vinylo Sound Perú
Sound Production: Shuffle

Amnesty International: Nose

He has his mother’s nose.
Report abuse.

Advertising School: Brother Ad School, Buenos Aires, Argentina
Art Director: Diogo MonteCarlo
Copywriter: Luis Gutiérrez
Retoucher: Diogo MonteCarlo
Photographer: Lucas Rozada

Amnesty International: Lips

He has his mother’s lips.
Report abuse.

Advertising School: Brother Ad School, Buenos Aires, Argentina
Art Director: Diogo MonteCarlo
Copywriter: Luis Gutiérrez
Retoucher: Diogo MonteCarlo
Photographer: Lucas Rozada

Amnesty International: Eyes

He has his mother’s eyes.
Report abuse.

Advertising School: Brother Ad School, Buenos Aires, Argentina
Art Director: Diogo MonteCarlo
Copywriter: Luis Gutiérrez
Retoucher: Diogo MonteCarlo
Photographer: Lucas Rozada

XXXLutz KG/ Mömax: The doubled change

Advertising Agency: Demner, Merlicek & Bergmann, Vienna, Austria
Creative Directors: Alistair Thompson, Rene Pichler
Art Director: Lukas Hueter
Copywriter: Daniel Wagner
Graphic Designers: Daniela Sobitschka, Julian Foelser
Account Manager: Oliver Weiss
Producer: Denise Mayerhofer
Final Art Work: Reinhard Krapfl
Published: October 2013

The Tire Rack: First Date

Advertising Agency: The Richards Group, USA
Creative Director / Copywriter: Bill Cochran
Creative Director / Art Director: Patrick Murray
Broadcast Producer: Carol Leftwich
Broadcast Business Manger: Michael Sonnier
Production: Sugar Film Production
Director: Chris Smith
Executive Producer: Tony Miglini
Line Producer: Michelle Isbell
Editorial: Sugar Film Production

The Tire Rack: Mynah Bird

Advertising Agency: The Richards Group, USA
Creative Director / Copywriter: Bill Cochran
Creative Director / Art Director: Patrick Murray
Broadcast Producer: Carol Leftwich
Broadcast Business Manger: Michael Sonnier
Production: Sugar Film Production
Director: Chris Smith
Executive Producer: Tony Miglini
Line Producer: Michelle Isbell
Editorial: Sugar Film Production

The Tire Rack: Racing

Advertising Agency: The Richards Group, USA
Creative Director / Copywriter: Bill Cochran
Creative Director / Art Director: Patrick Murray
Broadcast Producer: Carol Leftwich
Broadcast Business Manger: Michael Sonnier
Production: Sugar Film Production
Director: Chris Smith
Executive Producer: Tony Miglini
Line Producer: Michelle Isbell
Editorial: Sugar Film Production

Miyako Island: The shut down island

Advertising Agency: Dentsu, Tokyo, Japan
Creative Directors: Yoshihiro Kawamura, Akira Suzuki
Executive Producer: Kana Izumi
Riddle Director: Takao Kato
Riddle Supervisor: Hikaru Sakaidani
Event Producer: Naoki Matsuda
Strategic Planner: Saori Tani
Event Planner: Kengo Nogami
Event Directors: Kota Kubota, Katsuya Cho
PR Director: Tetsu Yoshikawa
PR Planner: Kazuyoshi Suzuki
Media Buyers: Hirofumi Tomatsu, Ikuko Fukushima
Producer: Yusuke Mizukoshi
PR Planners: Satoshi Shinjin, Fuyuka Arita
Published: January 2014

W+K Gets Animated in ‘Short Film’ for Nike

Back in April, we covered “Winner Stays,” part of W+K’s “Risk Everything” campaign for Nike, which feature some of the world’s best soccer talent and clocked in at over four minutes long. Now, with only three days to go until the 2014 World Cup kicks off, W+K is back with an even lengthier effort for Nike.

Like “Winner Stays,” the new spot, entitled “The Last Game,” features some of the best players in the world — only this time they’re animated and voiced by voice actors. The over five-minute long “short film” tells the story of a scientist who creates clones of the great players which remove risk-taking in favor of efficiency and decision-making abilities. The results on the game are disastrous, turning it into a complete bore. Brazilian legend Ronaldo decides to do something about it, and gets together a team of superstars, all now leading “normal” lives, to take on the clones in a sudden death match.

Somehow the lengthy “The Last Game” doesn’t feel as long as its predecessor. While the trend of calling long ads “short films” is a touch ridiculous, W+K comes closer to earning that title than most do with “The Last Game,” which, in addition to some fine animation, has a plot that convincingly tells a story that viewers (especially children) may actually feel compelled to follow to its conclusion. While “Winner Stays” felt like an idea drawn out past the point of effectiveness, “The Last Game” actually uses all of its extended run time in service of a story. Whether or not it’s the most effective way to market Nike, the results are certainly entertaining. In addition to the full-length online spot, the campaign also includes 30-second trailers and athlete-specific teasers, and will run for six weeks. We’ve got a full list of credits after the jump. continued…

New Career Opportunities Daily: The best jobs in media.

CitiBike, Campaigns to Help Children Earn GoodWorks Effie Awards


When Ad Age and Effie Worldwide launched the GoodWorks Effie six years ago, our goal was to showcase great work being done by both corporate and not-for-profit organizations to create positive change in the world. We hoped to support worthy causes deserving of attention, and encourage major brands to use the power of their platforms for good.

Since the launch we have showcased many great campaigns underscoring the most important feature of corporate-responsibility campaigns: authenticity. Past and current brand winners serve as wonderful reminders of just how impactful purpose-based campaigns can be when they align so well with a brand. Those include AT&T’s Last Text, American Express’ Small Business Saturday and this year’s CitiBike.

However, it is two of this year’s not-for-profit winners, Missing Children of Canada and Thorn, that provide another important reminder and lesson for marketers and campaigns of all kinds. These two winners showcase just how effective the digital platform can be by pairing digital savvy with the right messaging and a bit of creativity, regardless of the budget size.

Continue reading at AdAge.com

In the Name of Futbol, Ariana Lima Reduces Men to Puddles of Slack-Jawed Helplessness

ariana_lima_kia_futbol.jpg

No sooner had we shared our lament over the fact Carl’s Jr. and Hardee’s had seemingly abandoned their sex sells approach, we see Kia is unapologetically illustrating the awesome power a hot woman holds over a man, or in this case, sports fans who think there are actually sports other than soccer worth watching during World Cup month.

In three David&Goliath-created spots, Adriana Lima (and her endless legs and come-hither smirk) turns men into slack-jawed putty which she then molds into World Club fans by cooing, “In my country, this is football.”

Like lemmings off a cliff, every guy is more than happy to become a soccer fan for a month. And why not? What wouldn’t you do for a supermodel in a little black dress?

Instagram promises 'care and consideration' as it prepares UK ad launch

Brands will soon be able to run ads on Instagram as the photo-sharing site prepares to expand its ad proposition to the UK following a US trial.

Watch John Oliver's Brilliant, Brutal FIFA World Cup Soccer Takedown


The FIFA World Cup starts on Thursday, but it’s in the news today not for the games about to kick off in Brazil, but for the 2022 games planned for Qatar. Sponsors Sony, Adidas, Visa and Coca-Cola are up in arms over a fresh round of allegations that the sovereign Arab emirate landed the World Cup through improper means.

For Americans who may not closely follow the World Cup or the shenanigans of its Zurich-based international governing body, HBO’s John Oliver has come to the rescue. In an extended rant delivered as a part of last night’s “Last Week Tonight with John Oliver,” the soccer-loving Brit calls the Fdration Internationale de Football Association “a comically grotesque organization” with a history of corruption and scandals, explains why Brazil will be financially worse off once the games are over (“Brazil, let me put this in terms you might understand: Think of money as pubic hair and FIFA as wax”), and takes a look at the deadly, slavery-like conditions surrounding the construction of soccer facilities in Qatar.

Simon Dumenco is the “Media Guy” columnist for Advertising Age. You can follow him on Twitter @simondumenco.

Continue reading at AdAge.com

Curta da Nike reúne melhores atletas para o ‘último jogo’

Em um mundo onde o futebol não passa de matemática e estatística, o jogo obviamente ia perder a graça. Às portas do início da Copa do Mundo, a Nike estreia na web o curta “O Último Jogo”, uma distopia em que o futebol é composto por atletas robóticos, que conseguem prever cada jogada,  se movimentando melhor do que jogadores reais.

Poster_Rio_large

Nesse cenário, o brasileiro Ronaldo Fenômeno aparece como um Yoda dos ~Padawans~ Zlatan Ibrahimovic, Neymar, Cristiano Ronaldo, David Luiz, Iniesta e outros talentos do futebol mundial. Com o mantra ‘não há risco maior do que jogar sem arriscar’, o curta mostra que a grande emoção do futebol é ser surpreendido pelas jogadas dos melhores atletas do mundo, que coincidentemente estarão reunidos para o campeonato mundial nas próximas semanas.

LAST_GAME_ZLATAN_large
LAST_GAME_CRISTIANO_RONALDO_large

Uma ótima jogada de animação da Nike, realizada em parceria com a Wieden + Kennedy e Passion Pictures.

ultimo-jogo-nike

Brainstorm9Post originalmente publicado no Brainstorm #9
Twitter | Facebook | Contato | Anuncie

Leroy Merlin: Spring Cleaning

Give your house a spring clean.

Advertising Agency: Péoléo, Paris, France
Creative Director: Loïc Moreau
Art Directors: Quentin Delachaux, Thomas Caplain
Copywriter: Florian Cauquil
Photographer: Yann Le pape
3D: Péoléo
Published: April 2014

Direct Line Group: Make Donny Smile

Advertising Agency: Havas People, London, UK
Creative Director / Art Director: Dan Gregory
Copywriter: Andy Sewell
Video: Agile Films
Published: January 2014